Junior School Headmistress' Report 2013-2014
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The Globalization of Chinese Food ANTHROPOLOGY of ASIA SERIES Series Editor: Grant Evans, University Ofhong Kong
The Globalization of Chinese Food ANTHROPOLOGY OF ASIA SERIES Series Editor: Grant Evans, University ofHong Kong Asia today is one ofthe most dynamic regions ofthe world. The previously predominant image of 'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs. Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representa tions, arts and performance. The complexities of urban Asia, its elites, its political rituals, and its families will also be explored. Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Folk Art Potters ofJapan Beyond an Anthropology of Aesthetics Brian Moeran Hong Kong The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam Anthropology and Colonialism in Asia and Oceania Jan van Bremen and Akitoshi Shimizu Japanese Bosses, Chinese Workers Power and Control in a Hong Kong Megastore WOng Heung wah The Legend ofthe Golden Boat Regulation, Trade and Traders in the Borderlands of Laos, Thailand, China and Burma Andrew walker Cultural Crisis and Social Memory Politics of the Past in the Thai World Edited by Shigeharu Tanabe and Charles R Keyes The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung UNIVERSITY OF HAWAI'I PRESS HONOLULU Editorial Matter © 2002 David Y. -
House Programme
05278 1435926 .+-*, ಋᖚ he Hong Kong Arts Festival is a prominent ࠗຝ̯ܰ Tarts event in the cultural calendar of Hong Δʥԓʪਂ Kong and the Asia Pacific region. Proudly ؿʼʝଞ stepping into its 33rd year, the Festival ಳም continues its vigorous pursuit of innovativeסԑe ɃɍɊɍ՚ development; the presentation of new works αc˚ፒዀ and the provision of quality arts. ٻ࿚ᆅʘুұณcɺᒾ˞၀ ࠷ؿຝ͌ȹณᜮଠϦ͌e In terms of the number and diversity of programmes, the 2005 Festival is one of the ʌαᖚຝʑࢀҡᔔఒΛۜcஃ largest festivals to date, offering a wide variety ᅡɾɣዃαӢӮcݯࣵʑ̔Ρ of inspiring art, music and cultural ԞਝΊࡼၤ̯Δ၀ߜᐰϳᖚ programmes by prestigious international ࠭Ͳؿ൚ɓˮcผ˥ࠗಋ artists and leading local talents. I am sure that ਝʼʝผࠛቤɈe the Festival will further enhance Hong Kong’s status as an international cultural metropolis. ΈϽᖚࡼၤܰωଞٴᔑϊᚭ d I extend our warmest welcome to allผcԎूࣵʑ̔ᜮଠʶ̈́ သጙϤᓊe participating artists and wish all local and overseas members of the audience a most enjoyable time. ւٽܧϷਂܧࠗಋऋПϷ TUNG Chee Hwa Chief Executive Hong Kong Special Administrative Region ˚ᘆᖽ Message from the Chairman .ၤɍɊɍ։ࠗಋᖚ warmly welcome you to the 33rd Arts Festivalٴ ᚭ ຝcܰࠗಋʼʝވʥԓʪΔ IAs a premier event in the Hong Kong cultural ؿࠇ߬ʼʝଞԑcමၙਝԓʪ calendar as well as the Asia Pacific region, theਂ ᖚ၀ߜc˞ʥ̯Δ෮ݗึؿᖚ Festival presents the finest international andਂ ɮАّe regional artists in an intense series of concerts and performances, as well as showcases the creativity ̯Ɂটʶᑢ༦ᅥʥʼʝԑ৻ອ of artistic talent in Hong Kong. c˞ʥࠗಋᑩ֚ܧ༅Х҈ࠨؿࠗಋ ԭɣ˚߬༅Хዀ࿚c Appreciation and thanks are due to our mainټপਥڌผ෯ഁ ˢࠨΛαԞྦྷࠗಋᖚຝؿྐྵషʻ subventing organisations – the Hong Kong ܛc҈ࠨ૯ߎᑢ҃e Government, through the Leisure and Cultural Services Department, and the Hong Kong Jockey ϊ̔cࠗಋᖚຝྦྷֺτᖳХዀ࿚d Club Charities Trust. -
Award-Winning Hong Kong Film Gallants to Premiere at Hong Kong
FOR IMMEDIATE RELEASE Award-winning Hong Kong film Gallants to premiere at Hong Kong Film Festival 2011 in Singapore One-week festival to feature a total of 10 titles including four new and four iconic 1990s Hong Kong films of action and romance comedy genres Singapore, 30 June 2011 – Movie-goers can look forward to a retro spin at the upcoming Hong Kong Film Festival 2011 (HKFF 2011) to be held from 14 to 20 July 2011 at Cathay Cineleisure Orchard. A winner of multiple awards at the Hong Kong Film Awards 2011, Gallants, will premiere at HKFF 2011. The action comedy film will take the audience down the memory lane of classic kung fu movies. Other new Hong Kong films to premiere at the festival include action drama Rebellion, youthful romance Breakup Club and Give Love. They are joined by retrospective titles - Swordsman II, Once Upon A Time in China II, A Chinese Odyssey: Pandora’s Box and All’s Well, Ends Well. Adding variety to the lineup is Quattro Hong Kong I and II, comprising a total of eight short films by renowned Hong Kong and Asian filmmakers commissioned by Brand Hong Kong and produced by the Hong Kong International Film Festival Society. The retrospective titles were selected in a voting exercise that took place via Facebook and SMS in May. Public were asked to select from a list of iconic 1990s Hong Kong films that they would like to catch on the big screen again. The list was nominated by three invited panelists, namely Randy Ang, local filmmaker; Wayne Lim, film reviewer for UW magazine; and Kenneth Kong, film reviewer for Radio 100.3. -
Full Production and Guest Artist Details Don Quixote
Full Production and Guest Artist Details Don Quixote A THRILLING TALE OF HANDSOME BULLFIGHTERSAND UNBRIDLED PASSION Bursting with gravity-defying jetes, fearless lifts, and impressive fouette turns, Nina Ananiashvili’s exuberant Don Quixote features Spanish matadors and spirited ballerinas performing some of the most technically demanding choreography in classical ballet. The chivalrous noble, Don Quixote, sets off on an adventure with his loyal squire, Sancho Panza, while lovers Kitri and Basilio battle against all odds to unite in true love. Based on Cervantes' iconic Spanish novel, Don Quixote is a must-see ballet for all the family—a glorious dance spectacle packed with virtuoso dancing, stunning costumes, a fanciful storyline and a lively cast of characters. Choreography Marius Pepita, Alexander Gorsky Additional Choreography Nina Ananiashvili Music Ludwig Minkus Set & Costume Design Thomas Mika Lighting Design Billy Chan Live Accompaniment City Chamber Orchestra of Hong Kong Conductor Judith Yan GRAND THEATRE, HONG KONG CULTURAL CENTRE Live Accompaniment OPENING NIGHT 30 OCT 2020 Fri 7:30pm 31 OCT–1 NOV 2020 Sat–Sun 2:30pm & 7:30pm $1,000 (Limited VIP Tickets), $680, $480, $280, $140 Suitable for ages 3 and above The Nutcracker THE WORLD’S MOST POPULAR HOLIDAY BALLET This sparkling Christmas tradition receives a new lease on life in Terence Kohler’s beloved production, returning once again to Hong Kong! Join Clara and Fritz on their unforgettable journey as they valiantly battle the villainous Rat King, and the Nutcracker Prince -
List of AAT Advisors
List of AAT Advisors Name Institution Mr. Charles Chow Caritas Bianchi College of Careers Ms. Pauline Li Caritas Bianchi College of Careers Mr. Hau Mei Nam Caritas Institute for Further & Adult Education - Aberdeen Campus Ms. Ho Lok Yee Caritas Institute for Further & Adult Education - Kowloon Campus Ms. Wong Mei Yee Caritas Institute for Further & Adult Education - Kowloon Campus Ms. Rachel Cheung Caritas Institute of Higher Education Ms. Mandy Ho Caritas Institute of Higher Education Mr. Julian Liew City University of Hong Kong Community College Mr. James Wong City University of Hong Kong Community College Mr. Lee Kin Fat, Alfred Community College at Lingnan University Mr. Ng Chi Wai, Jimmy Community College at Lingnan University Ms. Pauline Cheung Hang Seng Management College Ms. Rainey Choi HKU School of Professional and Continuing Education Ms. Alice Ip HKU School of Professional and Continuing Education Mr. Cheng Tsz Fai, Anthony Hong Kong Baptist University College of International Education Dr. Elsa Wong Hong Kong Baptist University College of International Education Mr. Michael So Hong Kong Baptist University School of Continuing Education Mr. William Lee Hong Kong College of Technology Ms. Molly Chan Hong Kong College of Technology Dr. Helen Wong Hong Kong Community College, The Hong Kong Polytechnic University Ms. Barbara Ngai Hong Kong Community College, The Hong Kong Polytechnic University Ms. Shirley Wong Hong Kong Institute of Vocational Education (Chai Wan) Ms. Catharine But Hong Kong Institute of Vocational Education (Chai Wan) Mr. Mak Wing Keung, Danny Hong Kong Institute of Vocational Education (Haking Wong) Ms. Wong Kwan Tai, Grace Hong Kong Institute of Vocational Education (Kwai Chung) Ms. -
Killing Time: the Handover and Its Afterlives
Hong Kong Studies, Vol. 1, No. 1 (Spring 2018), 100–115 Killing Time: The Handover and ,ts Afterlives Copyrighted Material of The Chinese University Press | AllCarlos Rights ReservedRojas Abstract This essay uses an analysis of Fruit Chan’s 2016 film Kill Time to reflect on the legacy of the Handover, and on the significance of its upcoming twentieth—and, later, fiftieth—anniversaries. Although Chan’s film is set in contemporary Beijing, is based on a novel by a Painland Chinese author, and at first glance appears to have little to do with Hong Kong, this essay argues that if we look beyond the film’s surface narrative, we find that the work explores a set of concerns relevant to the Handover and its legacies. Of particular interest is the sense of anticipation and anxiety that the Handover has generated, as well as the sense of potentiality and foreboding contained in the 1984 Sino-British Joint Declaration’s guarantee that Hong Kong would enjoy a post-Handover moratorium of “fifty years without change.” At the same time, [the Handover] also should not become a black hole that we pretend doesn’t exist so that we don’t need to approach it or touch it. Therefore, in 1997 I resolved to write not about its present, but rather about its past while at the same time writing about its future. From a future vantage point I sought to reconstruct the past; and from a past vantage point I sought to project the future. From this deliberate interweaving of past and future, I hope that a present that is more full of possibility might gradually emerge. -
A Different Brilliance—The D & B Story
1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From -
Annual Report 2013/14
Sa Sa International Holdings Limited 莎莎國際控股有限公司 Stock Code: 178 Annual Report 2013/14 Sense of style Partner in beauty Being trendy is contemporary, shows refined sensibility; inner beauty is beautiful, is charming. Combining the two together allows your natural beauty to shine through. Keeping abreast of trends, targeted market expansion, personalized beauty consultation, professional service, extraordinary shopping experience; as always, Sa Sa will be your beauty partner. Hand in hand with the community and our shareholders, Sa Sa will continue to grow and flourish. Contents Corporate Profile 4 Corporate Information 7 Five-Year Financial Summary 8 Footprint in Asia 11 Awards and Recognition 14 Milestones 24 Chairman’s Statement 28 Management Discussion & Analysis 34 Financial Review 43 Biographical Information of Directors and Senior Management 46 Environmental, Social and Governance Report 54 Investor Relations Report 90 Corporate Governance Report 105 Enterprise Risk Management Report 135 Report of the Directors 141 Independent Auditor’s Report 156 Consolidated Income Statement 158 Consolidated Statement of Comprehensive Income 159 Consolidated Statement of Financial Position 160 Statement of Financial Position 162 Consolidated Statement of Cash Flows 163 Consolidated Statement of Changes in Equity 164 Significant Accounting Policies 165 Notes to the Consolidated Financial Statements 180 Glossary 223 Sa Sa International Holdings Limited Annual Report 2013/14 3 Corporate Profile Sa Sa International Holdings Limited is a leading cosmetics retailing group in Asia. According to the “Retail Asia- Pacific Top 500” ranking of Retail Asia Magazine, KPMG and Euromonitor in 2013, Sa Sa is the largest cosmetics retail chain in Asia and one of the top ten retail groups in Hong Kong. -
The Protestant Missionaries As Bible Translators
THE PROTESTANT MISSIONARIES AS BIBLE TRANSLATORS: MISSION AND RIVALRY IN CHINA, 1807-1839 by Clement Tsz Ming Tong A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate and Postdoctoral Studies (Religious Studies) UNIVERSITY OF BRITISH COLUMBIA (Vancouver) July 2016 © Clement Tsz Ming Tong, 2016 ABSTRACT The first generation of Protestant missionaries sent to the China mission, such as Robert Morrison and William Milne, were mostly translators, committing most of their time and energy to language studies, Scripture translation, writing grammar books and compiling dictionaries, as well as printing and distributing bibles and other Christian materials. With little instruction, limited resources, and formidable tasks ahead, these individuals worked under very challenging and at times dangerous conditions, always seeking financial support and recognition from their societies, their denominations and other patrons. These missionaries were much more than literary and linguistic academics – they operated as facilitators of the whole translational process, from research to distribution; they were mission agents in China, representing the interests and visions of their societies and patrons back home. Using rare Chinese Bible manuscripts, including one that has never been examined before, plus a large number of personal correspondence, journals and committee reports, this study seeks to understand the first generation of Protestant missionaries in their own mission settings, to examine the social fabrics within which they operated as “translators”, and to determine what factors and priorities dictated their translation decisions and mission strategies. Although Morrison is often credited with being the first translator of the New Testament into Chinese, the truth of the matter is far more complex. -
Appendix Van Cleef & Arpels Proudly Presents: Balanchine's Jewels
Appendix Van Cleef & Arpels Proudly Presents: Balanchine’s Jewels About Balanchine’s Jewels BRILLIANT GEMSTONES INSTILLED INTO A GRAND DISPLAY George Balanchine's glittering masterwork Jewels was inspired by a chance visit to iconic High Jewelry Maison Van Cleef & Arpels on Fifth Avenue in New York, and since its premiere in 1967, it has become one of the most renowned works of the twentieth century. This dazzling three-act ballet celebrates the beauty and glamour of precious gemstones: in Emeralds, Balanchine evokes the French romantic style; in Rubies, he celebrates American exuberance and energy; and in Diamonds, he presents the magnificent grandeur of Imperial Russia. With music by Fauré, Stravinsky and Tchaikovsky performed live and extravagant costumes, the modern classic Jewels is the epitome of glamour! Creative Team Choreography George Balanchine ©The George Balanchine Trust Music Gabriel Fauré, Igor Stravinsky, Pyotr Ilyich Tchaikovsky Costume Design Barbara Karinska Lighting Design Billy Chan Live Accompaniment City Chamber Orchestra of Hong Kong Conductor Robert Reimer Guest Principal Artist (Emeralds and Diamonds) Daniel Camargo Piano (Rubies) Rachel Cheung Guest Principal Artist © Sebastian Galtier Daniel Camargo International Ballet Star Former Principal Dancer, Dutch National Ballet and Stuttgart Ballet Performances: Emeralds: 22 May 2:30pm, 23 May 7:30pm Diamonds: 21 May 7:30pm, 22 May 7:30pm Born in Sorocaba, Brazil, Daniel Camargo trained at John Cranko Ballet School, joined Stuttgart Ballet upon graduation and became a Principal Dancer in 2013. He guest performed at Dutch National Ballet and joined the company in 2016. An acclaimed guest artist, Camargo has danced with numerous companies worldwide such as The Royal Ballet, the Mariinsky Ballet, The Australian Ballet and The Tokyo Ballet. -
The Quint : an Interdisciplinary Quarterly from the North 1 the Quint Volume Eleven Issue Three
the quint : an interdisciplinary quarterly from the north 1 the quint volume eleven issue three an interdisciplinary quarterly from the north guest editor Ying Kong ISSN 1920-1028 editor Sue Matheson the quint welcomes submissions. See our guide- lines or contact us at: film review editor the quint Antonio Sanna University College of the North P.O. Box 3000 The Pas, Manitoba Canada R9A 1K7 We cannot be held responsible for unsolicited material production: Sue Matheson cover photo: Jian Tang A quarterly journal, the quint is housed in the Faculty of Arts, Business and Science at the Uni- versity of the North. The encouragement and support of this project by the Vice President Aca- demic of the University College of the North is deeply appreciated. Copyright 2019© the quint for the contributors. No part of this publication may be reproduced. 2 Volume 11.3 (June 2019) Editorial Advisory Board Moshen Ashtiany, Columbia University Joseph Atoyebi, University College of the North Brenda Austin-Smith, University of Manitoba Keith Batterbe. University of Turku Donald Beecher, Carleton University Melanie Belmore, University College of the North Gerald Bowler, Independent Scholar Robert Budde, University Northern British Columbia John Butler, Independent Scholar David Carpenter, Professor Emeritus, University of Saskatchewan Terrence Craig, Mount Allison University Lynn Echevarria, Yukon College Erwin Erdhardt, III, University of Cincinnati Peter Falconer, University of Bristol Peter Geller, University of the Fraser Valley Susan Gold, University -
Junior School Headmistress' Report 2011-2012
Junior School Headmistress’ Report 2011-2012 Farmer’s Plot in the Middle Garden, the Club’s next step is to grow vegetables using the organic farming method. The 2011-2012 school year was a very memorable year in the history of the School. It marked the first year of operation in the A recently conducted survey revealed that the girls’ favourite redeveloped Jordan Road Campus. The transition to the new place in the School is the library. The reading castle has been turned premises was smooth, allowing teaching and learning to be continued into a reading cottage, which sparks imagination and creativity. effectively. All major activities at the beginning of the school year Each morning, the whole school begins with the Assembly in the were not affected by the relocating process. On top of the regular spacious Junior School Hall. At last, all teachers and students can school schedule was the different logistics planning for the new assemble comfortably to be nurtured by Christian sharing, and enjoy environment. The School worked out specific dates for each primary different presentations and performances after our worship. level to attend school at the new campus on the first two days in September, 2011. The School provided different opportunities for The state-of-the-art school campus is equipped with a number staff members, parents and students to familiarise themselves with of new facilities. As you enter the Gascoigne Road entrance to the the new school environment. The timetables of the Junior School and Junior School, you will see at once a landscaped courtyard.