Glenn Miller Medleys
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GLENN MILLER ORCHESTRA Highlights
GLENN MILLER ORCHESTRA Highlights Glenn Miller was born on March 1, 1904, in Clarinda, Iowa. Glenn Miller originally wrote the music for Moonlight Serenade (later to become his theme song) as an exercise when he was studying with noted arranger, Joseph Schilinger. The first Glenn Miller Orchestra, formed in 1937, was a financial failure. In March 1938, Glenn Miller launched his second band, and unlike the first band, it became an enormous success with multiple hit records and huge box office sales. At the height of the orchestra’s popularity, Glenn Miller disbanded his musical organization in 1942 to volunteer for the army. He then organized the famous Glenn Miller Army Air Force Band. On December 15, 1944, Major Glenn Miller took off in a single engine plane from England – against his better judgment – to precede his band to France, never to be seen again. The army officially declared him dead one year later. Due to popular demand, the Miller Estate authorized the formation of the present Glenn Miller Orchestra in 1956. In 1941, Glenn Miller and His Orchestra had more hit records in one year, including A String of Pearls, than anybody in the history of the recording industry. Although other songs had sold over a million record copies, in 1941 Glenn Miller’s recording of Chattanooga Choo Choo received the first Gold Record ever to be awarded. The Glenn Miller Orchestra has been “on the road” longer and more continuously than any other Big Band ever. The Glenn Miller Orchestra travels over 100,000 miles each year, playing nearly 300 dates. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Dear Friends, in Keeping with the Nostalgic Themes with Which We
Dear friends, In keeping with the nostalgic themes with which we normally open these Activity Pages, I thought I’d tell you a story about young love – its excitement, its promise, and its almost inevitable woes. It’s a true story, one from my own past. And it begins at Roller City, a roller skating rink located, in those distant days, on Alameda Avenue just west of Federal Boulevard in Denver, Colorado. It was a balmy Friday night when I first spied my Cinderella – a lovely, lithe thing with a cute smile, pink ribbons in her blonde hair, and very “girly” bons bons of matching color hanging on the front of her white roller skates. It might have been love at first sight but certainly by the time we skated hand in hand under the multi-colored lights in a romantic “couples skate,” I was a goner. Indeed, I fell more madly in love than I had at any other time in my whole life. I was 10 years old. I drop in that fact because it proved to be the relevant point in the impending tragedy of unrequited love. For you see, it turned out there was an unbridgeable gap in our ages. I was just getting ready to go into the 4th grade whereas I learned she was going into the 5th grade! Yipes! I had fallen for an older woman! How could I break it to her? And how would I deal with the rejection I knew must follow? I was in a terrible jam and so…and I’m not proud of it…I made up a lie. -
Women, Gender, and Music During Wwii a Thesis
EDINBORO UNIVERSITY OF PENNSYLVANIA PITCHING PATRIARCHY: WOMEN, GENDER, AND MUSIC DURING WWII A THESIS SUBMITTED TO THE FACULTY OF THE DEPARTMENT OF HISTORY, POLITICS, LANGUAGES, AND CULTURES FOR THE DEGREE OF MASTER OF ARTS SOCIAL SCIENCES-HISTORY BY SARAH N. GAUDIOSO EDINBORO, PENNSYLVANIA APRIL 2018 1 Pitching Patriarchy: Women, Music, and Gender During WWII by Sarah N. Gaudioso Submitted in Partial Fulfillment of the Requirements For the Master of Social Sciences in History ApprovedJjy: Chairperson, Thesis Committed Edinbqro University of Pennsylvania Committee Member Date / H Ij4 I tg Committee Member Date Formatted with the 8th Edition of Kate Turabian, A Manual for Writers of Term Papers, Theses and Dissertations. i S C ! *2— 1 Copyright © 2018 by Sarah N. Gaudioso All rights reserved ! 1 !l Contents INTRODUCTION 1 CHAPTER 1: HISTORIOGRAPHY 5 CHAPTER 2: WOMEN IN MUSIC DURING WORLD WAR II 35 CHAPTER 3: AFRICAN AMERICAN WOMEN AND MUSIC DURING THE WAR.....84 CHAPTER 4: COMPOSERS 115 CHAPTER 5: CONCLUSIONS 123 BIBLIOGRAPHY 128 Gaudioso 1 INTRODUCTION A culture’s music reveals much about its values, and music in the World War II era was no different. It served to unite both military and civilian sectors in a time of total war. Annegret Fauser explains that music, “A medium both permeable and malleable was appropriated for numerous war related tasks.”1 When one realizes this principle, it becomes important to understand how music affected individual segments of American society. By examining women’s roles in the performance, dissemination, and consumption of music, this thesis attempts to position music as a tool in perpetuating the patriarchal gender relations in America during World War II. -
Guide to the Bill Holman Collection
Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date: -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
J2P and P2J Ver 1
inulTo discography A Complete Listing of Frank Sinatra Record LP's RCA Victor Camden Columbia Harmony Capitol Reprise ( *) indicates album currently unavailable Is This the Beginning of the End I Only Have Eyes for You CHRISTMAS DREAMING* American Beauty Rose Whispering RCA VICTOR (PP) Falling in Love with Love (Alex Stordahl and Orchestra with Five Minutes More You'll Never Know the Kea Lane Singers) Farewell, Farewell to Love HAVING A WONDERFUL It All Depends on You Columbia CL 1032 (note: PP -Pied Pipers) TIME* Spasm' White Christmas THE BROADWAY KICK* (Tommy Dorsey and His Clambake All of Me Jingle Bells (Various Orchestras) YES INDEED Seven) Time After Time O' Little Town of Bethlehem Columbia CL 1297 (Tommy Dorsey and His Orchestra) RCA Victor LPM 1643 How Cute Can You Be? Have Yourself a Merry Christmas There's No Business Like Show Business RCA Victor LPM 1229 Almost Like Being in Love Head on My Pillow Christmas Dreaming They Say It's Wonderful Stardust (PP) Nancy Silent Night, Holy Night Some Enchanted Evening I'll Never Smile Ohl What It Seemed to Me Again (PP) THAT SENTIMENTAL It Come Upon a Midnight Clear You're My Girl GENTLEMAN Adeste Fideles Lost in the Stars Santa Clous Is Conlin' to Town (Tommy Dorsey and His Orchestra) Can't You Behave? TRIBUTE TO DORSEY -VOL. 1 Let It Snow, let It RCA Victor LPM THE VOICE Snow, Let It Snow I Whistle a Happy Tune (Tommy Dorsey and His Orchestra) 6003 -2 record set (Axel Stordahl and His Orchestra) The Girl That I Marry RCA Victor LPM 1432 My Melancholy Baby ADVENTURES THE Can't You Just See Yourself Yearning Columbia CL 743 OF Everything Happens to Me HEART* There But For You Go I l'll Take Tallulah (PP) I Don't Know Why (Axel Stordahl and His Orchestra) Boli Ha'i Marie Try a Little Tenderness Columbia CL 953 Where Is My Bess? How Am Know TRIBUTE TO DORSEY -VOL. -
General Product Catalogue
Solutions In Concrete Construction GENERAL PRODUCT CATALOGUE Other Available Catalogues • Concrete Forming Systems • Bridge Deck Forming and Hanging Systems • Precast Concrete Products • Concrete Anchoring Systems • Rock Anchoring and Bolt Systems www.nca.ca Call Us Toll Free: 1-888-777-9272 LOCATIONS Alberta Western Division Calgary Edmonton Red Deer 14760 - 116th Avenue NW 3834 54th Avenue S. E. 14760 - 116th Avenue NW #5, 7803 - 50 Avenue With over 45 years of experience, National Concrete Accessories (NCA), is Canada’s Edmonton, AB T5M3G1 Calgary, AB T2C2K9 Edmonton, AB T5M3G1 Red Deer, AB T4P1M8 leading manufacturer and distributor of concrete accessories. With 14 branches across Tel: (780) 451-1212 Tel: (403) 279-7089 Tel: (780) 451-1212 Tel: (403) 342-0210 Canada, including manufacturing plants in Toronto and Edmonton, we are your one-stop Fax: (780) 455-0827 Fax: (403) 279-4397 Fax: (780) 455-0827 Fax: (403) 341-3245 shop for concrete form hardware, accessories and construction products. Specializing in product variety, quality and superior service, we distribute a complete line of construction British Columbia and restoration products, including tools & equipment, decorative concrete, and building envelope products. NCA works in partnership with premium brands such as, Acrow- Burnaby Kamloops Kelowna Prince George Richmond, DOW, Sika, Makita, W.R. Meadows, Bosch, Mapei, Titebond, UCAN, 7885 Venture Street 855 Laval Crescent 1948 Dayton Street #101- 2050 Robertson Road Husqvarna, Xypex, Butterfield Color, Marshalltown and Chapin to provide you with the Burnaby, BC V5A1V1 Kamloops, BC V2C5P2 Kelowna, BC V1Y7W6 Prince George, BC V2N1X6 Tel: (604) 435-6700 Tel: (250) 374-6295 Tel: (250) 717-1616 Tel: (250) 614-1212 best cost-effective solutions to meet your concrete job requirements. -
A Strayhorn Centennial Salute NJJS Presents an Afternoon of Billy Strayhorn’S Music at Morristown’S Mayo PAC See Page 26
Volume 43 • Issue 7 July/August 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Michael Hashim leads the Billy Strayhorn Orchestra at the Mayo Performing Arts Center in Morristown on June 14. Photo by Mitchell Seidel. A Strayhorn Centennial Salute NJJS presents an afternoon of Billy Strayhorn’s music at Morristown’s Mayo PAC See page 26. New JerseyJazzSociety in this issue: New JerSey JAzz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Mail Box. 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hope that everyone who is reading this is July 31. It will also be a first for us, as Jackie New/Renewed Members ............48 I having a great summer so far and/or has made Wetcher and I will be spending a couple of days StorIeS plans for their upcoming summer vacation. I also there. Billy Strayhorn Tribute ...........cover hope that those plans include the Morristown Jazz At six o’clock, the music turns to the blues with Big Band in the Sky ..................8 and Blues Festival, which will be taking place on the always entertaining Roomful of Blues followed Talking Jazz: Roseanna Vitro. 12 Saturday, August 15 on the Morristown Green. Noteworthy ......................24 by the legendary blues hall of fame harmonica President Emeritus Writes ...........28 The festival is returning for the fifth season and player Charlie Musselwhite and his all-star band 92nd St. -
Hits from the 1940S
Hits from the 1940s ¯ Boogie Woogie Bugle Boy – Andrews Sisters ¯ Chattanooga Choo Choo – Glenn Miller ¯ Cool Water – Sons of the Pioneers ¯ Don’t Fence Me In – Bing Crosby/Andrews Sisters ¯ Don’t Get Around Much Anymore – Ink Spots/Duke Ellington ¯ Don’t Sit Under the Apple Tree – Glenn Miller/Andrews Sisters ¯ I Love You (For Sentimental Reasons) – Nat King Cole/Dinah Shore ¯ I’ll Be Seeing You – Bing Crosby/Liberace ¯ I’m Looking Over a Four Leaf Clover – Art Mooney ¯ Jingle Jangle Jingle – Kay Kysor/Gene Autry ¯ Peg O’ My Heart – Harmonicats ¯ Sentimental Journey – Doris Day/Les Brown ¯ Star Dust – Artie Shaw ¯ Stormy Weather – Lena Horne ¯ Swinging on a Star – Bing Crosby ¯ Take the “A” Train – Duke Ellington ¯ The White Cliffs of Dover – Vera Lynn/Kay Kysor/Glenn Miller ¯ This Land is Your Land – Woody Guthrie ¯ When You Wish Upon a Star – Cliff Edwards/Glenn Miller/Guy Lombardo ¯ You Are My Sunshine – Gene Autry/Bing Crosby/Lawrence Welk You may find the original versions of many of these songs on You Tube. Many are also available to purchase through ITunes. Most artists referenced here had multiple hits. So once you start searching for the songs listed here you will no doubt find many others to enjoy. For lyrics try AZLyrics.com or songlyrics.com where you can copy and paste lyrics for your personal use only. www.SingingHeartToHeart.com Mary Sue Wilkinson . -
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
Big Band News
JULY 2016 BIG BAND NEWS COMPILED BY MUSIC LIBRARIAN CHRISTOPHER POPA WELCOME BACK, in this issue: THE GREAT ESCAPE! The Great Escape! returns Recently I was happy to see that Bob Knack new swing and sweet and friends have returned with issue no.32 of compact discs The Great Escape! The online newsletter gets itineraries for The its name from a quotation from Woody Herman, Count Basie and Glenn who said, “Anything that is good jazz is a great Miller Orchestras escape. When you’re involved in playing or birthdays listening to great jazz, no one can get to you.” I was worried that, because there had been a long delay since the previous issue of The Great Escape!, perhaps there would be no more. Each issue always has interesting articles, facts, trivia, letters, and opinions. Some of my favorite articles have included remembrances of the legendary bandleaders, their sidemen, and singers. For example, among the variety of big band vocalists you’ll run across are Martha Tilton, Lynn,Roberts, Buddy Hughes, Walt Andrus, Bea Wain, Gail Reese, Lynn Allison, Fran Warren, and Jack Leonard, to name a few. Do you recognize their names and know of the bands they sang with? Besides Mr. Knack, over the years many knowledgeable people have written for The Great Escape! A sampling would include Perry Huntoon, George Spink, Phil Holdman, Joe Carlton, Chuck Sengstock, Warren Ketter, Larry Maloney, Dick Parker, Ray Krysl, John Macek, Dennis DiBlasio, Bill Spilka, Dick Parker, Karl Kountz, Joe Spery, and Phil McCurnin. All this good started with “The Browsers,” a radio program dedicated to the big bands.