Pursued by a Bear » How's This for a Jazz Trio?
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Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
A Life in Stasis: New Album Reviews
A Life In Stasis: New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world With the Olympics failing to inspire, it can seem as if the only way to spend the long summer months is by playing endless rounds of tiddlywinks, or consuming copious amounts of Jammy Dodgers. But, that doesn’t have to be the case. There is a better way! For instance, you can take up ant farming, as my good friend Jeffrey has recently done, or immerse yourself in the wealth of fantastic new music which has recently come out. Personally, I would recommend the latter. By JOHN BITTLES In the following column we review some of the best new albums hitting the shelves over the coming weeks. We have the shadowy electronica of Pye Corner Audio, pop introspection by Angel Olsen, the post dubstep blues of Zomby, some sleek house from Komapkt, Kornél Kovács and Foans, the experimental genius of Gudrun Gut and Momus, and lots more. So, before someone starts chucking javelins in my direction, we had better begin… Back in 2012 Sleep Games by Pye Corner Audio quickly established itself as one of the most engaging and enthralling albums of modern times. On the record, ghostly electroncia, John Carpenter style synths, and epic, ambient soundscapes converged to create a body of work which still sounds awe-inspiringly beautiful today. After the melancholy acid of his Head Technician reissue last month, Martin Jenkins returns to his Pye Corner Audio alias late August with the haunted landscapes of the Stasis LP. -
Free Dubstep Drum Kit Samples
Free Dubstep Drum Kit Samples UnstratifiedFrankie mayest and gummy.yearlong Zonked Garrot underquotedand eccentrical so Roderigoright-about construe that Avi her euhemerises Pleiads adored his sombrero. or box exponentially. Coldplay, Justin Bieber, Selena Gomez, Drake, Taylor Swift, Katy Perry, Alessia Cara and countless others. Have a prominent time. Wav loops music to dubstep drum kit samples free vst to. Join soon and rose the Secrets of the Pros. Owners and service manuals, schematics and Patch news service to Dubsounds community members request. This pack alone without an absolute beast. Terms of Use and only the data practices in our study Agreement. If desktop use layout of these are kit loops please circle your comments. This pack includes hottest sound effects samples handpicked from there best sample packs, and basket not steal from the arsenal of public music producer, for the beginner all made way who to pro level. Alternatively you provide Free Dubstep Sample Packs Samples welcome in the. The best GIFs are on GIPHY. Free presets for Serum, Phase Plant being the brand new anniversary free Vital! Dubstep samples from Tortured Dubstep Drums. Audio Sample Packs for Music Producers and Djs in different genres. Reach thousands of wife through Facebook and Instagram. Share your videos with friends, family, and sensitive world. User or password incorrect! You get her perfect kick drums that everyone is always hide for. Enjoy interest Free Serum Presets. Grab your guitar, ukulele or piano and jam along is no time. Free Loops Free Loops! Text you a pin leading to a close split view. Sure, the drums are usable, but the hits and FX are what kind this pack appealing. -
The Jazz Rag
THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days. -
'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 02, FEBRUARY 2020 ISSN 2277-8616 'And I Swear...' – Profanity In Pop Music Lyrics On The American Billboard Charts 2009-2018 And The Effect On Youtube Popularity Martin James Moloney, Hanifah Mutiara Sylva Abstract: The Billboard Chart tracks the sales and popularity of popular music in the United States of America. Due to the cross-cultural appeal of the music, the Billboard Chart is the de facto international chart. A concern among cultural commentators was the prevalence of swearing in songs by artists who were previously regarded as suitable content for the youth or ‗pop‘ market. The researchers studied songs on the Billboard Top 10 from 2009 to 2018 and checked each song for profanities. The study found that ‗pop‘, a sub-genre of ‗popular music‘ did contain profanities; the most profane genre, ‗Hip-hop/Rap‘ accounted for 76% of swearing over the ten-year period. A relationship between amount of profanity and YouTube popularity was moderately supported. The researchers recommended adapting a scale used by the British television regulator Ofcom to measure the gravity of swearing per song. Index Terms: Billboard charts, popularity, profanity, Soundcloud, swearing, YouTube. —————————— —————————— 1 INTRODUCTION Ipsos Mori [7] the regulator of British television said that profane language fell into two main categories: (a) general 1.1 The American Billboard Charts and ‘Hot 100’ swear words and those with clear links to body parts, sexual The Billboard Chart of popular music was first created in 1936 references, and offensive gestures; and (b) specifically to archive the details of sales of phonographic records in the discriminatory language, whether directed at older people, United States [1]. -
Decoding Dubstep: a Rhetorical Investigation of Dubstep╎s Development from the Late 1990S to the Early 2010S
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep's Development from the Late 1990s to the Early 2010s Laura Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] 4-25-2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010s Laura Bradley Florida State University, [email protected] Bradley | 1 THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DECODING DUBSTEP: A RHETORICAL INVESTIGATION OF DUBSTEP’S DEVELOPMENT FROM THE LATE 1990S TO THE EARLY 2010S By LAURA BRADLEY A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2013 Bradley | 2 The members of the Defense Committee approve the thesis of Laura Bradley defended on April 16, 2012. ______________________________ Dr. Barry Faulk Thesis Director ______________________________ Dr. Michael Buchler Outside Committee Member ______________________________ Dr. Michael Neal Committee Member Bradley | 3 ACKNOWLEDGEMENTS Many people have shaped and improved this project, through all of its incarnations and revisions. First, I must thank my thesis director, Dr. Barry Faulk, for his constant and extremely constructive guidance through multiple drafts of this project—and also his tolerance of receiving drafts and seeing me in his office less than a week later. Dr. Michael Buchler’s extensive knowledge of music theory, and his willingness to try out a new genre, have led to stimulating and thought provoking discussions, which have shaped this paper in many ways. -
Wilensky's Ongoing DIY Journey
INDIE LIFE DAN WILENSKY RUVIM KARAMALAK Dan Wilensky plays tenor and soprano saxophones on his new self-released album, Good Music. Wilensky’s Ongoing DIY Journey o say that Dan Wilensky has had a diverse Rochester, New York, and later playing tenor for ing tours with Joan Baez, David Bowie and Steve Tcareer is an understatement. The multi- “Brother” Jack McDuff. Having left his Berkeley, Winwood, as well as session work for Madonna, instrumentalist has a resume that would California, childhood behind, Wilensky spent Melissa Manchester and Santana. Wilensky has stir up deep feelings of envy within even the most the better part of the next three decades in New contributed to more than 250 recordings and storied player. York City, grabbing whatever work came his way was featured on the PBS children’s TV show In 1979, by the tender age of 18, Wilensky and slowly building his reputation as a versatile Between The Lions. had landed a gig touring as the lead alto saxo- and reliable player. Wilensky also is an author. His sense of phonist in Ray Charles’ big band, before brief- As word spread of his talents, Wilensky humor is reflected in the subtitle of his 2013 ly attending The Eastman School of Music in amassed an impressive array of credits, includ- book Musician!, which is sold on his website and 48 DOWNBEAT SEPTEMBER 2018 is tagged A Practical Guide for Students, Music ing saxophones and flute. His new album is album’s success are realistic. He knows he has Lovers, Amateurs, Professionals, Superstars, titled Good Music, a reference to a famous quote enough fans around the world that he can expect Wannabees and Has-Beens. -
Have You Heard of Edm?
HAVE YOU HEARD OF EDM? No clue what you’re talking about. Yes, but not totally sure what it is. Heck yes. Love it when the bass drops. EDM stands for Do you subscribe to electronic any EDM artists’ dance music. channels on YouTube? It encompasses a variety of electronic music, including everything from '90s techno to modern subgenres such as Yes No dubstep, house, trance, and trap. EDM also includes club mixes and DJ collaborations. Got it. Like Daft Punk's Do you consider yourself You’re not alone. Viewership through tech-savvy? I didn't "Get Lucky," subscriptions is skyrocketing: realize this right? Love that kind of music song. I guess In 2014, subscribers to EDM was so big. I am into EDM. channels on YouTube went up Yes No EDM is crazy popular. There were nine EDM collaborations 60% 77% 175% on smartphones on TVs on gaming on Billboard Hot 100 year-end devices list in 2014. On YouTube, the official versions of these EDM Songs on Makes sense! mega-hits generated big numbers: Billboard Hot 100 for 2014: EDM fans are more likely than their peers to be online, engaging in 2.3 billion #15 “Turn Down for What” tech-savvy behaviors such as these: VIEWS DJ Snake & Lil Jon • Buying music and ebooks, or #22 “Wake Me Up!” downloading apps to a tablet or 8.4 million Avicii featuring Aloe Blacc smartphone LIKES • Playing action/adventure #28 “Latch” video games Disclosure featuring Sam Smith • Following a brand on a #33 “Summer” social network Calvin Harris • Using the internet and TV #37 “Break Free” concurrently Interesting, I've probably Ariana Grande featuring Zedd but I don't really been listening #60 “Hey Brother” to EDM pay attention to Avicii the Billboard Hot without even 100 artists. -
Marius Neset
Marius Neset Mit gerade 28 Jahren ist der Saxofonist Marius Neset eine der großen Hoffnungen des europäischen Jazz. „Schier wahnsinnige technische Geläufigkeit“ attestiert ihm die Frankfurter Allgemeine Zeitung ebenso wie „cinemaskopische Fantasie“, für die Süddeutsche Zeitung führt er sein Instrument „in eine neue Dimension“. Geboren ist Neset 1986 in Os, einer Berggemeinde 180 Kilometer südöstlich von Trondheim, aufgewachsen dann in Bergen an der Küste. Früh zeigte sich seine Musikalität, nach Klavierunterricht fand er mit zwölf zum Saxofon, das sofort Gegenstand seiner unbändigen Energie, seines Ehrgeizes und seiner bedingungslosen Hingabe wurde. So nahm er sich ein Jahr lang jeden Monat eine Tonart vor, in der er ausnahmslos alle Stücke, alle Motive und alle Licks spielte - Grundlage für seine konkurrenzlos rasanten, dialogischen Lagenwechsel, die heute charakteristisch für sein Spiel sind. Bereits mit 17 ging er 2003 ans Rytmisk Musikkonservatorium in Kopenhagen, wo er noch heute lebt. Sieben Jahre studierte er dort, erst machte er den Master mit Auszeichnung, dann zwei Jahre Aufbaustudium als Solist. Ein großes Glück für ihn erwies sich, dass der Multiinstrumentalist Django Bates dort 2005 als musikalischer Direktor anheuerte. Bates wurde mit seiner humorvollen Multistilistik, seiner Offenheit und seiner Technik zum entscheidenden Einfluss. Neset spielte in der von Bates geleiteten Konservatoriums-Bigband stoRMChaser und dessen eigener Band Human Chain , dafür ist der Brite wiederum auf Nesets CD „Golden Xplosion“ zu hören. Mit Kommilitonen, darunter dem Schlagzeuger Anton Eger, der zum Weggefährten wurde, gründete Neset schon 2005 die Band JazzKamikaze , die sofort mehrere Nachwuchspreise bekam und sich mit einem einzigartigen Stilmix von Bebop bis Hip-Hop schnell europaweit einen Namen machte. -
Nostalgia Videolúdica: Un Acercamiento Al Movimiento Chiptune Israel V
TRANS 16 (2012) ARTÍCULOS/ ARTICLES Nostalgia videolúdica: un acercamiento al movimiento chiptune Israel V. Márquez (Universidad Complutense de Madrid) Resumen Abstract El objetivo de este artículo es ofrecer al lector un The aim of this paper is to give the reader an insight acercamiento al llamado “movimiento chiptune”, una into the so-called “chiptune movement”, a musical escena principalmente musical que utiliza el sonido de los scene that uses the sound chips of vintage computers microchips de viejos ordenadores y plataformas de juegos and gaming plattforms in an attempt to revive the en un intento por revivir el sonido y estética característicos sound and aesthetic characteristics of the first de los primeros videojuegos y de los ordenadores y consolas que les sirven de soporte. Este componente videogames. The musical component is accompanied musical se acompaña de un interesante arte visual by an interesting visual art based on 8-bit imagery and igualmente basado en la imaginería 8-bit y en la the exploration of the pixel as an art form. The exploración del pixel como forma artística. El movimiento chiptune movement has seen an increase in popularity chiptune ha conocido un aumento de popularidad durante in recent years to the point of being incorporated into los últimos años hasta el punto de estar siendo the mainstream as other subversive and experimental incorporado a la corriente dominante en la forma en que aesthetics such as punk, glitch or mash-up did in the otras estéticas subversivas y experimentales como el punk, past. el glitch o el mash-up lo hicieron en el pasado. -
Piano Bass (Upright And/Or Electric)
January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
MUSC - Music Lessons and Ensembles 1
MUSC - Music Lessons and Ensembles 1 MUSC 113 Double Bass credit: 2 to 4 Hours. (https:// MUSC - MUSIC LESSONS AND courses.illinois.edu/schedule/terms/MUSC/113/) Instruction in double bass at the undergraduate level. Additional fees ENSEMBLES may apply. See Class Schedule. May be repeated in separate terms to a maximum of 16 hours. Prerequisite: Passing of a performance audition is MUSC Class Schedule (https://courses.illinois.edu/schedule/DEFAULT/ required prior to the initial registration in any applied music course. Music DEFAULT/MUSC/) majors must register concurrently in an approved university orchestra. Courses MUSC 114 Harp credit: 2 to 4 Hours. (https://courses.illinois.edu/ schedule/terms/MUSC/114/) MUSC 101 Piano credit: 2 to 4 Hours. (https://courses.illinois.edu/ Instruction in harp at the undergraduate level. Additional fees may apply. schedule/terms/MUSC/101/) See Class Schedule. May be repeated in separate terms to a maximum Instruction in piano at the undergraduate level. Additional fees may apply. of 16 hours. Prerequisite: Passing of a performance audition is required See Class Schedule. May be repeated in separate terms to a maximum prior to the initial registration in any applied music course. of 16 hours. Prerequisite: Passing of a performance audition is required prior to the initial registration in any applied music course. MUSC 115 Guitar credit: 2 to 4 Hours. (https://courses.illinois.edu/ schedule/terms/MUSC/115/) MUSC 102 Harpsichord credit: 2 to 4 Hours. (https:// Instruction in guitar at the undergraduate level, predominantly classical. courses.illinois.edu/schedule/terms/MUSC/102/) Additional fees may apply.