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The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
Debussy Orchestrations Caplet Ansermet Stokowski Ravel Busser Orchestre Symphonique De Québec Yoav Talmi
Children’s Corner Debussy orchestrations Caplet Ansermet Stokowski Ravel Busser Orchestre symphonique de Québec Yoav Talmi ACD2 2671 ATM A Classique Debussy orchestrations Caplet Ansermet Stokowski Ravel Busser Orchestre symphonique de Québec Yoav Talmi Claude Debussy 1862-1918 Children’s Corner [ 17:06 ] 14 • Sarabande [ 4:43 ] ORCHESTRATION ANDRÉ CAPLET ORCHESTRATION MAURICE RAVEL 1 • Doctor Gradus ad Parnassum [ 2:33 ] 2 • Jimbo’s Lullaby [ 3:24 ] 15 • Danse [ 5:41 ] 3 • Serenade of the Doll [ 2:50 ] (T ARENTELLE STYRIENNE ) 4 • The Snow is Dancing [ 2:35 ] ORCHESTRATION MAURICE RAVEL 5 • The Little Shepherd [ 2:48 ] 6 • Golliwogg’s Cake Walk [ 2:56 ] 16 • La Soirée dans Grenade [ 5:12 ] EXTRAIT DES ESTAMPES Six Épigraphes antiques [ 15:56 ] ORCHESTRATION HENRI BUSSER ORCHESTRATION ERNEST ANSERMET Petite Suite [ 14:46 ] 7 • I Pour évoquer Pan, dieu du vent d’été [ 2:38 ] ORCHESTRATION HENRI BUSSER 8 • II Pour un tombeau sans nom [ 3:27 ] 9 • III Pour que la nuit soit propice [ 2:06 ] 17 • I En bateau [ 4:12 ] 10 • IV Pour la danseuse aux crotales [ 2:37 ] 18 • II Cortège [ 3:42 ] 11 • V Pour l’Égyptienne* [ 2:57 ] 19 • III Menuet [ 3:35 ] 12 • VI Pour remercier la pluie au matin [ 2:11 ] 20 • IV Ballet [ 3:17 ] *PHILIPPE MAGNAN – HAUTBOIS SOLO | SOLO OBOE 21 • Clair de lune [ 4:57 ] EXTRAIT DE LA SUITE BERGAMASQUE 13 • [ 5:09 ] Clair de lune ORCHESTRATION ANDRÉ CAPLET EXTRAIT DE LA SUITE BERGAMASQUE ORCHESTRATION LEOPOLD STOKOWSKI Avec l’aimable autorisation de la Leopold Stokowski Orchestre symphonique Collection, bibliothèque de la University of Pennsylvania de Québec By arrangement with the Leopold Stokowski Collection, University of Pennsylvania Library Yoav Talmi Children’s corner ORCHESTRATION ANDRÉ CAPLET La suite Children’s corner porte la dédicace « À ma chère petite Chouchou, avec les tendres excuses de son père pour ce qui va suivr e ». -
Fabien Gabel
RAVEL POULENC OFFENBACH Fabien Gabel ACD2 2757 Jacques Offenbach (1819-1880) Gaîté parisienne, extraits Arrangement : Manuel Rosenthal (1904-2003) 14. Ouverture ( d’après La vie parisienne ) [2:25] 15. No 1. Allegro brillante ( d’après Mesdames de la Halle, 1858 ) [1:10] Maurice Ravel (1875-1937) 16. No 2. Polka ( d’après Le voyage dans la lune ) [1:44] Valses nobles et sentimentales (version pour orchestre) 1 7. No 6. Allegro ( d’après La vie parisienne ) [1:15] 1. I. Modéré [1:24] 18. No 8. Valse lente ( d’après Orphée aux enfers ) [3:22] 2. II. Assez lent [2:58] 19. No 9. Tempo di marcia ( d’après Tromb-al-ca-zar ) [1:34] 3. III. Modéré [1:41] 20. No 10. Valse moderato ( d’après La belle Hélène ) [1:58] 4. IV. Assez animé [1:21] 21. No 13. Allegro molto ( d’après Le voyage dans la lune ) [2:15] 5. V. Presque lent [1:37] 22. No 15. Allegro ( Manuel Rosenthal ) [0:29] 6. VI. Assez vif [0:50] 23. No 16. Cancan ( d’après Orphée aux enfers et Robinson Crusoé ) [2:13] 7. VII. Moins vif [3:01] 24. No 17. Quadrille ( Orphée aux enfers ) [1:03] 8. VIII. Épilogue [4:29] 25. No 18. [ Allegro ] ( Orphée aux enfers ) [0:46] 26. No 19. Allegro moderato [0:49] Francis Poulenc (1899-1963) 2 7. No 20. Allegro / No 21. [ Allegro ] ( Orphée aux enfers ) [1:32] Les Biches suite, FP 36 28. No 22. Vivo ( Orphée aux enfers ) [1:09] 9. Rondeau [3:29] 29. No 23. -
Fabien Gabel Jacques Offenbach (1819-1880) Gaîté Parisienne, Extraits Arrangement : Manuel Rosenthal (1904-2003)
RAVEL POULENC OFFENBACH Fabien Gabel Jacques Offenbach (1819-1880) Gaîté parisienne, extraits Arrangement : Manuel Rosenthal (1904-2003) 14. Ouverture ( d’après La vie parisienne ) [2:25] 15. No 1. Allegro brillante ( d’après Mesdames de la Halle, 1858 ) [1:10] Maurice Ravel (1875-1937) 16. No 2. Polka ( d’après Le voyage dans la lune ) [1:44] Valses nobles et sentimentales (version pour orchestre) 1 7. No 6. Allegro ( d’après La vie parisienne ) [1:15] 1. I. Modéré [1:24] 18. No 8. Valse lente ( d’après Orphée aux enfers ) [3:22] 2. II. Assez lent [2:58] 19. No 9. Tempo di marcia ( d’après Tromb-al-ca-zar ) [1:34] 3. III. Modéré [1:41] 20. No 10. Valse moderato ( d’après La belle Hélène ) [1:58] 4. IV. Assez animé [1:21] 21. No 13. Allegro molto ( d’après Le voyage dans la lune ) [2:15] 5. V. Presque lent [1:37] 22. No 15. Allegro ( Manuel Rosenthal ) [0:29] 6. VI. Assez vif [0:50] 23. No 16. Cancan ( d’après Orphée aux enfers et Robinson Crusoé ) [2:13] 7. VII. Moins vif [3:01] 24. No 17. Quadrille ( Orphée aux enfers ) [1:03] 8. VIII. Épilogue [4:29] 25. No 18. [ Allegro ] ( Orphée aux enfers ) [0:46] 26. No 19. Allegro moderato [0:49] Francis Poulenc (1899-1963) 2 7. No 20. Allegro / No 21. [ Allegro ] ( Orphée aux enfers ) [1:32] Les Biches suite, FP 36 28. No 22. Vivo ( Orphée aux enfers ) [1:09] 9. Rondeau [3:29] 29. No 23. Barcarolle ( d’après Les contes d’Hoffmann et Les fées du Rhin ) [3:47] 10. -
FRENCH CONCERTOS from the 19Th Century to the Present
FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers L-Z ÉDOUARD LALO - see separate page SERGE LANCEN (1922-2005) Born in Paris. After some initial training, he studied the piano with Marguerite Long and Lazare Lévy as well as composition with Noël Gallon and Tony Aubin at the Paris Conservatory. In 1950 he was awarded the "Prix de Rome." He composed various genres of music including chamber music, works for piano, ballet music, a chamber opera and symphonic compositions. He excelled in music for band. Among his unrecorded concertante works are his Piano Concerto (1947-51), Piano Concertino (1949), Harmonica Concerto (1954), Violin Concerto (1966), Concerto Rhapsodie for Piano and Orchestra (1974), Concerto for Violin, Double Bass and Orchestra (1985) and Harp Concerto (1988). Concerto for Double Bass and String Orchestra (1962) Yoan Goilav (double bass)/Clemens Dahinden/Winterthur String Ensemble ( + Cooqui, Montag: Extrême, Bloch: Prayer, Mortari: Duettini Concertati, Schubert: Arpeggione Sonata and Sperger: Sonata à Due) TUXEDO MUSIC TUXCD 1205 (2001) (original LP release: CLASSIC PIC (70-121) (1976) Concerto Champêtre for Harp and Wind Orchestra (1968) Joke Brethouwer (harp)/Jan Cober/Brabant Conservatory Wind Orchestra ( + Trombone Concerto and Parade Concerto) MBCD 31.1016.72 (1990) Hélène Silvie (harp)/Désiré Dondeyne/Orchestra ( + Damase: Harp Concerto, Grandjany: Aria in Classic Style and Dondeyne Quintet for Harp ad String Quartet) QUANTUM QM 7030 (2004) Concerto da Camera for Flute and Orchestra (1962) Pedro Eustache (flute)/Daniel Chabrun/Orchestre de Chambre de l'ORTF ( + Printanieres, Leclair: Violin Concerto, and Boismortier: Flute Sonata) FRENCH BROADCASTING SYSTEM IN NORTH AMERICA, Programs 619-20 (2 non-commercial LPs) (c. -
JULES MASSENET – His Life and Works by Nick Fuller I
JULES MASSENET – His Life and Works By Nick Fuller I. Introduction Jules Massenet’s operas made him one of the most popular composers of the late nineteenth century, his works performed throughout Europe, the Americas and North Africa. After World War I, he was seen as old- fashioned, and nearly all of his operas, apart from Werther and Manon , vanished from the mainstream repertoire. The opera-going public still know Massenet best for Manon , Werther , and the Méditation from Thaïs , but to believe, as The Grove Dictionary of Opera wrote in 1954, that ‘to have heard Manon is to have heard all of him’ is to do the composer a gross disservice. Massenet wrote twenty-seven operas, many of which are at least as good as Manon and Werther . Nearly all are theatrically effective, boast beautiful music and display insightful characterisation and an instinct for dramatic and psychological truth. In recent decades, Massenet’s work has regained popularity. Although he Figure 1 Jules Massenet, drawing by Ernesto Fontana (Source: is not the household name he once http://artlyriquefr.fr/personnages/Massenet%20Jules.html) was, and many of his operas remain little known, he has been winning new audiences. Conductors like Richard Bonynge, Julius Rudel and Patrick Fournillier have championed Massenet, while since 1990 a biennial Massenet festival has been held in his birthplace, Saint-Étienne, in the Auvergne-Rhône-Alpes, its mission to rediscover Massenet’s operas. His work has been performed in the world’s major opera houses under the baton of conductors Thomas Beecham, Colin Davis, Charles Mackerras, Michel Plasson, Riccardo Chailly and Antonio Pappano, and sung by Joan Sutherland, José van Dam, Frederica von Stade, Nicolai Gedda, Roberto Alagna, Renée Fleming, Thomas Hampson and Plácido Domingo. -
21.92 More Lps, Laser Discs. Pp 164-177
LP SETS and SINGLES ALL IN EXCELLENT CONDITION (records and jackets) AND CONTAINING ORIGINAL PAPER MATERIALS, UNLESS OTHERWISE INDICATED, FOR SETS THAT ORIGINALLY INCLUDED THEM . MINIMUM BID AS INDICATED PER ITEM. A few have a small cut in the box usually on the right side. These were made by the dealer to indi- cate that the set was on sale. In some cases a small hole was punched in the upper right hand area instead. They are both indicated as “ small box cut ”. A few others have a neat plastic tape index label attached to the upper right cover and/or spine. “ Index lbl ” indicates such items. IN SUBMITTING YOUR BIDS FOR ITEMS IN THIS SECTION, PLEASE BE SURE TO INCLUDE THE CORRECT CATALOGUE NUMBER. OPERAS, OPERETTAS and EXTENDED VOCAL WORKS 5000. [FRANCO ALFANO ]. SAKUNTALA. Casapietra, Michele Molese, Tomleich, Mazzoli, dir. Ottavio Ziino. 2 LP boxed MRF 196. Factory sealed . $5.00. 5001. [ ALFANO] . CYRANO DE BERGERAC . Olivia Stapp, Johns, Blancas, dir. Maurizio Arenas. 2 2 LP boxed MRF 131. Factory sealed . $5.00. 5032. [ WILLIAM ALWYN ]. MISS JULIE . Jill Gomez, Benjamin Luxon, Della Jones, John Mitchinson, etc., dir. Vilem Tausky. 2 LP boxed Lyrita Stereo 121-2. Cover signed by Gomez, Jones and Luxon. $5.00. 5003. [DOMINICK ARGENTO ]. POSTCARDS FROM MOROCCO . 2 LP boxed set. Barbara Brandt, Barry Busse, Foreman, Hardy, Marshall, etc., dir. Philip Brunelle. 2 LP boxed Desto 7137/8. Factory sealed. $5.00. 5002. [ RAFFAELLO DE BANFIELD ] [libretto TENNESSEE WILLIAMS ]. LORD BYRON’S LOVE LETTER. Astrid Varnay, Gertrude Ribla, Carlin, Carrruba, dir. Nicola Rescigno. 1 LP. -
Louis Lortie Orchestre Symphonique De Québec
MENDELSSOHN Piano Concertos 1 & 2 | Symphony No. 5“Reformation ” LOUIS LORTIE ORCHESTRE SYMPHONIQUE DE QUÉBEC ACD2 2617 ATM A Classique FELIX MENDELSSOHN BARTHOLDY 1809 -1847 CONCERTO POUR PIANO N O 1, EN SOL MINEUR [18:13 ] PIANO CONCERTO NO. 1 IN G MINOR, OP. 25 1 T I. Molto allegro con fuoco [6:44 ] 2 T II. Andante [5:36 ] 3 T III. Presto [5:53 ] CONCERTO POUR PIANO N O 2, EN RÉ MINEUR [20:43 ] PIANO CONCERTO IN D MINOR, OP. 40 4 T I. Allegro Appassionato [8:28 ] 5 T II. Adagio [6:18 ] 6 T III. Presto scherzando [5:57 ] SYMPHONIE N O 5 « RÉFORMATIO N» [25:10 ] SYMPHONY NO. 5 “REFORMATION”, OP. 107 7 T I. Andante – Allegro con fuoco [10:06 ] 8 T II. Allegro vivace [4:33 ] 9 T III. Andante [3:02 ] 10 T IV. Choral: Ein’ feste Burg ist unser Gott (Andante con moto – Allegro vivace ) [7:29 ] ORCHESTRE SYMPHONIQUE DE QUÉBEC LOUIS LORTIE PIANO | DIRECTION FELIX MENDELSSOHN BARTHOLDY 1809 -1847 T Les concertos pour piano out semblait prédestiner Felix Mendelssohn Bartholdy au bonheu r : son Dès l’âge de treize ans, Mendelssohn aborde le répertoire concertant, écrivant Tprénom, une famille unie, aisée et cultivée – son grand-père, Moses, entre 1822 et 1824 un concerto pour piano, un pour violon et piano et deux pour était un des grands philosophes des Lumières −, un mariage heureux, un deux pianos, qui préparent le terrain aux deux œuvres pour soliste figurant sur cet talent musical précoce encensé par Goethe, et une brillante carrière inter - enregistrement. -
FRENCH CONCERTOS from the 19Th Century to the Present A
FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-K LOUIS ABBIATE (1866-1933) Born in Monaco. He learned the piano, organ and cello as a child and then attended the Conservatories Turin and Paris where he studied the cello. He worked as a cellist in the Monte Carlo Orchestra and then at Milan's La Scala. He taught the cello at the St. Petersburg Conservatory for some years and after the Russian Revolution returned to Monaco and became the first director of its École Municipale de Musique. He composed orchestral, chamber, instrumental and vocal works. Concerto Italien in A major for Piano and Orchestra, Op. 96 (1922) Maurice Bousquet (piano)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Monaecencis) ECCE MUSICA CM 306 (LP) (1970s) Concerto for Cello and Orchestra in D minor, Op. 35 (1895) Elaine Magnan (cello)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Les Elfes and Le Songe d'Or) ECCE MUSICA CM 312 (LP) (1970s) Monaecencis for Piano and Orchestra, Op. 110 (1925) Maurice Bousquet (piano)/Richard Blareau /Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Concerto Italien) ECCE MUSICA CM 306 (LP) (1970s) JEAN-LOUIS AGOBET (b. 1968) Born in Blois, Loir-et-Cher, Centre. He studied composition and electronic music at the Ecole Normale de Musique in Aix-en-Provence, followed by further studies at the Conservatoire National à Rayonnement in Nice and then with Philippe Manoury at the Conservatoire de Lyon. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman Composers I-Z JACQUES IBERT (1890-1962) Born in Paris. He studied at the Paris Conservatory with André Gédalge and Gabriel Fauré. In addition to composing he had a career as an administrator with his most important post being head of the Académie de France of Rome. He two most popular orchestral works are "Éscales" and "Divertissement" but his output was quite large including operas, ballets, film scores and much else for orchestra, chamber groups, solo instruments and voice. Some lesser-known orchestral pieces are his symphonic poem "Noel en Picardie," "Ballade de la Geôle de Reading" and the symphonic scherzo "Féerique." Symphonie Marine (1931) Louis Frémaux/City of Birmingham Symphony Orchestra ( + Divertissement, Bacchanale, Louisville Concerto, Bostoniana, Flute Concerto, Ouverture de Fête, Escales, Tropismes pour des Amours Imaginaires and Quatre Chansons de Don Quichotte) EMI I 20th CENTURYCLASSICS 0946932(2 CDs) (2011) (original LP release: HMV ASD 3176) (1976) Yutaka Sado/Orchestre des Concerts Lamoureux ( + Divertissement, Escales and Ouverture de Fête) NAXOS 8.554222 (2000) Symphony No. 2 (1st movement) "Bostoniana" (1955-61) Charles Dutoit/Montreal Symphony Orchestra ( + Escales, Flute Concerto, Suite Symphonique "Paris", Bacchanale, Louisville Concerto and Hommage à Mozart) DECCA 440332-2 (1994) Louis Frémaux/City of Birmingham Symphony Orchestra ( + Divertissement, Bacchanale, Louisville Concerto, Symphonie -
MARC HERVIEUX Meps Laisirs
MARC HERVIEUX Meps laisirs... ORCHESTRE SYMPHONIQUE DE QUÉBEC Stéphane Laforest ATM A Classique My Favorites... wanted to do a concert of my favorites, of the songs Iwhich, as a listener or singer, give me the greatest es pleasure. There’s no coherent logic to the choice of Mplaisirs... songs in this program. When I drew up my list of personal favorites I counted 500 songs, all of which ai voulu faire un concert avec des chansons coups de cœur qui , à écouter comme à chanter , I would love to be able to sing on recordings or in J’sont pour moi des plaisirs immenses. Il n ’y a pas de suite logique dans le choix de ce concert … My list is so long that I’d have to record a programme, car en dressant la liste de ces coups de cœur, l ’exercice aurait pu me faire inscrire disc every year for the next 50 years to get through it. 500 chansons, celles que j ’aimerais toutes pouvoir chanter sur disque ou en concert… Joking apart, the choice was not easy, but I can assure À ce compte, je me disais qu’il me faudrait enregistrer un disque par année pour les 50 you that the only criterion for including these songs prochaines années tant mon palmarès de belles chansons est long. Blague à part, le choix ne was simply my pleasure in listening to them or singing fut pas facile, mais je peux vous assurer que le seul critère qui me motivait à inclure ces pièces them … hence, the title of the album. -
FRENCH CONCERTOS from the 19Th Century to the Present A
FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers M-Z IVO MALEC (b. 1925) Born in Zagreb, Croatia. He studied at the Zagreb Academy of Music and became director of the Rijeka Opera. He went to Paris in 1955 and worked with Pierre Schaeffer's Groupe de Musique Concrete, becoming an active member of the musical avant-garde. Settling in Paris, he taught at the Paris Conservatory. He has composed works in various genres. "Arc-en-Cello," Concerto for Cello and Orchestra (2000) Ilia Laporev (cello)/Emmanuel Krivine/Orchestre Philharmonique du Luxembourg ( + Epistola) TIMPANI 1C1153 (2006) Ottava Alta for Violin and Orchestra (1995) Raphael Oleg (violin)/Arturo Tamayo/Orchestre Philharmonique du Luxembourg ( + Sonoris Causa and Exempla) TIMPANI 1C1086 (2004) Ottava Bassa for Double Bass and Orchestra (1984) Pierre Hellouin (double bass)/Michiyoshi Inoue/Orchestre National De France ( + Cantate Pour Elle and Arco-11) ERATO 2292-45521-2 (1990) Vibrafonietta for Vibraphone and String Orchestra Igor Lesnik (vibraphone)/Mladen Tarbuck/Croatian Radio/Television Symphony Orchestra (included in collectoion: Igor Lesnik - 20 Years Later") EQUILIBRIUM 84 (2008) CHRISTIAN MANEN (b. 1934) Born in Boulogne-Billancourt, a suburb of Paris. He began his musical studies at the Nice Conservatory before continuing them at the Paris Conservatory. After a stay at the Villa Medici in Rome, he returned home to a varied career as teacher, administrator, performer, conductor and composer. He has taught at both the Paris Conservatory and Schola Cantorum as well as in Croatia and Morocco MusicWeb International Updated: August 2020 French Concertos M-Z and has directed the Conservatory of Asnières for 45 years.