Drawn & Quarterly

drawn & quarterly SPRINg 2018

LOVE THAT BUNCH ALINE KOMINSKY-CRUMB sabrina nick drnaso art comic matthew thurber blame this on the boogie rina ayuyang carnet de voyage craig thompson THE STRANGE JérôME RUILLiER A BUBBLE Geneviève Castrée THE MUSHROOM FAN CLUB ELISE GRAVEL THE DANGEROUS JOURNEY tove jansson the moomins and the great flood tove jansson Kitaro’S YOKAI BATTLES Shigeru Mizuki love that bunch aline kominsky-crumb The early work of the pioneering feminist cartoonist plus her acclaimed new story “Dream House”

Aline Kominsky-Crumb immediately made loving fangirl, an East Village groupie, an her mark in the Bay Area’s underground adult grappling with her childhood, and comix scene with unabashedly raw, dirty, a 1980s housewife and mother, to a new unfiltered comics chronicling the thoughts thirty-page story, “Dream House,” that and desires of a woman coming of age in looks back on her childhood forty years the 1960s. Kominsky-Crumb didn’t worry later. Love That Bunch will be Komin- about self-flattery. In fact, her darkest se- sky-Crumb’s only solo-authored book in crets and deepest insecurities were all the print. Originally published as a book in more fodder for groundbreaking stories. 1990, this new expanded edition follows Her exaggerated comix alter ego, Bunch, is her to the present, including an after- self-destructive and grotesque but crack- word penned by the noted comics scholar les with the self-deprecating humor and Hillary Chute. honesty of a cartoonist confident in the story she wants to tell. Praise foR aline KOMINSKY-CRUMB Collecting comics from the 1970s “For over 40 years, Kominsky-Crumb has through today, Love That Bunch is shock- chronicled agony and ecstasy through ingly prescient while still being an authen- brutally honest portraits . . . She changed tic story of its era. Kominsky-Crumb was the game for women comics—not to men- ahead of her time in juxtaposing the con- tion women comedians, authors and art- tradictory nature of female sexuality with ists.” —The Huffington Post a proud, complicated feminism. Most im- portant, she does so without apology. “Kominsky-Crumb’s line has a freshness One of the most famous and idiosyn- and energy that make her strips feel more cratic cartoonists of our time, Kominsky- honest and closer to autobiography than Crumb traces her steps from a Beatles- self-mythologizing.” —The New Republic

MAY 2018 • $24.95 USD/$27.95 CAD • B+W • 6.5 X 9.25 • 168 pages COMICS & GRAPHIC NOVELs/Literary • ISBN 978-1-77046-305-9 • hardcover

Aline Kominsky-Crumb was born on Long Island, New York, and is one of the most influential cartoonists of the underground era as the cartoonist behind Dirty Laundry Comics and Arcade; a contributor to Wimmen’s Commix; cofounder of Twisted Sisters; editor of the anthology Weirdo; and author of the graphic memoir Need More Love. Since the 1990s, she has lived in the south of France with her husband, Robert Crumb. In 2017, the David Zwirner Gallery in New York City held a joint exhibition of their artwork: Aline Kominsky-Crumb & R. Crumb: Drawn Together.

for more information on ALINE KOMINSKY-CRUMB sabrina nick drnaso Video games, conspiracy theories, breakdown, murder: Everything’s gonna be all right—until it isn’t

How many hours of sleep did you get last The follow-up to Nick Drnaso’s Beverly, night? Rate your overall mood from 1 to 5, winner of the Los Angeles Times Book 1 being poor. Rate your stress level from 1 Prize, Sabrina depicts a modern world de- to 5, 5 being severe. Are you experiencing void of personal interaction and respon- depression or thoughts of suicide? Is there sibility, where relationships are stripped anything in your personal life that is af- of intimacy through glowing computer fecting your duty? screens. Presenting an indictment of our modern state, Drnaso contemplates the When Sabrina disappears, an airman in dangers of a fake-news climate. Timely the U.S. Air Force is drawn into a web of and articulate, Sabrina leaves you gutted, suppositions, wild theories, and outright searching for meaning in the aftermath of lies. He reports to work every night in disaster. a bare, sterile fortress that serves as no protection from a situation that threatens Praise foR nick dr naso the sanity of Teddy, his childhood friend “Drnaso’s diagnosis of the sickness at the and the boyfriend of the missing woman. soul of sheltered communities is novel in Sabrina’s grieving sister, Sandra, struggles its discordant effects and keen observa- to fill her days as she waits in purgatory. tion.” —The Globe and Mail After a videotape surfaces, we see devas- tation shown through a cinematic lens, as “Uncomfortable, fascinating . . . Full of true tragedy is distorted when fringe think- moments in which the bubbling reservoir ers and conspiracy theorists begin to inter- of anxiety or feeling or darkness boils to pret events to fit their own narratives. the surface.” —Slate

MAY 2018 • $24.95 USD/$27.95 CAD • color • 7.75 X 9.5 • 204 pages COMICS & GRAPHIC NOVELS/literary • ISBN 978-1-77046-316-5 • hardcover

Nick Drnaso was born in 1989 in Palos Hills, Illinois. His de- but graphic novel, Beverly, received the Los Angeles Times Book Prize for Best Graphic Novel. He has contributed to several comics anthologies, self-published a handful of comics, been nominated for three Ignatz Awards, and coedited the second and third issues of Linework, Columbia College’s annual comic anthology. Drnaso lives in Chicago, where he works as a cartoonist and illustrator.

for more information on NICK DRNASO art comic matthew thurber A raucous skewering of the art world as told by a master of absurdity

Matthew Thurber’s Art Comic is a blunt Art Comic is brimming with references and hilarious assault on the swirling hot and cameos, outsize personalities and shud- mess that is the art world. From sycophan- dering nonsense—Robert Rauschenberg tic fans to duplicitous gallerists, fatuous pa- smashes a beer bottle, Francesca Woodman, trons to self-aggrandizing art stars, he lam- a wineglass. In the center of it all, Thurber’s poons each and every facet of the eminently twisted drawings and laugh-out-loud dia- ridiculous industry of truth and beauty. logue convey a complicated picture of an Follow Cupcake, the Matthew Barney ob- industry at the intersection of fantasy and sessive; Epiphany née Tiffany Clydesdale, reality. Part scathing condemnation, part the divinely inspired performance artist; irreverent appreciation, Thurber’s comics Ivanhoe, a modern knight in search of artis- skewer the art world in a way only an art tic vengeance, and his squire, Turnbuckle. lover can. Each artist is more ridiculous than the last, yet they are tested and transformed by the Praise foR art comic even more absurd machinations of Thurb- “[Art Comic] mercilessly deflates the er’s fantastical art world. Can the Free Little pomposity of the mainstream art world.” Pigs destroy this blighted system? Will “The —Blouin Artinfo Group” continue its indirect assassination of promising young artists? Can artistic in- “Thurber’s at his best experimenting with tegrity exist in this world amid the capitalist a wide array of visual techniques, none of co-opting, petty rivalries, otherworldly por- which get tiresome, revealing an artist and tals, heavenly interventions, and murders storyteller who is wonderfully inventive.” at sea? —Publishers Weekly Starred Review june 2018 • $24.95 usd/$27.95 cad • color • 8.25 x 11.7 • 192 pages COMICS & GRAPHIC NOVELS/LITERARY • ISBN 978-1-77046-300-4 • hardcover

Matthew Thurber is an artist and musician living in Brooklyn. He is the author of the graphic novels 1-800-MICE (2011) and Infomaniacs (2013). Thurber was the recipient of a NYFA fel- lowship in fiction in 2010 for 1-800-MICE, which The Paris Review called “the Gravity’s Rainbow–Sherlock Holmes–Pro- fessor Sutwell–Inspector Clouseau–Silent Spring of comics.” Ambergris, his ongoing multimedia performance project, has performed its “Anti-Matter Cabaret” since 2003 at venues such as Issue Project Room, the Hammer Museum in Los Angeles, and the Fumetto Festival in Switzerland. His full-length play Min- ing the Moon was produced at the Brick Theater in July 2014. His artwork has been shown in galleries such as Southfirst and Knowmoregames in New York and Weird Things in Toronto.

for more information on matthew thurber blame this on the boogie rina ayuyang The true story of how Hollywood musicals got one person through school, depression, and the challenges of parenthood

Inspired by the visual richness and peutic distraction to circumnavigate a cinematic structure of the Hollywood childhood of dealing with cultural dif- musical, Blame This on the Boogie ferences, her struggles with postpartum chronicles the adventures of a Fili- depression, and an adulthood overshad- pino American girl born in the decade owed by an increasingly frightening and of disco who escapes life’s hardships depressing political climate. and mundanity through the genre’s Blame This on the Boogie is Ayuyang’s feel-good song-and-dance numbers. ode to the melody of the world, and Rina Ayuyang explores how the glow- shows how tuning out of life and into ing charm of the silver screen can the magic of Hollywood can actually transform reality, shaping a person’s help an outsider find her place in it. approach to childhood, relationships, sports, reality TV, and eventually poli- Praise foR rina ayuyang tics, parenthood, and mortality. “[Ayuyang’s comics] delightfully revolve Ayuyang’s comics are as vibrant as around everyday subjects with a subtle the movies that she loves. Her deeply humor that points out life’s small absur- personal, moving stories unveil the dities.” —Hyphen Magazine magic of the world around us—render- ing the ordinary extraordinary through “[Ayuyang’s] autobiographical stories . . . a jazzed-up song-and-dance routine. find something wondrous in the kind of Ayuyang showcases the way her love moments that most let slip past without a of musicals became a form of thera- thought.” —Pittsburgh Tribune-Review

jun 2018 • $21.95 USD/$24.95 CAD • color • 7 x 10 • 160 pages COMICS & GRAPHIC NOVELS/literary • ISBN 978-1-77046-318-9 • hardcover

Born and raised in Pittsburgh, Rina Ayuyang was always inspired by the Sunday funnies and slice-of-life tales. Her short stories have been nominated for the Ignatz and Eisner Awards, and she has been honored with a MoCCA Arts Fes- tival Awards of Excellence Silver Medal. Her comics have appeared in Mutha Magazine and The Comics Journal. She is also the publisher of the micro-comics imprint Yam Books. Her first book was Whirlwind Wonderland. Ayuy- ang lives in Oakland, California, with her husband and son.

for more information on rina ayuyang carnet de vo yage craig thompson A unique insight into an acclaimed cartoonist’s travels through Europe and Morocco

Riding the international success of Blan- subconscious. This expanded edition also kets, Craig Thompson sets out on a tour includes a new epilogue drawn from his across Europe and Morocco, promoting most recent European book tour, including the various European editions of his book several familiar faces and Thompson’s re- and beginning research for his next graph- flections on keeping a sketchbook. Carnet ic novel, Habibi. Carnet de Voyage is a de Voyage is a casual yet intimate portrait gorgeous sketchbook diary of his travels as of a celebrated cartoonist at a moment be- he finds intellectual and spiritual stimula- tween works—surprisingly open and can- tion during the day-to-day work of being did in his observations and revelations. an author. From wandering around Paris and Barcelona between events, to navigat- Praise foR carnet de voyage ing markets in Fez and fleeing tourist traps “Incredible, lush line-work and telling de- in Marrakesh, we see glimpses of each tail . . . Thought provoking and touching.” place, rendered in Thompson’s exquisite —Publishers Weekly ink line. While desert landscapes and crowded “Beautiful, touching and surprisingly street scenes flow across the pages, the engaging . . . A window into one man’s sketchbook is packed first and foremost struggle to deal with emotional turmoil far with people—travelers passing through, the from home.” —Exclaim! friends and lovers he meets along the way, distant figures of old friends and other car- “Inspiring, escapist, and achievable.” toonists who freely weave in and out of his —Boing Boing

apr 2018 • $21.95 USD/$24.95 CAD • B+W • 6 x 8 • 256 pages COMICS & GRAPHIC NOVELS / Nonfiction / Biography & Memoir • ISBN 978-1-77046-308-0 • hardcover

Craig Thompson is a cartoonist and the author of the award-winning books Blankets; Good-bye, Chunky Rice; and Habibi. He was born in Michigan in 1975, and grew up in a rural farming community in central Wisconsin. His graphic novel Blankets won numerous industry awards and has been published in nearly twenty languages. Thompson lives in Portland, Oregon.

for more information on craig thompson the strange jérôme ruillier The story of one undocumented immigrant’s journey, told by the people who employ him, feed him, and report on him

The Strange follows an unnamed, un- colored pencil drawings complemented by documented immigrant who tries to forge a stark, limited palette of red, orange, and a new life in a Western country where he green backgrounds. Its beautiful simplicity doesn’t speak the language. The story is represents the almost childlike hope and deftly told through myriad viewpoints, as promise that is often associated with new each narrator recounts a situation in which beginnings. But as he implicitly suggests, they crossed paths with the newly arrived it’s a promise that can shatter at a moment’s foreigner. Many of the people he meets are notice when the threat of being deported is suspicious of his unfamiliar background, a daily and terrifying reality. or of the unusual language they do not un- derstand. By employing this third-person Praise for the strange narrative structure, Jérôme Ruillier mas- “[A] delicate allegory to the current refugee terfully portrays the complex plight of im- crisis.” —Words Without Borders migrants and the vulnerability of being undocumented. The Strange shows one “An insightful and sensitive account.” person’s struggle to adapt while dealing —Le Monde with the often brutal and unforgiving at- titudes of the employers, neighbors, and “Jérôme Ruillier manages to perfectly convey strangers who populate this new land. the reality of migrants who are at times treat- Ruillier employs a bold visual approach of ed as objects instead of subjects.” —Libération

june 2018 • $21.95 USD/$24.95 CAD • 2-color • 6.625 x 9.125 •160 pages YA NONFICTION / Emigration & Immigration • ISBN 978-1-77046-317-2 • paperback

Jérôme Ruillier was born in 1966 in Madagascar and has lived much of his adult life in France. After spending the first dozen years of his career as a children’s book illustrator, in 2009 he wrote and drew his first graphic novel, Le Coeur-enclume, a deeply personal account of the first six days following the birth of a child with disabilities. His next graphic novel, Les Mohamed, was based on interviews with immigrants from North Africa conducted by the writer Yamina Benguigui, which explored the challenges that many immigrants in France face as they attempt to integrate in a new soci- ety. The Strange is Ruillier’s first graphic novel translated into English.

for more information on Jérôme Ruillier A BUBBLE Geneviève Castrée The artist and musician Geneviève Castrée’s last work— an expression of love, meant to last longer than words

Drawn near the end of her life, surrounded engrossingly detailed album illustrations, by the nature and calm of Anacortes, Wash- and delicate, subtle comics, Castrée’s pre- ington, Geneviève Castrée drew one final vious graphic novel, Susceptible, shows gift for her two-year-old daughter, the stun- her rare ability to handle difficult per- ning board book A Bubble. Leaving behind sonal material with intimacy and honesty. a last note for a young child is an incompre- A Bubble acts as an extension of her life hensible task; Castrée responds with grace story and the final chapter of a beauti- and subtlety. Using precise, exquisite draw- fully full existence. Castrée passed away ings of herself and her daughter, Castrée in 2016 after a long battle with pancreatic depicts changes in their daily routines as a cancer. greater story unfolds. Mother and daughter float from page to page, encased in a bubble Praise for geneviève Castrée that protects them from the outside world. “[Susceptible’s] pervasive melancholy is A contemplation of love and loss, A Bubble still lingering with me, a reminder of why is a lasting declaration, a final memory, a we really read: to feel things besides our comfort for others experiencing grief, and a own emotions.” —The Paris Review beautiful archive of one of the world’s most talented cartoonist’s final artistic achieve- “An aching clarity [is] evident in [Castrée’s] ments. sombre grey tones and her dexterous, Known for her hauntingly beautiful mu- serpentine lines.” —The Globe and Mail, sic (under the names Ô PAON and Woelv), Best Books of 2013 june 2018 • $12.95 USD/$14.95 CAD • color • 5.75 x 5.75 • 16 pages JUVENILE FICTION / Family • ISBN 978-1-77046-321-9 • board book

Geneviève Castrée (1981-2016) was born in Québec. Swept away by comics, she wanted to be a cartoonist since the age of nine. Castrée felt the urge to publish her mini-comics early, and appeared in the Montréal underground scene while she was still a teenager. In addition to her books, Castrée had a number of exhibitions in Canada, the United States, Europe, Australia, and Japan. She spent her adult life in the Pacific Northwest with her husband and daughter, where she drew, made small sculptures out of porcelain, and played music under the name Ô PAON.

for more information on Geneviève Castrée the mushroom fan club elise gravel Join Elise Gravel as she explores the science of some of nature’s weirdest and wildest characters—mushrooms!

Elise Gravel is back with a whimsical look Gravel, was a Junior Library Guild selection at one of her family’s most beloved pas- and an instant hit among librarians, parents, times: mushroom hunting! Combining her and kids alike. Fostering the same spirit of love of exploring nature with her talent for creativity and curiosity, The Mushroom Fan anthropomorphizing everything, she takes Club promises to inspire kids to look more us on a magical tour of the forest floor and closely at the world around them and to seek examines a handful of her favorite alien out all of life’s little treasures, stinky or not! specimens up close. While the beautiful coral mushroom looks like it belongs under Praise for elise gravel the sea, the peculiar Lactarius indigo may “A rare mix of wackiness and savvy coun- be better suited for outer space. From the sel—just right for getting the creative juices fun-to-stomp puffballs to the prince of the flowing.” —Kirkus Reviews stinkers—the stinkhorn mushroom—and the musically inclined chanterelles, Gravel “A bright, colorful and quirky paean to shares her knowledge of this fascinating drawing, imagination, and creativity.” kingdom by bringing each species to life in —NPR full felt-tip-marker glory. The Governor General Award–winning “If Found . . . feels like accidentally uncov- author Gravel’s first book with Drawn & ering the greatest (and silliest) sketchbook Quarterly, If Found...Please Return to Elise of all.” —The Hollywood Reporter

june 2018 • $17.95 USD/$19.95 CAD • color • 6.5 x 9 • 56 pages JUVENILE FICTION / Nature & the Natural World • ISBN 978-1-77046-322-6 • hardcover

Elise Gravel is an author-illustrator from Montreal, Quebec. After studying graphic design, she pursued a career writing and illustrating children’s books, where her quirky and charming characters quickly won the hearts of children and adults worldwide. In 2012, Gravel received the Governor General’s Literary Award for La clé à molette. A prolific artist, she has more than thirty children’s books to her name, which have been translated into a dozen languages—including the Disgusting Critters series and If Found...Please Return to Elise Gravel, her challenge to young artists to keep a sketchbook. Gravel lives in Montreal with her spouse, two daughters, cats, and a few spiders.

for more information on Elise Gravel THE DANGEROUS JOURNEY tove jansson Get swept away in this otherworldly adventure to Moominvalley through treacherous yet beautiful landscapes

Tove Jansson takes us on a beautifully With subtle existential themes, a lyrical illustrated and delightfully quirky journey rhythm, and delicate watercolor illustra- through Moominvalley, perfectly capturing tions, The Dangerous Journey captures the experience and its emotional impact as the curiosity of children and adults alike. seen through the innocent eyes of Susanna, Published for the first time in North Amer- who is bored with her life: Her cat is too ica, and the last picture book completed content; her surroundings, too gentle. She by the world-renowned Jansson, The craves adventure when there is none to be Dangerous Journey pushes the emotions had. But when a new pair of glasses appears that underlie our nostalgia out into the in front of her, she gets an opportunity to open with an unparalleled viewpoint that live the bold life that she has always longed always brings forth a new perspective. Take for as her surroundings are transformed this fantastical journey to Moominvalley into a dark and sinister landscape. At first and never look back. Susanna is afraid, but then her daring side takes over and she moves forward to an un- Praise for tove jansson known destination, seeing some familiar “[Jansson’s] work soars with lightness and faces along the way. Combating everything speed, and her drawings only echo her from an exploding volcano to a fierce winter writing: delicate but precise, observant yet storm, from mysterious monsters to stormy suggestive . . . Jansson was exceptional... seas, Susanna and her newfound friends a liberating force.” —Los Angeles Times are given the adventure of a lifetime. Book Review

APRIL 2018 • $16.95 USD/$19.95 CAD • b+w • 8 x 11 • 32 pages JUVENILE FICTION / Comics & Graphic Novels • ISBN 978-1-77046-320-2 • hardcover

Tove Jansson (1914–2001) was a legendary Finnish children’s book author, artist, and creator of the Moom- ins, who came to life in children’s books, comic strips, theater, opera, film, radio, theme parks, and TV.

for more information on tove jansson the moomins and the great flood tove jansson Join the Moomins in their very first adventure, crossing a huge flood to search for missing Moominpappa!

Moominmamma and Moomintroll need consequences, but rather than avoiding the to find a home for the winter, someplace problems that war raises, she uses these where sun is plentiful and safe from the as a basis for the many obstacles that the dangers of the unknown. But before they characters face, from separated families to can settle down, they must cross a dark and forced displacement. With beautiful black sinister forest and find their way through and white artwork interspersed through- a flood of epic proportions, all the while out the text and curious, playful prose, you hoping that they will find Moominpappa find yourself rooting for the Moomins and again. Their journey seems daunting but their quest to find Moominpappa and a they forge ahead, with Moominmamma’s place to call home. kindness and patience giving Moomin the courage he needs to face the strange, unex- Praise for tove jansson plored path that lies ahead of them. “A lost treasure now rediscovered—one of Written during the 1939-40 Finnish- the sweetest, strangest comics strips ever Soviet Union conflict, or The Winter War, drawn or written. A surrealist masterpiece. Jansson uses the unusual setting of a natu- Honest.” —Neil Gaiman ral catastrophe to provide the background of her first children’s book and the first “Here is where Jansson’s weird but true appearance of her beloved Moomin world begins; where fear, loneliness and characters. She wrote this as her escape insecurity are banished by love and the from the horrors of war and its many force of imagination.” —Time

july 2018 • $16.95 USD/$19.95 CAD • b+w • 5.825 x 8.275 • 56 pages JUVENILE FICTION / Comics & Graphic Novels • ISBN 978-1-77046-328-8 • hardcover

for more information on tove jansson kitaro’s yokai battles Shigeru Mizuki The spooky yokai boy Kitaro is back for his sixth book, and this time he has a pile of monsters to beat

Featuring seven stories by Japan’s beloved no Kitaro, and appear here in English for monster master Shigeru Mizuki, Kitaro’s the first time in a kid-friendly edition, un- Yokai Battles features some of Kitaro’s cut and unedited, with translations by the strangest foes yet—including his good pal Mizuki scholar Zack Davisson. In addition, Nezumi Otoko, who decides that he should there are bonus features like “Yokai Files,” be the star of the comic. With friends like which introduce the folklore of Japanese these . . . who needs enemies? monsters, and the sixth installment of But enemies seem to be all Kitaro has. the “History of Kitaro” essay by the series He faces off against villains like the yokai translator Davisson. Kitaro’s Yokai Battles Hoko—who has an evil scheme to corner is the perfect blend of humor and horror. the market on pickled daikon radish—and the Amifuri Tengu, who always brings the Praise foR kitaro rain. Things get hairy in “The Great Hair “Family-friendly horror done well is hard Battle,” when Medama Oyaji’s friend Ke- to find, making this series valuable as medama begs for Kitaro’s help against both an introduction to a classic manga an attack of giant wigs. The massive mud character and purely enjoyable reading.” monster Dorotabo gets down and dirty —Booklist with Kitaro, and the red-tongued Akashita swoops down from above. And these are “A fantastic blend of realism, traditional just a few yokai from the hilarious cast of Japanese painting, and cartoon art in characters in Kitaro’s Yokai Battles. every chapter. The breadth of Mizuki’s The stories in this volume are collected talent is impressive.” from the late-1960s golden age of Gegege —Anime News Network

JULY 2018 • $12.95 USD/$14.95 CAD • B+W • 5 x 7.5 • 192 pages COMICS & GRAPHIC NOVELS/manga • ISBN 978-1-77046-319-6 • Paperback This book is presented in the traditional Japanese manner. For the purposes of this excerpt, the story begins on this page and continues in order, but each individual page is intended to be read from right to left. Shigeru Mizuki (1922–2015) was one of Japan’s most respected artists ever. An artistic prodigy, he lost an arm in World War II. After the war, Mizuki became one of the founders of Japan’s lat- est craze—manga. He invented the yokai genre with GeGeGe no Kitaro, his most famous one-eyed character who has been adapted for the screen several times, as anime, live action, and video games. A new anime series has been made every decade since 1968 and has captured the imagination of generations of Japa- nese children. A real-life ghost hunter, Mizuki travelled to over sixty countries to engage in fieldwork based on spirit folklore. In his hometown of Sakaiminato, one can find Shigeru Mizuki Road, a street decorated with bronze statues of his Kitaro characters.

for more information on Shigeru Mizuki DRAWN & QUARTERLY spring 2018

For more information on these fine titles, and all distributed in the usa by Distributed in Canada by Distributed in the UK by Drawn & Quarterly publications, please contact Farrar, Straus and Giroux Raincoast Books Publishers Group UK 18 West 18th Street 2440 Viking Way 63-66 Hatton Garden Julia Pohl-Miranda [email protected] New York, NY 10011 Richmond, BC V6V 1N2 London, EC1N 8LE Sruti Islam [email protected] Orders: 888.330.8477 Orders: 800.663.5714 Orders: [email protected]

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