Morehousealumni Association

Total Page:16

File Type:pdf, Size:1020Kb

Morehousealumni Association 1898 THE ORGAN OF STUDENT EXPRESSION 1979 MAROOn TIGER Voi. 80 No. 9 Morehouse College, Atlanta, GA March 19, 1979 Jesse Jackson Founder’s Day Speaker by Mark Robertson Rev. Jackson emphasized tnai els for the gifted. Moreover we During the weekend of February “we are not a new generation by must never measure our greatness 5-18, Morehouse College cele­ any new accomplishment that we by how high our steeple rises but brated its 112th Founder’s Day. have achieved.” He added that rather by how far we reach back.” Rev. Jesse L. Jackson was the “our challenge is to become a Finally, Rev. Jackson asserted Founder’s Day speaker at a special greater generation. We cannot that “Blacks must make as their convocation held in the Martin achieve greatness simply because main priority the task of fulfilling Luther King Chapel on Thursday, we are Black but rather because we the needs of Black America first are disciplined.” Jackson urged February 15. Rev. Jesse Jackson, and white corporate America who is the founding president of Black entertainers and athletes to second. Obtaining a job in white Operation P.U.S.H. delivered on cf tell the Black youth of today that corporate America should not be the most inspiring Founder’s Day “there is a higher correlation placed as a higher value priority addresses given in recent years. between discipline and success...” than helping an underprivileged “In pursuit of equity, ethics, and He stated that “although each of us youth of our own race.” excellence; the challenge to close cannot be famous, each of us can .Following his inspiring address, the gap” was the theme of Rev. be great because each of us can Reverend Jackson was awarded an Jackson’s address. He sighted the serve.” honorary Doctor of Divinity influence of the mass media, drugs, Speaking on the role of the degree by President Hugh Gloster. and a teenage pregnancy epidemic Black college, Rev. Jackson Dr. Gloster also conferred the as major influences working pointed out that Morehouse and honorary Doctor of Humane let­ against education. Jackson thus other Black institutions have a ters degree upon Malcom L. Cor- pointed out the need to shift educa­ “special calling.” Jackson added, rin, a Morehouse graduate (class of tion back into the center of our “It is the job of the Black institu­ 1950), and currently executive social system. tion to specialize in developing director of the Interracial Council Rev. Jackson sighted four main Black America. We cannot com­ for Business Opportunity. reasons why we (Black people) pete with White institutions in must excel. “First of all we must what they specialize in mainly excel because we are behind—for it because of lack of resources and is our challenge to close the gap. emphasis. And White institutions Secondly, there is increased resist­ choose not to compete with us in ance to our upward mobility. what we specialize in: developing Jesse Jackson, director of People United Thirdly, competition is keener in Black America.” Rev. Jackson "There are moments when today’s society.” Lastly Jackson further declared that “Morehouse everything turns out right. to Save Humanity must remain essentially Black, for Don't let it alarm you; they stated that “we should excel simply pass." Jules Renard for the joy of acquiring its mission is to protect the average knowledge.” Black student and maintain mod­ Profile: Morehouse Alumni Association by Reginald Scott There most recent accomplishment Moreland stated that the was the donation of seats for the Alumni Association will do its best National President Charlie M.L.K. Chapel. Though the to serve the student, but asked in Moreland heads the Morehouse Alumni Association is not return that the student do their best Alumni Association in- conjunc­ involved in day to day problems of to carry on the true meaning of the tion with Alumni Affairs Director the students, they can go to the “Morehouse man” which is sumed Nathaniel Veal. Moreland serves Alumni Association for help when up in this year’s motto of the as chief supervisor to the eight all else fails, according to More­ Alumni Association “Commit­ regions of the Alumni Association, land. Moreland said “the problem ment, Dedication, and Service.” spokesman for the Board of Direc­ then goes from the Alumni Associ­ tors and member of the Board of ation directly to the President and Trustees. Board of trustees.” Moreland The purposes of the Alumni further commented that only those Association are to promote the col­ problems of pertinent interest to lege and serve the student body of the student would receive imme­ Morehouse. According to More­ diate attention. land. the Alumni Association has Aside from the alliance of the been quite successful ’ in both eight regions of the Alumni Associ­ aspects. Moreland stated “that ation each region has its own pro­ Morehouse graduates rank second motion activities. For example, to Hampton among Black college each promotes the college by graduates who donate money to recruiting, sponsoring service pro­ Nathaniel Veale, Jr Charlie Moreland their college for its year expenses.” jects. offering scholarships', etc. Director of Alumni Affairs National President of Alumni Association March 19, 1979 The Maroon Tiger Page 2 Spelman Coronation A Success by Sheron L. Covington The first annual Spelman Coro­ nation was held February 8, at 8:00 in Howe Hall. This affair was a refreshing alternative from the highly celebrated Morehouse coro­ nation, and allowed the various class courts and the Blue & White court to be presented to the Spel­ man student body. The stated pur­ pose of the coronation was to “present a non-verbal expression of the development of a man-our King.” This purpose was well dem­ onstrated through the pantomines that were done by each class court. The idea of a Spelman coronation was the brain-child of Ms. Karen Graham, Ms. Natalie Nelson and Ms. A1 Michelle Burke, who along Mr. Blue and White, LeGree Holman, dons crown septre. Mr. Sophomore, Darryl Dixon show off his strength. with many others exerted great efforts to ensure its success. The program began with the Freshmen court, which communi­ Dixon as Mr. Sophomore, dis­ revolved around the ideas of Bolton and Brom Williams and the cated the idea of THOUGHT. This played actions of FORMULA­ TESTING. The Senior court — crowning of Mr. Blue & White, court was made up of Johnny TION in their performance. The Joel Boykin, Kevin Mason and LeGree Holman by the lovely Ms. Thompson, Kenneth Shipp, Alfred junior court, which consists of five Arelious Wilson as Mr. Senior Maroon & White, Ms. Jerri ‘Chip’ Johnson and Maynard members, James Jackson, Ike presented an act on the theme of DeVard. The coronation was fol­ lowed by the Blue & White Ball, Scarborough as Mr. Freshman. Mullins, Zelmer Bothic, Lee Steph­ ACCEPTANCE. The finale was which was held the following Fri­ The Sophomore court of Dedrick ens and Victor Thomas as Mr. the spotlighted entrance of the day night at the Colony Square Lewis, Ellis Washington and Daryl Junior, enacted a skit which Blue & White court — Antonio Hotel. Renfro Is A Pioneer they have doing it. So they refused by Curtis Sharif Black people are consumers. Why to let me do play-by-play. And I can’t advertisers sponsor this pro­ Pioneer—The word conjurs refused the job.” gram like another program?’ visions of rough, tough men grap­ A student suggested that per­ “So 1 took the program to Mac­ pling with the tangles and bram­ haps a better course of action Donalds, Coca Cola, and some would have been to compromise bles of a wild untamed land. And beverage companies. I’ve sold somehow—though not without and accept the lesser position to $11,000 worth of time already and bumps and bruises; ups and “get your foot in the door.” I’ll have another $ 11,000 before the downs; victories and defeats; “I guess there’s something to be game is televised. This will be the through the sheer force of resolute­ said for ‘getting your foot in the first time in years that the SIAC ness and determination—the pio­ door,”’ Chico mused. “Maybe I Tournament will make money.” Carl Merkerson, Director of Food Services. neer succeeds. He triumphs. He should have given up something- So will Chico rest, now that he conquers all obstacles in his path .....but I didn’t.” He smiled as he has won yet another victory?—not till at last he stands—fist on hips, turned for the next question. Chico. For even now he is fighting Behind The Counter his face windswept, reflecting the An idle boast? Another case of for future goals—for SIAC games ‘sour grapes’? For some maybe, but rays of the setting sun—on the to be televised on a regular sche­ by Reginald Scott students from the cafeteria. He not for Chico. mountain of success. Surveying his duled basis; for high school games and stated that they are the primary The inquisitive student probably domain. Well pleased. to be broadcast on racjio; for man­ Juan Dunlap ones who take utensils from the did not know it, but two weeks Chico Renfro is a man who fills agement positions in professional cafeteria or take meals without prior Chico Renfro participated in A recent interview with More­ that word—pioneer—to its fullest. sports; for sportcasting jobs in the paying for them. His frontier, however, is not one of the first televised game ever played house cafeteria food director Carl broadcast booths; and the list goes Merkerson made mention that wood and beasts and war parties.
Recommended publications
  • 2 Dharma Blogs 2018 FALL by Michael Erlewine
    1 Dharma Blogs 2018 FALL By Michael Erlewine 2 INTRODUCTION This is not intended to be a finely produced book, but rather a readable document for those who are interested in my particular take on dharma training and a few other topics. These blogs were from the Fall of 2018 posted on Facebook and Google+. [email protected] Here are some other links to more books, articles, and videos on these topics: Main Browsing Site: http://SpiritGrooves.net/ Organized Article Archive: http://MichaelErlewine.com/ YouTube Videos https://www.youtube.com/user/merlewine Spirit Grooves / Dharma Grooves Copyright 2018 © by Michael Erlewine You are free to share these blogs provided no money is charged Cover image is Tilopa 3 Contents HALLUCINGENS AND DHARMA .............................. 8 THE REST OF THE MIND ....................................... 11 BEING IS BECOMING ............................................. 14 THE DHARMA OF LOCATION ................................ 16 TALES OF RECOGNITION ...................................... 20 INTUITION OR DOUBT ........................................... 23 DHARMA: GETTING PERSONAL ........................... 26 DHARMA: NO PLACE TO GO ................................. 29 DHARMA WISDOM: WHAT IS THAT? .................... 33 DHARMA: SEARCH UNTIL EXHAUSTION ............. 36 AUTUMNAL ............................................................. 39 FROM A DREAM ..................................................... 41 WISDOM ENERGY .................................................. 42 DHARMA: TWO GREAT OPPORTUNITIES
    [Show full text]
  • Download Press Release As PDF File
    JULIEN’S AUCTIONS - PROPERTY FROM THE COLLECTION OF STEVE MARTIN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE COLLECTION OF STEVE MARTIN Emmy, Grammy and Academy Award Winning Hollywood Legend’s Trademark White Suit Costume, Iconic Arrow through the Head Piece, 1976 Gibson Flying V “Toot Uncommons” Electric Guitar, Props and Costumes from Dirty Rotten Scoundrels, Dead Men Don’t Wear Plaid, Little Shop of Horrors and More to Dazzle the Auction Stage at Julien’s Auctions in Beverly Hills All of Steve Martin’s Proceeds of the Auction to be Donated to BenefitThe Motion Picture Home in Honor of Roddy McDowall SATURDAY, JULY 18, 2020 Los Angeles, California – (June 23rd, 2020) – Julien’s Auctions, the world-record breaking auction house to the stars, has announced PROPERTY FROM THE COLLECTION OF STEVE MARTIN, an exclusive auction event celebrating the distinguished career of the legendary American actor, comedian, writer, playwright, producer, musician, and composer, taking place Saturday, July 18th, 2020 at Julien’s Auctions in Beverly Hills and live online at juliensauctions.com. It was also announced today that all of Steve Martin’s proceeds he receives from the auction will be donated by him to benefit The Motion Picture Home in honor of Roddy McDowall, the late legendary stage, film and television actor and philanthropist for the Motion Picture & Television Fund’s Country House and Hospital. MPTF supports working and retired members of the entertainment community with a safety net of health and social
    [Show full text]
  • The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
    Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians.
    [Show full text]
  • How to Play in a Band with 2 Chordal Instruments
    FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Jazz Various the Swing Years (1936- 46) RD4-21- 1/6 Reader's Digest
    Jazz Various The Swing Years (1936- RD4-21- Reader's VG/ 6 Disc Box 46) 1/6 Digest (RCA VG+ Set Custom) Various In the Groove with the RD4-45- Reader's VG+ 6 Disc Box Info Kings Of Swing 1/6 Digest (RCA Set Packet Custom) Various The Great Band Era RD4-21- Reader's VG/ 10 Disc Cover (1936-1945) 1/9 Digest (RCA VG+ Box Set and Disc Custom) 10 Missing Various Big Band Collection QUSP- Quality VG-/ Box Set vol.1 5002 Special VG Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 2 5002 Special VG+ Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 3 5002 Special VG+ Missing Products Box The Cannonball Mercy, Mercy, Mercy T-2663 Capitol VG/ Live at Adderley Quintet VG+ “The Club” The Cannonball Country Preacher SKA0-8- Capitol VG/ Gatefold Adderley Quintet 0404 VG+ The Cannonball Why Am I Treated So ST-2617 Capitol VG-/ Adderley Quintet Bad! VG The Cannonball Accent On Africa ST-2987 Capitol VG/ Adderley Quintet VG+ The Cannonball Cannonball Adderly with ST-2877 Capitol VG-/ Adderley and the Sergio Mendes & The VG Bossa Rio Sextet Bossa Rio Sextet with Sergio Mendes Nat King Cole The Swingin' Moods Of DQBO- Capitol VG/ 2 Disc Nat King Cole 91278 VG+ Gatefold Nat King Cole The Unforgettable Nat ST-2558 Capitol VG-/ King Cole Sings The VG Great Songs Nat King Cole Ramblin' Rose ST-1793 Capitol VG 1 Jazz Nat King Cole Thank You, Pretty Baby ST-2759 Capitol VG/ VG+ Nat King Cole The Beautiful Ballads ST-2820 Capiol VG/ VG+ Nancy Williams From Broadway With T-2433 Capitol VG/ Love VG+ Nancy
    [Show full text]
  • George Duke Feel Mp3, Flac, Wma
    George Duke Feel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Feel Country: Argentina Released: 1977 Style: Fusion, Jazz-Funk, Funk MP3 version RAR size: 1739 mb FLAC version RAR size: 1103 mb WMA version RAR size: 1239 mb Rating: 4.9 Votes: 729 Other Formats: AA AC3 APE VOC AHX DXD WMA Tracklist A1 Buena Diversion = Funny Funk 5:18 A2 Amor = Love 6:06 A3 El Primer Vistazo = The Once Over 4:39 A4 Sentir = Feel 5:40 B1 Cora Joberge 3:50 B2 Viejas Pantuflas = Old Slipper 5:41 B3 Tema De La Opera "Tzina" = (Theme From The Opera ''Tzina'') 2:01 B4 Yana Aminah 4:33 B5 Rashid 3:36 B6 Declaration = Statement 1:15 Companies, etc. Distributed By – Microfon Argentina S.A. Published By – Microfon Argentina S.A. Credits Acoustic Bass, Electric Bass – John Heard (tracks: A2 to A4, B2 to B4) Artwork [Cover Art] – Sätty Drums – Ndugu* Engineer [Recording, Mixing] – Kerry McNabb Guitar – Obdewl'l X (tracks: A2, B2) Keyboards – George Duke Percussion – Airto* (tracks: A2 to A4, B4, B6), Ndugu* (tracks: A3) Producer, Photography [Back Cover] – Baldhard Falk* Synthesizer [Bass] – George Duke (tracks: A1, B1, B5) Vocals – George Duke (tracks: A2, A4, B6) Vocals [Featuring] – Flora Purim (tracks: B4) Written-By – George Duke (tracks: A1, A2, A4 to B6), Ndugu (Leon Chancler)* (tracks: A3) Notes Title on label: "George Duke Y Sentir" Barcode and Other Identifiers Rights Society: SADAIC-BIEM Rights Society: AADI-CAPIF Matrix / Runout (Side A runout - stamped): 20034 1 1S Matrix / Runout (Side B runout - stamped): 20034 2 1S Other
    [Show full text]
  • George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372
    COPY I Larry H. Clough (State Bar No. 86104) Attorney for Plaintiff, George Clinton 2 1757 Devonshire Street, Suite 2 Chatsworth, California 9 13 11 Telephone: (8 18) 709-8388 Facsimile (8 18) 709-8372 UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA GEORGE CLINTON, Plaintiff, VS. COMPLAINT FOR: NENE MONTES. an individual and d/b/a TERCER MUNDO, INC., a suspended Cal. I. DECLARATORY JUDGMENT (28 U.S.C. 62201) corp, CHARLY ACQUISITIONS, LTD, a 11. COPWGHTINFRINGEMENT Nevis private company, 17 U.S.C. 501 LICENSEMUSIC.COM, ApS, a Denmark f 11. uNAAofUzED USE OF PRE- 1972 SOUND RECORDINGS private company, ARMEN BOLADIAN, an @l Code [ 980h individual, WESTBOUND RECORDS, RESCI SIO (Cal Code 9 1689) INC., a Mich. corp, ACE RECORDS, LTD, V. FRAUD Common Law VI. INJURIb USFALSEH A OD a United Kingdom private company, Common Law UNION SQUARE MUSIC, LTD, a United b11. TRADE& Kingdom private company, SNAPPER COUNTERFEIT 15 U.S.C. 9 1 114) VIII. TRADEMdRK MUSIC, LTD, a United Kingdom private INFRINGEMENT (15 U.S.C. 61 114 company, ATOM MUSIC, LTD, an Ireland IX.UNFAIR COMPETITION" private company, ARTISTRY MUSIC, 15 U.S.C. 1125 a k FALSE !I ESI dl?ATIONOF LTD, a United Kingdom private company, ORIGIN (15 U.S.C. 1125(a SYNC2PICTURE, LLC, a Mich. limited XI. UNFAIR TRAD b PRA 24 ICES Cal Code 17200 liability company, X5 MUSIC GROUP, a LI. MIS&PRO& ATION OF Sweden private company, LIKENESS (Cal Code 93344) Defendants. XIII. MISAPPROPRIATION OF LIKENESS Common Law) XIV. ACCOLN TING XV. CONSTRUCTIVE TRUST Jury Trial Demanded Plaintiff, George Clinton, ("Plaintiff' or "Clinton") by and through undersigned counsel, alleges upon personal knowledge, information, and belief, as follows: Nature of Action 1.
    [Show full text]
  • The Pennsylvania State University the Graduate School Department
    The Pennsylvania State University The Graduate School Department of English REMIXING THE LOST BOOK OF RHYTHM A Thesis in English by Herschel C. Conner, III Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2006 The thesis of Herschel C. Conner, III was reviewed and approved* by the following: Richard Doyle Professor of English Thesis Advisor Chair of Committee Robert Yarber Distinguished Professor of Art Paul Youngquist Professor of English Jennifer Edbauer Assistant Professor of English Robert Caserio Professor of English Head of the Department of English *Signatures are on file in the Graduate School iii ABSTRACT Remixing the Lost Book of Rhythm focuses on sea-changes in communication, collaboration, and education. Writers today increasingly deploy digital and "musical" techniques such as sampling and mixing to share and transform information and ideas, and I look to diverse rhetorical traditions for clues to a digital pedagogy. I select from primary and secondary source materials— Ancient Greek musical practice, Indian Tala, disciplines of Yoga, global polyrhythmic traditions—as I seek to formulate a theory and pedagogy of "wiki" space. Students and teachers seeking to compose and dwell in the densely interconnected space of digital ecologies, I argue, can learn much from the creative and rhetorical practices found in interactive communities of sound and music today, which form a musical, technological, and rhythmic archive for composers training in the art of rhetoric. My archive suggests rhetorical practices of "rhythm," a long neglected rhetorical effect, are crucial to techniques for navigating the assemblages of technology and community that articulate our classrooms and workplaces today.
    [Show full text]
  • The Complete Poetry of James Hearst
    The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring.
    [Show full text]
  • The De Minimis Requirement As a Safety Valve: Copyright, Creativity, and the Sampling of Sound Recordings
    39546-nyu_92-4 Sheet No. 252 Side A 10/12/2017 08:00:42 \\jciprod01\productn\N\NYU\92-4\NYU415.txt unknown Seq: 1 11-OCT-17 13:27 THE DE MINIMIS REQUIREMENT AS A SAFETY VALVE: COPYRIGHT, CREATIVITY, AND THE SAMPLING OF SOUND RECORDINGS CHRISTOPHER WELDON* INTRODUCTION ................................................. 1262 R I. SAMPLING AND THE LAW ............................... 1265 R A. Sampling and Its Importance ........................ 1265 R B. Why Sampling Raises Copyright Issues.............. 1268 R C. The De Minimis Requirement ....................... 1271 R D. How the De Minimis Requirement Furthers Creativity ........................................... 1273 R 1. Why Copyright Can Threaten Musical Creativity ....................................... 1273 R 2. The De Minimis Requirement as a Safety Valve . 1278 R II. CIRCUIT SPLIT .......................................... 1280 R A. Bridgeport .......................................... 1280 R B. VMG Salsoul ....................................... 1284 R III. THE DE MINIMIS REQUIREMENT SHOULD APPLY TO THE SAMPLING OF SOUND RECORDINGS ................ 1286 R A. Why Do We Have Copyright? ...................... 1286 R B. Statutory Text and Structure......................... 1288 R 39546-nyu_92-4 Sheet No. 252 Side A 10/12/2017 08:00:42 C. Legislative History .................................. 1291 R D. Policy ............................................... 1294 R 1. Alternatives to Unlicensed Sampling Fall Short . 1294 R a. Recreating the Sound ....................... 1295 R b. Licensing
    [Show full text]
  • International Jazz News Festival Reviews Concert
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC INTERNATIONAL JAZZ NEWS TOP 10 ALBUMS - CADENCE CRITIC'S PICKS, 2019 TOP 10 CONCERTS - PHILADEPLHIA, 2019 FESTIVAL REVIEWS CONCERT REVIEWS CHARLIE BALLANTINE JAZZ STORIES ED SCHULLER INTERVIEWS FRED FRITH TED VINING PAUL JACKSON COLUMNS BOOK LOOK NEW ISSUES - REISSUES PAPATAMUS - CD Reviews OBITURARIES Volume 46 Number 1 Jan Feb Mar Edition 2020 CADENCE Mainstream Extensions; Music from a Passionate Time; How’s the Horn Treating You?; Untying the Standard. Cadence CD’s are available through Cadence. JOEL PRESS His robust and burnished tone is as warm as the man....simply, one of the meanest tickets in town. “ — Katie Bull, The New York City Jazz Record, December 10, 2013 PREZERVATION Clockwise from left: Live at Small’s; JP Soprano Sax/Michael Kanan Piano; JP Quartet; Return to the Apple; First Set at Small‘s. Prezervation CD’s: Contact [email protected] WWW.JOELPRESS.COM Harbinger Records scores THREE OF THE TEN BEST in the Cadence Top Ten Critics’ Poll Albums of 2019! Let’s Go In Sissle and Blake Sing Shuffl e Along of 1950 to a Picture Show Shuffl e Along “This material that is nearly “A 32-page liner booklet GRAMMY AWARD WINNER 100 years old is excellent. If you with printed lyrics and have any interest in American wonderful photos are included. musical theater, get these discs Wonderfully done.” and settle down for an afternoon —Cadence of good listening and reading.”—Cadence More great jazz and vocal artists on Harbinger Records... Barbara Carroll, Eric Comstock, Spiros Exaras,
    [Show full text]
  • Parliament Gold Mp3, Flac, Wma
    Parliament Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gold Country: Europe Released: 2005 Style: P.Funk MP3 version RAR size: 1479 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1108 mb Rating: 4.5 Votes: 622 Other Formats: DXD AA VQF ADX MP4 VOC WMA Tracklist 1-1 Up For The Down Stroke 5:08 1-2 Testify 3:54 1-3 All Your Goodies Are Gone 5:04 1-4 Chocolate City 5:37 1-5 Ride On 3:34 1-6 P. Funk (Wants To Get Funked Up) 7:40 1-7 Give Up The Funk (Tear The Roof Off The Sucker) 5:46 1-8 Mothership Connection (Star Child) 6:12 1-9 Handcuffs 4:00 1-10 Do That Stuff 4:48 1-11 Dr. Funkenstein 5:45 1-12 Funkin' For Fun 5:55 Dr. Funkentstein's Supergroovalistic-Prosifunkstication Medley: Let's Take It To The 1-13 5:06 Stage/Take Your Dead Ass Home (Say Som'n Nasty) (Live) 1-14 Fantasy Is Reality 5:55 2-1 Flash Light (12-inch Version) 10:45 2-2 Bop Gun (Endangered Species) 8:30 2-3 Funkentelechy 10:54 2-4 Mr. Wiggles 6:43 2-5 Aqua Boogie (A PsychoAlphaDiscoBetaBioAquaDoLoop) (12" Version) 9:23 2-6 Rumpofsteelskin 5:34 2-7 Party People (Single Edit) 4:46 2-8 Theme From The Black Hole 4:38 2-9 The Big Bang Theory 7:10 2-10 Agony Of DeFeet (Single Edit) 4:25 Companies, etc. Phonographic Copyright (p) – Island Def Jam Music Group Copyright (c) – Island Def Jam Music Group Record Company – UMG Recordings, Inc.
    [Show full text]