Publisher Version (Open Access)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Full Transcript of 2019 Crown Resorts AGM This Is a Full
Full transcript of 2019 Crown Resorts AGM This is a full transcript of the 2019 Crown Resorts AGM, taken from this audio webcast of the meeting on October 24. The company declined to supply a transcript to shareholders, so we commissioned one. John Alexander Good morning ladies and gentlemen. My name is John Alexander and I'm the Executive Chairman of Crown Resorts Limited. On Behalf of your Board of directors, I welcome you to the 2019 Crown annual general meeting and thank you for your attendance. I would like to start by introducing your directors. Starting on the far end on my right, John Poynton, Andrew Demetriou, Toni Korsanos and Mike Johnston. On my left is Geoff Dixon, Guy Jalland and John Horvath, Helen Coonan, Jane Halton and Harold Mitchell. Also with me on the stage today is Mary Manos, our company secretary and Ken Barton, our chief financial officer. Also in attendance is Crown's auditor for the 2019 financial year, Michael Collins from Ernst and Young. To commence our formal proceedings I would like to introduce Jacinta CuBillo who will provide the Acknowledgement of Country. Jacinta Cubillo Good morning. I'd like to commence By acknowledging the traditional owners on the land of which we meet here today, the Wurundjeri and Boon Wurrung people of the Kulin Nation and pay my respects to their elders past, present and emerging. Thank you. John Alexander Thank you, Jacinta. As a quorum is present, I will now declare the meeting open. The notice of meeting was sent to all shareholders and copies are available at the registration desk. -
NEWSLETTER ISSN 1443-4962 No
AUSTRALIAN NEWSPAPER HISTORY GROUP NEWSLETTER ISSN 1443-4962 No. 12 May 2001 Compiled for the ANHG by Rod Kirkpatrick, 13 Sumac Street, Middle Park, Qld, 4074, 07-3279 2279, [email protected] 12.1 COPY DEADLINE AND WEBSITE ADDRESS Deadline for the next Newsletter is 15 July 2001. Subscription details at end of Newsletter. The Newsletter is online through the “Publications” link from the University of Queensland’s Journalism Website at www.uq.edu.au/jrn/ CURRENT DEVELOPMENTS 12.2 MURDOCH (1): RUPERT AT 70 – TAKING ON THE WORLD When the Australian-born American citizen and multi-national media magnate, Rupert Murdoch, celebrated his 70th birthday in New York City on 11 March with his four children by his first two wives and with his third wife, Mark Riley wrote in the Sydney Morning Herald: “In the past few years, he has been knighted by the Pope, been named humanitarian of the year by an organisation of Jews, bought himself a baseball team, lost himself a rugby league competition, been divorced, been married, been diagnosed with cancer and, apparently, beaten cancer. He has endorsed Tony Blair, he has endorsed George W. Bush, he has abused Ted Turner, he has belittled the Dalai Lama. He has been lashed by investors for getting into the Internet, and now he is entangled in the biggest deal of his career as he tries to take a stranglehold on Americas satellite TV market. Mere mortals retire between 60 and 70. Rupert Murdoch takes on the world.” 12.3 MURDOCH (2): FAMILY’S $5M LIBRARY DONATION The life of pioneering Australian newspaperman Sir Keith Murdoch will be commemorated with a public gallery named for him at the State Library of Victoria. -
2018 Brochure Web.Pdf
SEASON 2018 2 A message from Kip Williams 5 The top benefits of a Season Ticket 10 Insight Events 13 Get the most out of your Season Ticket THE PLAYS 16 Top Girls 18 Lethal Indifference 20 Black is the New White 22 The Resistible Rise of Arturo Ui 24 Going Down 26 The Children 28 Still Point Turning: The Catherine McGregor Story 30 Blackie Blackie Brown 32 Saint Joan 34 The Long Forgotten Dream 36 The Harp in the South: Part One and Part Two 40 Accidental Death of an Anarchist 42 A Cheery Soul SPECIAL OFFERS 46 Hamlet: Prince of Skidmark 48 The Wharf Revue 2018 HOW TO BOOK AND USEFUL INFO 52 Let us help you choose 55 How to book your Season Ticket 56 Ticket prices 58 Venues and access 59 Dates for your diary 60 Walsh Bay Kitchen 61 The Theatre Bar at the End of the Wharf 62 The Wharf Renewal Project 63 Support us 64 Thank you 66 Our community 67 Partners 68 Contact details 1 A MESSAGE FROM KIP WILLIAMS STC is a company that means a lot to me. And, finally, I’ve thought about what theatre means to me, and how best I can share with It’s the company where, as a young teen, I was you the great passion and love I have for this inspired by my first experience of professional art form. It’s at the theatre where I’ve had some theatre. It’s the company that gave me my very of the most transformative experiences of my first job out of drama school. -
2018 for Personal Use Only Use Personal for for Personal Use Only Use Personal For
ANNUAL REPORT 2018 For personal use only For personal use only CROWN RESORTS LIMITED ABN 39 125 709 953 Contents Executive Chairman’s Message 2 Financial Performance 4 About Crown Resorts 6 Crown’s Resort Portfolio 8 Australian Projects 10 Australian Resorts 11 International Interests 17 Crown Digital 18 Corporate Social Responsibility 19 Corporate Governance Statement 23 Directors’ Statutory Report 37 Remuneration Report 51 Auditor’s Independence Declaration 73 Independent Auditor’s Report 74 Financial Report 80 Directors’ Declaration 133 Shareholder Information 134 Additional Information 136 Corporate Information Inside back cover Financial Calendar Record date for final dividend 21 September 2018 Payment of final dividend 5 October 2018 Annual General Meeting 1 November 2018 2019 half year results February 2019 For personal use only Annual General Meeting .am (Perth time) Thursday, 1 November 2018 Crown Ballroom Lobby Level, Crown Towers Perth Great Eastern Highway Burswood, Western Australia FRONT COVER IMAGE: PROPOSED CONCEPT RENDER OF CROWN SYDNEY Crown Resorts Limited Annual Report 2018 1 Executive Chairman’s Message Crown is committed to its strategy of focusing on its high quality core Australian operations and development projects as well as maximising shareholder returns. Consistent with our objective to increase cash returns to shareholders, in financial years 2017 and 2018 combined, Crown’s capital management, which included ordinary dividends, a special dividend and two on-market share buy-backs, exceeded $2 billion. Crown has also announced its intention to undertake a new $400 million on-market share buy-back. Looking forward, our focus will be to continue to improve Crown is one of Australia’s largest entertainment groups the underlying performance of our existing businesses as and makes a major contribution to Australian tourism, well as execute on our development project pipeline. -
Download the Annual Report 2019-2020
Leading � rec�very Annual Report 2019–2020 TARONGA ANNUAL REPORT 2019–2020 A SHARED FUTURE � WILDLIFE AND PE�PLE At Taronga we believe that together we can find a better and more sustainable way for wildlife and people to share this planet. Taronga recognises that the planet’s biodiversity and ecosystems are the life support systems for our own species' health and prosperity. At no time in history has this been more evident, with drought, bushfires, climate change, global pandemics, habitat destruction, ocean acidification and many other crises threatening natural systems and our own future. Whilst we cannot tackle these challenges alone, Taronga is acting now and working to save species, sustain robust ecosystems, provide experiences and create learning opportunities so that we act together. We believe that all of us have a responsibility to protect the world’s precious wildlife, not just for us in our lifetimes, but for generations into the future. Our Zoos create experiences that delight and inspire lasting connections between people and wildlife. We aim to create conservation advocates that value wildlife, speak up for nature and take action to help create a future where both people and wildlife thrive. Our conservation breeding programs for threatened and priority wildlife help a myriad of species, with our program for 11 Legacy Species representing an increased commitment to six Australian and five Sumatran species at risk of extinction. The Koala was added as an 11th Legacy Species in 2019, to reflect increasing threats to its survival. In the last 12 months alone, Taronga partnered with 28 organisations working on the front line of conservation across 17 countries. -
Art Gallery of New South Wales 2017: Our Year in Review
Art Wales South Gallery New of ART GALLERY OF NEW SOUTH WALES 201 7 2017 ART GALLERY OF NEW SOUTH WALES 2017 2 Art Gallery of New South Wales 2017 Art Gallery of New South Wales 2017 3 Our year in review 4 Art Gallery of New South Wales 2017 6 OUR VISION 7 FROM THE PRESIDENT David Gonski 8 FROM THE DIRECTOR Michael Brand 10 2017 AT A GLANCE 12 SYDNEY MODERN PROJECT 16 ART 42 IDEAS 50 AUDIENCE 62 PARTNERS 78 PEOPLE 86 BOARD OF TRUSTEES 88 EXECUTIVE 89 CONTACTS 90 2018 PREVIEW The Gadigal people of the Eora nation are the traditional custodians of the land on which the Art Gallery of New South Wales stands. We respectfully acknowledge their Elders past, present and future. Our vision From its base in Sydney, the Art Gallery of New South Wales is dedicated to serving the widest possible audience as a centre of excellence for the collection, preservation, documentation, interpretation and display of Australian and international art, and a forum for scholarship, art education and the exchange of ideas. page 4: A view from the Grand Courts to the entrance court showing Bertram Mackennal’s Diana wounded 1907–08 and Emily Floyd’s Kesh alphabet 2017. 6 Art Gallery of New South Wales 2017 DAVID GONSKI AC PRESIDENT ART GALLERY OF NEW SOUTH WALES TRUST and the Hon Adam Marshall MP, Glenfiddich, Herbert Smith Freehills, Minister for Tourism and Major Events. JCDecaux, J.P. Morgan, Macquarie Group, Macquarie University, The funding collaboration between McWilliam’s Wines & Champagne government and philanthropists for Taittinger, Paspaley Pearls, Sofitel our expansion will be the largest in FROM Sydney Wentworth, the Sydney the history of Australian arts. -
Sydney Is Singularly Fortunate in That, Unlike Other Australian Cities, Its Newspaper History Has Been Well Documented
Two hundred years of Sydney newspapers: A SHORT HISTORY By Victor Isaacs and Rod Kirkpatrick 1 This booklet, Two Hundreds Years of Sydney Newspapers: A Short History, has been produced to mark the bicentenary of publication of the first Australian newspaper, the Sydney Gazette and New South Wales Advertiser, on 5 March 1803 and to provide a souvenir for those attending the Australian Newspaper Press Bicentenary Symposium at the State Library of New South Wales, Sydney, on 1 March 2003. The Australian Newspaper History Group convened the symposium and records it gratitude to the following sponsors: • John Fairfax Holdings Ltd, publisher of Australia’s oldest newspaper, the Sydney Morning Herald • Paper World Pty Ltd, of Melbourne, suppliers of original newspapers from the past • RMIT University’s School of Applied Communication, Melbourne • The Printing Industries Association of Australia • The Graphic Arts Merchants Association of Australia • Rural Press Ltd, the major publisher of regional newspapers throughout Australia • The State Library of New South Wales Printed in February 2003 by Rural Press Ltd, North Richmond, New South Wales, with the assistance of the Printing Industries Association of Australia. 2 Introduction Sydney is singularly fortunate in that, unlike other Australian cities, its newspaper history has been well documented. Hence, most of this short history of Sydney’s newspapers is derived from secondary sources, not from original research. Through the comprehensive listing of relevant books at the end of this booklet, grateful acknowledgement is made to the writers, and especially to Robin Walker, Gavin Souter and Bridget Griffen-Foley whose work has been used extensively. -
The Effects of the Spanish Civil War on the Writers Of
THE CONTROL OP THE MASS MEDIA IN AUSTRALIA An Investigatory—Descriptive Study by Frames J.Bonner B.A.(Hons) Submitted in fulfilment of the requirements I for the Degree of • O ( tr'o Master of Arts Colircyrcf4, 19 UNIVERSITY OPOP TASMANIA HOBART January 1973 i This thesis contains no r:ia:'i;eriel uhich has been accepted for the aue.rd of any other degree or diplom� in any university, and to the bcsji; of my lmoulcdee a.nd belief, it contains no copy or paraphr�se of material previously published or t-,ri"tten by. another person, except uhen due reference is made in the text of the thesis, CONTERTS Summary • ••0•00•0000•000•00•000•000•0 8 0•0 0 • 0 00•P jjj ••0 Introduction 0000000000000000000 .........p 1. C hapter ls General Theory. ................... 00000 5. 2: Legal Inhibition 000000 20. 3: The Press p 37 4: The Australian Broadcasting Commission p 56 5: The Australian Broadcasting Control Board p 89 6: Commercial Radio p 118 7: Commercial Television......••••••••• 00000 s •p 132 161 8: Southern Tasmanian Case Study 0000000 OOOOO 00P Conclusion......... OOOOO p 205 Bibliogra*ohy0 OOOOOO ........... OOOOOOO ........p 210 SUIKARY Controls over the mass redia are effective insofar as they facilitate the achievement of the goals of the organization and the needi -of t-he people associated with it, They are imposed in fiveareas, the organization, the audience, the sources, the advertisers and the legal. Apart :rem the last mentioned area, most controls are informal- and not even regarded as controls. The most basic organizational control for example is the praise or promotion of workers who produce material conoonant with the style and expectations of their superiors. -
65 Watching Television in Australia: a Story of Innocence and Experience
Watching Television in Australia: A Story of Innocence and Experience Susan Bye School of Communication, Arts and Critical Enquiry La Trobe University Abstract The excitement and naiveté of early viewers have become central to narratives of the Australian viewing past. These stories are of simpler times when the pleasure of watching television was unmediated by modern self-consciousness and cynicism. This popular way of ‘remembering’ television seems both natural and inevitable, but its role as a discursive strategy is highlighted by the alacrity with which TV columnists sought to bestow a sense of experience on fledgling Sydney viewers. In this paper, I focus on the way that the regular TV column worked to stitch readers into the daily business of television. Moreover, from the beginning of regular broadcasting, TV columnists challenged the idea that watching television was an identity- subsuming process and invited their readers to assume an active connection with television and its culture. Keywords: Audiences, Australian Television, Everyday Life, TV Columns Introduction The construction of television viewing history as progressive or developmental is not peculiar to the Australian context but, in the Australian situation, the popular association of early television with the fifties has allowed it and its audience to be collapsed into the ‘fifties story’. Imagined simultaneously as a time of innocence and a period of narrow-mindedness, the dominant narrative of Australia in the fifties involves a perception of a simple and insular people readily committing to family life in the suburbs (White 1983). This monochromatic understanding of suburban life in fifties Australia has effortlessly intersected with a similarly tidy conception of the relationship of early TV viewers to the new technology of television. -
Inside the Canberra Press Gallery: Life in the Wedding Cake of Old
INSIDE the CANBERRA PRESS GALLERY Life in the Wedding Cake of Old Parliament House INSIDE the CANBERRA PRESS GALLERY Life in the Wedding Cake of Old Parliament House Rob Chalmers Edited by Sam Vincent and John Wanna THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Chalmers, Rob, 1929-2011 Title: Inside the Canberra press gallery : life in the wedding cake of Old Parliament House / Rob Chalmers ; edited by Sam Vincent and John Wanna. ISBN: 9781921862366 (pbk.) 9781921862373 (ebook) Notes: Includes bibliographical references and index. Subjects: Australia. Parliament--Reporters and Government and the press--Australia. Journalism--Political aspects-- Press and politics--Australia. Other Authors/Contributors: Vincent, Sam. Wanna, John. Dewey Number: 070.4493240994 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Back cover image courtesy of Heide Smith Printed by Griffin Press This edition © 2011 ANU E Press Contents Acknowledgments . vii Foreword . ix Preface . xi 1 . Youth . 1 2 . A Journo in Sydney . 9 3 . Inside the Canberra Press Gallery . 17 4 . Menzies: The giant of Australian politics . 35 5 . Ming’s Men . 53 6 . Parliament Disgraced by its Members . 71 7 . Booze, Sex and God . -
1 Sydney Theatre Company Annual Report 2014
Sydney Theatre Company Annual Report 2014 1 Kate Box, Melita Jurisic, Robert Menzies, Hugo Weaving, Ivan Donato, Eden Falk, Paula Arundell and John Gaden in Macbeth. Photo: Brett Boardman Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director 5 2014 in Numbers ACTORS AND CREATIVES 237 EMPLOYED $350,791 C R 12TEACHING TIX OF TI KET P ICE TIX SAVINGS PASSED ON TO ARTISTS 733 4,877 SUNCORP TWENTIES CUSTOMERS EMPLOYED REGIONAL $20.834M AND INTERSTATE TOTAL TICKET PERFORMANCES INCOME EARNED WORLD 6PREMIERES 1,187 WEEKS PLAYWRIGHTS AVERAGE OF WORK 9 ON COMMISSION CAPACITY FOR ACTORS 6 7 David Gonski Andrew Chairman Upton In the last four annual reports, I have reported on work undertaken by the organisation to modernise operations and governance structures to best support the Company’s artistic aspirations into the Artistic Director future. Most recently, in 2013, I wrote about the security of 45 year leases over the Roslyn Packer Theatre (formerly Sydney Theatre) and James Duncan in The Long Way Home. Richard Roxburgh in Cyrano de Bergerac. our tenancy at The Wharf, and the subsequent winding up of New Photo: Lisa Tomasetti 2014 was a year that brought the Company together through thick Photo: Brett Boardman South Wales Cultural Management, the body that had previously and thin. -
William Edwin Pidgeon Was Born in 1909 at Paddington, Sydney
William Edwin Pidgeon (WEP) 1909- 1981 Page | 1 Summary Bill Pidgeon’s career spanned from the mid-1920s through the 1970s. He started out in the newspaper industry and quickly forged a name in the local Sydney press, known as “Wep”. In 1933 he helped create the dummy for The Australian Women’s Weekly with his friend and the magazine’s first editor, George Warnecke. Working for Consolidated Press he became well known throughout Australia for his political cartoons, comic strips, illustrations, his covers and war paintings for The Australian Women’s Weekly, which are now collectables today. However, Bill’s true passion was his painting and in January 1949 he resigned from Consolidated Press to focus on winning Australia’s most prestigious prize for portraiture, the Archibald Prize. Not only did he achieve that aim but he won the award three times. However, his earlier career always overshadowed the success of his painting with headlines such as “Cartoonist wins Archibald.” In 1956 he was diagnosed with glaucoma in both eyes and underwent a total of six operations on his eyes to remove cataracts and ultimately his eye lenses. By the 1970s he was deemed legally blind. The difficulties he faced with his eyesight were always kept very private for fear of losing valuable commissions. Shortly after Bill’s glaucoma diagnosis he was invited by the Romanian Government to visit Romania on a Cultural Exchange trip. It was his only trip overseas despite a yearning to see the works of the great masters of Europe since the late 1920s. In addition to Romania, Bill took the opportunity to visit Rome and Venice in Italy, Munich in Germany, Vienna and Budapest whilst in transit to Bucharest, Romania.