DOCSLIB.ORG

40 Mins of Bill Stellar Yelling

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
40 Mins of Bill Stellar Yelling Gan Darrick Tuesday Jan. 30 40 mins of Bill Stellar Yelling - PPT - Marching Band Thrill Bill - lil Wayne - Dillon Francis - Drake (the one from Drake & Josh) -lil k - Tupac - chea? - Meegos (Queso, Liftoff, Upset) - Shakira - Gibby - You Know I Had to do em - Jim Jonas Wednesday Jan. 31 Freshman Kids Bop - DHS Mascott - Spirit Shop Gift Card Old Taylor Swift - Pewdiepies Chair - North West - 3 chainz - Band of Stallions - Purple Rain - The Weekday - Bruno Stars - Bardie C - Saint Bishop DeSales Thrusday Feb. 1 Lil Watty - M&M - iTaco House Band - Horizons Swedish fish Mafia - Kanye East - Lil pump it up - Lil Goss - Lil Bull Cua -The wig- gles - Notorious S.M.A.L.L - Spanish Montana - Pre- Malone - Zay-J - Portugal the Woman - Lady HaHa - Issue 5 Tyler Albers In This Issue... CONTENT EDITORS Konadu Annor Brendan Heffernan Isabella Genovesi Jackie Lineberry Best frogotten albums Everybody loves a good throw- WRITING TEAM back, so check out Best Forgotten Albums for our top picks! 3 Sydney Eader Gabby Mahaffey Rhiannon Pierce Jacqueline Kramer Katherine Kelly Grace Willson Christina Settele Cousin simple Brendan Heffernan Get to know columbus’ newest lo- Carter Hilleary cal sensation in this one-on-one in- Matt Stone 5 terview with Cousin Simple! Dylan Benedict DESIGN EDITORS Chase Agin Jaz Nappier DESIGN TEAM History of rap Tyler Albers From 15th century England to Daniel Freeman 2018, rap has been a big part of Zion O’Donovan our culture. Check out History of Olivia Moonis Rap to find out how and why! 14 Brett Husslein Best Forgotten Music Written By: Brendan Heffernan Designed By: Brett Husslein White Light/White Heat by The Velvet Underground During the Era of peace, love and that was the late six- ties, the forefathers of punk rock were crafting mu- sic that was decidedly much darker. White Light/White Heat was an edgier follow up to the group’s better re- membered debut The Velvet Underground With Nico. The album is full of gritty instrumentals and Lou Reed’s unique vocals. Despite the unpolished nature of this al- bum, White light/White Heat remains an undeniable mas- terpiece, and an extremely rewarding listen. Whut??? The Album by Redman Redman has frequently referred to himself as “your favor- ite rapper’s favorite rapper”, and this brag holds up when you look at how all time great artists like Eminem and Dmx speaks about the New Jersey emcee. His debut Whut??? The Album brings a combination of complex flows, funk based production, and unforgettable concepts that could only come from the mind of Reggie Noble. What makes this album one of the GOATs however, is that fact that Redman is unapologetically himself on every single track, there is no posturing and nothing fake on this 90s classic. Lord Willin’ by Clipse In 2002 The streets of Virginia Beach, Virginia gave us one of the grit- tiest, realest and most memorable gangsta rap albums of all time. Brothers Pusha T and Malice teamed up with Pharrell and Chad Hu- go’s production duo The Neptunes. This tape is fifteen tracks of total heat, all the flows are tight, the wordplay is consistently solid and the drums will knock the wind out of your lungs. In a perfect world this album would be better remembered than Get Rich Or Die Tryin’, and that’s a classic too, but there aren’t just that many albums that knock like Lord Willin’. Band of Gypsys by Jimi Hendrix and The Band of Gypsys The world of music was shaken to its core on September 18, 1970 when the greatest guitar player to ever live tragically died at the age of 27 of a barbiturate overdose. At the time of his death, Hendrix had moved on from the group he had made his first three albums with, The Jimi Hendrix Experience, and was currently working with a new pair of musicians in bassist Billy Cox and drummer Buddy Miles together they formed The Band of Gypsys. Hendrix’s untimely death prevented the group from releasing a proper studio album, and left only this 1970 live album as there legacy, but lord was it one hell of a live album. The six song disc showcases the new direction that Hendrix was heading in before his death, a direction that masterfully blended tight funk and mind bending psychedelic rock. This oft forgotten gem shows us a snapshot of what both rock and funk music might have looked like if it weren’t for Hendrix’s tragic death. Searching For the Young Soul Rebels by Dexys Midnight Runners Searching for the Young Soul Rebels is one of those albums where anyone who has listened to it knows just how special it is. Coming from the Northern Soul movement in Liverpool England, a scene that consisted of teenagers having raves listening to obscure Motown records. Lead singer Kevin Rowland combined Celt- ic Folk music with the 1960s American Soul so popular among his peers. Dexy’s would go on to make two more excellent albums, and release the ubiquitous sin- gle “Come on Eileen”, but Searching for the Young Soul Rebels remains their greatest creative output. Cousin Simple Rockin’ The CCL Written By: Katherine Kelly ‘18 Designed By: Chase Agin ‘18 ots of kids grow up with the dream of being a famous actor, athlete, or rockstar. Growing up, this dream is likely to fade, Lbut not for Cousin Simple. THE START: Will Hoag, Mitch Whittaker, and Ryan Ulibarri started making mu- sic for the fun of it. Theydecided to perform a cover of “The Sci- entist” by Coldplay to their classmates on their last day of school at Our Lady of Peace in Clintonville. After playing this song and making a few people shed a tear, they couldn’t stop their fever for making music. They wanted to start writing their own music and expand their sounds so some of them started learning a variety of instruments. BATTLE OF THE BANDS: Last year, a friend of the band recommend- ed they enter a battle of the bands compe- tition hosted by a music school in Dublin called Groove-U. Not having a lot of experi- ence with a live audience, they knew they’d have to practice. Because of extracurricular activities, they couldn’t find time to practice after school, so they got up early and went to Ryan’s dads studio to practice. In prepa- ration, Cousin Simple also kicked up they’re social media game. They wanted to spread After seeing them perform at the semi-finals the word about their band since not many so many more people wanted to come to people knew and they wanted an audience the finals and support. This was extremely for the competition. They made social me- beneficial because 40% of the judging at the dia accounts and t-shirts to give to sell to competition was based on crowd reaction and those who planned on going the concert. engagement. Because of their unique sound and amazing fans, they swept the rest of the In February, Cousin Simple performed at competition away, leaving them with the op- the Semi-Finals for the Battle of the Bands. portunity to record an EP with the students They were pretty nervous about it but want- at Groove-U and the chance to perform all ed to just have fun with it. When they got on around Columbus. stage they were shocked to see all of their close friends and family there to support and sing along to their original songs. They ended up winning the Semi-Finals and got to move on to the Final competition to do it all again. WHY COUSIN SIMPLE? The boys had no idea where to start when it came to a name for their new band. They came up with a list of 64 different possibili- Fast Facts ties and created a bracket. The name “Pub- - Mitch plays bass, pia- lic Transportation” had won, but the boys were no, and ukulele not sure that was the right fit for them. “Cous- in Simple” was another name on the list that - Will is also a captain had made it pretty far in the bracket, but had of the St. Charles hock- not won. This name came from a character in ey team an episode of Scooby-Doo that Will watched religiously throughout his childhood, and it stuck. - Ryan’s biggest musical influence is the strokes AND WE WOULD NEVER END: After winning the Battle of the Bands com- - Follow their Insta- petition, they wanted to get more serious gram @cousinsimple- about Cousin Simple. They turned down the band for updates on offer to record an EP with Groove-U to find new music and live another producer in which they could record a whole album titled And We Would Never performances! End. This was released this past Septem- ber and is now available on SoundCloud, Spotify, and Apple Music. Written by: Konadu Annor Designed by: Olivia Moonis OLD SCHOOL COOL! Take a peek into some of faculty’s favorites! Reither First Album: Belinda Carlisle: Circle in the sand First concert: Harry Connick Jr. Aumiller First Concert: The Eagles First album:James Taylor. Sweet baby James Sheumaker: First Album: Ten by Pearl Jam First Concert: Dave Matthews Band Lessels: First album: Grease by Olivia John Newton First Concert: A reggae concert in Puerto Rico Arnett: First album: The Electric Light Orchestra (ELO) First concert: Journey in 1976 Written by: Christina Settele Designed by: Olivia Moonis music at your fingertips Have you gone full streaming? Or do you brand in the world, it also gives users access to still buy song downloads and albums? When it different playlists, the entire iTunes library, and comes to music we all have our own preference a 24- hour radio stations.
Load more

Recommended publications
  • Oral History T-0001 Interviewees: Chick Finney and Martin Luther Mackay Interviewer: Irene Cortinovis Jazzman Project April 6, 1971
    ORAL HISTORY T-0001 INTERVIEWEES: CHICK FINNEY AND MARTIN LUTHER MACKAY INTERVIEWER: IRENE CORTINOVIS JAZZMAN PROJECT APRIL 6, 1971 This transcript is a part of the Oral History Collection (S0829), available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. Today is April 6, 1971 and this is Irene Cortinovis of the Archives of the University of Missouri. I have with me today Mr. Chick Finney and Mr. Martin L. MacKay who have agreed to make a tape recording with me for our Oral History Section. They are musicians from St. Louis of long standing and we are going to talk today about their early lives and also about their experiences on the music scene in St. Louis. CORTINOVIS: First, I'll ask you a few questions, gentlemen. Did you ever play on any of the Mississippi riverboats, the J.S, The St. Paul or the President? FINNEY: I never did play on any of those name boats, any of those that you just named, Mrs. Cortinovis, but I was a member of the St. Louis Crackerjacks and we played on kind of an unknown boat that went down the river to Cincinnati and parts of Kentucky. But I just can't think of the name of the boat, because it was a small boat. Do you need the name of the boat? CORTINOVIS: No. I don't need the name of the boat. FINNEY: Mrs. Cortinovis, this is Martin McKay who is a name drummer who played with all the big bands from Count Basie to Duke Ellington.
    [Show full text]
  • Circle in the Sand
    Fanfic cover by Silvermoonlight. ******** Seasonal Passion series, Vol. 2: Circle in the sand written by maggielassie ************************************************** Genre: Xena Warrior Princess alternative fan-fiction; Xena/Gabrielle femslash. Disclaimer: I don’t own the Xena Warrior Princess characters. Universal/Renaissance does. Timeline: This story takes place just after the Season Two episode Lost Mariner. Warning: This story contains sexually explicit erotic moments between two consenting adult women. If this offends you, please refrain from reading. If you are under 18 years of age, please do not read this and come back later when you’re older and you can read it. If lesbian romantic/sexual relationships are illegal in your country or state, please advocate a change in laws. Author’s note: (1) This is not a first time story. I think there are enough first time stories out there. Also, I believe that Xena and Gabrielle can still be intimately passionate with each other after their first time. This story can be somehow seen as a follow-up to Closer than blood bonds. (2) The title of this story partly refers to a song (of the same name) by Belinda Carlisle. No copyright infringement intended. Many Thanks to: Norsebard for the proofreading and feedback; Donar, LucRen, Ninja & RJcreek (from TX) for the pre-release reading & feedback; other people in the Xenaverse and lesbian culture for their encouragements. Feedback: see feedback page. ************************************************** Some candlemarks had passed since everyone got washed ashore after Cecrops’ ship had nearly gotten caught within a fierce whirlpool. Xena and Gabrielle had been glad to find Cecrops alive.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Senior Focus: Mary Ann Erickson
    Vol. 21 No. 3 • Fall 2016 www.tclifelong.org Senior Circle www.tompkinscounty.org/cofa A circle is a group of people in which everyone has a front seat. same time, we are still challenged Senior Focus: Mary Ann Erickson by many of the same issues that Gerontologist and the New Board President of Lifelong aging humans have always faced like declines in health and losses in our social network. I think it’s sometimes hard for us Baby Mary Ann Erickson became the new President of was a pivotal time for me, as I was Boomers to walk the line between the Board of Lifelong at the end of May. Recently involved with this research at every overconfident optimism about aging we had the opportunity to ask her a few questions stage, from developing the interview and unwarranted pessimism. We about her connection to Lifelong and her interest instrument to entering and using the need to prepare for both the in gerontology. data. I did some of the interviews possibilities and the challenges.” for this study, some of which I This is Mary Ann’s sixth year on the board having Any advice for the sandwich been recommended by colleagues from Ithaca remember quite clearly more than 10 years later. I used the Retirement generation? “Most of my peers are College’s Gerontology Institute. Mary Ann is an in this group, caring both for and Well-Being Study data for my Mary Ann Erickson, Associate Professor and Chair, Gerontology children and for aging dissertation.” Lifelong Board President Faculty, Planned Studies Program.
    [Show full text]
  • View of the Related Literature
    72-4684 WALLDREN, Allan Wade, 1934- THE DEVELOPMENT OF AN INSTRUMENT TO ANALYZE STUDENT QUESTIONS DURING PROBLEM SOLVING. The Ohio State University, Ph.D., 1971 Education, general University Microfilms, A XEROX Company, Ann Arbor, Michigan Copyright by Allan Wade Walldren 1971 THE DEVELOPMENT OF AN INSTRUMENT TO ANALYZE STUDENT QUESTIONS DURING PROBLEM SOLVING DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Allan Wade Walldren, B.S., M.A.T * * it it it The Ohio State University 1971 Approved by ’~”1 Adviser Faculty■ of Curriculu and Foundations PLEASE NOTE: Some Pages have indistinct p rin t. Filmed as received. UNIVERSITY MICROFILMS ACKNOWLEDGEMENTS As author of this study I wish to publicly acknowledge and thank several people for their assistance, guidance and support in this investigation. First and foremost is Louise, my wife, who shared equally in all of the rigors and frustra­ tions of this investigation. She has been sounding board and colleague, critical editor and typist, and most of all an understanding and sensitive friend. I also wish to acknowledge Dr. Charles M. Galloway, who not only supported the study and assisted in its design, but also encouraged me to bring my past experiences into a new focus and to report them in a style that was comfortable. Dr. Paul R. Klohr not only supported the study but sensitively encouraged the investigator at the most appro­ priate times. Constructive criticism was always blended with a twinkle of humor. Both the study and the investigator were significantly strengthened by Dr.
    [Show full text]
  • The Racialization of Jimi Hendrix Marcus K
    Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s.
    [Show full text]
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Songs by Artist 08/29/21
    Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands
    [Show full text]
  • 06.22.21 Approved Minutes
    MINUTES OF THE BUCKSKIN FIRE DEPARTMENT DISTRICT FIRE BOARD 06/22/21-Open Meeting: Minutes to be approved at open public meeting on Tuesday, 07/20/2021. A Budget Workshop and Public Hearing of the Buckskin Fire Board convened on June 22, 2021, that started at 6:00 pm in the classroom of the Buckskin Fire District, located at: 8500 Riverside Drive, Parker, AZ 85344 that convened at 6:00 pm. The following matters were discussed at the Open Meeting Public Hearing 1. Call to Order: Budget Hearing open at 6:00 pm 2. Roll Call. Members Present: Chairman Jeff Daniel, Don Rountree, John Mihelich, Jeff McCormack, and Wayne Posey. Staff Present: Chief Maloney, Barbara Cole, Captain Weatherford, Captain Chambers, Lt. Fernandes, FF Maxwell, and FF Anderson. Public Present: Amanda Weatherford 3. (Discussion): Open to the Public for Comments. No Comments from the Public 4. Adjourn: Budget Hearing Closed: Public Budget Hearing closed at 6:02 pm Agenda Open Meeting 5. Convene into Open Meeting: 6:03 pm 6. Call to the Public. Consideration and discussion of comments from the public. Those wishing to address the Buckskin Fire District Board need not request permission in advance Pursuant to A.R.S. § 38-431.01(G), the Fire District Board is not permitted to discuss or take any action on items raised in the call to the public that is not specifically identified on the Agenda. However, individual Board members may be permitted to respond to criticism directed to them. Otherwise, the Board may direct that staff review the matter or ask that the matter be placed on a future agenda.
    [Show full text]
  • Leftover Crack & Days N Daze Aqueous & Big Something
    K k FEBRUARY 2019 K g VOL. 31 #2 H WOWHALL.ORGk AQUEOUS & BIG SOMETHING On Wednesday, February 20, instrument), synths, horns and the music at www.wowhall.org. journey wandering through the Now each song carries a certain the Community Center for the alluring vocal hooks rise to the top The Otherside was recorded at night towards a desert sunrise. weight as the album features sev- Performing Arts proudly welcomes of their infectious collection of Echo Mountain Studios in The album also showcases a dif- eral of the last lyrical compositions to the WOW Hall Big Something songs and represent a sound that Asheville, NC with the help of ferent musical side of the band that Paul ever wrote for Big and Aqueous. has caught the ears of such revered Grammy-nominated producer and with a heavier, more focused and Something. It is a thoughtful and A six-piece powerhouse with a stalwarts as Umphrey’s McGee, Carolina Music Awards Lifetime soulful collection of eight songs poignant musical journey paying sound that is both unique and Moon Taxi, Galactic, moe., Achievement recipient John Custer including “Smoke Signal” -- a tribute to a lifelong friend with a timeless, Big Something fuses ele- Robert Randolph, and even The (Corrosion of Conformity), who track that was written for the stu- brilliant imagination. ments of rock, pop, funk and B52s, who have all tapped Big has produced all five of the bands dio and has never been performed Big Something is Nick improvisation to take listeners on Something as direct support. albums. live. MacDaniels (vocals, guitar), Casey a journey through a myriad of Big Something’s most recent On The Otherside, Big The project is dedicated to the Cranford (sax, EWI), Jesse Hensley musical styles.
    [Show full text]
  • A History of Hip Hop in Halifax: 1985 - 1998
    HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the
    [Show full text]
  • Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
    Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings.
    [Show full text]