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Mad Men Is MEN MAD MEN Unquestionably One of the Most Stylish, Sexy, and Irresistible Shows on Television
PHILOSOPHY/POP CULTURE IRWIN SERIES EDITOR: WILLIAM IRWIN EDITED BY Is DON DRAPER a good man? ROD CARVETH AND JAMES B. SOUTH What do PEGGY, BETTY, and JOAN teach us about gender equality? What are the ethics of advertising—or is that a contradiction in terms? M Is ROGER STERLING an existential hero? AD We’re better people than we were in the sixties, right? With its swirling cigarette smoke, martini lunches, skinny ties, and tight pencil skirts, Mad Men is MEN MAD MEN unquestionably one of the most stylish, sexy, and irresistible shows on television. But the series and PHILOSOPHY becomes even more absorbing once you dig deeper into its portrayal of the changing social and political mores of 1960s America and explore the philosophical complexities of its key Nothing Is as It Seems characters and themes. From Socrates, Plato, and Aristotle to John Kenneth Galbraith, Milton and Friedman, and Ayn Rand, Mad Men and Philosophy brings the thinking of some of history’s most powerful minds to bear on the world of Don Draper and the Sterling Cooper ad agency. You’ll PHILOSOPHY gain insights into a host of compelling Mad Men questions and issues, including happiness, freedom, authenticity, feminism, Don Draper’s identity, and more—and have lots to talk about the next time you fi nd yourself around the water cooler. ROD CARVETH is an assistant professor in the Department of Communications Media at Fitchburg State College. Nothing Is as It Seems Nothing Is as JAMES B. SOUTH is chair of the Philosophy Department at Marquette University. -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
March 2015 Discerning Solutions to the Challenges
Inside this issue 3 Scott and Kimberly Hahn to speak on marriage 14 Mother Dolores Hart to speak at CAPP breakfast Please visit us on: at www.facebook.com/ bridgeportdiocese at www.twitter.com/ dobevents, dobyouth Latest news: bridgeportdiocese.com Frank E. Metrusky, CFP® President and Financial Advisor 945 Beaver Dam Road Stratford, CT 06614 203.386.8977 Securities and Advisory Services offered through National Planning Corporation (NPC), Member FINRA/SIPC, and a Registered Investment Advisor. Catholic Way investments and NPC are separate and unrelated companies. 2 March 2015 www.2014synod.org Discerning solutions to the challenges... Dear Brothers and Sisters How do we evangelize and in Christ, form our parents to be able to share with their children their We are halfway through with relationship with Jesus and our diocesan synod! the Church? What needs to be At our February 7 session, done so that the diocese and our the synod delegates approved the parishes provide support and language of five global challenges pastoral care to families that are that will be established as prior- facing particular stressors such as ities for the coming years. As I financial difficulties, employment said to the delegates, these are issues, discrimination, immigra- not the only issues that will be tion challenges, addiction, or addressed in revitalizing our dio- marital breakup? cese, but will be our most imme- diate priorities. We know that 3. Evangelization—We must cre- there are many other challenges ate concrete plans for evangelization facing our youth, our families, in, with and through our parishes, and our communities throughout schools, ecclesial movements and com- Fairfield County. -
The Cross-Country/Cross-Class Drives of Don Draper/Dick Whitman: Examining Mad Men’S Hobo Narrative
Journal of Working-Class Studies Volume 2 Issue 1, 2017 Forsberg The Cross-Country/Cross-Class Drives of Don Draper/Dick Whitman: Examining Mad Men’s Hobo Narrative Jennifer Hagen Forsberg, Clemson University Abstract This article examines how the critically acclaimed television show Mad Men (2007- 2015) sells romanticized working-class representations to middle-class audiences, including contemporary cable subscribers. The television drama’s lead protagonist, Don Draper, exhibits class performatively in his assumed identity as a Madison Avenue ad executive, which is in constant conflict with his hobo-driven born identity of Dick Whitman. To fully examine Draper/Whitman’s cross-class tensions, I draw on the American literary form of the hobo narrative, which issues agency to the hobo figure but overlooks the material conditions of homelessness. I argue that the hobo narrative becomes a predominant but overlooked aspect of Mad Men’s period presentation, specifically one that is used as a technique for self-making and self- marketing white masculinity in twenty-first century U.S. cultural productions. Keywords Cross-class tensions; television; working-class representations The critically acclaimed television drama Mad Men (2007-2015) ended its seventh and final season in May 2015. The series covered the cultural and historical period of March 1960 to November 1970, and followed advertising executive Don Draper and his colleagues on Madison Avenue in New York City. As a text that shows the political dynamism of the mid-century to a twenty-first century audience, Mad Men has wide-ranging interpretations across critical camps. For example, in ‘Selling Nostalgia: Mad Men, Postmodernism and Neoliberalism,’ Deborah Tudor suggests that the show offers commitments to individualism through a ‘neoliberal discourse of style’ which stages provocative constructions of reality (2012, p. -
Emmerson Denney
Toronto: 416.504.9666 EMMERSON DENNEY Vancouver: 604.744.0222 Los Angeles: 310.584.6606 PERSONAL MANAGEMENT Montreal: 1.888.652.0204 [email protected] TORONTO ••• VANCOUVER ••• LOS ANGELES www.emmerson.ca REA NOLAN , B.Sc, B.F.A., M.A. (ACTRA/CAEA) Voice/Dialogue/Dialect Coach Film and Television Quantico (season 1) series leads ABC-Mark Gordon Co./various (including Priyanka Chopra, Yasmine Al Massri) Frontier (season 1) entire cast Discovery/Brad Peyton Maudie Sally Hawkins/Ethan Hawke Landscape Ent/Aisling Walsh Rupture Noomi Rapace AMBI/Steven Shainberg Killing Salazar (prep) Georges St-Pierre Steamroller Kickboxer: Vengeance (prep) Georges St-Pierre Radar Pictures 12 Monkeys (prep) Guest Stars Atlas Ent The Walk entire cast ImageMovers/Robert Zemeckis (including Joseph Gordon-Levitt; Sir Ben Kingsley; James Badge Dale; Charlotte Le Bon) Helix (eps 207) Guest Stars Tall Ship-Syfy/Grant Harvey Helix (eps 206) Guest Stars Tall Ship-Syfy/Steven A. Adelson Dominion Rhys Ifans FilmColony Uvanga Lukasi Forrest Isuma Films Chalice Vincent Leclerc Independent Bullet in the Face Max Williams/Kate Kelton IFC/Muse Hidden 3D Jordan Hayes Caramel Film Home Alone Zone Jade Hassoune URL-TV/Mad Moose TV Exit Humanity Jordan Hayes Foresight Features Madeleine Eric Bruneau Productions INIS The Terrorist Next Door (MOW) Jean-Francois Blanchard CTV/Jerry Ciccoritti Radio Daybreak (2006-2007) On-air personalities CBC Radio Montreal Theatre (select) Peter and the Starcatcher Shaw Festival (2015)/Jackie Maxwell Top Girls Shaw Festival (2015)/Vikki Anderson -
Examining Mad Men's Hobo Narrative
Journal of Working-Class Studies Volume 2 Issue 1, 2017 Forsberg The Cross-Country/Cross-Class Drives of Don Draper/Dick Whitman: Examining Mad Men’s Hobo Narrative Jennifer Hagen Forsberg, Clemson University Abstract This article examines how the critically acclaimed television show Mad Men (2007- 2015) sells romanticized working-class representations to middle-class audiences, including contemporary cable subscribers. The television drama’s lead protagonist, Don Draper, exhibits class performatively in his assumed identity as a Madison Avenue ad executive, which is in constant conflict with his hobo-driven born identity of Dick Whitman. To fully examine Draper/Whitman’s cross-class tensions, I draw on the American literary form of the hobo narrative, which issues agency to the hobo figure but overlooks the material conditions of homelessness. I argue that the hobo narrative becomes a predominant but overlooked aspect of Mad Men’s period presentation, specifically one that is used as a technique for self-making and self- marketing white masculinity in twenty-first century U.S. cultural productions. Keywords Cross-class tensions; television; working-class representations The critically acclaimed television drama Mad Men (2007-2015) ended its seventh and final season in May 2015. The series covered the cultural and historical period of March 1960 to November 1970, and followed advertising executive Don Draper and his colleagues on Madison Avenue in New York City. As a text that shows the political dynamism of the mid-century to a twenty-first century audience, Mad Men has wide-ranging interpretations across critical camps. For example, in ‘Selling Nostalgia: Mad Men, Postmodernism and Neoliberalism,’ Deborah Tudor suggests that the show offers commitments to individualism through a ‘neoliberal discourse of style’ which stages provocative constructions of reality (2012, p. -
13Th Annual LA SKINS FEST Announces 2019 Event and Film Line-Up During Six-Day Festival
1/14/2020 13th Annual LA SKINS FEST announces 2019 event and film line-up during six-day festival Support Us Top Stories L Find your maven News Maven Home Events 13th Annual LA SKINS FEST announces 2019 event and film line-up during six-day festival Login LA SKINS FEST 2019: Save The Date postcard. (Image: LA SKINS FEST) by Press Pool Nov 14, 2019 - edited LA SKINS FEST events and film screenings November 19th-24th, 2019 News Release Comment https://newsmaven.io/indiancountrytoday/events/13th-annual-la-skins-fest-announces-2019-event-and-film-line-up-during-six-day-festival-IOB0KFVsR0-bt2iJfPyn… 1/17 1/14/2020 13th Annual LA SKINS FEST announces 2019 event and film line-up during six-day festival LA SKINS FEST The LA SKINS FEST, presented by COMCAST NBCUNIVERSAL, announced today its full list of over 60 features and shorts that will be screened through the festival’s six-day run and annual Native American Media Awards at the Hard Rock Event Center in Hollywood (November 19th–24th, 2019). “We have seen Native Cinema grow into a genuine force with a voice that is finally being heard. Native filmmakers have been pushing creative limits, and will have the acknowledgement they richly deserve,” said Patricia Gomes, Executive Director of the LA LoginSKINS FEST. The entire festival line-up features over sixty Native American independent productions that represent hundreds of reservations, nations and tribal organizations from North and South America. This collection of indigenous films and filmmakers makes the festival a truly groundbreaking event. Of the movies being screened, more than 50 will see their world premieres, and all of them will have their Los Angeles premiere. -
The Politics of Knowledge in Spain's Royal Monopoly Of
UNIVERSITY OF CALIFORNIA, SAN DIEGO Empire’s Experts: The Politics of Knowledge in Spain’s Royal Monopoly of Quina (1751-1808) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History (Science Studies) by Matthew James Crawford Committee in charge: Professor John A. Marino, Co-Chair Professor Naomi Oreskes, Co-Chair Professor Paula De Vos Professor Marcel Henaff Professor Christine Hunefeldt Professor Robert S. Westman 2009 © Matthew James Crawford, 2009 All rights reserved. The Dissertation of Matthew James Crawford is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2009 iii TABLE OF CONTENTS Signature Page ….……………………………………………………………………………iii Table of Contents …………………………………………………………………………….iv List of Illustrations and Tables ….……………………………………………………………v Acknowledgements ….……………………………………………………………………….vi Vita …………………………………………………………………………………………….x Abstract……………………………………………………………………………………….xiii Introduction: Empire, Experts, and the Estanco de Quina in the Spanish Atlantic World ….…………………………………………………1 PART I: THE RULE OF THE LOCAL ...…………………………………………………...39 Chapter 1: The “Necessary and Pious” Destiny of Quina: The Culture of Knowledge Production in the Spanish Empire (1751-1768) …………..40 Chapter 2: Imperial Science Inaction: Cooperation and Contention in the Estanco de Quina (c.1773) ...……………………………………………..99 Chapter 3: Not Expertise but “Vain Science:” South American Perspectives -
The Female Brain
THE FEMALE BRAIN A film by Whitney Cummings Starring Whitney Cummings, Toby Kebbell, Beanie Feldstein, Cecily Strong, Sofia Vergara, Deon Cole, Blake Griffin, Lucy Punch and James Marsden 2017 Los Angeles Film Festival World Premiere Saturday, June 17th at 5:45PM | Arclight Culver City Theatre 2 – World Premiere Sunday, June 18th at 10:00 AM | Culver Theatre 8 – Press & Industry Screening Running Time: 98 minutes Press Contact: The DDA Group [email protected] [email protected] SYNOPSIS A romantic ensemble comedy about modern day relationships, The Female Brain provides insight into the complexities of the male vs female brain at varying stages of love: whether it’s finding the right romantic balance; parenting; expressing emotion; or simply admitting shortcomings when a bathroom remodel goes awry. In the end, detached researcher Dr. Brizendine has to admit that her study of the brain might have a bias that she did not initially consider. DIRECTOR WHITNEY CUMMINGS Q&A with Writer/Director Whitney Cummings Tell us about the concept and story behind The Female Brain. How did the idea/project come to you? I read the book and was enthralled by all the science of it. I was fascinated by all the things I learned about not only female brains, but the brain in general. We all have this incredibly powerful machine in our skulls making lots of decisions without us, and we know next to nothing about it! I was shocked that they don’t teach us about our brains in school. I became obsessed with how our primordial, reptilian brains sabotage our modern relationships. -
Stoneback Thesis.Pdf
“Women Usually Want to Please”: A Linguistic Analysis of Femininity and Power in Mad Men by Stephanie Stoneback A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2019 © 2019 Stephanie Christine Stoneback To my mom. Acknowledgments First of all, I would like to thank my thesis advisor, Anne Curzan, for her unwavering support, guidance, and understanding throughout this process. Anne, without your encouragement, listening ear, criticism, and patience, I would have never been able to produce such exciting analysis that I am proud of. To me, you embody what it means to be a powerful woman and you are such an inspiration as I complete my undergraduate work and enter a new phase of life. Thank you so much for that. Next, I must thank our program director, Adela Pinch, for her helpful tips and constant reminders that everything was going to be okay. Adela, in many ways, you have shaped my education as an English major at the University of Michigan—you taught me the Introduction to Literary Studies course, a course on Jane Austen, and both semesters of Thesis Writing. Thank you so much for the years of engaged learning, critical thinking, and community building. I would also like to thank some of the staff members of the New England Literature Program, who helped instill in me a confidence in my writing and in my self that I never knew I was capable of. Aric Knuth, Ryan Babbitt, Mark Gindi, Maya West, and Kristin Gilger, each of you had a distinct and lasting impact on me, in some unspoken and perhaps sacred ways. -
The Influence of Political Correctness on Stand-Up Comedy
Running head: MAJOR RESEARCH PROJECT: THE INFLUENCE OF POLITICAL CORRECTNESS ON STAND-UP COMEDY Master of Professional Communication – Major Research Project: The Influence of Political Correctness on Stand-Up Comedy Martina Buehler Supervisor Dr. Jessica Mudry Ryerson University Toronto, Ontario, Canada August 31, 2019 THE INFLUENCE OF POLITICAL CORRECTNESS ON STAND-UP COMEDY 2 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MAJOR RESEARCH PAPER I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. THE INFLUENCE OF POLITICAL CORRECTNESS ON STAND-UP COMEDY 3 To my beloved daddy, I cannot wait to see you again. THE INFLUENCE OF POLITICAL CORRECTNESS ON STAND-UP COMEDY 4 Acknowledgements I would like to express my thanks to Dr. Jessica Mudry, who has been my supervisor for this major research project. Her support, guidance and strict deadlines have helped me to stay on track and focused on completing this major research project. My thanks also go to Professor Dr. Robert Clapperton, who supported me in defining my topic and being the second reader for this project. I would like to extend special thanks to my lovely classmate, Yvonne Yeung, who pushed through this process with me and whose constant availability to discuss our research topics and give feedback was encouraging and motivating. -
September 27, 2012 Eastern Illinois University
Eastern Illinois University The Keep September 2012 9-27-2012 Daily Eastern News: September 27, 2012 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2012_sep Recommended Citation Eastern Illinois University, "Daily Eastern News: September 27, 2012" (2012). September. 18. http://thekeep.eiu.edu/den_2012_sep/18 This Article is brought to you for free and open access by the 2012 at The Keep. It has been accepted for inclusion in September by an authorized administrator of The Keep. For more information, please contact [email protected]. "Tell the truth and don't be afraid." Actors prepare for 'Reefer Madness' Louisville Classic Page 3 Page 8 FAMILYWEEKEND ____________ ADMINISTRATION BLAST FROM THE PAST Perry reaffirms university mission Staff Report ty, free speech and work ro enforce both. Students and employees received Perry directed those in the East an email from President Bill Perry ern community who feel they reaffirming the university's mission have been harassed, discriminated statement early Wednesday. against, had their constitutional or Perry also said Eastern will con civil rights violated to contact the tinually be committed to diversi- Office of Civil Rights and Diversity. HOUSE OF REPRESENTATIVES State Rep. Chapin Rose to teach EIU 1111 class By Amy Wywialowski Assistant Daily Editor State Rep. Chapin Rose will visit Eastern on Thursday to talk to stu Lead singer Kevin Cronin plays his guitar during the 2007 Family Weekend REO Speedwagon Concert Oct. 7, 2007 dents about legislation that pertains in Lantz Arena. REO Speedwagon will be performing for the 2012 Family Weekend at 8 p.m.