Where to Begin: Five (Or More) Books About Daoism Ian Johnson
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Laozi Zhongjing)
A Study of the Central Scripture of Laozi (Laozi zhongjing) Alexandre Iliouchine A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts, Department of East Asian Studies McGill University January 2011 Copyright Alexandre Iliouchine © 2011 ii Table of Contents Acknowledgements......................................................................................... v Abstract/Résumé............................................................................................. vii Conventions and Abbreviations.................................................................... viii Introduction..................................................................................................... 1 On the Word ―Daoist‖............................................................................. 1 A Brief Introduction to the Central Scripture of Laozi........................... 3 Key Terms and Concepts: Jing, Qi, Shen and Xian................................ 5 The State of the Field.............................................................................. 9 The Aim of This Study............................................................................ 13 Chapter 1: Versions, Layers, Dates............................................................... 14 1.1 Versions............................................................................................. 15 1.1.1 The Transmitted Versions..................................................... 16 1.1.2 The Dunhuang Version........................................................ -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Early Daoist Meditation and the Origins of Inner Alchemy
EARLY DAOIST MEDITATION 7 EARLY DAOIST MEDITATION AND THE ORIGINS OF INNER ALCHEMY Fabrizio Pregadio According to one of the scriptures belonging to the Taiqing, or Great Clar- ity, tradition, after an adept receives alchemical texts and relevant oral instructions from his master, he withdraws to a mountain or a secluded place to perform purification practices. He establishes the ritual area, demar- cates it with talismans for protection against demons and wild animals, and builds a Chamber of the Elixirs (danshi) at the centre of this protected space. To start compounding the elixir, he chooses a favourable day based on traditional methods of calendrical computation. When all ritual, spatial and temporal conditions are fulfilled, he may finally kindle the fire. Now he offers food and drink to three deities, and asks that they grant the successful compounding of the elixir: This petty man, (name of the adept), truly and entirely devotes his thoughts to the Great Lord of the Dao, Lord Lao and the Lord of Great Harmony. Alas! This petty man, (name of the adept), covets the Medicine of Life! Lead him so that the Medicine will not volat- ilise and be lost, but rather be fixed by the fire! Let the Medicine be good and efficacious, let the transmutations take place without hesitation, and let the Yellow and the White be entirely fixed! When he ingests the Medicine, let him fly as an immortal, have audience at the Purple Palace (Zigong), live an unending life and become an accomplished man (zhiren)!1 The Great Lord of the Dao (Da Daojun), Lord Lao (Laojun, or Laozi in his divine aspect) and the Lord of Great Harmony (Taihe jun) are not mentioned together in other alchemical texts. -
Taoist Canon in Encyclopaedia of Manuscripts Cultures in Asia and Africa, Michael Friedrich, Harunaga Isaacson and Jörg B
Taoist Canon in Encyclopaedia of Manuscripts Cultures in Asia and Africa, Michael Friedrich, Harunaga Isaacson and Jörg B. Quenzer, Berlin: de Gruyter Christine Mollier To cite this version: Christine Mollier. Taoist Canon in Encyclopaedia of Manuscripts Cultures in Asia and Africa, Michael Friedrich, Harunaga Isaacson and Jörg B. Quenzer, Berlin: de Gruyter. 2021. hal-03094618 HAL Id: hal-03094618 https://hal.archives-ouvertes.fr/hal-03094618 Preprint submitted on 4 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Christine Mollier CNRS/CRCAO, Paris Encyclopaedia of Manuscripts Cultures in Asia and Africa, Michael Friedrich, Harunaga Isaacson and Jörg B. Quenzer, Berlin: de Gruyter. À paraître Taoist Canon The Ming Daozang (Repository of the Tao), compiled during the first half of the fifteenth century, is the last and only extant Taoist Canon. It comprises about 1,500 texts including important scriptural corpuses dating back to early medieval times. Due to the vicissitudes of Chinese history, none of the successive Taoist canonical collections that were produced – always under imperial authority and sponsorship – during the preceding millennium have survived. It is known, however, that the first inventory of Taoist scriptures dates to the fifth century. -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
The Eight Immortals
The Eight Immortals Gallery Objects: The ivory chess set and the carved elephant tusks. The eight immortals are legendary beings who lived at various times and attained immortality through their studies of nature’s secrets. They can be male or female, young or old, shown together or separately. Any man or woman appearing in a landscape with pine trees, cranes, deer and the fungus of immortality may be considered an immortal. The most important, Zhongli Chuan is generally shown as a fat man with a bare belly, always holding a fan with which he is believed to revive the souls of the dead. According to many stories, he married a young and beautiful wife and retired to his native place to life the life of a philosopher. One day he was walking in meditation and came upon a young woman in deep mourning, sitting near a fresh grave and fanning the upturned soil. When asked why she was fanning the ground, she said that her late husband had begged her not to remarry until the soil on his grave was dry. She had found someone she wanted to marry and wanted the grave to dry quickly. Zhongli offered her his help. Taking her fan, he invoked spirits to his aid, struck the fan to the tomb and the soil instantly dried. The widow thanked him gaily, and walked away without her fan. When Zhongli’’s young wife saw the fan, she demanded to know all about it. When she heard the story she became very indignant, saying she would never behave like that. -
Proquest Dissertations
TO ENTERTAIN AND RENEW: OPERAS, PUPPET PLAYS AND RITUAL IN SOUTH CHINA by Tuen Wai Mary Yeung Hons Dip, Lingnan University, H.K., 1990 M.A., The University of Lancaster, U.K.,1993 M.A., The University of British Columbia, Canada, 1999 A THESIS SUBIMTTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA September 2007 @ Tuen Wai Mary Yeung, 2007 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-31964-2 Our file Notre reference ISBN: 978-0-494-31964-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. -
Transforming the Void
iii Transforming the Void Embryological Discourse and Reproductive Imagery in East Asian Religions Edited by AnnaAndreevaandDominicSteavu LEIDEN |BOSTON For use by the Author only | © 2016 Koninklijke Brill NV ContentsContents v Contents Acknowledgements ix List of Figures and Tables xi Conventions and Abbreviations xiv List of Contributors xviii Introduction: Backdrops and Parallels to Embryological Discourse and Reproductive Imagery in East Asian Religions 1 Anna Andreeva and Dominic Steavu Part 1 China 1 Prenatal Infancy Regained: Great Peace (Taiping) Views on Procreation and Life Cycles 53 Grégoire Espesset 2 Conceiving the Embryo of Immortality: “Seed-People” and Sexual Rites in Early Taoism 87 Christine Mollier 3 Cosmos, Body, and Gestation in Taoist Meditation 111 Dominic Steavu 4 Symbolic Pregnancy and the Sexual Identity of Taoist Adepts 147 Catherine Despeux 5 Creation and Its Inversion: Cosmos, Human Being, and Elixir in the Cantong Qi (The Seal of the Unity of the Three) 186 Fabrizio Pregadio 6 On the Effectiveness of Symbols: Women’s Bodies as Mandalas 212 Brigitte Baptandier For use by the Author only | © 2016 Koninklijke Brill NV vi Contents Part 2 Japan 7 The Embryonic Generation of the Perfect Body: Ritual Embryology from Japanese Tantric Sources 253 Lucia Dolce 8 Buddhism Ab Ovo: Aspects of Embryological Discourse in Medieval Japanese Buddhism 311 Bernard Faure 9 “Human Yellow” and Magical Power in Japanese Medieval Tantrism and Culture 344 Nobumi Iyanaga 10 “Lost in the Womb”: Conception, Reproductive Imagery, -
Paratextuality, Materiality, and Corporeality in Medieval Chinese Religions Talismans (Fu) and Diagrams (Tu)
DOMINIC STEAVU Paratextuality, Materiality, and Corporeality in Medieval Chinese Religions Talismans (fu) and Diagrams (tu) ABSTRACT In medieval China, talismans (fu) and sacred diagrams (tu)wereubiquitouselementsinreligious texts. Since they were composed of divine illegible esoteric patterns, meaning was not produced by the markings talismans and diagrams bore; it was, rather, displaced onto the objects themselves, whether they were two-dimensionally represented in scriptures and ritual manuals or externalized and materialized onto physical supports. In this respect, the objecthood and palpable materiality of talismans and diagrams made them shorthand tokens for direct access to the supernatural. Drawing on emblematic yet understudied scriptures of medieval Daoism and esoteric Buddhist, the present study considers talismans and diagrams as paratextual objects, bringing to light the fact that they not only passively frame the reading of a text but in many instances also constitute the primary and determining level of “text” that is read. In this way, sources in which talismans and diagrams featured prominently were approached first and foremost through their material aspects, namely paratexts. What is more, the talismans and diagrams that appeared in texts were often meant to be externalized and materialized, in some cases onto the bodies of adepts or visualized in their mind’s eye, thereby conflating paratextuality, materiality, and corporeality. In a pair of striking examples, practitioners are instructed to embody and become actual ritual objects, blurring the boundaries between text, object, and body in one single divine locus. KEYWORDS Daoism, Buddhism, Paratexts, Materiality, Corporeality, Embodiment, China, Talismans, Diagrams, Authority INTRODUCTION In the context of medieval China, revealed talismans (fu 符) and diagrams (tu 圖)are synonymous with Daoism. -
Daoism in the Twentieth Century: Between Eternity and Modernity
UC Berkeley GAIA Books Title Daoism in the Twentieth Century: Between Eternity and Modernity Permalink https://escholarship.org/uc/item/13w4k8d4 Authors Palmer, David A. Liu, Xun Publication Date 2012-02-15 License https://creativecommons.org/licenses/by-nc-nd/3.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Daoism in the Twentieth Century Between Eternity and Modernity Edited by David A. Palmer and Xun Liu Published in association with the University of California Press “This pioneering work not only explores the ways in which Daoism was able to adapt and reinvent itself during China’s modern era, but sheds new light on how Daoism helped structure the development of Chinese religious culture. The authors also demon- strate Daoism’s role as a world religion, particularly in terms of emigration and identity. The book’s sophisticated approach transcends previous debates over how to define the term ‘Daoism,’ and should help inspire a new wave of research on Chinese religious movements.” PAUL R. KATZ, Academia Sinica, Taiwan In Daoism in the Twentieth Century an interdisciplinary group of scholars ex- plores the social history and anthropology of Daoism from the late nineteenth century to the present, focusing on the evolution of traditional forms of practice and community, as well as modern reforms and reinventions both within China and on the global stage. Essays investigate ritual specialists, body cultivation and meditation traditions, monasticism, new religious movements, state-spon- sored institutionalization, and transnational networks. DAVID A. PALMER is a professor of sociology at Hong Kong University. -
The Concept of Dao in Religious Daolism
Advances in Social Science, Education and Humanities Research, volume 90 3rd Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2017) A Study of the Daoism’s Concept of Dao Qing MING Yunnan Normal University, Kunming, Yunnan, China [email protected] Keywords: Dao, Philosophical Daoism, Religious Daoism, Shen (spirit-energy), Qi (life-energy). Abstract: A key concept of Chinese traditional culture is Dao, which incorporates, in some form and to some degree, all Chinese philosophical Daoism, religious Daoism, philosophy of the Book of Changes and Neo-confucianist major ideas. One who wants to study Chinese traditional philosophy and religion deeply, he must first understand the concept of Dao. Therefore, this paper will take the study of the concept of Dao in classical philosophical Daoism and religious Daoism as its objects of research, and the study will be conducted from two aspects: 1) the philosophical Daoism and religious Daoist texts regarding the concept of Dao; 2) the meaning of Dao. Introduction In the history of Chinese civilization, Daoism is often referred to philosophical Daoism and religious Daoism. They have become an inseparable part of the indigenous of Culture of China. The foundation of both Philosophical Daoism and religious Daoism is the concept of Dao, which is often translated into English as “Way.” A number of Chinese classical texts address the theory of Dao. According to hermeneutical research methods, a comprehensive survey of the concept of Dao should begin with the philosophical and religious Daoist texts. The Classical Texts Regarding the Concept of Dao Philosophical Daoism is often referred to as the “Teachings of the Yellow Emperor and Laozi” (huanglao xue) or of “Laozi and Zhuangzi” (laozhuang). -
The Eight Immortals
Ta l e s o f A d v e n t u r e s Dear Collectors, Let me offer you a journey among the wonderful world of Chinese tales which are very . popular among Chinese snuff bottles I especially want to thank you Gayle Laverlochere for letting me use her researches. Laurence Souksi ,, , The story of Zhong Kui In Chinese folklores, Zhong Kui is a god who exorcises ghosts and evil spirits. As legend has it, he lived in Zhongnan Mountain in the early Tang Dynasty. He was born with a panther-like head, ring-like eyes, an iron face and curly whiskers. Tough very ugly, he was a profoundly learned and talented fgure. As a man of integrity, he always upheld justice and feared no evil or mischievous being. In 712 when Emperor Xuanzong of the Tang Dynasty ascended the throne, Zhong Kui went to Chang'an to take the imperial civil examination. Impressed by Zhong's fve poems entitled Holding Banquets in Yingzhou, the chief examiner praised him as a prodigy and enrolled him top of all examinees. During the palace examination, however, a treacherous minister named Lu Qi judged Zhong Kui by the appearance, and repeatedly spoke ill of him before the emperor. As a result, Zhong Kui failed to claim championship in the exam. Infuriated, he bumped his head against a pillar in the palace and thus killed himself. Te entire court was shocked. Ten Emperor Dezong issued an imperial edict, conferring upon Zhong Kui the title of Demon Queller who traveled all over the world to kill the evil and expel the wicked.