February Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

February Newsletter Systematic Innovation e-zine Issue 196, July 2018 In this month’s issue: Article – Backward Trends? Article – Case Study: Frequent Callers Not So Funny – Discarding & Recovering Patent of the Month – Metabolic Transistor In Bacteria Best of The Month – If You Prefer A Milder Comedian, Please Ask For One Wow In Music – The Downtown Lights Investments – Smart Bandage Generational Cycles – Who’s Way? Biology – Cordyceps Short Thort News The Systematic Innovation e-zine is a monthly, subscription only, publication. Each month will feature articles and features aimed at advancing the state of the art in TRIZ and related problem solving methodologies. Our guarantee to the subscriber is that the material featured in the e-zine will not be published elsewhere for a period of at least 6 months after a new issue is released. Readers’ comments and inputs are always welcome. Send them to [email protected] 2018, DLMann, all rights reserved Backward Trends? Its always a happy day when we find an innovation that appears to go against the TRIZ Trends, because it allows us to challenge the models and – hopefully – help to make them more resilient in the future. The innovation in question is the range of solid shampoo products from the retailer Lush. The fact that we can describe it as a ‘range’ is already indicative of the product’s success, but its only when we look at the figures that we start to see the magnitude of the step-change the Company has delivered. The great thing about making the product into a solid is that it eliminates a whole lot of packaging and therefore cost. Annual savings in water are 120,000 gallons, transportation costs are reduced by a factor of 15, there’s a 100% reduction in the need for preservative chemicals necessary in liquid shampoos and, selling over three million of the soap bars a year means 3 million less plastic containers. The problem from the TRIZ perspective is that a jump from the traditional liquid shampoo to a solid represents a significant backward jump along one of the key Trends, Object Segmentation: Solid Segmented Particulate Segmented Gas Plasma Field Solid Solid Liquid Liquid Figure 1: Solid Shampoo & The Object Segmentation Trend 2018, DLMann, all rights reserved The usual Trend rule is that innovation happens when solutions evolve from left to right and not right to left. So, what’s going on? Well, the first thing to bring to bear is the full version of the rule. The Evolution Potential version of the rule describes that innovation happens when we have at least one net positive Trend jump. It’s okay, in other words, to travel backwards along one Trend so long as we make forward jumps along at least two others. And when we construct an Evolution Potential plot for the Lush solid shampoo (shaded orange) and overlay it onto a plot for a conventional liquid shampoo (shaded blue) we get the picture shown in Figure 2: Figure 2: Evolution Potential Comparison Between Lush’s Solid Shampoo and Liquid Equivalent Now we get to see that although the solid shampoo has indeed gone backwards along the Object Segmentation Trend (5 o’clock position on the plot), it has made big forward jumps along both the Trimming Trend – in that all of the packaging has now disappeared – and along the Sustainability Trend – in that the whole business model has been re-thought by Lush. So far so good. The original Evolution Potential ‘one net forward jump’ rule remains intact. The Lush solid shampoo looks like TRIZ would have predicted it. But not quite. Think now about one of the most famous ‘exceptions’ to the TRIZ Trends – the smartphone handset we all increasingly carry around with us. The solid lump we now possess is a backward step along the Dynamization Trend: earlier phones contained one or more joints so that we could fold them and thus make them fit better in our pockets or bags. The rationale explaining the success of the solid-lump smartphone is that the handset had to (temporarily) evolve backwards in order that the keypad could advance from its ‘multiple jointed’ stage to become a (digital) ‘field’. In this case a sub-system (keypad) Trend advance trumped a system level (handset) to create what many would say was a world-changing innovation. The thinking in justifying this situation was to recognize that a forward jump that was ‘closest to the functionality the customer is looking for’ trumped backward jumps that were further away. 2018, DLMann, all rights reserved This ‘rule’ (‘heuristic’ is probably a better word) doesn’t seem to apply in the case of Lush’s solid shampoo. The shampoo is the thing that is intimately connected to the customer in this case, whereas the sustainability and trimming ‘benefits’ are felt more by Lush. Recognising this, it becomes far less clear why the solid shampoo has been successful. Another question to answer. And one that only begins to make sense when we think about the overall Value equation – Benefits-divided-by-the-sum-of-Costs-and-Harms – and Lush’s value proposition to their customers. In the interests of research, I covered my nose, and braved a visit to my local Lush store to purchase one of the solid shampoos. Then I took the thing in the shower with me. I’d have to say that, although it did the job as well as my usual liquid shampoo, it definitely felt less easy to use. Rubbing a lump of soap over your head is definitely not as good as squeezing a liquid into your hand. The liquid spreads easily, but with the solid, I had to take more time making sure I lathered everywhere. I got the same Benefits ultimately, but I lost out on Cost (Lush is expensive!) and definitely lost out on convenience (Harm). It felt like I was down on the deal. Lush’s solid shampoo ought not to be an innovation in my selfish eyes. But therein lies the solution to the problem. I’m not Lush’s typical customer. Lush’s typical customer likes spending lots of money on cosmetic products. And they like doing something to ‘Save The Planet’. For Lush’s typical customer, therefore, the solid shampoo represents a very definite ‘two steps forward, one step back’, Evolution Potential rule- obeying innovation. It all comes down to context. Solid shampoo has been a massive seller – and thus a big innovation success story – for Lush and their customers. But the fact that I can’t go to my local supermarket and purchase a solid shampoo means that I can’t call them a success in the broader context. We’ve spent the last fifteen years trying to find a universal hierarchy of Trends. It’s a question we get asked a lot by clients: ‘how do I know which Trends are more important than others?’ Our answer has always been, ‘it depends’. As far as we can see there is no ‘universal’ hierarchy. What there is instead are a whole series of domain specific hierarchies for each different industry. And now, what the Lush solid shampoo niche- success tells us, is that it is also dependent on the relative priority of the Benefit, Cost and Harm elements of the Value equation for each different cohort of customer types. Instinct probably tells us that this shouldn’t be a surprise. What’s nice now is that Lush has given us a very tangible example of what that means in practice. 2018, DLMann, all rights reserved Case Study: Frequent Callers This is the story of NHS paramedic, Rhian Monteith. She was concerned about small numbers of Accident & Emergency ward patients who seemed to keep coming back to the hospital she worked in. So called ‘frequent callers’. Frequent callers are classed as those who call at least five times a month or at least 12 times in three months. The paramedic’s idea, now a year-old scheme called the High Intensity User programme, identified 23 patients in Blackpool who had visited A&E 703 times in the previous three months. Here’s what the problem to be solved looks like from a Contradiction perspective: What we’re trying to improve: Supply Cost (i.e. we’re trying to reduce the cost of A&E service provision) What stops us: ‘frequent callers’ sensing a lack of Autonomy And then, here’s how others have successfully challenged that conflict pair, according to the new Business Matrix (3.0): 33 Autonomy 13 24 10 1 6 7 And here’s Rhian Monteith’s solution: “Frequent caller patients offered a coffee and a chat, personal mentoring and one-to-one coaching, became involved in community activities and encouraged to phone her and not 999.” Respectively, Principles 1 (Segmentation), 24 (Intermediary) and 7 (Nested Doll). Not to mention the overall concept of (Principle 13) turning the whole A&E model around 180degrees by pro-actively (Principle 10, Prior Action) approaching the patients rather than waiting for them to turn up at the hospital doors. 2018, DLMann, all rights reserved Notice, too, how Principle 6, Universality (6B in the business version of the Principles, ‘make use of universal behavioural traits (ABC-M)’) is an integral part of the story: Ms Monteith’s solution is all about teaching frequent callers how to take control (A), how to get involved in the community (B) and to feel competent (C). The story continues: “Through the scheme Rhian helped A&E attendances, emergency calls and hospital admissions drop by around 90% among the group.
Recommended publications
  • The Ithacan, 1990-03-22
    Ithaca College Digital Commons @ IC The thI acan, 1989-90 The thI acan: 1980/81 to 1989/90 3-22-1990 The thI acan, 1990-03-22 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1989-90 Recommended Citation Ithaca College, "The thI acan, 1990-03-22" (1990). The Ithacan, 1989-90. 13. http://digitalcommons.ithaca.edu/ithacan_1989-90/13 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1989-90 by an authorized administrator of Digital Commons @ IC. -~~~a.Jtve'>spri~g\f~~ons ---~en~~; ~e~- att11;d~~::.-.:10: ... :_ ·.- THE IT 1f.he Newspaper For The Ithaca College_ Community Issue 13 · March 22, Jl990 241 pages *JFII'ee Hudson Street residents tell mayCOJ1r . 8 0 tree cutt .1ng 1s no t an improvement more trees. By Robert E. Martinez -- Suzanne Cummings, from the Shade Tree Commission, tried to In a crowded City Hall conference D help verify the Mayor's findings by room, concerned citizens of Hudson noting that, "some of the trees St. met with Mayor Benjamin . ,..:,,, .. labeled for removal arc diseased and Nichols and members of the must come down." Still others, Common Council on Tuesday night. our stret~ . ~---,vi} i. ' . "mostly sugar maple trees, ll!'e in The meeting was centered around ,.,JD""t o. decline and should come down since the Hudson Street Project which they aren't expected to live · for would widen the street to handle the more than 5 to 10 years," she said.
    [Show full text]
  • Show Notes At
    CHVRCHES FAN PODCAST - #027 SHOW NOTES Official site: www.chvrch.es Shop: www.chvrchesshop.com , chvrchesus.shopfirebrand.com (US), chvrches.firebrandstores.com (UK) Contact the podcast : @chvrchespodcast, TWITTER : @chvrches, @Iain_A_Cook, @doksan, @laurenevemay, www.chvrchespodcast.com , [email protected] Record Label : @goodbye_records; goodbyerecords.com 619-631-4433 More info: en.wikipedia.org/wiki/Chvrches Fans : @chvrchesfans, @LaurenMayberryF, @ChvrchesIsLife, @CHVRCHESSQVAD, www.reddit.com/r/chvrches/ , ANNOUNCEMENT BAND INTRO + #27 for November 11, 2017 INTRODUCTION SONG - CHVRCHES - “Keep Me On Your Side” ● https://en.wikipedia.org/wiki/Every_Open_Eye ● https://www.youtube.com/watch?v=jzGJWq-owH4 ● https://genius.com/Chvrches-keep-you-on-my-side-lyrics Welcome to the 27th CHVRCHES Fan Podcast recorded on November 11, 2017. My name is Steve Holden and I am recording this podcast in Southern California near San Diego. Nov. 11 is Veterans Day in the United States. If you served then thank you for your service. That intro song sample was Keep Me On Your Side from CHVRCHES 2nd Album Every Open Eye. It is the 3rd song on that album and I really liked the [Verse 3] ● Everyone comes, but only I stay ● Nowhere to look, nowhere to turn to fall away ● What if I should call it off? ● Hold up my demands with my heart uncrossed The standard version of the album Every Open Eye had 11 songs with 5 official singles Leave A Trace, Never Ending Circles, Clearest Blue, Empty Threat, and Bury It and one could argue that now “Down Side Of Me” should be consider a single with the recently released live version.
    [Show full text]
  • Alleged Kidnappers Claim Innocence During Hearing Police Seek
    -~- '" _. ~, ,.-". 991231 3 44U8L1I·~HING INC ~# SOUTHWEST MICROP J ~ • ?6?7 E. YANDELL DRIVE ~L-PASO TX 79903- I _p. Crimestoppers Youngsters 1'1, spread the word perform 't ' See Page 2A ~ ", See Page lOA ., ' If' " .... {' · ~.: 4,• • .'.-,! ; ~,~:; :l" ~. : ~ 35c PER COpy T ..i NO. 66 IN OUR 42ND YEAR · , RUIDOSO, NM 88345 MONDAY, DECEMBER 21, 1987 ; Alleged kidnappers claim innocence during hearing by FRANKIE JARRELL dox, contacted Monday, said Wheeler said the charges could for hours before escaping to get a "fairly large, bunting-looking kidnappers was Mexican, one had News Staff Writer DeFranza was born February 16, result in fines of up to 18 months in help at the U.S. Border Patrol near knife." Vines said he then headed reddish hair and one had an earring 1966; while Kelly's date-of-birth is jail and/or $5,000 fipe for the false Oro Grande. for AlaJIlogordo, but was told to in one ear. He noted that neither of A case against two accused kid­ listed as June 10, 1957. He said imprisonment, and $10,000 fine Vines and Ruidoso Detective Lan­ stop near Mescalero, and the men the defendants are Mexican, have nappers is on hold while authorities DeFranza is from Florida, but and/or nine years in jail on the ro~ ny Maddox described how com­ tied him up, wrapped in him a reddish hair or have a pierced ear. investigate an alibi offered by one Kelly's last place of residence was bery charge. posite drawings were formed using sleeping bag and placed him in the Wheeler, leaning over the bench for of the two men during a unavailable.
    [Show full text]
  • DAN KELLY's Ipod 80S PLAYLIST It's the End of The
    DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
    [Show full text]
  • 609-424-9114 Fax: 609-424-6943
    S JANUARY 5, 1990 ISSUE #675 609-424-9114 Fax: 609-424-6943 MOTION PICTURE SOUNDTRACK ALBUM BORN ON THE FOURTH OF JULY Featuring A HARD RAM B A BOOM FALL by EDIE BRICKELL A NEW BOHEMIANS and BORN ON THE BAYOU by THE BROKEN HOMES Plus classic songs by FRANKIE AVALON DON McCLEAN VAN MORRISON THE SHIRELLES THE TEMPTATIONS HENRY MANCINI aW wore by JOHN WILLIAMS cc z 0, JOAN JETT JON ANDERSON EDIE BRICKELL/BOHEMIANS COMPANY OF WOLVES 'Dirty Deeds" "Far Far Cry" "A Hard Rain's A Gonna Fall" "Call Of The Wild" PETER MURPHY Deep c.tt, features:e IEI The line Between The Devil's Teeth Cuts You Up/A Strange Kind Of Love 0 w HAVANA BLACK PETER MURPHY SHAKING FAMILY STEVIE SALAS COLORCODE "Lone Wolf" "Cuts You Up" "Tic Toc" "The Harder They Come" Plus The HOTTEST NEW TRAX From: THE SILENCERS MICHELLE SHOCKED JOHN WESLEY HARDING THEY MIGHT BE GIANTS DIRTMAKER ALSO INSIDE Pam Edwards Inherits KNAC PD Slot II Stevens Steps In As KFMG PD Krysz Replaces Grossman As WSHE PD Martone Ascends To Enigma President Messick Out At WDIZ II Fee Now WMMR Station Manager MIKE BONE Jang Programs KSJO, Harlow Exits AOR KUFO Lands In Portland Island Records President Garrett Relinquishes WHEB PD Post New Year's Resolutions: See Question #1 MOST ADDED #1 TRAX GAINER #1 ALBUM GAINER #1 BUZZBAND MICHAEL PENN March features:No Brave New World/This & That JOAN JETT PHIL COLLINS BAD ENGLISH MICHAEL PENN "Dirty Deeds" "I Wish It Would Rain Down" "Bad English" "No Myth" 34 ADDS/D-69' HOT TRAX 61-40' HOT TRAX :11-23* ALBUM ACTION 13 NEW/36-32' HOT TRAX TOP REACTION TRAX DEPTH TRAX TOP BUT/BANDS STEVIE RA1.
    [Show full text]
  • Digital Fortress
    Digital Fortress DIGITAL FORTRESS Dan Brown St. Martin’s Press - New York A THOMAS DUNNE BOOK. An imprint of St. Martin’s Press. Digital Fortress. Copyright © 1998 by Dan Brown. All rightsreserved. Printed in the United States of America. No part of thisbook may be used or reproduced in any manner whatsoever withoutwritten permission except in the case of brief quotations embodiedin critical articles or reviews. For www.ztcprep.com information, address St.Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010. Design by Bryanna Millis Library of Congress Cataloging-in-Publication Data Brown, Daniel. Digital fortress / by DanBrown. — 1st ed. p. cm. “A Thomas Dunne Book.” ISBN 0-312-20715-8 I. Title. PS3552.R685434D54 1998 813’.54—dc21 97-33118 CIP For my parents . my mentors and heroes A debt of gratitude: to my editors at St. Martin’s Press,Thomas Dunne and the exceptionally talented Melissa Jacobs. To myagents in New York, George Wieser, Olga Wieser, and Jake Elwell. Toall those who read and contributed to the manuscript along the way.And especially to my wife, Blythe, for her enthusiasm andpatience. Also . a quiet thank you to the two faceless ex-NSAcryptographers who made invaluable contributions via anonymousremailers. Without them this book would not have been written. PROLOGUE www.ztcprep.com PLAZA DE ESPAÑA SEVILLE, SPAIN 11:00 A.M. It is said that in death, all things become clear; Ensei Tankadonow knew it was true. As he clutched his chest and fell to theground in pain, he realized the horror of his mistake. People appeared, hovering over him, trying to help.
    [Show full text]
  • WLIR Playlist
    I believe this complete list of WLIR/WDRE songs originally appeared on this site, but the full playlist is no longer available. https://wlir.fm/ It now only has the list of “Screamers and Shrieks” of the week—these were songs voted on by listeners as the best new song of the week. I’ve included the chronological list of Screamers and Shrieks after the full alphabetical playlist by artist. 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Can't Ignore The Train 10,000 Maniacs Eat For Two 10,000 Maniacs Headstrong 10,000 Maniacs Hey Jack Kerouac 10,000 Maniacs Like The Weather (Non-Live version) 10,000 Maniacs Like The Weather (Live) 10,000 Maniacs Peace Train 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10,000 Maniacs What's The Matter Here 10,000 Maniacs Because The Night 12 Drummers Drumming We'll Be The First Ones 2 NU This Is Ponderous 3D Nearer 4 Of Us Drag My Bad Name Down 9 Ways To Win Close To You 999 High Energy Plan 999 Homicide A Bigger Splash I Don’t Believe A Word (Innocent Bystanders) A Certain Ratio Life's A Scream A Flock Of Seagulls Heartbeat Like A Drum A Flock Of Seagulls I Ran A Flock Of Seagulls It's Not Me Talking A Flock Of Seagulls Living In Heaven A Flock Of Seagulls Never Again (The Dancer) A Flock Of Seagulls Nightmares A Flock Of Seagulls Space Age Love Song A Flock Of Seagulls Telecommunication A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls What Am I Supposed To Do A Flock Of Seagulls Who's That Girl A Flock Of Seagulls Wishing A Popular History Of Signs The Ladderjack
    [Show full text]
  • Anrijfhtfr Iupntnn Llrralj) Grand Jury Begins Probe of Charges
    \ PAGE THIRTY-TWO - MANCHESTER EVENING HERALD, Manchester, Conn., Wed., Sept. 26, 1973 • * Dissentin Soviet Uiiion Assessed anrIjfHtfr iupntnn llrralJ) evolutionary reform. It frankly EDITOR’S NOTE - Andrei elected leaders accountable to Yuji Daniel and Andrei calling Itself SMOG, the Russ hand in carbon copies, carried strangle a Communist party all Jews. Beat the anti-Soviets.’ praised capitalism, denigrated D. Sakharov, a nuclear an elected parliament and some Sinyavsky were arrested for acronym for "Word, Tliought, names, dates, places, prison liberalization brought a public " Some were beaten, many MANCHESTER, CONN., THURSDAY, SEPT. 27, 1973 - VOL. XCII, No. 304 Mancheiter—A City of Village Charm t w e n t y -e ig h t p a g e s physicist, and Alexander I. vaguely socialist aims. The having written critically of the Image, Depth," Issued a terms, types of persecution and protest demonstration in arrested. Soviet socialism. TWO SECTIONS PRICE i FIFTEEN CENTS Solzhenitsyn, the Russian regime hit them hard in 1967, Soviet system. Their writings manifesto and even staged a other information of Interest to Moscow. In the words of the -^1969; A "Program for a -November 1970; Sakharov, novelist, are perhaps the best arresting anywhere from 60 to had found theijr way to the demonstration in D ecern^. dissidents. It appeared regular- young poet Natalaya Qor- Democratic Movement" cir­ with two other physicists, known dissenters in the Soviet several hundred. Many went to West. This was a benchmark —April 1968; The chronicle of Iy<.every two months until Oc­ banevskaya, soon to be im­ culated underground. It spoke formed the Human Rights Com­ ’4[ H Union today.
    [Show full text]
  • BILLBOARD MAGAZINE (ISSN 0006 -2510) Is Published Weekly (Except for the Last Week Action
    IN THIS ISSUE I.. 908 000817973 4401 9006 MAR9OUGZ DAT Legislation MONTY Faces A Bumpy Road AFT A 3740 ELM LONG BEACH CA 90807 Through Busy Congress PAGE 3 CBS Records Joins No- Returns Party I On 7 -Inch Vinyl PAGE 4 AND HOME ENTERTAINMENT February 10, 1990/$4.50 (U.S.),r $5.50 (CAN.), .£3.50 (U.K.) THE INTERNATIONAL NEWSWEEKLY OF MUSIC Tampa Bay's Other Radio Success Stories WB To Accept Urban Rebound Spurs Churban Changes PAGE 10 `Bat' Back Early Some Hit The Streu Some Hit The Road A &M Plans Transition significantly from that of urban BY SEAN ROSS actions that many churban stations fers To PolyGram Distrib From All Buyers had resisted, lest identification as stations. But in markets where chur- NEW YORK -Is the urban -vs. -chur- part of a 'black ' format subject ban stations were going after an ur- PAGE 78 BY PAUL SWEETING ban cattle turning around? them to the same sales bias that ur- ban's black core with a similar -or Three years ago, longtime black ban stations have ong faced. slightly dancier -list, there are, at ASCAP's Messinger NEW YORK -Warner Home Vid- stations in a number of markets were The above pattern does nct apply most, only two cases of major chur- eo says it will accept returns of losing their format leads to new to stations like K ?WR Los Angeles bans that have made no move toward Slams Euro Societies or WQET New Ycrk, stations whose mainstream urban, yet still lead their "Batman" from all its accounts at crossover station competitors -or PAGE 87 least a month earlier than orig - "churbans " -which targeted black target aucience _s generally more urban rivals.
    [Show full text]
  • DAN KELLY's Ipod 80S PLAYLIST It's The
    DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) I See Red…Split Enz (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times
    [Show full text]