^ for Immediate Release

Total Page:16

File Type:pdf, Size:1020Kb

^ for Immediate Release ^ for immediate release LACMA Public Programs MAY 2013 Art & Music series: Steve Reich & Gallery Discussion: The Art of indian performance Tuesday Matinee: Dishonored Friends Looking Talks & Courses Dance Camera West 12th Annual DCW Dance Media Festival May 3, 2013 | 3 pm Bing Theater and Wilshire Stair Fountain | 3–9 pm | General admission: $15 | Tickets: 323 857-6010 or purchase online Dance Camera West's 2013 festival theme, Get Wet , promises an exhilarating celebration of screen dance, live dance, and water. Prints and Drawings Council Lecture: Rembrandt's Sub-Plots and Diversions May 4, 2013 | 2 pm Brown Auditorium | Free, no reservations required Peter Parshall will discuss Rembrandt's innovative and engaging storytelling. Whether it is an illustration of a biblical text, a brief sketch executed in the studio, or a fully imagined moment, Rembrandt's ability to convey the human subtleties of an event is legendary, and uncovering the strategies he employed offers an oblique view of his artistic character. Parshall was curator of Old Master Prints at the National Gallery of Art, Washington, DC, from 1999 until 2010, and has written and lectured widely on the art of northen Europe and the Renaissance. The Art of Wine: Monet to Matisse & French Cafe Society May 4, 2013 | 6 pm LA Times Central Court | $95, $85 LACMA members | Tickets: 323 857-6010 or purchase online. Enjoy a wonderful evening exploring French art and fine French wine. First you will tour the French art galleries with museum educator Mary Lenihan and learn how the end of outmoded laws and regulations after the French Revolution enabled the flourishing Parisian café and restaurant culture. You'll then enjoy a wine tasting of five French wines along with entertaining commentary by Barbara Baxter of Planet Wine. Featured will be a Vintage Cru Classe from the renowned Château Brane-Cantenac, beautifully paired with cheese and pâté. Curator Walkthrough: Japanese Prints - Hokusai at LACMA May 5, 2013 | 2 pm Pavilion for Japanese Art | Free with museum admission, no reservations Robert T. Singer, department head and curator of Japanese art, will lead a tour of Japanese Prints: Hokusai at LACMA . On display will be a range of works by Katsushika Hokusai including color woodblock prints, surimono, drawings, and pages from woodblock printed books. This exhibition was made possible through the recent gift by Max Palevsky of the complete set of Hokusai’s legendary series A Tour of Waterfalls in the Provinces and through generous loans from the Barbara Bowman Collection. Gallery Discussion: The Art of Looking May 9, 2013 | 12:30 pm BP Grand Entrance | Free with museum admission, no reservations Join museum educator Jennifer Reid for a one-hour facilitated gallery discussion exploring the unique medium of printmaking through the work of renowned Japanese printmaker Katsushika Hokusai and American printer Jack Stauffacher. Examine two very different approaches to the printing press: the 19th-century woodblock print, and modern typography, and the creative potential of each. This discussion will focus on the exhibitions Japanese Prints: Hokusai at LACMA and Jack Stauffacher: Typographic Experiments . Cur-ATE: Latin America May 13 and 14, 2013 | 6:30 pm BP Grand Entrance | $100, $90 LACMA members; tickets include parking, tour, and dinner | Tickets: 323 857-6010 or purchase online. Trace the history of Mexico’s art and cuisine, from 16th century colonization by the Spanish to the 19th century wars of independence, with food historian Maite Gomez-Rejón. The tour of LACMA's rich collection of Latin American art will conclude with a dinner by Ray’s Chef Kris Morningstar, featuring Latin American dishes. A wine menu by sommelier Paul Sanguinetti will be available for pairing at additional cost. Indian Dance Performance May 18, 2013 | 7 pm Bing Theater | $25 general admission; $20 LACMA members and seniors (62+); $10 SAAC members and students with ID | Tickets: 323 857-6010 or purchase online. With powerful imagery and captivating movement, the Shakti Dance Company's Davadasi: The Eternal Dancer transports the audience into the world of ancient Indian temple tradition. This classical Bharata Natyam production created by master choreographer Viji Prakash and accompanied by live music brings to the American stage for the first time the story of the devadasis , dancers to the gods. MUSIC Programs Art & Music An Afternoon with Composers Stewart Copeland & Michael Gordon Presented by LACMA & Long Beach Opera May 4, 2013 | 2 pm Bing Theater | $25/$40 VIP; $20/$30 VIP for LACMA and LBO members; $5 for students with ID (VIP includes a small individual bottle of wine from LACMA’s Plaza Café) | Tickets: 323 857-6010 or purchase online. 2 Composers Stewart Copeland, founding member of The Police, and Michael Gordon, cofounder of the Bang on the Can Festival, discuss their operas The Tell-Tale Heart and Van Gogh with Andreas Mitisek, artistic and general director of the Long Beach Opera. Members of the Long Beach Opera will perform excerpts from both works. Copeland, former drummer and founder of the rock band The Police , is the recipient of the Hollywood Film Festival's first Outstanding Music Award. Michael Gordon's music merges subtle rhythmic invention with incredible power embodying, in the words of The New Yorker' s Alex Ross, "the fury of punk rock, the nervous brilliance of free jazz, and the intransigence of classical modernism." Steve Reich & Friends May 7, 2013 | 7:30 pm Bing Theater | $30 general admission; $25 LACMA members and seniors; $5 for students with ID | Tickets: 323 857-6010 or purchase online. In celebration of James Turrell: A Retrospective , Pulitzer Prize–winning composer Steve Reich comes to LACMA for an evening of performances devoted to his music by the Lyris Quartet, pianists Vicki Ray and Joanne Pearce Martin, and a percussion ensemble led by CalArts’ David Johnson. New and old works on the program include Different Trains , WTC 9/11 , Sextet , Piano Phase , and Clapping Music . Sundays Live Sundays Live is an ongoing series and includes free classical music concerts presented by LACMA in cooperation with Friends of Sundays Live. These concerts take place in the Bing Theater and feature mid-career professionals and student virtuosos taking center stage. Please note: Sundays Live concerts can be heard live via streaming audio at lacma.org, or by delayed broadcast the following Wednesday at noon on KCSN, 88.5 FM. Bing Theater | Free, no reservations The Colburn School Orchestra, Maxim Eshkenazy, Conductor May 5, 2013 | 6 pm Perfoming Dvo řák: Symphony No. 9, New World , and Wieniawski: Violin Concerto No. 2. The Lyris Quartet May 12, 2013 | 6 pm Performing Beethoven: Quartet F major, Op. 59, No.1, Rasumovsky , and Gerard Schurmann: String Quartet No. 2. The Crossroads Orchestra, Alexander Treger, Conductor May 19, 2013 | 6 pm Performing Dvorak: Serenade and works by Mozart and Bartok. Emerging Artists from the Colburn School Sunday, May 26, 2013 | 6 pm Performing works to be announced. Jazz at LACMA Featuring the art of jazz as practiced by leading Southern California artists, these free concerts are presented at the BP Grand Entrance every Friday evening from April to November. Friday Night Jazz is made possible by K-JAZZ 88.1. BP Grand Entrance | Free, no reservations 3 Charles Owen Quintet May 3, 2013 | 6 pm World-class tenor sax, soprano sax, and flute player Charles Owens is a fearless virtuoso with his own distinctive musical voice. A featured soloist with the Clayton Hamilton Orchestra, he also serves as conductor of the Luckman Jazz Orchestra. Over the years, he has worked with Horace Tapscott, the Gerald Wilson Orchestra, James Newton, John Carter, and Patrice Rushen. Greg Reitan Trio May 10, 2013 | 6 pm Pianist and composer Greg Reitan is the leader of an award-winning trio that placed second in the 1996 Hennessy Jazz Search in New York. Reitan was also a finalist in the 1995 Great American Jazz Piano Competition and the recipient of the inaugural 2002 ASCAP Young Jazz Composer Award. In 2000, he joined forces with prominent record producer Orrin Keepnews (Bill Evans, Thelonious Monk) to work on projects, including his latest release, Antibes . Wolfgang Schalk Quartet May 17, 2013 | 6 pm Hailed by critics in the U.S. and Europe as “one of the best jazz guitarists,” Wolfgang Schalk delivers hard-swinging and emotive compositions in the vein of the patriarchal jazz-guitarist lineage while highlighting his membership in the elite club of today’s creative voices. A guitarist with impeccable chops, Schalk's musicianship is illuminated on both electric and nylon-string guitar. Recalling the sounds of esteemed fret-board masters Wes Montgomery, George Benson, Pat Martino, and Pat Metheny, Schalk expands on the tradition by playing dynamic music expressing thoughtfulness and original artistic abilities as one of today's authentic jazz guitarists. Sandra Booker May 31, 2013 | 6 pm Sandra Booker is regarded as one of the emerging and important voices in modern jazz vocal music, and was selected as finalist last fall in the Sarah Vaughan International Jazz Vocal Competition. Highly respected by her contemporaries for her virtuosic scat ability, impeccable timing, crystalline tone, and irrepressible musicality, the New Orleans native has a style that is familiar and completely new, all at the same time. She has performed with many jazz luminaries and rising stars including Lalo Schifrin, Wynton Marsalis and the Lincoln Center Jazz Orchestra, Harry Connick Jr., the New Orleans Jazz Messengers, Patrice Rushen, and Karen Briggs. Latin Sounds Relax in Hancock Park as world-renowned artists play the hottest sounds from Brazil, Argentina, Peru, Mexico, Cuba, and Los Angeles. The concerts are every Saturday 5 pm–7 pm, May through September at the Dorothy Collins Brown Amphitheater at LACMA, in Hancock Park north of the museum.
Recommended publications
  • Sara Melissa Hart Bio.Pages
    Sara “Sally” Melissa Hart Biography Sara “Sally” Melissa Hart - Class of 1960 - b. April 16, 1942 From the EHS Yearbook, the Maroon: Sr. A Cappella 3-4, Pep Club 4, Girls Club 3-4, French Club 3-4, Class Play 3-4. She is an American actress, singer, and teacher. She made her Broadway debut in 1966 as an ensemble member in Jerry Bock’s The Apple Tree. As Barbara Harris’s understudy, she replaced the actress as the various heroines in that musical for several performances. In 1969 she took over the role of Sally Bowles in the original production of John Kander’s Cabaret; a role she had previously performed in the musical's first National Tour. In 1970 she created the role of Meredith in the original Broadway cast of Tom Mankiewicz’s Georgy; a performance for which she garnered a Tony Award nomination. She soon after performed the role of Fran Kubelik in the National Tour of Burt Bacharach’s Promises, Promises. During the 1970’s and 1980’s, Hart was highly active in Regional Theatres throughout the United States and in Off-Broadway productions. She won a Joseph Jefferson Award for her portrayal of Amy in Stephen Sondheim’s 1970 production Company at the Forum Theatre in Chicago. After a 27 year absence from Broadway, she returned to portray Baroness Von Thunder and serve as the Understudy for the Old Lady in the 1997 revival of Leonard Bernstein’s Candide. Later that year she performed the role of Helene in the original cast of Frank Wildhorn’s The Scarlet Pimpernel.
    [Show full text]
  • A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture
    Cinema of the Self: A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture Milosz Paul Rosinski Trinity Hall, University of Cambridge June 2017 This dissertation is submitted for the degree of Doctor of Philosophy Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. The dissertation is formatted in accordance to the Modern Humanities Research Association (MHRA) style. This dissertation does not exceed the word limit of 80,000 words (as specified by the Modern and Medieval Languages Degree Committee). Summary This thesis examines the philosophical notion of selfhood in visual representation. I introduce the self as a modern and postmodern concept and argue that there is a loss of selfhood in contemporary culture. Via Jacques Derrida, Jean-Luc Nancy, Gerhard Richter and the method of deconstruction of language, I theorise selfhood through the figurative and literal analysis of duration, the frame, and the mirror.
    [Show full text]
  • Sight & Sound Films of 2007
    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic
    [Show full text]
  • 'The Butler'? Globes Snubs and Surprises
    SATURDAY, DECEMBER 14, 2013 This image released by Fox shows Andy Samberg, center, in a scene from This film image released by The Weinstein Company shows Forest Whitaker as Where’s“Brooklyn Nine-Nine.” ‘The Butler’? GlobesCecil Gaines insnubs a scene from “Lee Daniels’ and The Butler.” surprises — AP Photos he long race to the Academy Awards is Dreyfus, the leading lady of the film, cleaned up especially steep this season and it’s no sur- on Globe nominations, receiving bids in both Tprise that an ample list of notables were film and television categories. But no posthu- left empty-handed in the 71st annual Golden mous nod was given to the revered late Globe nominations. Dominating the Thursday “Sopranos” star. HBO’s “Boardwalk Empire” and announcements were A-listers like Leonardo “Game of Thrones.” Neither show, both of which DiCaprio (“The Wolf of Wall Street”) and Kate developed a cult-like fan base, made the cut. Winslet (“Labor Day”), who had top acting bids, Maybe HBO should rethink its approach to killing while the movies of filmmaking gurus Steve off some of our favorite characters. McQueen (“12 Years a Slave”) and David O “New Girl.” While Zooey Deschanel was nomi- Russell (“American Hustle”) landed in multiple nated for her performance on the series, the categories, including best motion picture. Yet popular comedy about a set of roommates living the annual picks by the Hollywood Foreign Press in downtown Los Angeles did not make the bill. Association are typically questioned - after all, “Homeland.” Both the show, which premiered they did once nominate “The Tourist” and in 2011, and its actors have received multiple “Burlesque” - and this season is no exception.
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • URMC V123no109 20150220.Pdf (6.062Mb)
    THE ROCKY MOUNTAIN theweekender Friday, February 20, 2015 FIRST ANNUAL OSCARS EDITION CSU alumnus nominated for an Oscar for his work on short animated film ‘The Dam Keeper’ McKenna Ferguson | page 10 To sum up: quick summaries of the eight Best Picture nominations Arts & Entertainment Desk | page 8 & 9 ‘Boyhood’: Overrated or a new classic? Aubrey Shanahan | page 4 Morgan Smith | page 4 “Why are they even called the ‘Oscars’?” A brief historical timeline of Hollywood’s biggest night Aubrey Shanahan | page 3 abbie parr and kate knapp COLLEGIAN 2 Friday, February 20, 2015 | The Rocky Mountain Collegian collegian.com THE ROCKY MOUNTAIN Follow @CollegianC COLLEGIAN on Twitter for the COLLEGIAN PHOTOSHOP OF THE WEEK latest news, photos Lory Student Center Box 13 and video. Fort Collins, CO 80523 This publication is not an offi cial publication of Colorado State University, but is published by Follow our an independent corporation using the name ‘The collegiancentral Rocky Mountain Collegian’ pursuant to a license Instagram for the granted by CSU. The Rocky Mountain Collegian is a 8,000-circulation student-run newspaper intended latest photos. as a public forum. It publishes fi ve days a week during the regular fall and spring semesters. During the last eight weeks of summer Collegian distribution drops to 3,500 and is published Like Collegian weekly. During the fi rst four weeks of summer the Central on Facebook Collegian does not publish. for the latest news, Corrections may be submitted to the editor photos and video. in chief and will be printed as necessary on page two.
    [Show full text]
  • ETHAN HAWKE WILL RECEIVE the FESTIVAL PRESIDENT's AWARD at 55TH KARLOVY VARY INTERNATIONAL FILM FESTIVAL Karlovy Vary IFF Will
    ETHAN HAWKE WILL RECEIVE THE FESTIVAL PRESIDENT'S AWARD AT 55TH KARLOVY VARY INTERNATIONAL FILM FESTIVAL Karlovy Vary IFF will honour Ethan Hawke, an American actor, director, and writer, who will receive the Festival President's Award at its 55th edition taking place August 20–28, 2021. The Award is given to actors, directors, and producers who have contributed in a fundamental way to the development of contemporary world cinema. (credit: Ethan Hawke, Paris Match, November 29, 2019, photographer Francois Berthier) „We are thrilled to welcome to Karlovy Vary an artist we’ve been admiring for a long time. In 2018, KVIFF paid tribute to the Austin Film Society and it is exciting to extend our appreciation of this renowned organisation’s work by honoring an actor and director who is so closely connected to the Texas independent film scene,“ said artistic director Karel Och and executive director Krystof Mucha. Hawke will personally introduce Paul Schrader’s thriller First Reformed, in which he brilliantly portrays a parish pastor in crisis of faith. Hawke also recently released his first novel in twenty years, A Bright Ray of Darkness, published by Knopf in February 2021. The novel explores art and love, fame and heartbreak in a blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes. Also, on the author front, on July 20, 2021, Hawke and New York Times bestselling author and illustrator Greg Ruth, will debut Meadowlark: A Coming of Age Crime Story. The graphic novel follows a Film Servis Festival Karlovy Vary, Panská 1, 110 00 Praha 1, Czech Republic Tel.
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]
  • Shepard & Dark
    Presents SHEPARD & DARK A DOCUMENTARY BY TREVA WURMFELD 92 min., U.S., 2012 OFFICIAL SELECTION – 2012 TORONTO INTERNATIONAL FILM FESTIVAL OFFICIAL SELECTION – 2013 CANNES CLASSICS – CANNES FILM FESTIVAL WINNER BEST DOC FEATURE – 2012 WOODSTOCK FILM FESTIVAL To download hi-res images and video clips, please visit: http://www.musicboxfilms.com/shepard---dark-movies-71.php Publicity/Marketing Contact: Distribution Contact: Brian Andreotti Andrew Carlin 312-508-5361 312-508-5360 [email protected] [email protected] Rebecca Gordon 312-508-5362 [email protected] Press Contact: Lindsay Firestone 212-373-6131 [email protected] Marian Koltai-Levine 212-373-6130 [email protected] SUMMARY Sam Shepard and Johnny Dark met in Greenwich Village in the early 1960s and, despite leading very different lives, remained close friends ever since. Shepard became a Pulitzer Prize winning playwright (Buried Child) and an Academy Award-nominated actor (THE RIGHT STUFF), while Dark was a homebody who supported himself with odd jobs. Through the decades, they stayed bonded by family ties. Dark married an older woman named Scarlett and Shepard married her daughter. For years, the two couples lived together, until Shepard broke away for a relationship with Jessica Lange in 1983, leaving Johnny to help father his first son. Nevertheless, he and Dark continued writing to each other, amassing hundreds of letters. Director Treva Wurmfeld began filming the two friends in 2010 during a period of transition and reflection for Shepard. At the time, he had quietly ended his relationship with Lange and agreed to publish his correspondence with Dark. The task required them to meet and sift through years of their shared history, stirring memories both good and bad.
    [Show full text]
  • Quentin Tarantino Retro
    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
    [Show full text]
  • Everyday Transcendence: Contemporary Art Film and the Return to Right Now
    Wayne State University Wayne State University Dissertations January 2019 Everyday Transcendence: Contemporary Art Film And The Return To Right Now Aaron Pellerin Wayne State University Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Film and Media Studies Commons Recommended Citation Pellerin, Aaron, "Everyday Transcendence: Contemporary Art Film And The Return To Right Now" (2019). Wayne State University Dissertations. 2333. https://digitalcommons.wayne.edu/oa_dissertations/2333 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. EVERYDAY TRANSCENDENCE: CONTEMPORARY ART FILM AND THE RETURN TO RIGHT NOW by AARON PELLERIN DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2019 MAJOR: ENGLISH (Film and Media Studies) Approved By: _________________________________________ Advisor Date _________________________________________ _________________________________________ _________________________________________ _________________________________________ © COPYRIGHT BY AARON PELLERIN 2019 All Rights Reserved DEDICATION For Sue, who always sees the magic in the everyday. ii ACKNOWLEDGEMENTS I‘d like to thank my committee, and in particular my advisor, Dr. Steve Shaviro. His encouragement, his insightful critiques, and his early advice to just write were all instrumental in making this work what it is. I likewise wish to thank Dr. Scott Richmond for the time and energy he put in as I struggled through the middle stages of the degree. I am also grateful for a series of challenging and exciting seminars I took with Steve, Scott, and also with Dr.
    [Show full text]
  • Joni Goes Postal
    JONI GOES POSTAL JOANNE WANNAN A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF OF MASTER OF FINE ARTS GRADUATE PROGRAM IN FILM YORK UNIVERSITY TORONTO, ONTARIO September 2016 © Joanne Wannan, 2016 ii ABSTRACT Joni Goes Postal is a feature film comedic screenplay. The story tracks the emotional journey of Joni, a 34- year-old postal worker who discovers that her long-term boyfriend cheated on her. Stuck in a dead-end job, confronted with overwhelming feelings of anger, betrayal and loss, Joni is jolted out of complacency and forced to confront her own fears and insecurities as she struggles to find new meaning and purpose in her life. The story examines a break-up, and explores concepts of love, loss, grief, and obsession. iii ACKNOWLEDGEMENTS I would like to thank Colleen Wagner for her insight, guidance, encouragement, and endless notes. Colleen believed in this project from the start, and cheered me on when I wanted to throw in the towel. She taught me to trust my instincts and believe in myself as an artist. I am grateful to have had her as my thesis advisor. Many thanks to John Greyson for his patience and unwavering support, both during my time as a graduate student at York, and on this project. John helped me navigate the minefields of completing this thesis, with a keen sense of humour and a grounded perspective. Thanks to Kuowei Lee, to all my professors at York, and to my fellow screenwriters. I’d especially like to thank the other writers in my class - Mary, Meghan, and Samantha.
    [Show full text]