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Tim Delaughter
TIM DELAUGHTER AWARDS/NOMINATIONS EMMY AWARD NOMINATION (2009) UNITED STATES OF TARA Best Original Main Title Theme Music FEATURE FILM VISIONEERS Jory Weitz, prod. Visioneers Film Productions Jared Drake, dir. THUMBSUCKER Bob Yari, Anne Carey, prods. Yari Film Group Mike Mills, dir. ETERNAL SUNSHINE OF Charlie Kaufman, Anthony Bregman, prods. THE SPOTLESS MIND Michel Gondry, dir. Focus Features *Song TELEVISION UNITED STATES OF TARA Steven Spielberg, prod. DreamWorks Television Craig Gillespie, dir. BIO DeLaughter’s career began in 1991 as vocalist/guitarist of the Dallas-based alternative rock band Tripping Daisy . Inspired by the Beatles’ psychedelic period, the group was signed to Island Records and released four acclaimed albums before disbanding as a result of the untimely death of guitarist Wes Berggren from a drug overdose in 1999. After leaving music for a brief time to start his family, DeLaughter soon found the lure of a return to performing and recording irresistible. The result was the Dallas symphonic pop group The Polyphonic Spree . Described as less a band than a happening, the group’s two dozen members perform in flowing white robes – an appropriate backdrop for their happy, uplifting musical message of catchy pop laced with gospel. The unusual group boasts a ten-member choir, a pair of keyboardists, a percussionist, bassist, guitarist, flautist, trumpeter, trombonist, violist, French horn player and even a theremin player, with DeLaughter serving as musical director, lead singer, and creative shaman. Generating huge interest with their performance at Austin’s South-by-Southwest music festival in 2002, the Spree were eventually hand-picked by David Bowie to play his Meltdown Festival at London’s Royal Festival Hall, and later signed to Hollywood The Gorfaine/Schwartz Agency, Inc. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Bowlography of Rock and Pop Concerts
BOWLOGRAPHY OF ROCK AND POP CONCERTS 1979 DESMOND DECKER with Geno Washington, Sat 8th September 1980 POLICE with Squeeze, UB40, Skatfish, Sector 27, Sat 26th July 1981 THIN LIZZY with Judie Tzuke, The Ian Hunter Band, Q Tips, Trimmer and Jenkins,Sat 8th August 1982 QUEEN, with Heart, Teardrop Explodes, Joan Jett and the Blackhearts, Sat 5th June GENESIS, with Talk Talk, The Blues Band, John Martyn, Sat 2nd October 1983 DAVID BOWIE, with The Beat and Icehouse Fri 1st, Sat 2nd, Sun 3rd July 1984 STATUS QUO with Marillion, Nazareth, Gary Glitter, Jason and the Scorchers, Sat 21st July 1985 U2 with REM, The Ramones, Billy Bragg, Spear Of Destiny, The Men They Couldn’t Hang, Faith Brothers, Sat 22nd June 1986 SIMPLE MINDS with The Bangles, The Cult, Lloyd Cole and The Commotions, Big Audio Dynamite, The Waterboys, In Tua Nua, Dr and The Medics, Sat 21st June MARILLION with special guests, Gary Moore, Jethro Tull, Magnum, Mamas Boys, Sat 28th June 1988 Amnesty International event with Stranglers, Aswad, The Damned, Howard Jones, Joe Strummer, Aztec Camera, B.A.D, Sat 18th, Sun 19th June MICHAEL JACKSON, with Kim Wilde, Sat 10th September 1989 BON JOVI with Europe, Vixen and Skid Row, Sat 19th August 1990 DAVID BOWIE, with Gene Loves Jezebel, The Men They Couldn’t Hang, Two Way Street, Sat 4th, Sun 5th August ERASURE, with Adamski, Sat 1st September 1991 ZZ TOP with Bryan Adams, Liitle Angels, The Firm, Thunder Sat 6th July SIMPLE MINDS, with Stranglers, OMD Sat 21st August 1993 BRUCE SPRINGSTEEN, Sat 23rd May GUNS 'n’ ROSES, The Cult, Soul -
Toadies Bring Dia De Los Toadies Festival Home
TOADIES BRING DIA DE LOS TOADIES FESTIVAL HOME A DOZEN BANDS TO PLAY ACROSS TWO STAGES AT PANTHER ISLAND PAVILION IN SEPTEMBER AT SIXTH ANNUAL DIA DE LOS TOADIES FESTIVAL. FORT WORTH – After five years of hosting their annual end-of-summer throw down at various locations throughout the state, the Toadies are taking the sixth Dia De Los Toadies to their hometown of Fort Worth. This year’s festival, set to feature a dozen bands performing across two stages, will take place on Saturday, September 14, at Panther Island Pavilion, just minutes from downtown Fort Worth. Per tradition, the band will also host an intimate “fireside/almost acoustic” showcase on Friday, September 13, the evening before their day-long bash. Since Dia De Los Toadies 2008 debut, in conjunction with the band’s return-to-the-spotlight No Deliverance LP, the festival has evolved into one of the most hotly anticipated events on Texas’ yearly music calendar -- a carefully curated and reliably rocking affair that’s seen memorable performances from such celebrated acts as Ben Kweller, Black Angels, Black Joe Lewis and the Honeybears, Bowling for Soup, Centro-matic, Heartless Bastards, Helmet, Mariachi El Bronx, Riverboat Gamblers, The Secret Machines and The Sword, plus dozens of up-and-coming, underground acts from the Toadies home turf of Texas. “It's been great moving the Dia festival around Texas, but at a certain point, we realized that we need to share it with our hometown, Fort Worth, where the band is still based. We played Billy Bob's last year and it reminded us what a hometown crowd is like, so moving the festival made perfect sense,” says Toadies guitarist, Clark Vogeler. -
Polyphonic Spree Hallelujah Time Everybod
A high school production of Jesus Christ Superstar or annual Branch Davidian jamboree? Polyphonic Spree Hallelujah Time Everybody has voices in their head. Little angels and devils telling us to sing nice gospel tracks about God and videotape yourself having sex with your underage "goddaughter." For Tim DeLaughter, it wasn't a voice so much as a sound. The sound he heard made about as much logical sense as "If you build it, they will come" but has had nearly as magical effect on those who've witnessed his musical equivalent of a baseball diamond in a cornfield. Like anyone who has had a song lodged in their head, no matter how much you like it, it becomes a nuisance after while—backseat driver to all the other things you'd rather think about. A soundtrack that fits on one side of a 45 and loops the last groove into itself. You'd do anything to get it out of your head. So, DeLaughter did something remarkable. He rounded up a posse, and gave birth to one of the more intriguing musical phenomena to hit the scene since Parliament. This is the story of a troupe of 24 choir-robed freaks called the Polyphonic Spree. You might have seen them on the MTV Video Music Awards, introduced by Marilyn Manson who claimed the band was the love child spawned by him and co-presenter Mandy Moore. Maybe the news clip about the mic that was mistaken for a pipe bomb and shut down a major airport. Perhaps you caught them when they opened for David Bowie on his recent tour. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Issue 117.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 117 April Oxford’s Music Magazine 2005 SunnyvaleSunnyvale NoiseNoise Sub-ElementSub-Element “we“we cancan experimentexperiment withwith impunity!”impunity!” -- interviewinterview insideinside alsoalso inin thisthis issueissue -- OxfordOxford PuntPunt 20052005 Line-upLine-up announcedannounced photo: Miles Walkden photo: Miles NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE LINE-UP FOR THIS YEAR’S OXFORD PUNT HAS BEEN finalised. The Punt takes place on Wednesay 11th May and features 24 local bands and solo artists playing across eight venues on one night. The Punt is now established as the best showcase of local unsigned music. This year Nightshift received over 100 demos from local acts hoping to take part. The Punt received an added boost last month when Kiss Bar became the eighth venue to be added to the event, meaning we could fit an extra three bands on the bill, making this the biggest Punt ever. The full line up is as follows: Borders: 6.15pm: Laima Bite; 7pm: Kate Chadwick. Jongleurs: 7.30: The Evenings; 8.15: A Silent Film; 9pm: The Factory THE YOUNG KNIVES release a new EP on May 16th on hot new indie Far From The Madding Crowd (in conjunction with Delicious Music): label Transgressive, the label that launched The Subways earlier this 8.15: Zoe Bicat; 9.15: The Thumb Quintet; 10.15: Chantelle Pike. year. Tracks on the limited 10” EP are ‘Coastgard’, ‘Kramer Vs The City Tavern: 8.30: The Half Rabbits; 9.30: Fell City Girl; 10.30: Kramer’, ‘Weekends And Bleak days’ and ‘Trembling Of The Trails’, all Junkie Brush. -
Rob Daiker Est
DECONSTRUCTION OREGON VENUE GUIDE NXNW FIVE #99 IS 100 RILEY’S EYES OREGON MUSIC / SEPTEMBER 1999 LUTHER RUSSELL FEDERALE photo Buko and the American Federation of Musicians Local 99 present thethe SSummitummit NW Music & New Media Seminar A two-day intensive seminar and trade show featuring the foremost experts Topics include: on music and the The Relevance of Labels in the Internet Internet Era September 29 and 30, 1999 Distribution, Public Relations, Today 9:30 am at the and Tomorrow Scottish Rite Ctr., Musicians' Protections and 709 SW 15th Ave, Portland Responsibilities $50 pre-event, Intellectual Property & Copyrights– $60 at the door. Tickets available Cautions for Use on the Internet at all Fastixx and Music Millennium Featured guests: Recording Industries Association For information of America, Supertracks, Liquid Audio, ASCAP, BMI, visit website at Synth-Bank, American Federation of Musicians, www.afm99.org or call 235-8791 Recording Musicians Association, AT&T a2b music All proceeds go to the Music and many more! Education Assistance Project for music education scholarships and outreach. he Angels Of Mercy debuted at the Last Hurrah, February 7, 1984. By then, TMeredith had already had a record deal, some substantial chart action in Europe and a working knowledge of the music business in Los Angeles. In an October, ’84 interview in TL she called the Portland launching of Meredith Brooks and the Angels of Mercy, “My big third round.” The Corvallis native started playing guitar at 11, graduated from high school at 15 and was in a band by 1978. Her first band, the all girl Sapphire, got a deal but nothing happened so Meredith moved to Seattle and joined Lips, from which, she was offered a solo recording deal with Trans Mu- sic Records in Paris. -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S. -
Hottest 100 2012 Tracks
45 - Gaslight Anthem, The Anxiety - Ladyhawke 1991 - Azealia Banks Anyone But Me - Jessica Cerro & It Was You - How To Dress Well Apocalypse Dreams - Tame Impala 1000 Answers - Hives, The Archangel - Chet Faker 3,6,9 - Cat Power Archipelago - Miike Snow 3x3 - Bloc Party Around My Way (Freedom Ain't Free) - Lupe 50 Years - Medics, The Fiasco A Change Is Gonna Come {ft. Radical Artificial Nocturne - Metric Son/Nooky/Sky'High} {Like A Version} - Atlas - Parkway Drive Herd, The Awake - Electric Guest A Maker Of My Time - Paper Kites, The Away Frm U - Oberhofer A New Feeling - Alphabet Botanical B3 - Placebo A Night And A Day - Pepe Deluxe Babel - Mumford & Sons A Simple Answer - Grizzly Bear Baby's On Fire - Die Antwoord A Wake {ft. Evan Roman} - Macklemore & Back Of Your Neck - Howler Ryan Lewis Back To The Grave - Howler A.O. - Presets, The Backseat Freestyle - Kendrick Lamar About To Die - Dirty Projectors Bad Girls - M.I.A. Above The Water - Art Of Sleeping Bad Insect - Ultraista Acapulco - Salvadors, The Bad Reality - Stonefield Accident Murderers {ft. Rick Ross} - Nas Bad Taste Blues, Pt. 1 - Ball Park Music Affection - Crystal Castles Bad Taste Blues, Pt. 2 - Ball Park Music Afghan Hound - Manor Bad Thing - King Tuff Again {ft. Sinden} - Elizabeth Rose Baguette? - Tyler Touche Alice - Dick Diver Bait And Switch - Shins, The Alive {ft. The Good Natured} - Adrian Lux Baiya - Delphic All About To Change - Patrick James Bangarang {ft. Sirah} - Skrillex All Eyes - Hunting Grounds Barely Standing - Diplo All For One - Alpine Barkhammer - -
10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
Madness +he (,ecials +he (katalites Desmond Dekker 5B?0 +oots and Bob Marley 2+he Maytals (haggy Inner Circle Jimmy Cli// Beenie Man #eter +osh Bob Marley Die 6antastischen BuBu Banton 8nthony B+he Wailers Clueso #eter 6oA (ean #aul *ier 6ettes Brot Culcha Candela MaA %omeo Jan Delay (eeed Deichkind 'ek181Mouse #atrice Ciggy Marley entleman Ca,leton Barrington !e)y Burning (,ear Dennis Brown Black 5huru regory Isaacs (i""la Dane Cook Damian Marley 4orace 8ndy +he 5,setters Israel *ibration Culture (teel #ulse 8dam (andler !ee =(cratch= #erry +he 83uabats 8ugustus #ablo Monty #ython %ichard Cheese 8l,ha Blondy +rans,lants 4ot Water 0ing +ubby Music Big D and the+he Mighty (outh #ark Mighty Bosstones O,eration I)y %eel Big Mad Caddies 0ids +able6ish (lint Catch .. =Weird Al= mewithout-ou +he *andals %ed (,arowes +he (uicide +he Blood !ess +han Machines Brothers Jake +he Bouncing od Is +he ood -anko)icDescendents (ouls ')ery +ime !i/e #ro,agandhi < and #elican JGdayso/static $ot 5 Isis Comeback 0id Me 6irst and the ood %iddance (il)ersun #icku,s %ancid imme immes Blindside Oceansi"ean Astronaut Meshuggah Con)erge I Die 8 (il)er 6ear Be/ore the March dredg !ow $eurosis +he Bled Mt& Cion 8t the #sa,, o/ 6lames John Barry Between the Buried $O6H $orma Jean +he 4orrors and Me 8nti16lag (trike 8nywhere +he (ea Broadcast ods,eed -ou9 (,arta old/inger +he 6all Mono Black 'm,eror and Cake +unng &&&And -ou Will 0now Us +he Dillinger o/ +roy Bernard 4errmann 'sca,e #lan !agwagon -ou (ay #arty9 We (tereolab Drive-In Bi//y Clyro Jonny reenwood (ay Die9 -
13-82995 TD Dia 6 Sponsor Deck.Indd
OS T place at Rough Creek Ranch in Glen Rose and featured The Secret Machines, L O Bowling for Soup, Ben Kweller, Eleven Hundred Springs and of course the A E Toadies. The last three years, Dia De Los Toadies has taken up residence D at White Water Amphitheater in New Braunfels. Last year’s fi fth anniver- D sary festival featured the strongest lineup and for the fi rst year, included a I E combination of performances by Texas and non-Texas acts such as: Mariachi A TH El Bronx, Helmet and Riverboat Gamblers. Vogeler says “I dig the eclectic na- I ANNUAL S ture of our lineups. Each of us in the band picks music that we want to share D with our fans, and each other. I love that you can hear some quiet acoustic stuff, some country-ish honkey-tonk stuff, and of course, lots of Texas rock S 3 E P 01 and roll.” With the lineups getting better and better every year, we expect T E M 4, 2 F O B E R 13-1 S R T X A W O R T H , T E the sixth annual festival to be DFW’s best music festival of 2013! SEPTEMBER 13-14, 2013 ABOUT PANTHER ISLAND PAVILION PANTHER ISLAND PAVILION Panther Island Pavilion is a scenic FORT WORTH, TEXAS outdoor venue on the Trinity River with the downtown Fort Worth sky- ABOUT DIA DE LOS TOADIES line as a backdrop. The venue hosts an annual summer tubing event se- “Willie’s picnic for a new generation” is how the Austin Chronicle de- ries, the city’s largest Fourth of July scribed Dia De Los Toadies, an annual concert hosted by Toadies.