DOCSLIB.ORG

Endless Road: Tommy Emmanuel Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Endless Road: Tommy Emmanuel Free FREE ENDLESS ROAD: TOMMY EMMANUEL PDF Tommy Emmanuel | 192 pages | 24 Sep 2009 | All Music Publishing & Distribution (AMPD) | 9780786674541 | English | Abbotsford, VIC, Australia Endless Road - Tommy Emmanuel | Songs, Reviews, Credits | AllMusic Tickets are available Endless Road: Tommy Emmanuel. Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of Endless Road: Tommy Emmanuel website. These cookies do not store any personal information. Any cookies that may not be particularly Endless Road: Tommy Emmanuel for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website. Culture Unity Reviews Banter. Home Banter. This website uses cookies to improve your experience. Hit the OK button if you're ok, and turn them off if you're not! Cookie settings Ok! Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience. Necessary Necessary. Non-necessary Non-necessary. Endless Road - Album by Tommy Emmanuel | Spotify Endless Road: Tommy Emmanuel released in in Endless Road: Tommy Emmanuel Emmanuel 's native Australia where he's a jazz and folk guitar legend but not available in the States untilEndless Road is a solo acoustic album that in its revamped form adds Endless Road: Tommy Emmanuel pair of unimpressive vocal numbers. Emmanuel 's fingerpicking style is heavily influenced by Chet Atkinswho appears here on a genial but melodically flimsy duet called "Chet's Ramble" that, truth be told, sounds like it was probably an outtake from their duet album, The Day Finger Pickers Took Over the World. Emmanuel fares much better on his own, but he's at his best when he's working with songs that have stronger melodies than his own competent but unexciting tunes. For example, on the increasingly moldy standard "Over the Rainbow," Emmanuel offers a hint of John Fahey 's diffused, abstract style in its intro before moving into a more traditional iteration of the familiar melody. Even better is Emmanuel 's flashy but effective reworking of the nearly as hoary "Mona Lisa," which Emmanuel turns into a shimmering, kaleidoscopic version of itself. Not all of the recastings are quite so effective: Emmanuel simply is a far better guitar player than he is a singer, and the a cappella take on Jerry Reed 's "Today Is Mine" does neither singer nor song any favors. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Endless Road: Tommy Emmanuel Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Endless Road: Tommy Emmanuel. Features Interviews Endless Road: Tommy Emmanuel. Streams Videos All Posts. Genre Jazz International. Track Listing. Endless Road. Tommy Emmanuel. Tall Fiddler. Bella Soave. Morning Aire. John D. Chet's Ramble. Son of a Gun. Sanitarium Shuffle. La Vista. Mona Lisa. Old Town. Somewhere Over the Rainbow. I Still Can't Say Goodbye. Today Is Mine. Jerry Reed. Endless Road Tommy Emmanuel. Spotify Amazon. Tall Fiddler Tommy Emmanuel. Bella Soave Tommy Emmanuel. Morning Aire Tommy Emmanuel. Angelina Tommy Emmanuel. Son of a Gun Tommy Emmanuel. Sanitarium Shuffle Tommy Emmanuel. La Vista Tommy Emmanuel. Old Town Tommy Emmanuel. Struttin' Jerry Reed. Tommy Emmanuel: The Endless Road - Film Review and Listings Tommy Emmanuel: The Endless Road is an entertaining look at many facets of this charismatic musician and artist. Dylan is also a music journalist by trade and he asks Endless Road: Tommy Emmanuel important questions here. But you do get a sense that a little more probing was necessary at times. This film manages to steer clear of hagiography territory, but some topics see things left unanswered or unexplored. Emmanuel then graduated to talent competitions and session work. He also gigged as a member of Dragon, as well as playing with his late brother Phil in the Emmanuel Brothers. Emmanuel left Endless Road: Tommy Emmanuel and pursued a successful solo career. These days he calls Nashville home. On the one hand, his public image especially during the mid-eighties and nineties was that of a squeaky-clean, family man. Yet behind closed doors, Emmanuel was grappling a serious drug habit. Emmanuel is a restless soul, constantly moving and never content to sit still. But even with these insatiable qualities he also seems to have found contentment in his personal life and is an eternal optimist. There are some scenes which show Endless Road: Tommy Emmanuel alongside his mentor and dear friend, the late great Chet Atkins. These two guitar maestros recorded an album together before the latter passed away. It is clear that Emmanuel Endless Road: Tommy Emmanuel someone who has earned a lot of respect from those in the showbiz world. This film uses archive footage, blistering performance clips and interviews, just like most music documentaries. The result is a mostly intriguing portrait of one our most talented and driven artists. The Endless Road ultimately celebrates one golden guitar player from the magical Land of Oz. For more information and tickets head HERE. Share this: Twitter Facebook Reddit Pinterest. More to Explore on the AU:. Natalie Salvo. .
Load more

Recommended publications
  • TOMMY EMMANUEL (Bio for 'Accomplice One' Album) “If You Like Guitar Playing, It Simply Doesn't Get Any Better Than Tommy
    TOMMY EMMANUEL (Bio for ‘Accomplice One’ Album) “If you like guitar playing, it simply doesn’t get any better than Tommy.” – Jason Isbell Tommy Emmanuel has achieved enough musical milestones to satisfy several lifetimes. Or at least they would if he was the kind of artist who was ever satisfied. At the age of six, he was touring regional Australia with his family band. By 30, he was a rock n’ roll lead guitarist burning up stadiums in Europe. At 44, he became one of five people ever named a Certified Guitar Player by his idol, music icon Chet Atkins. Today, he plays hundreds of sold-out shows every year from Nashville to Sydney to London. All the while, Tommy has hungered for what’s next. When you’re widely acknowledged as the international master of the solo acoustic guitar, what’s next is an album of collaborations with some of the finest singers, songwriters and, yes, guitarists alive today. “For me, music has always been about collaboration–the push and pull you get from another human being’s energy,” explains Tommy. “Even when I play solo, it feels like I’m playing to the emotions I’m getting from the crowd. To feel the love or the joy or the hope coming through these other pickers and singers was electric–I played in ways I never would on my own.” Accomplice One is a testament to Tommy’s musical diversity, the range of expression that stretches from authentic country-blues to face-melting rock shredding, by way of tender and devastating pure song playing.
    [Show full text]
  • Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
    Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes.
    [Show full text]
  • Szakmai Beszámoló Xi
    SZAKMAI BESZÁMOLÓ XI. Harmonia Cordis Nemzetközi Gitárfesztivál Marosvásárhely – Románia 2016. augusztus 10–15. 2016. augusztus 10–15. között Marosvásárhely adott otthont Kelet Európa legnagyobb gitárfeszti- váljának. Az immáron 11. alkalommal megszervezett nemzetközi fesztivál programjai a város a város 7 különböző pontján zajlott: a Kultúrpalotában, a Művészeti Egyetemen, a marosvásárhelyi középkori várban, Zanza Café& Bistroban, J’ai Bistrot-ban, illetve a Weekend szabadidős- és sportközpontban, ahol Ausztrália, Venezuela, Japán, Ausztria, Franciaország, Görögország, Magyarország, Németor- szág, Szerbia es Románia elismert művészeit látthattuk, hallhattuk. A hatnapos rendezvény egyéni előadásokat, különböző kamarazenei koncerteket, fiatal tehetségek bemutatkozását, jazz koncertek, szimfónikus koncerteket, mesterkurzusokat, modern és régi hang- szerek, illetve az AER akusztikus erősítőrendszer kiállítását kínálja. A fesztivál fő meghívottja az ausztrál Tommy Emanuel, aki először koncertezett Romániában. A fellépésére több mint 3000 érdeklődő volt kiváncsi, amint az a csatolt képeken is látható. Tommy Emanuel karrierje során rengeteg figyelemre méltó előadóval játszott együtt, töb- bek között Chet Atkins-szel, Sir George Martin-nal, Air Supply-val és John Denver-rel. 1994-ben a John Farnham Band-be került, azausztráliai John Farnham meghívása révén Stuart Fraser mel- lé a Noiseworks-ből a Concert For Rwanda albumra. 2000-ben Tommy és Phil Sydney-ben a nyá- ri Olimpián záró ünnepséget adtak elő, amelyet a TV-ben az egész világon látni lehetett.[3] Mikor együtt játszottak, néha a két testvér megosztozott egy gitáron, s egyik kezüket szabadon hagyva játszottak. Tommy fellépései az egész világon nagyon nagy népszerűségnek örvendenek és nagyon energetikus, sosem hagyja unatkozni a rajongóit. Néha fellép a turnéin Lizzie Watkins szövegíró és dalszerző. 2008-ban a Guitar Player magazin májusi számában az olvasók szavazatai alapján Emma- nuel lett a „Legjobb Akusztikus Gitáros”.
    [Show full text]
  • PLAYNOTES Season: 44 Issue: 07
    PLAYNOTES SEASON: 44 ISSUE: 07 BACKGROUND INFORMATION INTERVIEWS & COMMENTARY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. FRIENDS, LIKE SARAH AND RUTH, SHARING WINE AND SMILES. Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: George & Cheryl Higgins The Onion Foundation The Davis Family Foundation Our Education Media partner is Sex and Other Disturbances is a recipient of a 2017 Edgerton Foundation New Play Award.
    [Show full text]
  • Bob Marshall Wilderness Complex 2014 HIGHLIGHTED ARTICLES
    Bob Marshall Wilderness Complex 2014 HIGHLIGHTED ARTICLES Raising Babies in the Bob 4 Celebrate! Celebrate! Partnering for the 6 It’s the 50th Anniversary of the Wilderness Act! Future of Fire Lookouts Letter From BMWC Lead Ranger—Deb Mucklow Native Trout Restoration 7 on the NF of the Black- You’re Invited to the annual public meeting for the Bob Marshall Wilderness Com- foot plex Saturday March 29, 2014, at the Choteau Library meeting room, starting time 10 am. The library is on Main Street and to best access the conference room, park directly south One Story, One Memory, 8 or One Place at a time of Rex’s Grocery Store and enter at the back of the library from Main Street. We’ll have signs posted so all will be able to find us! Some of you recognize this as the “LAC” (Limits of Ac- th Elk for the Future? 11 ceptable Change) meeting or task force. This year we are focusing on the “50 Anniversary Celebration of the Wilderness Act”. Back to Basics: Bridging 16 This annual meeting is for all interested par- the Traditional Skills Gap ties to talk about the Bob Marshall, Scape- goat and Great Bear Wilderness areas. As Inside Story 6 wilderness stewards and managers, we need Annual BMWC to hear what do you think is working, what is Public Meeting not and areas of concern you may have. Agenda Please give me a call (406-387-3851) or • 50th anniversary wilder- email ([email protected]) to let me know ness activities and how what topics you’d like for us to present.
    [Show full text]
  • Gillian Eastoe & Terry Murray
    Gillian Eastoe & Terry Murray present "Excellent! Students said 'wicked'…'best assembly ever'…'best four bucks I have ever spent' – We would gladly have the performance again next year" Robinvale SC, Vic "Thanks again for your great concert! The students are still buzzing about it. Hope to see you again next year if not sooner" All Saints College, NSW "A vibrant performance which totally captured students attention" Reservoir DHS, Vic "Great enthusiasm & love of music making was evident in the performers. We will have them back" St Francis Xavier College, ACT THE PERFORMANCE This specifically designed high school Rock show is high energy, fun, informative and crammed with full-on Rock music. Kicking of with a high energy, well known Rock’n’Roll song, it then takes a leap back to the musical influences which formed Rock’n’Roll such as Blues, Country & Western and Gospel. Terry & Gillie explore how the music evolved to give Rock its unmistakable edge through the introduction of the solid body guitar by Leo Fender in the 50’s and then the invention of pedals and sound effects. They also cover the influence of the major bands such as The Beatles, Cream, Pink Floyd and The Rolling Stones & female rock legends such as Janis Joplin, Tina Turner and Dusty Springfield. Students will recognize many of the songs that have survived the test of time and those that have become recent hits again. They will also get a chance to get up for a dance during ‘Nutbush City Limits’ if teachers and space permit. THE PERFORMERS Gillian Eastoe: Gillian Eastoe was named in the Australian Book of Rock‘n’Roll as a top performer in the late 70's & early 80's with her band "Gillian Eastoe and King Dog" which featured Phil Emmanuel on guitar.
    [Show full text]
  • The Endless Road
    Hugvísindasvið The Endless Road On Writing The Road Less Travelled B.A. Essay Hildur Guðbergsdóttir January 2015 University of Iceland School of Humanities Department of English The Endless Road On Writing The Road Less Travelled B.A. Essay Hildur Guðbergsdóttir Kt.: 140684-3849 Supervisor: Anna Heiða Pálsdóttir January 2015 Abstract It was inspiration and a lifelong passion for stories that prompted the writing of this novella called The Endless Road (about 28.000 words) and an essay called The Road Less Travelled (around 3.000 words). The Road Less Travelled highlights the process gone through in order to create The Endless Road. The Endless Road is about a girl named Lia. After creating a good life for herself in London, attending university and landing a beautiful girlfriend, life seems pretty good for this young woman. The arrival of Lia’s ex-lover, Juliet, throws everything into a downward spiral. Gradually, it is revealed that Juliet and Lia share a dark past together and how the girls took extreme measures when their families tried to break them apart. A murder is committed and temptation presents itself in the form of a stunning detective named Grace Morgan. The Road Less Travelled documents the evolution of The Endless Road; how it progressed from a mere idea to a novella. The essay furthermore explains how decisions were made regarding plot, character and setting. The Endless Road was inspired by a real case which took place in New Zealand in 1954. The method chosen for writing required painstaking research and the results are described in The Road Less Travelled.
    [Show full text]
  • ARIA Charts, 1992-01-03 to 1992-03-08
    AUSTRALIAN TOP 50 A A TRADE MARK REGD. THE AUSTRALIAN RECORD INDUSTRY ASSOCIATION LTD. SINGLES CHART PROUDLY BROUGHT TO YOU BY YOUR BOTTLER OF 'COCA—COLA' 1991 TITLE/ARTIST Co. Cat. No. STATE CHARTS 1 (EVERYTHING I DO) I DO IT FOR YOU Bryan Adams A2 PDR/POL 390 639-4 New South Wales 2 TINGLES (EP) Ratcat A roo/POL 878 165-4 1 (Everything I Do) I Do It For You 3 GREASE MEGAMIX Olivia Newton-John & John Travolta A PDR/POL 879 410-4 2 Tingles (EP) 4 THE HORSES Daryl Braithwaite A COLUMBIA 656617 4 3 The Horses GEF/BMG GEFCS 19039 4 More Than Words 5 YOU COULD BE MINE Guns n' Roses A 5 Grease Megamix 6 READ MY LIPS Melissa A PHON/POL 868 424-4 6 Read My Lips 7 MORE THAN WORDS Extreme A PDR/POL 390 634-4 7 You Could Be Mine 8 I'VE BEEN THINKING ABOUT YOU Londonbeat A ANX/BMG CSANX 0014 8 I've Been Thinking About You 9 JOYRIDE Roxette A EMI 2547-4 9 Better 101'm Too Sexy 10 THE SHOOP SHOOP SONG (IT'S IN HIS KISS) Cher A EPIC 656666 4 11 DO THE BARTMAN The Simpsons • GEF/BMG 543919665-4 Victoria & Tasmania 12 UNFORGETTABLE Natalie Cole With Nat "King" Cole • WARNER 755964875-4 1 (Everything I Do) I Do It For You 13 I'M TOO SEXY R.S.F. (Right Said Fred) A LIB/FES C 10503 2 Grease Megamix 14 LOVE ... WILL BE DONE Martika A COLUMBIA 656975 4 3 Tingles (EP) VIR/EMI VOZC 094 4 Read My Lips 15 I TOUCH MYSELF Divinyls A 5 I've Been Thinking About You 16 RUSH Big Audio Dynamite II • COLUMBIA 656978 4 6 More Than Words 17 FANTASY Black Box • BMG CS 3895 1 You Could Be Mine 18 RHYTHM OF MY HEART Rod Stewart • WARNER 543919374-4 8 The Horses 19 RUSH RUSH Paula Abdul • VIR/EMI VUSC 38 9 Joyride 10 Fantasy 20 BETTER The Screaming Jets • roo/POL 878 814-4 21 I WANNA SEX YOU UP Color Me Badd • WARNER 543919382-4 Queensland 22 ICE ICE BABY Vanilla Ice A EMI 2504-4 1 (Everything I Do) I Do It For You 23 SADNESS PART 1 Enigma • VIR/EMI DINSC 101 2 The Horses 24 HERE I AM (COME AND TAKE ME) UB40 • VIR/EMI TCDEPC 34 3 The Shoop Shoop Song (It's In His Kiss) LIB/FES C 10380 4 You Could Be Mine 25 3 A.M.
    [Show full text]
  • Tommy Emmanuel Critics’ Quote Sheet (2020)
    TOMMY EMMANUEL CRITICS’ QUOTE SHEET (2020) ALBUM REVIEWS TOMMY EMMANUEL & JOHN KNOWLES ‘Heart Songs’ (2019) Critics’ Quotes: “Heart Songs…is a collection of melodic masterpieces, such as the Bee Gee’s ‘How Deep Is Your Love’ and tearjerkers like Hank Williams’ ‘Cold, Cold Heart,’ delivered with utmost respect for the composition. Throughout most of the affair, Emmanuel plays the lead role with lyrical grace accompanied with harmonic brilliance by Knowles.” --Jimmy Leslie, Guitar Player, March 5, 2019 “Somewhere, (Chet) Atkins surely must be smiling over the gorgeous arrangements of two country classics on this album: Hank Williams’ “Cold, Cold Heart” and Don Gibson’s “I Can’t Stop Loving You.” Whether Emmanuel or Knowles is engaging in intricate fingerpicking, delivering a subtle bass line or offering chiming coloration, each has the ability to highlight the melodic contours of whatever material he interprets. The diverse program here includes studio renditions of “Somewhere” (from West Side Story), the Bee Gees’ “How Deep Is Your Love,” Billy Joel’s “Lullabye (Goodnight, My Angel)” and “I Can’t Make You Love Me” (popularized by Bonnie Raitt) before concluding with a couple of live tracks.” --Bobby Reed, Downbeat Magazine, January 31, 2019 “What happens when two fantastic guitarists join forces to perform their favorite songs? Pure magic. Featuring the acoustic wizardry drenched in emotion, these two guitarists know how to take a classic (‘How Deep Is Your Love’) and deliver it with aplomb.” --Laura B. Whitmore, Parade, December 13, 2018 “For decades, acoustic guitar virtuosos Tommy Emmanuel and John Knowles have dazzled with their skills, from intricate runs to coaxing unexpected sounds from their instruments.
    [Show full text]
  • And Post-Soviet Literature and Culture
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture Pavel Khazanov University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Eastern European Studies Commons, English Language and Literature Commons, European History Commons, and the European Languages and Societies Commons Recommended Citation Khazanov, Pavel, "Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture" (2017). Publicly Accessible Penn Dissertations. 2894. https://repository.upenn.edu/edissertations/2894 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2894 For more information, please contact [email protected]. Russia Eternal: Recalling The Imperial Era In Late- And Post-Soviet Literature And Culture Abstract The return of Tsarist buildings, narratives and symbols has been a prominent facet of social life in post- Soviet Russia. My dissertation aims to explain this phenomenon and its meaning by tracking contemporary Russia’s cultural memory of the Imperial era. By close-reading both popular and influential cultural texts, as well as analyzing their conditions of production and reception, I show how three generations of Russian cultural elites from the 1950s until today have used Russia’s past to fight present- day political battles, and outline how the cultural memory of the Imperial epoch continues to inform post- Soviet Russian leaders and their mainstream detractors. Chapters One and Two situate the origin of Russian culture’s current engagement with the pre-Revolutionary era in the social dynamic following Stalin’s death in 1953.
    [Show full text]
  • ARIA Charts, 1993-09-12 to 1993-12-19
    auqralion TRADE MARK REGD record indusoy a,,ociation ER) AUSTR A L I A N SINGLES CHART BUMS CHAR TW LW TI TITLE / ARTIST 'CALL 0055 29730 TOP TEN / HOTSHOTS / BREAKERS TW LW TI TITLE / ARTIST 1 1 2 I'D DO ANYTHING FOR LOVE Meat Loaf • VIR/EMI 8921104 1 3 RIVER OF DREAMS Billy Joel A COUSONY 473872.2 2 3 6 WHAT'S UP? 4 Non Blondes WARNER 7567984304 *2 NEW SHAVED AND DANGEROUS Baby Animals IMG/BMG 4321162624 3 2 7 THE RIVER OF DREAMS/NO MANS LAND Billy Joel. COUSONY 659475.4 3 4 4 SLEEPLESS IN SEATTLE. Soundtrack •EPUSONY 473594.2 4 4 9 SWEAT (A LA LA LA LA LONG) Inner Circle WARNER 9031776804 4 6 5 BIGGER, BETTER, FASTER, MORE! 4 Non Blondes WARNER 7567921122 5 5 13 CAN'T HELP FALLING IN LOVE U640 A VIR/EMI 8918604 5 2 4 THE LOBBYIST Diesel • VIR/EMI 8274692 *6 10 6 THREE LITTLE PIGS Green Jelly BMG 4321159424 6 3 9 ZOOROPA U2 A PHONIPOL 5180472 7 9 4 RAIN Madonna WARNER 9362409884 7 8 14 UNPLUGGED...AND SEATED Rod Stewart • WARNER 9362452892 8 11 15 KILLING IN THE NAME Rage Against The Machine • EPI/SONY 658492.4 8 10 52 UNPLUGGED Eric Clapton A5 WARNER 9362450242 9 12 14 CAN'T GET ENOUGH OF YOUR LOVE Taylor Dayne A BMG 7822125824 9 13 77 BAT OUT OF HELL Meat Loaf A16 EPUSONY CDEPC82419 10 6 15 FREAK ME Silk • WARNER 7559646544 *10 21 30 BREATHLESS Kenny G. A2 BMG 7822186462 11 8 7 WEST END GIRLS East 17 • PDR/POL 8572084 11 5 5 PROMISES AND LIES UB40 • VIR/EMI 7882292 12 13 7 AIN'T NO LOVE (AIN'T NO USE) Sit Sub (Feat.
    [Show full text]
  • The Making of a Modern Fingerstyle Album: Exploring Relevant Techniques and Fingerstyle History
    The Making of a Modern Fingerstyle Album: Exploring Relevant Techniques and Fingerstyle History Reece Cronin A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Music by Research The University of Huddersfield February 2018 1 Table of Contents Introduction .......................................................................................... 3 1: Methodology ..................................................................................... 4 2: Techniques ........................................................................................ 6 3: Fingerstyle History ............................................................................. 7 Blues ...................................................................................................... 7 Folk ........................................................................................................ 9 Modern Fingerstyle ............................................................................ 10 4: Album Analysis ..................................................................................... 12 Conclusion ........................................................................................... 17 Bibliography ........................................................................................ 18 Discography ........................................................................................ 19 i. The author of this thesis (including any appendices and/or schedules to this thesis)
    [Show full text]