14Th Street Roundabout Page 1 of 1673 Alkanoglu ARTIST STATEMENT

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Alkanoglu

Artist’s Proposal

14th Street Roundabout Page 1 of 1673 Alkanoglu ARTIST STATEMENT

In collaboration with the Public Art Committee, our proposal for a unique and site specific public art project will be an outstanding example of 21st century public EXPERIENCE art that functions for its occupants, inspires its visitors, and resonates with a global audience. With our commitment to innovation and sustainability, the art project will As an artist, we have the experience and analytical capability to design innovative feature an unparalleled design vision constructed with the most leading edge art work and spatial design solutions. We have worked on site specific based art technologies and fabrication methods. and design projects in the past and installed our public art projects in institutions such as the Metropolitan Transit Authority Police Training Facility in Washington D.C., CONCEPT the University of Oregon, the Salt Lake Community College, the Georgia Institute of Technology in Atlanta, Clemson University, the Cedar Rapids U.S. Convention Centre, Our Public Art proposal is named ‘Phoenix’. the University of Colorado in Denver and Fort Lewis College in Durango.

We are very interested in place making through art and to propose a functional art If considered, we would work towards an iconic, sustainable, safe, and piece which compliments the roundabout through its dynamic form and playfully inspiring art project which creates a sense of place and identity. To achieve this engages its context through color and visual form play. We wanted to create an goal, we gain inspiration from concepts informed by cultural, technological and informal monolith that represents the upcoming and vital community. At the same social dimensions and the belief that a public design project in its contemporary time we wanted to create a bold, colourful and iconic form/signifier which stands manifestation can create meaningful experiences to a large and diverse audience. out and catches the attention of the public while attracting and welcoming visitors and locals. The monolith (18 feet tall) has a concrete core and is populated with a Kind Regards, series of custom aluminum branches extruding away from the center and creating an overall vertical dynamic form. We anticipate for the extrusions to slightly move with the wind so that the form looks vivid and alive rather then static and heavy. It is this idea of uplift and constant movement and development that we wanted to Volkan Alkanoglu underline with this work. CONTACT Our concept is to create visual ambiguity and play with effects that are created by merging, blending, overlay, shadows and other visual parameters without Volkan Alkanoglu DESIGN LLC distracting the drivers on their commute. With a series of individual and unique 4440 SW Hillside Drive Portland, OR 97221 components, the artwork constantly appears in new light and transforms during the 857.654.4126 | [email protected] | www.alkanoglu.com day. It is our goal that the art piece will offer a moment of thought and inspiration to its viewers and users while projection a contemporary and bright future for the community.

Our project will be digitally fabricated out of lightweight aluminium. The custom cut sheets of material are giving the opportunity for every component to be distinct and individual, yet being integrated into a larger assemblage. With its fluid forms and landscape of colours, the art piece welcomes its visitors, guests, and the local community.

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Public Art Proposal / Volkan Alkanoglu Alkanoglu VISUALISATION

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Public Art Proposal / Volkan Alkanoglu Alkanoglu VISUALISATION

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Public Art Proposal / Volkan Alkanoglu Alkanoglu VISUALISATION

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Public Art Proposal / Volkan Alkanoglu Alkanoglu VISUALISATION

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Public Art Proposal / Volkan Alkanoglu Alkanoglu VISUALISATION

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Public Art Proposal / Volkan Alkanoglu Alkanoglu

Artist’s Previous Works

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IMAGE LIST

Artwork Title: Sub Division Location: University of Oregon | Eugene | OR Year Completed: 2012 Media: Anodized Aluminium Dimensions: 12’l X 6’w X 15’h Budget: $41,000

Description: The commissioned project for the Math Department at the University of Oregon reflects ideas of mathematical subdivision and tessellation within complex figures. The artwork is situated in the main atrium of the historic Fenton Hall building and visually connects all levels of the staircase. Its sculptural presence and material properties offer a variety of effects through definition of light, reflection, and shadows.

Artwork Title: Distortion Location: U.S. Cellular Convention Centre | Cedar Rapids | IA Year Completed: 2013 Media: Aluminium Dimensions: 23’l X 38’w X 5’h Budget: $100,000

Description: The art work is a hanging wall piece and the main visual focus within the atrium of the U.S. Cellular Convention Centre in Cedar Rapids. The project was commissioned by the City of Cedar Rapids and installed in April 2013. Imagined as a colourful feather-alike structure the art piece resembles cultural, natural and historic artefacts of Cedar Rapids and Iowa.

Artwork Title: Quill Motion Location: Salt Lake City Community College | Taylorsville | UT Year Completed: 2013 Media: Aluminium Dimensions: 18’l X 4’w X 38’h Budget: $190,000

Description: The Quill Motion project is situated inside the atrium of the Humanistic Department of the Salt Lake City Community College in Taylorsville, UT. Commissioned as the winning competition entry from an open public art call, the art work is manufactured out of hundreds of powder coated aluminium panels. It resembles the notion of education through the production of knowledge. The panels represent cultural references such as quill feathers and pages of a book.

Artwork Title: Foundation Location: Clemson | Lee Hall 3 | SC Year Completed: 2018 Media: Aluminium Dimensions: 25’l X 40”w X 20’h Budget: $60,000

Description: The installation consists of two formations, the visual and physical extension of the roof form on the wall as a 3-Dimensional reading of the building, as well as unique and custom folded golden structures which are inspired by the geometry, pattern of the building.

Artwork Title: Reflection Location: Fort Lewis College | Durango | CO Year Completed: 2016 Media: Aluminium Dimensions: 60’l X 40’w X 4’h Budget: $300,000

Description: Our art proposal is named ‘Reflection’. It is inspired by the soft, colourful and iconic landscapes surrounding Durango and the Fort Lewis college. With hundreds of individual and unique components, the art piece appears to be in motion and constantly changing. Our choice of vibrant colours and gradient motion is a homage to the Fort Lewis College colours while providing an opportunity to celebrate multiplicity, diversity and integration.

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IMAGE LIST

Artwork Title: Public Figure Location: GGG Pavilion | Miami | FL Year Completed: 2011 Media: HDPE Recycled Plastic Dimensions: 12’l X 12’w X 3’h Budget: $20,000

Description: The ‘Public Figure’ bench is an urban device. The design was exhibited at the GGG Gallery during the Art/Basel show in Miami Beach, Florida. Using recycled HDPE material, the bench expresses its multifunctional use, bold iconic form and material qualities. The piece challenges typical straight public benches, while forming a continuous loop enhancing communication and interaction of its users.

Artwork Title: Super Nova Location: New Academic Building | UC Denver | CO Year Completed: 2015 Media: Anodized Aluminium Dimensions: 24’l X 12’w X 5’h Budget: $144,000

Description: The design is established by 5 distinct ellipses representing the many colleges at the Institute. The ellipses are connected by smooth surfaces are visualizing the linkage between the colleges. The choice of colour reflects gold, white and black which are historic UC Denver colours. The project resembles a futuristic appearance intriguing notions of innovation and technology. It is constructed out of hundreds of unique anodized and painted aluminium shapes and is built in reference to the structure of a mono-coque airplane.

Artwork Title: Plume #5 Location: Eviva Building | Denver | CO Year Completed: 2018 Media: Aluminum Dimensions: 20’l X 18’w X 4’h Budget: $150,000

Description: The work playfully connects the Eviva building to the Denver Arts District. Plume represents the mobility and dynamic nature of the Golden Triangle community, a neighbourhood that provides the city of Denver with a center for both its cultural development and environmental appreciation.

Artwork Title: Cloud Scape Location: Fort Lauderdale | Hollywood International Airport | FL Year Completed: 2017 Media: Medite Dimensions: 210’l X 30’w X 10’h Budget: $400,000

Description: The project is located at the Fort Lauderdale International Airport and fabricated out of polyurethane coated white Medite and consists of four cloud structures. The design is assembled like a large 3-Dimensional puzzle, forming elegant, soft and dynamic volumes. The abstract cloud shapes are distributed throughout the space and connected to each other forming several opportunities for play and fun.

Artwork Title: Phantom Pavilion Location: Praerie Basin Park | Denver | CO Year Completed: 2018 Media: Aluminum Dimensions: 20’l X 20’w X 16’h Budget: $175,000

Description: The Phantom Pavilion structure is inspired by the wing of a butterfly. Conceived as a light-weight structure, the pavilion will offer both shading to visitors and a colourful addition to the park. Its bright canopy will feature multiple colours and introduce a gradient from left to right and top to bottom. We also showcase a complex pattern of openings on the surface which will produce playful shadows on the ground and move with the sun.

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Call ID: 1533032 Artist ID: 99838 Status: Received Volkan Alkanoglu Contact

Partner Contact via Home Phone Email [email protected] Phone 857 6544126 Cell Web Site www.alkanoglu.com Mailing Address 4440 SW Hillside Drive Portland OR USA 97221 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Untitled Extract Pages.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Volkan Alkanoglu Proposal.pdf Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion. Imagelist_Volkan Alkanoglu DESIGN.pdf Professional References: Please provide 3 or more professional references. Project: 'Cloud Scape' in Fort Lauderdale, FL Client Contact: Christina Roldan Public Art Project Manager Broward Cultural Division 200 S Andrews Ave Fort Lauderdale, FL 33301 Phone: (954) 357-8542 Email:[email protected]

Project: 'Super Nova in Denver, CO Client Contact: Ruth Bruno Public Art Program Manager Colorado Creative Industries 1625 Broadway, Suite 2700 Denver, CO 80202 Phone: (303) 892-3813 Email: [email protected]

Project: 'Reflection' in Durango, CO Client Contact: Catherine Gore Campus Architect/Facility Planner Fort Lewis College Physical Plant Services 1000 Rim Drive Durango, CO 81301 Phone: (970) 247-7000 Email: [email protected] Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Artist Fee: $15,000 Engineering Fee: $5,000 Materials and Supplies: $30,000 CNC and Fabrication: $40,000 Painting: $12,000 Insurance: $2,000 Lighting: $9,000 Site14th Prep: Street $8,000 Roundabout Page 11 of 1673 Alkanoglu

Call ID: 1533032 Artist ID: 99838 Status: Received Volkan Alkanoglu (Continued)

Travel: $3,000 Transportation of Artwork: $15,000 Photography and Documentation: $3,000 Contingency: $8,000 TOTAL BUDGET: $150,000 Please provide a brief current resume emphasizing art experience, public collections, and public art commissions. Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document. Text is limited to 5,000 characters. As an artist, we have the experience and analytical capability to design innovative art work and spatial design solutions. Our public artworks and projects have been build, exhibited, and installed in several leading public institutions worldwide including New York's Union Square Park, the Los Angeles WUHO Gallery, New York Yeshiva Museum, London Royal Academy of Arts, Venice Architecture Biennial, U.S. Cellular Centre in Cedar Rapids Convention Centre, Washington Metropolitan Police Training Facility, and the University of Colorado in Denver.

If considered, we would work towards an iconic, sustainable, safe, and inspiring art project which creates a sense of place and identity for the area and community. To achieve this goal, we would gain inspiration from concepts informed by cultural, technological and social dimensions and the belief that a public design project in its contemporary manifestation can create meaningful experiences to a large and diverse audience.

Art Detail

Category Statement

SubDivision Anodized Aluminium 12" x 4" x 8" $41000.00 2012

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Call ID: 1533032 Artist ID: 99838 Status: Received Volkan Alkanoglu (Continued)

Distortion Aluminum 38' x 25' x 5' $100000.00 2013

Police Memorial Stainless Steel 42' x 25' x 5' $150000.00 2014

Reflection Aluminum 40' x 40' x 4' $300000.00 2016

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Call ID: 1533032 Artist ID: 99838 Status: Received Volkan Alkanoglu (Continued)

Plume 05 Aluminum 25' x 18' x 4' $150000.00 2018

Foundation Aluminum 25' x 40' x 20' $60000.00 2018

Phantom Pavilion Aluminum 16' x 24' x 24' $175000.00 2018

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Call ID: 1533032 Artist ID: 99838 Status: Received Volkan Alkanoglu (Continued)

Emergence Aluminum 25' x 25' x 25' $300000.00 2018

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Disclosure Statement

Do you have any professional or personal relationship with any City of Sarasota official, employee, or advisory board member?

Yes

X No

If yes, please identify the official, employee, or advisory board member and identify the nature of your relationship (i.e., professional, friend, relative, etc.)

Name

Department or Board

Relationship

Signature Volkan Alkanoglu Print Name 2/27/2019 Date

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Artist’s Proposal

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Proposed Work – Interlocking Cubes by Herbert Bayer. The piece, Bayer’s 69th art project in 1979 was realized as a wooden maquette/model titled “Interlocking Cubes”. Photos of original maquette and 2 small scale proof on concept works attached)

Throughout his career Bayer was fascinated by the possibilities for large scale “environmental” sculptures to be placed in or adjacent to busy, heavily trafficked sites. He understood that people would see these sculptures from a car or bus on a very busy street or highway. He specifically designed these pieces (over 70 maquettes in all) to be seen as a viewer moves rapidly by in a vehicle. As they do so the sculptures impression on the viewer will change, this will be particularly striking in a roundabout setting. His sculptures are all grounded in fundamental geometry and the engineering of geometric proportions. He envisioned that they be situated to be caught by an eye that is moving elsewhere and is briefly delighted… to meet a sculpture.

Scaled up to monumental proportions in durable fiberglass composite, and sited in the prominent roundabout located on the main US41 thoroughfare, Interlocking Cubes will provide visitors entering the city from the north with a vibrant clue of the city’s late-Modern heritage. Closely situated to The Ringling College, its presence also supports the Ringling College vision to “change the way the world thinks about art and design” in their quest to become the preeminent art and design college worldwide.

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Bayer Interlocking Cubes – Fabrication Details

Fabrication to be done in Florida by: Yacht solutions (See Resume Below) Construction Details: Fabricate Main Cube 8 foot by 8 foot cube based on Bayer Interlocking Cube design - Main Cube to be 384 Square Feet - Cube to be constructed in fiberglass, with high density core between fiberglass layers, with approximately 1 inch thick wall. - Cube to be painted (proposed in Primary Red) with Awlgrip materials with the procedure of applying 3 coats of 2 part Epoxy Primer, followed by 3 coats of Awlgrip topcoat paint (color to be determined). NOTE*** If dark color, 3 coats of Awlgrip clear coat is required - The structure and base to be done in aluminum, between 6-8 inches off of the ground. - Yachts Solutions will provide template of the base/footage for foundation Estimated weight of the finished sculpture is 2,500 – 3,000 pounds. We anticipate building Fiberglass exterior with an aluminum or steel supporting inner frame. We suggest a mount with four feet, 6 inches off the cement foundation..

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Artist’s Previous Works

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Articulated Wall – Herbert Bayer 85’x6’x6’ – Concreted and Steel 1999 – Denver, Colorado “Articulated Wall” is comprised of 32 prefabricated concrete slabs, all slightly askew of each other and held together by an aircraft carrier refueling mast that runs down the center.

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Double Ascension – Herbert Bayer 18’x30’x20’ – Painted Steel 1973 – 5th Street and Figeroa, Los Angeles, CA Double Ascension is an abstract 20-foot by 30-foot painted steel public art sculpture by Herbert Bayer mounted within a 50-foot diameter pool. It is located at City National Plaza at 515 South Flower Street, Bunker Hill, Los Angeles, California, United States, and is archived by Public Art in Public

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Call ID: 1608485 Artist ID: 348650 Status: Received Peter Anderson Contact

Partner Hugo Anderson Contact via Home Phone Email [email protected] Phone 603 2292629 Cell Web Site emilnelsongallery.com Mailing Address 428 Main Street New London NH USA 03257 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Disclosure Agreement.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Interlocking Cubes doc vf.pdf Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion. Completed Sculpture Project Examples.pdf Professional References: Please provide 3 or more professional references. 1. Lissa Ballinger - Art Curator The Aspen Institute Aspen, CO [email protected] 970-544-7992 Ms Ballinger has worked closely with Hugo Anderson of Emil Nelson on several Herbert Bayer projects at the Aspen Institute.

2. H Kirk Brown III Executive Director and Co-Founder The Initiative for Architecture and Design on Film Denver, CO 303-832-1350 [email protected] Mr. Brown is a long time customer of Hugo Anderson at the Emil Nelson Gallery and is a major collector of Herbert Bayer art.

John Wright Schaefer-Owner Peyton Wright Gallery Sante Fe, NM [email protected] 505-989-9888 Mr Schaefer has worked closely with Hugo Anderson of Emil Nelson Gallery, over the last 10 years, to promote the art of Herbert Bayer at his gallery (Peyton Wright Gallery) and with the promotion, fabrication and realization of Mr. Bayer\'s sculptures in the United States.

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. $150,000 - details to be provided if selected for final 3. Please provide a brief current resume emphasizing art experience, public collections, and public art commissions. Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document. Text is limited to 5,000 characters. Herbert Bayer - Artist - Resume :

At 85, this legendary artist is the last surviving master teacher of the Bauhaus, a German school (1919-1933) whose name is synonymous14th Street with Roundabout interdisciplinary adventure. Page 29 of 1673 Anderson

Call ID: 1608485 Artist ID: 348650 Status: Received Peter Anderson (Continued)

Herbert Bayer (1900-1985) was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and architectural drafting, inspired by nature and without formal knowledge of art history. In 1920, Bayer discovered the theoretical writings of the artist Vassily Kandinsky, as well as Walter Gropius' 1919 Bauhaus manifesto, in which Gropius declared the necessity for a return to crafts, in which were found true creativity and inspiration. Bayer traveled to Weimar to meet Gropius in October of 1921 and was immediately accepted into the Bauhaus. There, he was deeply influenced by the instruction of Kandinsky, Johannes Itten and Paul Klee.

In 1928 Bayer moved to Berlin together with several members of the Bauhaus staff including Gropius, Moholy-Nagy and Marcel Breuer. He found work as a freelance graphic designer, particularly with German Vogue, under its art director Agha. When the latter returned to Paris, Bayer joined the staff full time, and also worked increasingly with Dorland, the magazine\'s principle advertising agency. It was in the period from 1928 to his emigration to America in 1938 that he developed his unique vision as an artist, combining a strongly modernist aesthetic sense with a rare ability to convey meaning clearly and directly. This seamless combination of art, craft and design mark Bayer as true prophet of Bauhaus theories.

Bayer followed Gropius to America in 1938, and set his breadth of skills to work later that year in designing the landmark Bauhaus 1918-1928 exhibition at the Museum of Modern Art. Bayer flourished in New York as a designer and architect, but it was his meeting with the industrialist Walter Paepcke in 1946 that allowed him to harness his concepts of \'total design\' to the postwar boom. Paepcke was developing Aspen as a cultural and intellectual destination, and found in Bayer the perfect collaborator. Bayer was designer, educator and indeed architect for Paepcke\'s Aspen Institute for Humanistic Studies (later The Aspen Institute), which promulgated the very Bauhaus project to encourage cooperation between art and industry and the role of the arts in society. From 1965 he fulfilled a similar role in advising Robert O. Anderson, chairman of the Atlantic Richfield Company.

His work is represented in the collections of the Guggenheim Museum, New York, Museum of Modern Art, New York, Whitney Museum of American Art, New York, San Francisco Museum of Modern Art, Bauhaus-Archiv, Berlin, Schubladen Museum, Bern, Switzerland, Kunsthalle, Hamburg, Germany, Museum of Modern Art, Mexico City.

Herbert Bayer began creating sculpture in the 1930's and continued until his death in 1985. His ideas evolved from drawings and maquettes (models). A small number of works were realized as public sculptures, on a large, monumental scale in Mexico City , Mexico - Articulated Wall Los Angeles, CA - Double Ascension - image attached under Portfolio Section Santa Barbara, CA - Chromatic Gate - image attached under Portfolio Section Denver, CO - Articulated Wall - image attached under Portfolio Section

At the end of his life he had more than 70 maquettes in his studio. These were objects begun in his imagination with the expectation that they would eventually be realized at a monumental scale.

Artist Representative - Emil Nelson Gallery .

Emil Nelson Gallery was founded by Hugo Anderson in 2002 in Denver Colorado. Since then we have had gallery space in Denver, Santa Monica, and now in New London NH. One of the Gallery's main focuses is the Herbert Bayer Sculpture Project which promotes the realization of Herbert Bayer's visionary work. The project started in 2003 when the Gallery produced an exhibition, in Denver Co, that featured over 50 of Bayer's maquettes that remained in the private collection of the Bayer estate. In an effort to realize more of these works on a larger scale, Emil Nelson Gallery began working with Jonathan Bayer (Herbert's sole surviving son) and the Peyton Wright Gallery of Sante Fe, NM. Over the last 10 years we have used the models to exactly scale Bayer's designs into a number of large scale public sculptures in the Western United States. It is important to note that these are not simple reproductions but the result of meticulously engineered and scaled realizations of Bayer's ideas. As Emil Nelson Gallery relocated to the East Coast in 2018 , we are focusing on cities and municipalities like Sarasota for new projects. Accordingly we have started to work with a local (FL based) fabricator, Yachts Solutions (see description and examples of large scale sculpture projects below).

Fabrication and Engineering Partner , Yacht Solutions Resume -

Yachts Solutions, LLC was founded in Bradenton, Fl in 2003 on the basis of providing superior quality of finished products and services in the general boat building industry.

From the very beginning, we have gone the extra mile to configure a staff qualified to handle and execute a diverse variety of projects. This team consists of highly skilled and talented individuals with over 35 years of experience not only in the boat industry, but also in the development, design, engineering and fabrication of Public Sculptures.

At Yachts Solutions, we are equipped with the techniques, man power and the equipment to fabricate any project with all types of metal, composites, and wood.

Some of the artists that we\'ve work with include, Claes Oldenberg, Martin Puryear, Renzo Rivolta, Roy Lichtenstein, Philip Johnson and others.\"

See attached images of past public Sculpture work in Portfolio Section

Seawind # 5 Renzo Rivolta 15'6" - Fiberglass and Aluminum 14th Street Roundabout Page 30 of 1673 Anderson

Call ID: 1608485 Artist ID: 348650 Status: Received Peter Anderson (Continued)

Sarasota, FL

Spoonbridge and Cherry Claes Oldenburg 51ft - Stainless Steel and Aluminum Walker Art Center Minneapolis, MN

Shuttlecock Claes Oldenburg 17'11" - Aluminum and Fiberglass Museum of Art Kansas City, KS

Untitled Martin Puryear 40 Ft - Bronze Washington , DC

Art Detail

Category Statement

Double Ascention - Herbert Bayer Painted Steel 18' x 30' x 20' $200000.00 1973

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Call ID: 1608485 Artist ID: 348650 Status: Received Peter Anderson (Continued)

Articulated Wall - Herbert Bayer Concrete and Steel 85' x 6' x 6' $250000.00 1999

Chromatic Gate - Herbert Bayer Painted Steel 21' x 15' x 8' $250000.00 1991

Fabricator Sample Work - Martin Puryear - sculpture 40' x 6' x 3' $250000.00 2010

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Call ID: 1608485 Artist ID: 348650 Status: Received Peter Anderson (Continued)

Fabricator Sample Work - Seawind No. 5 - Renzo Rivolta sculpture 15' x 6" x 12' $250000.00 2008

Fabricator Sample Work - Shuttlecock - Claes Oldenburg sculpture 17' x 11" x 4' $500000.00 2011

Fabricator Sample Work - Spoonbridge and Cherry sculpture- Stainless Steel and Aluminum 21' x 51' x 3" $500000.00 2013

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Artist’s Proposal

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“WATER PIPE” Proposal

Thank you for this opportunity to submit our work for consideration for the Sarasota Landmark Sculpture project. For us, Public Art is the unique opportunity for our work to be experienced and enjoyed by a large audience. We strongly believe where our art has the greatest potential for impact is where people can access, pass by and absorb its inﬂuence on a regular basis.

We are artists and sisters working in metal and painting to create contemporary wall and freestanding sculptures. The abstract nature of our work allows for viewers to interpret and absorb the meaning in their own personal way. The work creates a dynamic, non-directive, contemporary inﬂuence on the environment in which it is installed.

Water Pipes is an extension of our newest Pipeline Series into freestanding sculpture. Pipelines reference the industrial infrastructure that connect us. We are fascinated by maps of the thousands of pipelines that run through the United States like veins through the body. This is especially important in Florida, as our coastline communities deal with issues of sea level rise and hurricanes. Having the infrastructure to provide communities with access to clean drinking water as well as pumping standing salt water out will be crucial in the years to come. We have been designing similar works for some time now and are currently working on the ﬁrst large scale grouping. These pieces involve thick repurposed aluminum pipe, referencing the process of water transfer. The pipe is cut at an extreme angle allowing for the interiors to be seen. Powder coated in a range of blue, turquoise and green would be used for the interior colors. A lighting element could also be incorporated if possible, from the bottom inside of each sculpture, facing upwards. This creates a glowing sensation with each pipe. These pieces would be arranged in the center of the roundabout, with the tallest in the center at 18’, then each row circling out would be shorter creating a cascading effect, both playful yet sleek.

Our work typically incorporates a percentage of recycled materials and is easy to install and maintain. We have experience working within Public and Corporate Art situations and are comfortable working with a team. We are including images that represent previous projects, commissions, exhibitions, and large scale works which would qualify us for this opportunity. Since we live in Florida and are based in Broward County and Manatee County, we would love to create work for a place close to home and are available to meet and collaborate as needed. We are happy to provide more detailed sketches and maquette if our work is chosen for the next round.

KX2 WWW.KX2ART.COM 14th Street Roundabout Page 36 of 1673 Avra

THIS DRAWING SHOWS ONE VIEW OF THE “CLUSTER” OF PIPES AND HOW THEIR COLOR INTERIORS ANGLE OUT. THIS VIEW WOULD REPEAT AS YOU TRAVEL AROUND THE CIRCLE.

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THIS IS A DIGITAL RENDERING OF THE TOP VIEW OF THIS SCULPTURE CLUSTER. EACH COLOR CORRESPONDS TO A DIFFERENT HEIGHT OF PIPE, FROM 6 FEET TALL TO 18 FEET TALL.

KX2 WWW.KX2ART.COM 14th Street Roundabout Page 38 of 1673 Avra

FABRICATION INFORMATION

This freestanding sculpture is made from 10 inch round aluminum pipe. The top has an extreme angle cut and they will be installed so that the angle/color is facing out, so the viewer sees the color from all angles and viewpoints. The weight of each sculpture is approximately 100-280 lbs depending on the height. The varying height of each sculpture is 12-18 feet high. They will each have holes at the bottom to allow for rain water to ﬂow through and out. These can also be lit from the interior, creating glowing beams of color that project up into the night sky.

Each sculpture would be fabricated and powder coated with a trusted shop right here in Sarasota. Keeping this project personal to the city and having our locals help in making it happen is very important to us.

THIS PICTURE SHOWS RUTH AT THE METAL SHOP IN SARASOTA WITH THE FIRST ROUND OF THESE TYPES OF SCULPTURES. THE TALLEST ONE IN THIS PHOTO (ON THE FAR RIGHT) IS 6 FEET TALL.

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Artist’s Previous Works

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KX2 PREVIOUS ARTWORK PROJECTS

“PORTAL II” POWDER COATING ON STEEL, 4 AND 5 FOOT CIRCLES PRIVATE COMMISSION IN FLORIDA 2018

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“CRESCENDO” UNM CARLSBAD, NM 3D CONSTRUCTED ALUMINUM WITH OIL ON CANVAS, 240 X 36 X 1-5 INCHES ART IN PUBLIC PLACES PURCHASE, 2012

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“UNTITLED” DEALER RATER LLC, WALTHAM, MA 3D CONSTRUCTED ALUMINUM WITH PAINTING ON CANVAS, 200 X 36 X 1-5 INCHES COMMISSIONED ARTWORK, COMPLETED 2014

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“HUDSON” ARGO GROUP, NEW YORK, NY PAINTING ON WOOD WITH ALUMINUM TOTAL SIZE 96X60 INCHES COMMISSIONED ARTWORK, COMPLETED 2017

KX2 WWW.KX2ART.COM 14th Street Roundabout Page 44 of 1673 Avra

Call ID: 1610122 Artist ID: 22573 Status: Received Ruth Avra Contact

Partner Dana Kleinman Contact via Home Phone Email [email protected] Phone 305 3369550 Cell Web Site www.KX2art.com Mailing Address 6330 99th St E Bradenton FL USA 34202 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. DisclosureStatementKX2.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. KX2waterpipeFINAL.pdf Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion. KX2previousworksFINAL.pdf Professional References: Please provide 3 or more professional references. PROFESSIONAL REFERENCES

Litsa Spanos President - ADC Fine Art [email protected] 513-723-1222

Brenda Zappitel Gallery Owner - Whitewall Contemporary [email protected] 561-886-8611

Zoe Messinger Project Manager - IndieWalls [email protected] 646-930-6329

Artist Design Fees $15,000 Design Development, Shop drawings, Models & Contract Documents

Professional Consultation Fees $5000 Engineer (Structural, Electrical), Florida Engineer for FL Building Code

Aluminum Pipe & construction $50,000 Fabrication, transportation and all subcontractor fees

Metal finishing $15,000 Includes transportation and subcontractor fees

Powder coating $15,000 Includes transportation and subcontractor fees

Lighting14th Street$5,000 Roundabout Page 45 of 1673 Avra

Call ID: 1610122 Artist ID: 22573 Status: Received Ruth Avra (Continued)

Installation and transportation $15,000 includes foundation

Contingency $15,000

TOTAL: $135,000 Please provide a brief current resume emphasizing art experience, public collections, and public art commissions. Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document. Text is limited to 5,000 characters. KX2 CV

DANA LYNN KLEINMAN :: EDUCATION 2002 University of New Mexico MFA in Painting. Albuquerque, NM. 1997 Carnegie Mellon University BFA in Painting, Drawing, Printmaking with an additional major in interdisciplinary History and Anthropology. Pittsburgh, PA. Phi Beta Kappa, Carnegie Tradition Scholar.

RUTH AVRA KLEINMAN :: EDUCATION 2001 University of Wisconsin BS in Art, Art Metal Concentration.Madison, WI. 1999 Syracuse University, Scholarship Grant for semester abroad in Florence, Italy

Select SOLO and 2 Person Exhibitions :: Ruth Avra + Dana Kleinman

(upcoming) The Frank Modern. Pembroke Pines, FL 2016 Amy Simon Fine Art, Westport, CT. Two person show 2015 Lanoue Gallery, Boston, MA. Two person show 2014 Exhibit / 208, \"Full Circle\" , Albuquerque, New Mexico. Solo show El Monte Sagrado, "Land Lines", Taos, NM. Solo show 2013 ART Santa Fe, New Mexico. Solo exhibition booth 2012 Lanoue Fine Art, Two person show with Dirk De Bruycker. Boston, MA 2011 Dacia Gallery, \"Vanishing Point\", New York City. Solo show 2010 Jonathan Abrams MD Art Gallery \"Intersections\", UNM Hospital. New Mexico. Solo show Causey Contemporary, \"VECTOR|vector\", Brooklyn, New York. Solo Show 2009 Las Cruces Museum of Art. \"Crescendo\", Las Cruces, New Mexico. Solo Show 2008 Richard Shack Gallery, Art Center/South Florida. \"K x 2 =ART\", Miami Beach, FL. Solo show

Select GROUP Exhibitions :: Ruth Avra + Dana Kleinman

2019 Coral Springs Museum of Art, Coral Springs, FL (upcoming) CICA Museum, South Korea Art Fort Lauderdale Art Fair Art Palm Springs Art Fair, Maria Elena Kravetz Gallery Whitewall Contemporary, \"WATER\", Delray Beach FL Art and Culture Center, Hollywood FL

2018 SOFA Art Fair. Maria Elena Kravetz Gallery, Chicago Monmouth Art Museum. Lincroft, NJ Amy Simon Fine Art. Westport, CT Whitewall Contemporary, \"W H I T E\", Delray Beach FL Maria Elena Kravetz Gallery, Art Palm Springs Art Fair Art Fort Lauderdale Art Fair Art and Culture Center, \"Exposed\" , Hollywood FL

2017-18 Art and Culture Center, \"Mottos\" curated by Laura Marsh. Hollywood, FL Lanoue Gallery. December Group Show. Boston, MA 2017 Islip Art Museum, \"Duality\", East Islip, NY Sandra Phillips Gallery, \"De/Constructing Landscape\", Denver, O Exhibit 208, \"Tondo\", Albuquerque, NM 2016 SCOPE Miami, Arte Ponte. Miami Beach, FL Lanoue Gallery. Boston, MA Museum of the Golden Ratio, Featured Artist March 2016 Kaller Fine Arts, Washington DC Downtown Contemporary, "Heavy Metal". Albuquerque, NM 2015 Nan Miller Gallery, "Abstract Views", Rochester, NY Exhibit 208, "s(and): an introduction", Albuquerque, NM ADC Fine Art, Cincinnati, OH 2014 Sandra Phillips Gallery, "ID Series", Denver, CO 14th Street Roundabout Page 46 of 1673 Avra

Call ID: 1610122 Artist ID: 22573 Status: Received Ruth Avra (Continued)

Downtown Contemporary, Albuquerque, NM "The Shape of Things: New Sculpture", collection curated by Saatchi Gallery Director, Rebecca Wilson on Saatchi Art 2013-14 Dacia Gallery ,"Black and White", New York, NY Lanoue Fine Art, Boston, MA Exhibit/208 , "Wrap It Up", Albuquerque, NM 2013 Dacia Gallery/European House of Arts, Mazieres-de-Touraine, France; Erfurt, Germany; Sibiu, Romania Galerija Dora, "Spiral Channel--To Earth with Love" curated by Vlado Franjevic, Slovenia Oeno Gallery, "6 Impossible Things" and Outdoor Sculpture Garden, Ontario, Canada Pippin Gallery ,"Artgraze". Santa Fe, NM VAM Art Inc. "Continuum", New Jersey Harper College , "Small Works", Palatine, IL Sandra Phillips Gallery , "Spring Rendezvous", Denver, CO 2011 Annmarie Sculpture Garden & Art Center, \"Supersize: Bigger is Better?\". Solomons Island, MD Munoz Waxman Gallery, \"18 Days\", Santa Fe, New Mexico SCA Contemporary, \"The Sublime, The Beautiful, and The Picturesque\", Albuquerque, New Mexico 2010 Albuquerque Museum of Art, \"Miniatures and More\" , New Mexico Kaller Fine Arts, Bethesda, MD Edward Hopper House, \"Small Matters of Great Importance\", curated by Clare Bell. New York. 2009 Aakriti Art Gallery, \"Gen Next IV\" Kolkata, India Lurie-Kavachnina Gallery, \"Art of Deception\", Miami , FL 2008 Fort Collins Museum of Art, Rocky Mountain Biennial, Fort Collins, Colorado National Museum of Art, Beijing Biennale, Beijing, China Gallery Plan b, Washington DC Agora Gallery, 23rd Chelsea International Fine Art Exhibition, New York City 2007 Artformz Gallery. Miami, FL Lurie Gallery. Beverly Hills, CA

Public and Corporate Art:

National Center for Health Statistics, Maryland TTSS, Maryland Womack Wealth Management, New Mexico and Beverly Hills offices Jaguar/Land Rover, Bethesda Dealership University of New Mexico Hospital Silverpeak, New York GW&K Investments, Boston DealerRater LLC, Massachusetts New Mexico Arts, Art in Public Places, Acclaimed Artist Series Finalist for Beanes Community Center Public Art, Maryland 2015 The Davis Companies, Boston The Argo Group, New York Bernalillo County Public Art Collection, MRCOG Building Wescover (in progress) Public Art Installation in community Dog Park, Los Angeles, CA

Art Detail

Category Statement

14th Street Roundabout Page 47 of 1673 Avra

Call ID: 1610122 Artist ID: 22573 Status: Received Ruth Avra (Continued)

Portal III Steel and powder coating 6' x 6' x 2" $18000.00 2018

Crescendo 3D constructed aluminum with oil on canvas 36" x 240" x 5" $25000.00 2009

Untitled 3D aluminum construction with oil on canvas 36" x 200" x 5" $25000.00 2014

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Call ID: 1610122 Artist ID: 22573 Status: Received Ruth Avra (Continued)

Hudson Aluminum and painting on wood 60" x 96" x 2" $16000.00 2017

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14th Street Roundabout Page 50 of 1673 Barnitz

Artist’s Proposal

14th Street Roundabout Page 51 of 1673 Barnitz

14th Street Roundabout Page 52 of 1673 Barnitz

Artist’s Previous Works

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Call ID: 1610198 Artist ID: 214980 Status: Received Owen Barnitz Contact

Partner Contact via Cell Phone Email [email protected] Phone 727 410-2217 Cell Web Site Mailing Address 1221 Country Club Road North Saint Petersburg FL 33710 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. disclosure statement.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. disclosure statement.pdf Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion. ascending green turtle.jpg Professional References: Please provide 3 or more professional references. Christ Medical Center 7562 W Gulf to Lake Highway Crystal River, FL 34429 (352) 564-0444 Email: www.christmedicalcenterfl.com/contact.html

St. Anthony Friary Fr. James Toal, O.F.M. 357 2nd Street North St. Petersburg, FL 33701 Email: [email protected]

John's Pass Village & Boardwalk 12901 Gulf Blvd. Madeira Beach, FL 33708 Email: [email protected] Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Total Turn Key cost: Including fabrication, delivery, installation, engineering, insurance and lighting. $98,000.00 Please provide a brief current resume emphasizing art experience, public collections, and public art commissions. Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document. Text is limited to 5,000 characters. Owen T. Barnitz 1221 Country Club Road North Saint Petersburg, FL 33710 Phone: (727) 410-2217 email: [email protected]

EXPERIENCE SUMMARY: 33 14thyears Street of working Roundabout art experience including design, Page 54 of 1673 Barnitz

Call ID: 1610198 Artist ID: 214980 Status: Received Owen Barnitz (Continued) illustration, lay-out, sculptor, three dimensional graphics, public art, cartooning, airbrush, murals, fabrication, neon, installations, in-depth knowledge of computers and software.

COMPUTER EXPERIENCE: Computer programs include: Corel Suites, Adobe Photo- shop, Illustrator, Acrobat and Premiere, AutoCAD and all Microsoft Office software.

SUMMARY OF ACCOMPLISHMENTS: Successfully organized and operated three different art departments. Consulted with thousands of clients in need of art projects of all types, sizes and budgets. Designed and imaged hundreds of locations for clients throughout the United States and the world.

EMPLOYMENT HISTORY: International C & C Corporation, Largo, FL Director of Art & Design (2000 to present) American Sign Co., Sarasota, FL Art Director - Designer (1995-2000) Central Florida Signs, Lakeland, FL Art Director - Designer - Owner (1991-1995) Sign Creations, Lakeland, FL Art Director - Designer (1987-1991) Graphic Techniques, Lakeland, FL Graphic Artist (1983-1987)

EDUCATION: Ringling School of Art & Design, Sarasota, FL University of South Florida, Tampa, FL Florida Southern College, Lakeland, FL B.S. Degree - Advertising B.A. Degree - Fine Art

AWARDS: 1987 Albert Key Award for outstanding senior artist. 17 Best of Show wins.

Art Detail

Category Statement

Green Sea Turtle Glass tiles, fiberglass over aluminum armiture 99" x 71" x 15" $45000.00 2015

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Call ID: 1610198 Artist ID: 214980 Status: Received Owen Barnitz (Continued)

Christ Medical aluminum, fiberglass 144" x 96" x 24" $18500.00 2014

DEUS MEUS ET OMNIA Fiberglass, foam and aluminum 84" x 68" x 15" $7500.00 2013

Pelicans Fiberglass & Aluminum 108" x 60" x 22" $8000.00 2009

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14th Street Roundabout Page 57 of 1673 Bassoff

Call ID: 1585237 Artist ID: 3316 Status: Received solomon bassoff Contact

Partner Domenica Mottarella Contact via Home Phone Email [email protected] Phone 530 292-3857 Cell 530 913-9843 Web Site www.faducci.com Mailing Address po box 923 ca CA USA 95960 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document.

Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information.

Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion.

Professional References: Please provide 3 or more professional references.

Art Detail

Category Statement

14th Street Roundabout Page 58 of 1673 Bassoff

Call ID: 1585237 Artist ID: 3316 Status: Received solomon bassoff (Continued)

Beaver Cement, Steel 29" x 16" x 23" $6500.00 2008

Bellepede Cement, Steel, Granite 29" x 96" x 64" $40000.00 2010

Dinosaur Concrete, steel, glass 84" x 156" x 58" $80000.00 2012

14th Street Roundabout Page 59 of 1673 Bassoff

Call ID: 1585237 Artist ID: 3316 Status: Received solomon bassoff (Continued)

Osprey Catching Fish Concrete, Steel, Glass 84" x 23" x 23" $30000.00 2009

Arizona Chuckwalla Concrete, steel, bronze, glass 36" x 72" x 48" $10000.00 2018

On the Road to Extinction Concrete, Steel, Glass 114" x 151" x 65" $500000.00 2018

14th Street Roundabout Page 60 of 1673 Bassoff

Call ID: 1585237 Artist ID: 3316 Status: Received solomon bassoff (Continued)

Bear Bunyon Concrete, steel, Glass 96" x 60" x 72" $45000.00 2018

Honey Bear in Koi Pond Concrete, Steel, Glass 36" x 72" x 72" $45000.00 2018

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Artist’s Proposal

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Proposal for Landmark Sculpture - 14th Street and US 41 Roundabout

Public-Artwork.com

Maritza and Terry Bean

Monumental (15 foot high) Sculpture “Osceola B” stands in the gap between the time of Osceola and the now progressive City of Sarasota. The sculpture is a dynamic abstract design that loosely references a Seminole village. Red symbolizes the blood of the Seminole War and turquoise indicates the color of Florida streams and seas. The growth of Sarasota is represented by the color yellow. We are long-time residents of Florida and are very familiar with the present-day Seminole villages. Our inspiration came from our fascination with the depth of local Indian history and the status of Sarasota as a leading art community. This unique fusion sculpture captures the critical past, turbulent history of settlers and the dynamic energy of today’s Sarasota. Public-Art.com has installed large public sculptures and works with commissioning boards and councils. We are mindful of City Ordinances and work fully with local engineers in fabrication, footings, and utilities in keeping with City requirements. “Osceola A” is made of powder-coated welded steel with a height of 15 feet and depth and width of 6 feet and approximately 1,800 pounds. Importantly, our in-house fully equipped fabrication studio allows intimate control of every aspect of the art process. The sculpture was completed in February 2019 and is currently ready for installation.

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Artist’s Previous Works

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Public-Artwork.com

Maritza and Terry Bean

Chickee Medium: Powder-coated Steel

Dimensions: 14ft x 6ft x 6ft

Year Completed: 2019

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Tornado Medium: Stainless Steel, Paint

Dimensions: 12ft x 5ft x 3ftx

Year Completed: 2017

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Red Pipe Dream 1

Medium: Powder-coated Steel

Dimensions: 8ft x 6ft x 5ft

Year Completed: 2016

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Blue Pipe Dream

Medium: Powder-coated Steel

Dimensions: 8ft x 6ft x 5ft

Year Completed: 2016

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Yellow Pipe Dream Medium: Powder-coated Steel

Dimensions: 5ft x 4ft x 3ft

Year Completed: 2016

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Blue Shower

Medium: Powder-coated Steel

Dimensions: 70in x 4ft x 3ft

Year Completed: 2016

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Pied Piper Medium: Steel

Dimensions: 14ft x 12ft x 1in

Year Completed: 2015

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Big Bird Medium: Powder-coated Steel

Dimensions: 72ft x 3ft x 2ft

Year Completed: 2016

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Otter Family Medium: Bronze

Dimensions: 5’ x 4’ x 6’

Year Completed: 2010

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L'esprit du Arkansas Medium: Cast Marble

Dimensions: 9’ x 3’ x 3’

Year Completed: 2012

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Description of the Vicinity for the 14th Street and US 41 Roundabout

US 41 The US 41 corridor is a major north‐ south transportation route through the City of Sarasota with an annual average daily traffic count of ap proximately 40,000 vehicles near this location. US 41 is a Florida Department of Transportation roadwa y which is also known as the Tamiami Trail and as State Road 45 (SR 45). In 2003, the 70‐ mile corridor that runs throughout Sarasota and Manatee Counties was designated as a Florida Scenic H ighway for its intrinsic resources. 14th Street 14th Street is an east‐ west City of Sarasota owned and maintained roadway which serves as a local street. The segment east of US 41 is primarily developed with single‐ family houses, while the segment west of US 41 provides access to Whitaker Gateway Park and multiple ‐ family developments, including the Sarasota Bay Club. Sarasota Bay is approximately 1,200 feet west of the 14th Street/US 41 intersection. Land uses in this vicinity are varied and include single‐ family residential, multiple‐ family residential, commercial, and parkland. The land uses at this future roundabout location include Whitaker Gateway Park on the northwest corner; a vacant parcel that is currently being used for road c onstruction on the northeast corner; the Reserve Sarasota (a books, beverages and bed & breakfast est ablishment) on the southeast corner – the Reserve has three Dutch Colonial Revival buildings that were moved from the Charles Ringling’s estate after Ringling’s mansion was constructed in the 1920’s and are eligible for local historic designation and are potential contributors to a National Historic District; and t he Sarasota Bay Club (a luxury retirement independent living facility) and the Inn at the Sarasota Bay Cl ub (an assisted living/nursing facility) on the southwest corner.

Page 1 of 17

Appendix A

Photographs of the 14th Street and US 41 Intersection (roundabout is currently under construction)

Page 2 of 17

Appendix A

View toward the north along US 41

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View of the southeast corner

Page 3 of 17

Appendix A

View toward the south along US 41

View toward the west along 14th Street

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Appendix A

View from Whitaker Gateway Park looking toward the southeast

View toward the east

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Appendix A

View toward the southwest corner

View toward the northwest corner

Page 6 of 17

Appendix A

FDOT Aerial View

Page 7 of 17

Appendix A

14th Street Roundabout Page 77 of 1673 Bean

Call ID: 1610677 Artist ID: 345650 Status: Received Terry Bean Contact

Partner Maritza Cornejo Bean Contact via Cell Phone Email [email protected] Phone 501 3071001 Cell 501 3071001 Web Site Public-Artwork.com Mailing Address 9773 Bowline DR West Palm Beach FL USA 33411 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Appendices_14th_Signed.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. SarasotaProposal14thSt.pdf Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion. Portfolio_Sarasota.pdf Professional References: Please provide 3 or more professional references. References for Maritza and Terry Bean Donna Hardcastle [email protected] 501.993.1234 Michael Warrick [email protected] 501.213.5635 Colin Thompson [email protected] 501.320.5791 Mark Webre [email protected] 501.371.4770

Maritza Cornejo Bean and Terry Robert Bean 9773 Bowline Drive Unit 201 West Palm Beach, FL 33411 [email protected] www.public-artwork.com

Terry Robert Bean Education and Career Experience 2015 - present Owner, Public-Artwork 2006 - 09 Art Instructor, The Arkansas Art Center School 1969 - 97 Marketing Director, ALCOA Chemicals 1967 - 69 First Lieutenant, US Army Instructor, Vietnam era veteran 196714th Graduate Street Roundabout University of Arkansas (UAF) College of Business, MBA Page 78 of 1673 Bean

Call ID: 1610677 Artist ID: 345650 Status: Received Terry Bean (Continued)

1965 Graduate University of Arkansas (UAF) College of Engineering, BSIE

Art Education Invitational Studies in China with Master Artist Jove Wang Ringling School of Art and Design, Sarasota, Fla. Armory Art Center, West Palm Beach, Fla. UALR, Studio Art Major, Little Rock, AR Scottsdale Artist's School, Scottsdale, AZ Art Studies in Provence-en-Aix, France and Florence, Italy

Awards & Honors 2016 Honorable Mention River Market Exhibition Show and Sale, Little Rock, AR 2008 Featured in At Home Arkansas Magazine 2008 Regional Art Museum Exhibit, Texarkana, TX 2008 Pudong Art Center Exhibit, Shanghai, China 2008 Arkansas Governor's Award 2008 Beauty & Brush Juried Exhibit and Museum Tour, University of Arkansas 2007 Featured in October Living in Chenal Magazine 2007 & 08 Winthrop Rockefeller Institute Professional Artists Show 2007 Houston Artists Association Exhibit, Houston, TX 2006 & 07 Arkansas Arts Council, Small Works on Paper Exhibit and Museum Tour 2006 Featured in Benton Courier Newspaper 2006 Diamond National Juried Exhibition, Hot Springs, AR 2006 CreativeArtistic Merit Award Four State Regional Art Center Juried Show, Texarkana, TX 2006 Best and Brightest Scottsdale Artists' School 2006 Oval Gallery B&W Imaging Competition "The Meeting Place" 2005 Juried Oval Gallery open competition 2 works selected for exhibit "Lady with Feather Boa" and "Will it Go!" 2004 Chosen Artist, President Clinton Library Inaugural Celebration Exhibit at the Presidential Pavilion 2003 Winner Delta Award, The Arkansas Art Center 2003 Juried "Up with Art" Competition, Selected as "Featured Artist in Sculpting and Painting" for "Red and Green Grapes" and "Nymph I" 2003 First Place for monumental "Self Portrait", 2003-1B, Fine Arts of Arkansas Juried Competition, State House Convention Center Selected Exhibits 2012-2019 River Market Exhibition Show and Sale, Little Rock AR 2009 Little Rock, AR, Cantrell Gallery 2009 Geneva, Switzerland, United Nations Headquarters 2009 International Art Expo, New York, NY2 2006, 07 & 08 One man show, Local Colour Gallery 2008 International Art Expo, Miami, FL 2008 N. Palm Beach County Artists, Sea Grit Gallery, Jupiter, FL 2007 & 08 Arkansas Sculpture Guild Exhibit 2007 The Armory Art Center Show, West Palm Beach, FL 2007 The Mermaid Gallery, Treasure Bay, Jamaica 2006, 07 & 08 Arkansas Repertory Theater 2006 The Kansas City Artists Coalition Juried Exhibit 2005 Oval Gallery, One Man Show 2005 Amy Richmond Fine Art, One Man Show 2004 Historical Museum of Arkansas, Two Man show 2004 Clinton Library Inaugural Celebration 2004 Arkansas Senate Chambers Gallery 2003 Olivia Conwell Gallery, One Man show 2003 - 2004 Arkansas State House Convention Center 2003 UA University House, Fayetteville, AR 2003 BMW Showroom 2002 - 2003 Quapaw Quarter Loft Gallery, Little Rock, AR

Permanent Institution Installation The Arkansas Art Center, Delta Award Winner, "Self-Portrait", graphite on paper Historical Museum of Arkansas, "6 Degrees of DNA Vignette", graphite on paper The Rockefeller Institute, "The Painter Self-Portrait", bronze The Central Arkansas Library System, "The Otter Family", bronze Wildwood Center for the Arts, "Attitude 2007", bronze, Arkansas Studies Center, "Artists Hands", bronze Maritza Cornejo Bean Curriculum Vitae Instructor The Armory Art Center, West Palm Beach, FL The Lighthouse Art Center, Jupiter, FL LifeQuest, Little Rock, AR

Bachelor of Fine Arts-Sculpture, University of Chile, Santiago, Chile Friend of Education Art Scholarship Recipient 14th Street Roundabout Page 79 of 1673 Bean

Call ID: 1610677 Artist ID: 345650 Status: Received Terry Bean (Continued)

Public Installations 2016 "Yellow Pipe Dream", Vogel Schwartz Sculpture Garden, Little Rock 2014 "Pied Piper", MacArthur Park, Unleashed Dog Park, Little Rock Park 2012 "The Otter Family", Little Rock Zoo, Little Rock, AR. 2011 "Arkansas River Otters", Quapaw Bath House, Hot Springs National Park "The Dog Dancer", Argenta Art Council, North Little Rock, AR Private client: "The Churchill", Russellville, AR Private Client: "Garden Maiden" architectural installation, Little Rock, AR 2010 "The Otter Family", The Oley Rooker Library, Little Rock, AR "L'Esprit du Arkansas", The Bernice Sculpture Garden, Little Rock, AR 2007 Private client: "Portrait of Dr. Rosenthald", Palm Beach, FL 1998 Series of 32 reliefs of the walls and entrance of the Centro Clinica de San Bernardino, Caracas, Venezuela. 1994 Painting and Relief of the front of Casa Comunal Rinconada de los Alcones, Colchagua, Santiago, Chile.

Selected Exhibitions 2012-2019 River Market Exhibition Show and Sale, Little Rock AR 2019 Arkansas Repertory Theater Exhibit 2014 Continuum Gallery, West Palm Beach, FL 2011 National Sculpture Guild, Little Rock, AR 2007- 11 Arkansas Sculpture Guild, Morrilton, AR 2008- 11 Arkansas Repertory Theater, Little Rock, AR 2009 Carolyn Taylor Gallery, Hot Springs, AR Arkansas Study Institute, Little Rock, AR 2006 - 08 Faculty Exhibition, Armory Art Center, West Palm Beach, FL 2000 Taller Uno, Caracas Venezuela, Show 1999 Sala Cristina Marchan, Caracas Venezuela 1998 Arte y Fuego Institute, Caracas, Venezuela 1997 XV Salon de las Artes Plasticas George Kopp, Caracas, Venezuela 1988 Primer Encuentro de Escultura Plaza Mulato Gil de Castro, Santiago, Chile 1985 Colectiva de Arte del Instituto Cultural La Reina, Santiago, Chile VII Bienal Internacional de Arte de Valparaiso, Valparaiso, Chile 1984 Galeria Pro-Arte Latinoamericano, Santiago, Chile 1983 Galeria Taller la Brocha, Santiago de Chile 1981 Encuentro de Arte la Rampla de las Flores, Santiago, Chile II Bienal Universitaria, Museo Nacional de Bellas Artes, Santiago de Chile Exposicion de la Corporacion Amigos del Arte, Santiago de Chile III Encuentro de Arte Joven del Instituto Las Condes, Santiago, Chile 1980 II Encuentro de Arte Joven del Instituto Las Condes, Santiago, Chile 1979 Salon de Alumnos del Museo Contemporaneo, Santiago, Chile Colectiva en el Instituto Municipal de Nunoa, Santiago de Chile II Arte Expo Inter-Universitaria, Facultad de Arte, Santiago, Chile 1978 I Arte Expo Inter-Universitaria, Parque Bustamante, Santiago, Chile

Art Detail

Category Statement

14th Street Roundabout Page 80 of 1673 Bean

Call ID: 1610677 Artist ID: 345650 Status: Received Terry Bean (Continued)

Tornado Stainless Steel 12" x 5" x 3" $60000.00 2017

Red Pipe Dream 1 Powder-coated Steel 8" x 6" x 5" $15000.00 2016

Blue Pipe Dream Powder-coated Steel 8" x 6" x 5" $10000.00 2016

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Call ID: 1610677 Artist ID: 345650 Status: Received Terry Bean (Continued)

Yellow Pipe Dream Powder-coated Steel 5" x 4" x 3" $12000.00 2016

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14th Street Roundabout Page 83 of 1673 Beck

Artist’s Proposal

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Nicole Beck, © “Cat’s cradle”

Nicole Beck's Cat’s Cradle is a site-specific sculptural installation for Sarasota made of NON-REFLECTIVE TEXTURED dichroic glass, stainless steel and stainless wire cable. The “outdoor loop” configuration of the sculpture will stand 23’ and be constructed of 2- 1/2” welded stainless tubing.

For outdoor applications, this laminated/tempered safety glass of 1/2” will be custom fabricated. Van Roenn Glass assures that this type of glass has been used safely and without incidence in numerous high-traffic installations. I used this glass for my $250,000 sculpture installation Amplifiers at the University of Illinois Urbana College of Electrical and Computer Engineering and for Spintronic commissioned by the City of Batavia, IL (see attached jpegs.) This type of glass can withstand hundreds of pounds of striking force.

Additionally, the outdoor site will be fitted with LED spotlighting to illuminate the dichroic glass during the evening hours with stunning results. Of course, the lighting is not an integral component because the glass and aluminum sculpture stands on its own as a dynamic element.

Cat’s Cradle abstracts the traditional children’s string game by interpreting its 7 main shapes in stainless tubing and stainless wire cable, highlighted with inset geometries of luminous dichroic glass through the gently spiraling form similar to a DNA helix. The installation uplifts via color, light and gently curving lines. The art is an apt metaphor for unanimity within a diverse culture and peaceful cooperation via an interactive child's game.

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Nicole Beck, maquette for Cat’s Cradle

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Various manifestations of Cat's Cradle have been found universally throughout ancient cultures across the globe using different names and cultural references. The Cat’s Cradle sculpture stands for a strong diversity of cultures because this child's game has a history in all of them represented in the dynamic form of a twisting DNA strand that unifies us all.

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Nicole Beck, Amplifiers 2014, University of Illinois Urbana College of Electrical and Computer Engineering, 18’ x 12’ x 6’, Custom laminated dichroic glass, stainless steel, granite and programmable RGB LEDs.

Nicole Beck, Spintronic 2017, City of Batavia, IL. 10’ x 5’ diam., Custom laminated dichroic glass and stainless steel.

NOTE: Both sculptures feature the proposed dichroic glass for Sarasota, except Sarasota’s will incorporate textured, non-reflective glass for highway use.

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Artist’s Previous Works

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Nicole Beck 805 S Oakley Blvd. Chicago, IL 60612 312-493-6649 [email protected] www.nicolebeck.com

Nicole Beck was a faculty member of the Ringling School of Art and Design in the mid-nineties and knows Sarasota intimately. Her residence was on Sarasota Bay.

The proposed sculpture Cat’s Cradle is a zero-maintenance sculpture except perhaps an occasional gentle soap and water wash. The site will be prepared with a concrete pad that will elevate the work. The site will be wired with underground electric to supply LED spotlighting.

BUDGET: $150,000.00 as requested, all inclusive, including materials, fabrication, artists fees, insurance, transport, installation and site preparation with concrete pad. Detailed budget attached.

Additional fabricators and suppliers are Vector Custom Fabricating and Kaiser Von Roenn Architectural Glass. I have used both in the past for high budget commissions and can be assured of the highest in subcontracting services.

Vector Custom Fabricating, 2128 W Fulton St., Chicago, IL 60612 312-421-5161 www.vectorfabricating.com Contact: Barry Hehemann [email protected]

Kaiser von Roenn Studio, 1117 Camellia Dr., Tallahassee, FL 32301 502-419-3439 www.kvrstudio.com Contact: Ursula Vourvoulis [email protected]

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Nicole Beck, 805 S Oakley, Chicago, IL 312 493-6649 [email protected] www.nicolebeck.com

PUBLIC ART COLLECTIONS 2018 Richland Community College, Decatur, Illinois “Sangamon Eddy” 2017 YOPA 50x50, DCASE, Ward 28, Chicago, “Quantum Hope” City of Batavia, IL, “Spintronic” Sculpture; Tilden HS, Chicago, “Believe Mural” 2016 Dyett HS, “Surreal Horn Section for Walter Dyett” Sculptures 2015 South Shore Fine Arts Academy, Chicago, “Hear the Arts Roar” Mosaic 2014 University of Illinois Urbana, College of Electrical & Computer Engineering “Amplifiers” Lincoln Park Chamber of Commerce, Chicago, “Astroterra” Sculpture 2013 Burke Elementary, Chicago “G’s Bend Mural,” Fleming School, Chicago, Peace Poem Project” 2012 Lakeview Chamber of Commerce, Chicago, “Prairie Town Dweller” Sculpture Village of Orland Park, IL, “Chicago WhatKnot” Sculpture Gwen Frostic School of Art, WMU, Kalamazoo, MI, “reCycle, reUse, reVive” Sculpture City of Blue Springs, Missouri, “Jet Stream” Sculpture 2011 Healthcare Alternative Systems, Chicago, “Fiesta de la Communidad” Mosaic 2010 Blue Springs, MO, “Quasarc” Sculpture 2008 Auburn-Gresham Development Corporation, Chicago, “Morganway Mural” 2007 Bloomingdale Mural Project, Chicago, “Snake Gourd Chamber Maze” 2006 Elgin Police Station, Elgin, IL, “Perspective” Mosaic West Town Chamber of Commerce, Chicago, Steetscape Enhancement 2000 DeVry University, Chicago, “DeVry Binary Project” Sculpture

SELECTED GROUP EXHIBITIONS & INSTALLATIONS 2018 “Chicago Sculpture Exhibition,” also in 2016, ’15, ‘13, ‘12, ‘11,’10,’ 09, ‘08, ‘07, ‘06, ‘05 & ‘02 “Clark St. Sculpture,” Lincoln Park Chamber, also in 2017, ‘15, ‘14, & ‘13 “CSI Sculpture in the Parks,” also 2017 2017 “Sculpture Walk Peoria,” also in 2015; Skokie Northshore Sculpture Park, also in 2002 St. Charles, IL , “Sculpture In The Park;” Brauer Mueum of Art, Valparaiso University, IN 2015 “Clark St. Sculpture,” Lincoln Park Chamber, also in 2014, ‘13 Koehnline Art Museum, Skokie, IL, also in 2010, ’07; Kenosha Biennial 2014 Columbus, Indiana; Cliffdweller’s Club, Chicago, IL, also in 2005 Champaign-Urbana, IL also in ’12, ‘11 2013 Oak Park , IL; Michigan City, IN; Krasl Art Museum, St. Joseph, MI, also in 2002 2012 Miller Electric Corporation, Appleton, WI; Art Expo Chicago, Navy Pier 2011 Art Chicago, Merchandise Mart, “Avenue of Sculpture,” also in 2010 Dubuque, IA; Lincoln Park Conservatory, Chicago 2010 Clearwater, Florida; Bettendorf Convention Center, Bettendorf, IA University of Indianapolis, also in 2008 Meadowbrook Sculpture Park, Urbana, IL 2010-2016 2009 White River State Park, Indianapolis, IN; “Artrpize,” Grand Rapids, MI Luther College, Sampson-Hoffland Laboratories, Decorah, IA 2008 The Artist Project, Merchandise Mart, Chicago, also in 2007 Cedar Rapids, IA; Roanoke, VA 2006 FLATFILE Galleries, Chicago; Chattanooga, TN 2004 Chicago Dept. of Public Art Project, “Art in the Gardens," Grant Park & Purdue University, West Lafayette, IN; Suburban Fine Arts Center, Highland Park, IL “Art Connects: Sculpture on the Chicago River” Charlottesville, VA; South Bend Airport, IN; Jackson, TN

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2003 “Chicago Sculpture 2003,” Featured Artist & Venue for Chicago Artist's Month Greensboro, NC; Western Michigan University, Kalamazoo, MI 2002 Peoria, IL, “Peoria Riverwalk”; “3 Sculptors in Wicker Park,” Chicago, Curator 2001 “PierWalk 2001,” Navy Pier & Daley Plaza, Chicago “Around the Coyote,” Wicker Park, Chicago, also 2000, ‘99, '97, '94 2000 “PierWalk 2000,” Navy Pier & State of Illinois Building, Chicago 1999 “PierWalk 1999,” Navy Pier & Vedanta Gallery, Chicago 1993 Art Chicago, Outdoor Public Sculpture Installation; MWMWM Gallery, Chicago

EDUCATION Northern Illinois University, DeKalb, Illinois, MFA 1991 graduate fellowship Loyola University of Chicago, AB., Communications 1984 magna cum laude School of the Art Institute of Chicago Purdue University, West Lafayette, IN

PROFESSIONAL EXPERIENCE 2003-18 Lead Teaching Artist, Urban Gateways Center for Arts Education, Chicago 2004-10 Founding Board of Directors, Treasurer, Chicago Sculpture International 1997-03 Lead Artist, Gallery 37 (now Afterschoolmatters.org) Chicago 1993-96 Faculty Adjunct, Ringling School of Art & Design, Sarasota, FL Full-time

PROFESSIONAL RECOGNITION 2018 Commissioned Artist, “Sangamon Eddy,” Richland Community College, Decatur, IL 2017 DCASE Year of Public Art 50 x 50, Ward 28, Chicago, IL Finalist, Wicker Park Bucktown, Chicago, IL Finalist, Rock Valley College, Illinois Capital Development Board, AIA 2016 People’s Choice Award, Sculpture Walk Peoria 2016 Finalist, College of New Jersey, New Jersey State Council on the Arts Finalist, Merriam Marketplace, Kansas Artist’s Residency, Vermont Studio Center 2015 Finalist, Central New Mexico Community College, State of New Mexico Arts Individual Artist Program Grant, City of Chicago DCASE 2014 Commissioned Artist, “Amplifiers,” University of Illinois Urbana, CDB, AIA 2013 Illinois Arts Council Project Grant Finalist, Illinois Valley Community College, Illinois Capital Development Board, AIA Finalist, Kaskaskia College, Illinois Capital Development Board, AIA 2012 Artist’s Residencies, Ragdale Foundation 12/2012, also in 10/2010 Finalist, Chicago Percent for Art 12th District Police Station Visiting Artist, Western Michigan University, Kalamazoo, MI “100 Midwest Artists,” Ashley Rooney, Schiffer Publishing 2011 Artist’s Residency Fellowship, Anderson Ranch Arts Center, January-April CAAP GRANT Funded by the Chicago Department of Cultural Affairs & The Illinois Arts Council, CAAP Grants NOTE: also in 2008, 04, 02, 01, 00 2008 “Ironwork Today: Inside & Out,” Jeffrey B. Snyder, Schiffer Books, 2008, p.66-67. 2006 Artist Story, www.chicagoartistsresource.org 2005 Public Art Advisory Panel, Avalon Library Project, Chicago Dept. of Public Art 2003 Finalist, North Park Sculpture, Chicago Percent for Arts, Department of Public Art Featured Artist, Chicago Artist's Month, Chicago Department of Cultural Affairs 1995 Fellowship Finalist, Southern Arts Federation Funded by the NEA 1990 Graduate School Fellowship & Grant, Northern Illinois University

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1. Amplifiers, 2014, 18’ x 12’ x 6’, Stainless steel, custom-laminated dichroic glass, granite and programmable RGB LEDs. A $250,000 site-specific commission for the University of Illinois Urbana College of Electrical and Computer Engineering commissioned by the Capital Development Board of Illinois Art-In-Architecture Program. A short documentary was created for this work: https://www.youtube.com/watch?v=fl8Fr-ADDPU&feature=youtu.be

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2. Amplifiers, Detail programmable RGB LEDs night view.

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3. Spintronic, 2017, 10’ x 5’, Stainless steel and custom-laminated dichroic glass. Commissioned by City of Batavia, IL honoring the high-energy particle physics studied nearby at Fermilab. The dichroic glass colors shift radically as the viewer encounters the work and ambient light conditions. A short documentary for this work was created for this work: https://www.youtube.com/watch?v=pTM379sDuzA

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4. Spintronic, 2017, Detail custom-laminated dichroic glass rondels.

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5. Chicago WhatKnot, 2012, 20’ x 8’ diameter, Steel and custom-cast glass rondels. Permanent public art collection Village of Orland Park, IL

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6. Astroterra, 2014, 8’ x 6’ x 6’, Steel, mosaic and enamel paint. Astroterra’s outer panels are glass tile mosaics of the cosmos. Interior panels depict a brightly enameled cross-section of the Earth’s cores. Flame-cut holes allow the passage of light that mark the passage of the hours like a sundial. Purchased into the permanent public art collection of the Lincoln Park Chamber of Commerce.

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7. Prairie Town Dweller, 2012, 10’ x 5’ x 4’, Stainless steel and mosaic. Public art collection Lakeview Chamber of Commerce at Sheil Park. A respectful & playful homage to a room screen from the Robie House by Frank Lloyd Wright adapted to depict a female Figure on a monumental scale.

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8. “Sangamon Eddy,” 2018, 107’ x 12’ x 5’, Polycarbonate, aluminum and stainless wire rope. Site-specific commission for the Capital Development Board Illinois Art-In-Architecture Program for Richland Community College in Decatur. A colorful abstraction of river eddies as evidenced in nearby Sangamon River, a local natural resource of geographical, historical and cultural importance.

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Call ID: 1607322 Artist ID: 16714 Status: Received Nicole Beck Contact

Partner Contact via Cell Phone Email [email protected] Phone 312 493-6649 Cell 312 493-6649 Web Site www.nicolebeck.com Mailing Address 805 South Oakley Blvd. Chicago IL USA 60612 4227 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Beck_Disclosure.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. NicoleBeck_©CatsCradle_RFP.pdf Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion. Nicole Beck_VITA.pdf Professional References: Please provide 3 or more professional references. Nicole Beck 805 S. Oakley Blvd. Chicago, IL 60612 312 493-6649 [email protected] www.nicolebeck.com PROFESSIONAL REFERENCES 1. Linda Norbut Suits, Art-in-Architecture Coordinator Capital Development Board Wm. G. Stratton Office Building 401 South Spring Street, 3rd Floor Springfield, IL 62706 voice | 217.782.9561 mobile | 217.494.7271 [email protected] | www.illinois.gov/cdb/services/art 2. Chris MacGibbon, Project Manager Capital Development Board Wm. G. Stratton Office Building 401 South Spring Street, 3rd Floor Springfield, IL 62706 (Office) 217-558-4265 (Cell) 217-299-6013 [email protected] 3. Barry Hehemann Vector Custom Fabricating 2128 W Fulton St Chicago, IL 60612 312.421.5161 [email protected] www.vectorfabricating.com Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Nicole Beck 805 S Oakley Blvd., Chicago, IL 60612 312-493-6649 www.nicolebeck.com [email protected]

Budget Breakdown: Materials & Fabrication: Custom14th Streetstainless Roundabout steel hardware & cable $4,000. Page 101 of 1673 Beck

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Metal fabrication including materials, rolling & welding and engineering $56,000. Dichroic glass production including film & lamination to exact specifications $14,000. Concrete pad $5,000. LED lighting & related electric $34,000. All related costs: Site crews, equipment, insurance & transport $12,000 Artist's design fees: Incl. computer renders, fabrication, business, installation mgmt. $19,000 Flex $6,000. Total Cost-All Inclusive $150,000.

4-6 months turn around including production & site installation

PUBLIC ART COLLECTIONS 2018 Richland Community College, Decatur, Illinois "Sangamon Eddy" 2017 YOPA 50x50, DCASE, Ward 28, Chicago, "Quantum Hope" City of Batavia, IL, "Spintronic" Sculpture; Tilden HS, Chicago, "Believe Mural" 2016 Dyett HS, "Surreal Horn Section for Walter Dyett" Sculptures 2015 South Shore Fine Arts Academy, Chicago, "Hear the Arts Roar" Mosaic 2014 University of Illinois Urbana, College of Electrical & Computer Engineering "Amplifiers" Lincoln Park Chamber of Commerce, Chicago, "Astroterra" Sculpture 2013 Burke Elementary, Chicago "G's Bend Mural," Fleming School, Chicago, Peace Poem Project" 2012 Lakeview Chamber of Commerce, Chicago, "Prairie Town Dweller" Sculpture Village of Orland Park, IL, "Chicago WhatKnot" Sculpture Gwen Frostic School of Art, WMU, Kalamazoo, MI, "reCycle, reUse, reVive" Sculpture City of Blue Springs, Missouri, "Jet Stream" Sculpture 2011 Healthcare Alternative Systems, Chicago, "Fiesta de la Communidad" Mosaic 2010 Blue Springs, MO, "Quasarc" Sculpture 2008 Auburn-Gresham Development Corporation, Chicago, "Morganway Mural" 2007 Bloomingdale Mural Project, Chicago, "Snake Gourd Chamber Maze" 2006 Elgin Police Station, Elgin, IL, "Perspective" Mosaic West Town Chamber of Commerce, Chicago, Steetscape Enhancement 2000 DeVry University, Chicago, "DeVry Binary Project" Sculpture

SELECTED GROUP EXHIBITIONS & INSTALLATIONS 2018 "Chicago Sculpture Exhibition," also in 2016, '15, '13, '12, '11,'10,' 09, '08, '07, '06, '05 & '02 "Clark St. Sculpture," Lincoln Park Chamber, also in 2017, '15, '14, & '13 "CSI Sculpture in the Parks," also 2017 2017 "Sculpture Walk Peoria," also in 2015; Skokie Northshore Sculpture Park, also in 2002 St. Charles, IL , "Sculpture In The Park;" Brauer Mueum of Art, Valparaiso University, IN 2015 "Clark St. Sculpture," Lincoln Park Chamber, also in 2014, '13 Koehnline Art Museum, Skokie, IL, also in 2010, '07; Kenosha Biennial 2014 Columbus, Indiana; Cliffdweller's Club, Chicago, IL, also in 2005 Champaign-Urbana, IL also in '12, '11 2013 Oak Park , IL; Michigan City, IN; Krasl Art Museum, St. Joseph, MI, also in 2002 2012 Miller Electric Corporation, Appleton, WI; Art Expo Chicago, Navy Pier 2011 Art Chicago, Merchandise Mart, "Avenue of Sculpture," also in 2010 Dubuque, IA; Lincoln Park Conservatory, Chicago 2010 Clearwater, Florida; Bettendorf Convention Center, Bettendorf, IA University of Indianapolis, also in 2008 Meadowbrook Sculpture Park, Urbana, IL 2010-2016 2009 White River State Park, Indianapolis, IN; "Artrpize," Grand Rapids, MI Luther College, Sampson-Hoffland Laboratories, Decorah, IA 2008 The Artist Project, Merchandise Mart, Chicago, also in 2007 Cedar Rapids, IA; Roanoke, VA 2006 FLATFILE Galleries, Chicago; Chattanooga, TN 2004 Chicago Dept. of Public Art Project, "Art in the Gardens,\" Grant Park & Purdue University, West Lafayette, IN; Suburban Fine Arts Center, Highland Park, IL "Art Connects: Sculpture on the Chicago River" Charlottesville, VA; South Bend Airport, IN; Jackson, TN 2003 "Chicago Sculpture 2003," Featured Artist & Venue for Chicago Artist\'s Month Greensboro, NC; Western Michigan University, Kalamazoo, MI 2002 Peoria, IL, "Peoria Riverwalk"; "3 Sculptors in Wicker Park," Chicago, Curator 14th Street Roundabout Page 102 of 1673 Beck

Call ID: 1607322 Artist ID: 16714 Status: Received Nicole Beck (Continued)

2001 "PierWalk 2001," Navy Pier & Daley Plaza, Chicago "Around the Coyote," Wicker Park, Chicago, also 2000, '99, \'97, \'94 2000 "PierWalk 2000," Navy Pier & State of Illinois Building, Chicago 1999 "PierWalk 1999," Navy Pier & Vedanta Gallery, Chicago 1993 Art Chicago, Outdoor Public Sculpture Installation; MWMWM Gallery, Chicago

PROFESSIONAL RECOGNITION 2018 Commissioned Artist, "Sangamon Eddy," Richland Community College, Decatur, IL 2017 DCASE Year of Public Art 50 x 50, Ward 28, Chicago, IL Finalist, Wicker Park Bucktown, Chicago, IL Finalist, Rock Valley College, Illinois Capital Development Board, AIA 2016 People's Choice Award, Sculpture Walk Peoria 2016 Finalist, College of New Jersey, New Jersey State Council on the Arts Finalist, Merriam Marketplace, Kansas Artist's Residency, Vermont Studio Center 2015 Finalist, Central New Mexico Community College, State of New Mexico Arts Individual Artist Program Grant, City of Chicago DCASE 2014 Commissioned Artist, "Amplifiers," University of Illinois Urbana, CDB, AIA 2013 Illinois Arts Council Project Grant Finalist, Illinois Valley Community College, Illinois Capital Development Board, AIA Finalist, Kaskaskia College, Illinois Capital Development Board, AIA 2012 Artist's Residencies, Ragdale Foundation 12/2012, also in 10/2010 Finalist, Chicago Percent for Art 12th District Police Station Visiting Artist, Western Michigan University, Kalamazoo, MI "100 Midwest Artists," Ashley Rooney, Schiffer Publishing 2011 Artist's Residency Fellowship, Anderson Ranch Arts Center, January-April CAAP GRANT Funded by the Chicago Department of Cultural Affairs & The Illinois Arts Council, CAAP Grants NOTE: also in 2008, 04, 02, 01, 00 2008 "Ironwork Today: Inside & Out," Jeffrey B. Snyder, Schiffer Books, 2008, p.66-67. 2006 Artist Story, www.chicagoartistsresource.org 2005 Public Art Advisory Panel, Avalon Library Project, Chicago Dept. of Public Art 2003 Finalist, North Park Sculpture, Chicago Percent for Arts, Department of Public Art Featured Artist, Chicago Artist\'s Month, Chicago Department of Cultural Affairs 1995 Fellowship Finalist, Southern Arts Federation Funded by the NEA 1990 Graduate School Fellowship & Grant, Northern Illinois University

Art Detail

Category Statement

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Cat's Cradle (drawing proposal variation) Dichroic glass, welded aluminum tubing & stainless cable 23' x 10' x 10' $85000.00 2012

Lansing Beacon Stainless steel and custom-laminated dichroic glass 12' x 10' x 10' $100000.00 2019

Spintronic Stainless steel & custom dichroic glass 15' x 4' x 4' $50000.00 2015

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Spintronic (detail) Stainless steel and custom laminated dichroic glass 15' x 4' x 4' $75000.00 2015

Spintronic (detail glass) Stainless steel and custom laminated dichroic glass 15' x 4' x 4' $75000.00 2015

Amplifiers Stainless steel, dichroic glass, RGB LEDs, granite 18' x 12' x 6' $250000.00 2014

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Amplifiers Stainless steel, dichroic glass, RGB LEDs, granite 18' x 12' x 6' $250000.00 2014

Prairie Beacon Stainless steel, painted steel, LEDs & concrete 17' x 10' x 10' $100000.00 2013

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Artist’s Proposal

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Proposed sculpture from four angles

18’

3.5

8’

12’ 14th Street Roundabout Page 109 of 1673 Yvonne Bobo Studio February 2019 Bobo

Satellites

Sculpture Description

This elegant and contemporary sculpture rises 18 feet tall. The rings orbit the central figure. The smaller central ring is made of bronze with a Tiffany green patina. The larger ring and the figure are made of core ten steel and the natural rust patina creates a beautiful surface. I love these natural finishes because the richen as they age, unlike paint that fades.

Satellites is made of simple shapes but its composition dramatically changes as the viewer circles the piece. From each corner of the intersection the sculpture will have a unique composition. Although the work appears quite abstract, I am telling the story of my life and the main “satellites” that orbit around me and create and inﬂuence my balance. These satellites create a beauty and complexity enriching the central ﬁgure.

Materials and Maintenance

Core ten steel and bronze are durable materials and the patina ﬁnishes only become more rich over time. The uplighting in the base will be made of programmable LEDs. The life expectancy is 5-7 years. These bulbs will have to be replaced as needed.

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Artist’s Previous Works

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Call ID: 1609586 Artist ID: 323283 Status: Received Yvonne Bobo Contact

Partner Contact via Home Phone Email [email protected] Phone 901 6501814 Cell Web Site yvonnebobostudio.com Mailing Address 1063 Peabody Avenue Memphis TN USA 38104 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. disclosure statement.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Yvonne Bobo 14th street roundabout proposal.pdf Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion. Yvonne Bobo images 2019.pdf Professional References: Please provide 3 or more professional references. Elizabeth Alley Interim Director and Project Manager for UrbanArt 901.210.2222 [email protected] Elizabeth Alley worked closely with me on many UrbanArt Projects over an 8 year period: Germanshire Elementary, Binghamptom Police station, Peabody Park, Cancer Survivor Park, and LeBonheur Children's Hospital. Linda Hill Art Administrator LeBonheur 901.277.2749 [email protected] Linda Hill has facilitated and worked with me on many projects for LeBonheur Children's Hospital, Methodist Hospital, FedEx Family House, and LeBonheur Health and Well Being Offices. Carol Deforest Public Artist 901.212.8450 [email protected] Carol Deforest was the first Public Artist that I worked for as an assistant. Carol has both inspired me and supported me over the years recommending for commissions: Overton Square and Overton Park Conservancy.

Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Satellites Budget Design 14500 Engineer 1800 Insurance 1300 Corten steel 18600 Bronze 11200 Laser cutting 14300 Welding and Finishing 27900 Grinding Polishing 2400 Surface preparation and patina 8900 Transport 6100 Crane 2400 Lift 1600 Bolts/Hardware 450 3/4 Plate 1200 Installation14th Street Team Roundabout 6,500 Page 120 of 1673 Bobo

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Installation Supplies 1300 Concrete Forms 4,200 Electrician 5,600 Lights 6200 Concrete pour and finishing 8500 Contingency 5000 149,950 Please provide a brief current resume emphasizing art experience, public collections, and public art commissions. Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document. Text is limited to 5,000 characters.

Yvonne Bobo Studio 424 N. Cleveland St. Memphis, Tn. 38104 [email protected] yvonnebobostudio.com 901.650.1814 Yvonne Bobo Studio- Memphis, TN 2001-2019 Metal fabricator and sculptor, Yvonne designs, engineers and builds a wide range of artwork: Public Art, Private Commissions, Community Workshops, and Commercial Commissions. She also teaches welding and embraces the community offering apprenticeships and workshops. Education Australian National University, 1996-1997. Master Diploma in Anthropology. Boston University, 1989-1993. Bachelor of Arts- Art History and Fine Arts. Public Art and Commissions Yvonne has completed many scale projects ranging in size from 9-42 feet tall with a range of budgets from 4,000-250,000. Her talents are versatile and abilities to manage projects at all levels and she is at ease working well with engineers, architects, committees and contractors. Each piece of Yvonne's art is designed for and inspired by the specific site and the community; she uses research and workshops to create a conversation between the artist and the viewers. Temple Israel, Memphis, TN 2018. Structural Complexity. A 30 foot long suspended sculpture made of stainless steel and polycarbonate. Budget 83,000. Main Lobby of LeBonheur Children's Hospital, Memphis, TN. 2018 Dichroic Rainbows is a beautiful play with dichroic film and light, the ever changing translucent rainbow bring delight and hope to the patients, family and staff of Lebonheur. Main Lobby East Tennessee Children's Hospital- Knoxville, TN. 2017- Swim fishy swim! is an aluminum and stainless steel sculpture floated in front of a waterfall. Budget 12,000. Botanic Gardens-Memphis, TN. 2017- Celebration! is a 16 Foot stainless steel sculpture of barn swallows in flight. Budget 19,000. Overton Park Conservancy- Memphis, TN 2016. Rhapsody is monumental gate inspired by the flight pattern of birds. The gate marks the entrance to the Old Forest. The installation is 20x 33 feet. and made of allowed to naturally patina. Budget 50,000. NICU at East Tennessee Children's Hospital- Knoxville, TN 2016. Kaleidoscope is uplifting installation of brightly colored butterflies exploring a meadow of hand-blown glass and stainless steel flowers. There is a large kinetic butterfly that flaps its wings every hour. Budget 60,000. Methodist West Cancer Center- Germantown, TN 2015. Murmuration is a thirty-six foot tall kinetic sculpture of birds in flight: stainless steel, bronze and wood. "Murmuration," both monumental and meditative, represents hope in difficult times, and it is metaphor for the community of West Cancer Clinic and the journey that each patient embraces. Budget 250,000. Boston Children's Hospital- Boston, MA 2015 Jewels Resting depicts two brightly colored butterflies lighting on a 9 foot stainless steel blade of grass. The wings are transparent, colored mylar and they appear to be stained glass. Budget 12,000.

Southside Park- Memphis, TN 2014-2015. Spirit Rising is twenty-six foot tall, stainless steel spiral sculpture activated by the wind. Urban Art Commission. Budget 65,000. The Vue Beachwood- Cleveland, OH 2015. Mobius is a single, simple line that changes dramatically as it revolves in space. Mobius is constructed of over 150 boomerangs that create a faceted surface inviting the light to play, producing a shimmering effect. Budget 75,000. Crosstown Arts- Memphis, TN 2014. Building the Ridiculous was community workshop for inner city children in combination with Crosstown Arts and the Grizzlies. An exploration in engineering and kinetic art inspired by the genius of Rube Goldberg. 125 feet of glorious cause and effect! Memphis, TN, 2014. Budget 3,000. LeBonheur's FedEx Family House- Memphis, TN 2012-2013. Flutter is thirteen foot playful wind-driven sculpture of dandelions swarmed by blue and purple butterflies. Budget 24,000. Overton Square- Memphis, TN 2013. Gyroscopic is a kinetic sculpture. The changing led lights illuminates the sculpture in this busy entertainment district. Budget 50,000. Eclectic Eye- Memphis, TN 2014 Unchartered Waters is a 14 foot wind activated sculpture sailing in the wind. The vibrant colors create a changing composition against the blue sky. Budget 10,000. Memphis Child Advocacy Center- Memphis, TN 2012. Rustle is an 8 foot mobile in the play area for the children. Budget 3,500. Methodist Hospice- Memphis, TN 2011. Still Waters is an eleven foot tall cluster of lily pads that create a climbing area for visiting children. The lily pads are made of steel and colored polycarbonate which casts colored shadows on the children. Budget 28,000. LeBonheur Health and Well Being Offices- Memphis, TN 2011. Shimmy is a collection of four stainless steel and vellum mobiles accented with vibrant colors lightly flutter in the air currents. Budget 17,000. LeBonheur Children\'s Hospital- Memphis, TN 2010. Where the wind plays is a kinetic wind- driven sculpture. There are more than 40 stainless steel and aluminum moving flowers and bugs. Dimensions are 30 feet wide by 15 feet deep and 7 feet tall. Urban Art Commission Project. Budget 75,000. Shady Grove Presbyterian- Memphis, TN 2008-2010. Renovation of Sanctuary includes: 33 foot dove mobile, pulpit, outdoor interactive sculpture, baptismal font and other decorative pieces. Budget 20,000. Binghampton Elementary- Memphis TN 2008-2009. Rainforest Rumba wind-driven kinetic sculpture with interactive musical components. The sculpture is integrated in the playground. UrbanArt Commission Project. Budget 65,000. Cancer Survivors Park- Memphis, TN 2007-2008. Lead artist on three sculptures and two signs for Cancer Survivors Park. A collection of three wind activated sculptures created to inspire hope to people battling cancer. Commissioned by the UrbanArt. Budget 65,000. Peabody Park/Raymond Skinner Center- Memphis, TN 2003-05. Lead artist on three projects for the Raymond Skinner 14th Street Roundabout Page 121 of 1673 Bobo

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Community Center and Peabody Park. Around We Go, 17 foot tall stainless steel impression of our solar system; Without Boundaries, 12 foot arch way with heavenly bodies whirring around; Our Sky- 85 x 16 foot stained glass overlay mural of the constellations and other heavenly bodies. UrbanArt Commission Project. Budget 65,000. Plant the Town Red- Memphis, TN 2003. Walking on Water comprised of nine rectangular steel frames, five feet tall, glide across the surface of the water. Each is dressed in a bright red fabric that forms a simple sail. Commissioned by the Memphis City Beautiful Commission. Budget 5,000.

Art Detail

Category Statement

Mobius Stainless steel, kinetic sculpture 31' x 10' x 10' $75000.00 2015

Rhapsody Steel, bronze and core ten 18' x 28' x 6' $65000.00 2016

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Around We Go Stainless steel 17' x 9' x 9' $35000.00 2002

Spirit Rising Stainless steel, steel and concrete 26' x 16' x 16' $65000.00 2016

Where the Wind Plays Steel, stainless steel and aluminum 8' x 25' x 15' $100000.00 2009

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Gyroscopic Steel and stainless steel 26' x 9' x 9' $65000.00 2012

Miraculous Murmuration Stainless Steel, steel and bronze 40' x 18' x 18' $245000.00 2015

Swirly Birds Stainless Steel 12" x 8" x 7" $22500.00 2017

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Artist’s Proposal

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Dear Selection Committee,

Thank you for providing this opportunity to create a sculpture for the14th Street and US 41 Roundabout. My Idea for this project is based on Sarasota's history with the circus. I have always loved the circus. I recently was able to take my daughters to see the circus where I live. As an adult I was able to see the circus in a new light and recognize the countless hours of practice and work spent by the performers learning to do their routines. The act that amazed me most was the balancing acrobats. The strength and focus demonstrated was unreal.

For this project I wish to sculpt two such acrobats, one male and one female. My sculpture will be titled "Acrobalance" which is the word used to describe the type of art these acrobats do. Each figure will be sculpted larger than life size and will be cast in Aluminum. Both will be in a different position balancing high on Steel poles. Because they are high in the air this will provide for a line of sight needed for the safety of the drivers in the roundabout. Having the sculptures high up will also be a hinderance for pedestrians wishing to get out of their cars to take a closer look. Because they will be larger than life it will be able to be seen well from a distance and fill up the space well. The sculpture will be cast in aluminum and be positioned on sturdy steel poles. This will allow for the sculpture to meet engineering requirements because the sculptures will be of minimal weight and fastened to sturdy steel poles that will be anchored into the ground according to the engineer's specifications.

I am a figurative sculptor working in bronze and other cast materials such as aluminum. I will use models for this sculpture in order to sculpt them accurately and dynamically.

I have experience with several Public Works as evidenced in my resume; I have also been a finalist for various public art sculpture projects and have experience creating in depth proposals for various projects, which include making renderings and scale models, as well as itemized budgets. My experience in public art has allowed me to create art for specific locations including Libraries, Parks, City Halls, Fire Stations, and Police Stations.

As an artist, I have been active and aggressive in shaping my career and helping others to cultivate an appreciation for the Arts. I hold a BA in Art Education with a minor in English from BYU-Idaho. I have been an art teacher at Shelley High School since 2009. Friendly and approachable, I communicate naturally with both youth and adults. I make it a point to include an educational element to every public work I undertake. If chosen for this project I wish to visit art classes at the university and talk to them about the project to raise awareness and inspire future makers and patrons of art. I am also willing to incorporate demos or workshops as a visiting artist as part of this project.

I am eager to use my experience and expertise to create a proposal and ultimately execute this project and see my proposal become a reality. Thank you for taking the time to consider my application. I look forward to hearing from you.

Sincerely,

Daniel Borup Professional Artist [email protected] www.danielborup.com 208-497-2250

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Proposal Images

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Artist’s Previous Works

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Public Art Portfolio

426 Walnut Street Shelley, ID 83274

www.danielborup.com

208-497-2250

[email protected]

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Title: Public Safety Memorial Media: Bronze, Concrete Dimensions: Life Size Date: 2018 Location: Police Department Building - Cedar Park, Texas Description: This project is a memorial to Public Safety workers and includes 3 bronze plaques honoring 2 police officers and 1 firefighter who died in the line of duty. I designed the piece to go on a 3 foot tall pedestal with 3 benches surrounding the pedestal to be used as a gathering place for viewers who wish to sit and contemplate.

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Title: Bearers of the Maltese Cross Media: Aluminum Dimensions: 8 ft. x 12 ft. x 6 in. Date: 2017 Location: Fire Station #3 - Ogden, Utah Comments: The history of firefighters is very interesting. The cross that firefighters wear on their helmets and uniforms is called the Maltese Cross. Named after the cross the knights of Saint John wore in Malta in the 1500’s. The story goes that as Malta was being attacked the opposing army was using a new revolutionary weapon of war... Fire. They filled glass bottles with naptha and drenched the army and the city with flammable fluid. When everything was sufficiently soaked they threw in their torches and burned many alive. The knights of Saint John took to saving everyone they could often sacrificing themselves in the process. These knights became the first fire fighters and the Maltese cross has come to symbolize the courage and responsibility fire fighters take upon 14ththemselves Street inRoundabout their willingness to risk their own lives to help those in need. My design shows a knight of Saint John, a fire fighter Pagefrom the134 1800’s of 1673 and a modern day fire fighter, Each bearing the Maltese Cross. Borup

Title: Pillars of Ashton Media: Bronze Dimensions: 8ft. x 3ft. x 3ft. (Including 2ft. concrete base) Date: 2018 Location: Pocket Park, Ashton, Idaho Comments: Each side represents and activity commonly done in or around the city of Ashton Idaho during all four seasons. The background of each side shows a different landscape you will see when facing that direction. The bottom of the sculpture features mini sculptures sculpted by residents of Ashton making this sculpture truly about and a part of Ashton. 14th Street Roundabout Page 135 of 1673 Borup

Title: Out on the Town Media: Bronze Dimensions: Life Size 5 ft. x 8 ft. x 6 ft. Type to enter text Date: 2016 Location: City Hall - Meridian, Idaho Budget: $36,100 Comments: Growing up in Meridian, I had many opportunities to see my hometown through a child’s eyes. On many occasions, my older siblings and I would walk around town buying candy and ice cream and looking at toys. It was always a fun adventure. I hope this sculpture will encourage Meridian residents and visitors to enjoy themselves out on the town.

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Title: Splash Media : Plastic, Fiberglass, Steal Dimensions: 5.5 Feet x 17 Feet x 4 Feet Date: 2012 Location: Coalville Public Library, Coalville Utah Comments:This sculpture was commissioned for the Teen Corner in the Coalville, Utah public library. The the mirror surface allows teens to reﬂect on themselves and the person they would like to be. They can view themselves branching out in the sculpture.

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Call ID: 1547047 Artist ID: 84421 Status: Received Daniel Borup Contact

Partner Contact via Cell Phone Email [email protected] Phone 208 201-9340 Cell 208 497-2250 Web Site www.danielborup.com Mailing Address 426 Walnut Street Shelley ID USA 83274 Custom Answers Please complete and submit the Disclosure Statement located in Appendix B of the Appendices A through C document. Disclosure Statement - Daniel Borup.pdf Please upload a written description and up to 8 illustrations of your proposed artwork for the 14th Street/US 41 Roundabout - include title, type of media, weight, and fabrication information. Daniel Borup - 14th Street and US 41 Roundabout.pdf Please upload a PDF or JPEG file displaying examples of previous works of art. For each example, please provide an image, title, type of media, dimensions, and year of completion. Daniel Borup - Portfolio_compressed.pdf Professional References: Please provide 3 or more professional references. Kimberly Reese: City of Cedar Park Project Manager Address: 450 Cypress Creek Rd. Bldg. 1 Cedar Park, TX 78613 Email: [email protected] Phone: 512-401-5034

Sara Bowersox: Ashton Urban Renewal Agency - Chairman Address: 512 Main Street Ashton, Idaho 83420 Email: [email protected] Phone: (208) 652-0134

Hillary Blackstone: City of Meridian Arts & Culture Specialist Address: 33 E. Broadway Ave. Meridian, ID 83642 Email: [email protected] Phone: (208) 891-9691

Diane Stern: Ogden City Arts Coordinator Address: 1280 25th Street Ogden, Utah 84401 Email: [email protected] Phone: 801-540-9917 Please include a proposed budget estimate for this project consisting of estimates for fabrication and materials, design and engineering (including foundation), lighting, transportation, installation, artist fee, and other associated costs. Artist Fee $15,000.00 Labor $48,000.00 Installation/base and lighting $5,000.00 Lift Rental $500.00 Foundry/Casting $50,000.00 Clay $2,300.00 Foam $600.00 Amateur Fabrication $1,000.00 Misc Supplies $3,000.00 Travel/Shipping $7,000.00 Contingency $14,000.00 Insurance14th Street $1,800.00 Roundabout Page 138 of 1673 Borup

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Structural Engineer $1,000.00 Materials Testing Agency $800.00

Total: $150,000.00 Please provide a brief current resume emphasizing art experience, public collections, and public art commissions. Please be sure to include contact information including telephone number and email address.You can type in your experience or copy and paste from an existing resume document. Text is limited to 5,000 characters. Resume - Daniel Borup

Commissioned / Public Artwork

Little League Baseball Sculpture - Saint Anthony, ID. - Current Project to be complete in 2019 Public Safety Memorial - Cedar Park, TX. - 2018 Susan B. Anthony Statue - Adams MA. - Finalist - 2018 Pillars of Ashton, Pocket Park Sculpture - Ashton, ID - 2018 Fire Station #3, Public Sculpture - Ogden, UT - 2017 Riverstone Public Art Project - Coeur dAlene, ID - Finalist - 2016 Out on the Town, Public Sculpture - Meridian City Hall - Meridian ID. - 2016 John F. Shelley Bust - Shelley City Hall, Shelley, ID. - 2015 Dance, Public Mural - Elite Dance Studio, Shelley, ID. - 2014 Youth Splatter Painting Public Art Project - Idaho Falls Arts Council - Idaho Falls, ID - 2014 Octopus, Public Mural - Shelley Public Pool, Shelley, ID. - 2013 Framework Of Society, Public Mural - Farmers Insurance Building, Shelley ID. - 2013 Driggs City Center Plaza Public Art Project - Driggs, ID. - Finalist - 2013 Meridian Road Interchange Overpass Public Art Project - Meridian, ID. - Finalist - 2013 Jim Hall Foot Hills Learning Center Earth Node, Public Sculpture - Boise, ID. - Finalist - 2013 Fire Station #7, Public Sculpture - Albuquerque, NM. -Finalist - 2013 Epiphany, Public Sculpture - Snake River Eye Associates; Shelley, ID. - 2013 Together We Fly, Public Mural - Brinkman Park, Shelley, ID. - 2012 Splash, Public Sculpture - Summit County Public Library, Coalville, UT. - 2012 Joseph's Prayer, Sculpture - Church History Museum, Salt Lake City, UT. - 2012 Waiting, Public Sculpture - Campos Law Office, Idaho Falls, Idaho - 2010

Work/Teaching Experience

Keynote Speaker - Idaho Art Education Association Spring Conference - May 2019 Visiting Artist Workshop Instructor - Art Association of Jackson Hole - Jackson, Wyoming - October 2018 Art Teacher - Shelley High School, Shelley Idaho - August 2009 - Current Beginning Art, Advanced Art, Pottery & Sculpture, Advanced Sculpture Artist Presenter - Big Art Expo, Idaho Art Lab - Saint Anthony, Idaho - March 2014, October 2017 TED Speaker - TEDx Idaho Falls - Idaho Falls, Idaho - February 2017 Utah Arts Festival - Salt Lake City, Utah - June 2016 Visiting Artist Workshop Instructor - Art Association of Jackson Hole - Jackson, Wyoming - March 2016 Artist - Art Fair Jackson Hole - Jackson, Wyoming - July 1015 Idaho Falls Arts Council, Planet Arts Teacher - Idaho Falls, Idaho - June & July 2014 Idaho Falls Arts Council, Planet Arts Teacher - Idaho Falls, Idaho - June & July 2013 Pottery/Sculpture Teacher - Personal Studio, Shelley Idaho - January 2011 - Current Pottery/Sculpture Online Shop - Esty.com - June 2010 - Current Spori Gallery Docent - BYU-Idaho Campus - 2008-2009

Selected Exhibitions / Awards

Richard McDermott Miller Modeling Competition - Competing Sculptor - June 2018 - Brookgreen Gardens, SC Exhibit with Dan Lewis - October 2017 - Gate City Fine Art Gallery - Pocatello, Idaho Museum Artists Exhibit - January 2017 - Art Museum of Eastern Idaho Selected Artist in the 2010, 2012, 2013, 2014, 2015, 2016, and 2019 Carr Gallery Juried Art Exhibitions Carr Gallery - Solo Exhibition - November 2015 - January 2016 - Idaho Falls, Idaho Eastern Idaho Fair, Professional Division - 1st & Judges Award 2014, Best in Show 2015, 1st & 2nd 2016, 2nd 2017, 1st 2018 Church History Museum - Salt Lake City, Utah Winner of the Merit Award for the 2012 International LDS Art Competition Jacob Spori Art Gallery - Rexburg, Idaho 1st place winner of sculpture in the 2008 Annual Student Art Competition 3rd place winner of sculpture in the 2009 Annual Student Art Competition

Education

Brigham Young University-Idaho, Rexburg Idaho B.S. Art Education-Minor in English Education Graduation: April 2009

Private Collectors

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Call ID: 1547047 Artist ID: 84421 Status: Received Daniel Borup (Continued)

Mrs. Heather Lyons - Private Collector Utah Mrs. Julie Brawn - Private Collector - Idaho Mr. Steve Brown - Private Collector - California Mr. Kody Howells - Private Collector - Idaho Mrs. Terry Hanson - Private Collector - New York Mrs. Gayle Soren - Private Collector - Idaho Mrs. Hedy Bolte - Private Collector - Mississippi Mrs. Sarah Manning - Private Collector - Arizona Mrs. Rebecca Pearson - Private Collector - California Mr. Frank Polgar - Private Collector - California Mr. & Mrs. Johnathan Plumber - Private Collector - Idaho Ms. Christy Sadira - Private Collector - Utah Mr. Leroy Knobel - Private Collector - Idaho Mr. Michael Hanson - Private Collector - New Jersey Mr. & Mrs. Matthew Heaton - Private Collectors - California Ms. Dale Brandt - Private Collector - Massachusetts Ms. Kristen Gruenhagen - Private Collector - Ohio Ms. Ilana Avital - Private Collector - Wisconsin Mr. Dave Hansen - Private Collector - Idaho Ms. Rory Bezecny - Private Collector - Minnesota Mr. Andrew Smith - Private Collector - Texas Mr. Gordon Huddleston - Private Collector - Texas

Galleries

Eagle Rock Gallery - Idaho Falls, Idaho www.saatchiart.com Gallery Artist - Bear River Gallery, Preston, Idaho 2009-2011

Artist Residency

Idaho Art Lab, Saint Anthony Idaho - April 2014, March 2015, March 2016, February 2017, February 2018, March 2019

Associations

National Sculpture Society Idaho Falls Arts Council Art Museum of Eastern Idaho Eagle Rock Art Guild

Art Detail

Category Statement

Public Safety Memorial Bronze 9.5" x 23" x 23" $74000.00 2018

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Call ID: 1547047 Artist ID: 84421 Status: Received Daniel Borup (Continued)

Public Safety Memorial Bronze, Concrete 9.5' x 23' x 23' $74000.00 2018

Bearers of the Maltese Cross Aluminum 8" x 12" x 5" $50000.00 2017

Pillars of Ashton Bronze 8' x 3' x 3' $50000.00 2018

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Out On The Town Bronze 5' x 7' x 6' $36100.00 2016

Out On The Town - Detail Bronze 5' x 7' x 6' $36100.00 2016

John F. Shelley Ceramic Clay with Bronze Patina 28" x 18" x 12" $5000.00 2015

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Splash Plastic, Fiberglass, Steel 5.5' x 17' x 4' $4000.00 2012

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Disclosure Statement

Do you have any professional or personal relationship with any City of Sarasota official, employee, or advisory board member?

Yes

If yes, please identify the official, employee, or advisory board member and identify the nature of your relationship (i.e., professional, friend, relative, etc.)

Name

Department or Board

Relationship

Signature

Print Name Daniel Borup

Date 2-14-19

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Artist’s Proposal

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City of Sarasota Roundabout Sculptures Request for Proposals – 14th Street and US 41

Dear Selection Committee,

I am delighted to submit my proposal and credentials for consideration in the sculpture selection for the City of Sarasota's 14th Street and US 41 Roundabout.

I am interested in the intersection of intellect and intuition, truth and empowerment, materials, processes and the inherent geometry in the organic. I am concerned with the making of form and space – particularly their impact on and responsibility to people and places; I am deeply interested in the relationships between power and place; and the constraints and possibilities of both physical and ethereal materials. I am compelled by curiosity and empathy.

Much of my work to date has grown out of a specific obsession with chirality or handedness. Three- dimensional objects that are chiral do not have an internal plane of symmetry. Chirality is a very common characteristic in many areas of chemistry and biology, and it describes parts (left and right) of the human body, like our hands. Using very simple geometric forms – circles, rectangles – I apply this more complex operation of symmetry and create the components and compositions of my work.

The piece I am proposing, titled Three Rings | 6' Diameter | One, would be the first of a limited edition of three to be fabricated. The limited edition also includes one existing artist proof (images 1-3). This piece was created and installed for a one-year exhibition in Thomas Paine Park at Foley Square as a part of New York City's Art in the Parks program. While on view, Artnet News named my Foley Square exhibition of three sculptures number four on the list of New York's 20 "hottest public artworks"1 of summer 2016.

The work is made of CorTen weathering steel, a material specifically made for outdoor use. I use CorTen weathering steel for it's high tensile strength and ability to withstand the elements. It would not be possible to coat naturally patinaed CorTen weathering steel with anti-graffiti coating, therefore if selected, the work could be color and texture-matched to the artist proof (images 1-3) with an anti-graffiti powder coating if required.

My in-house team has 20 years of experience in industrial and art fabrication. For previous large-scale commissions in places such as East Hampton, NY, New York City, Tulane University in New Orleans and in various locations across Pittsburgh, my team and I have completely overseen and executed the installation of my work, including the shipping, rigging, and securing of pieces. I pride myself on budgeting and scheduling accuracy as well as my attention to detail, ensuring a high standard of execution.

Given my extensive experience and ability to create work of this scale and my credentials as a nationally exhibiting, and internationally collected sculptor – my artwork would be a valuable addition to the City of Sarasota's already vibrant public art collection. My work is in numerous private and public collections, has been exhibited in galleries and museums and has been featured in films such as After the Wedding by Bart Freundlich that debuted this year at the 2019 Sundance Film Festival. Additionally, I have recently been named Pittsburgh's Artist if the Year for 2019. I believe that an acquisition of my work aligns with and would contribute to the City of Sarasota's identity as a hub for arts and culture.

Thank you very much for your consideration. I look forward to hearing from you when your committee has made a decision.

Best,

Dee Briggs

1 Cascone, Sarah. Don't Miss New York's 20 Hottest Public Artworks This Summer. Artnet News. August 18, 2016. https://news.artnet.com/exhibitions/summer-public- art-2016-nyc-464825

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Images of Proposed Work

Image 1

Three Rings | 6' Diameter | One, 2015

CorTen Weathering Steel 8' x 8' x 11'

300lbs

Pictured in these three images is the artist proof of Three Rings | 6' Diameter | One

installed in Thomas Paine Park at Foley Square, New York, NY.

Images continue on the following page

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Artist’s Previous Works

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Image 2 Image 3

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dee briggs

Dee Briggs Two Sets of Three Plates, 2016 CorTen Weathering Steel 8 x 8 x 38 ft. Edition of 3, with 1AP