Siegfried Sassoon
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U DX45 Letters to Frank Noble Wood 1913-1945
Hull History Centre: Letters to Frank Noble Wood U DX45 Letters to Frank Noble Wood 1913-1945 Biographical Background: Frank Noble Wood was a poet and member of the Hull Literary Club for fifty years, acting as President between 1918 and 1931. He published two books of verse: Songs and Strife: A Selection of poems written during the Great War (1917) and Lines written on a visit to Wilberforce House, Hull and other verses (1912). He died on 11 November 1962, aged 84. Edmund Charles Blunden, born on 1 November 1896, was an English poet, author and critic. Blunden was educated at Queen's College, Oxford and entered the army as a second lieutenant of the Royal Sussex Regiment in August 1915. He saw action in Ypres and the Somme and was awarded the Military Cross. Blunden wrote about his experiences during the First World War in both his poetry and his prose. In 1919, he left the army and began studying at Oxford until he left in 1920 to pursue a literary career. His first book of poems was published in 1920 to be followed by many other books. In 1920 he also helped edit the poems of John Clare, mostly from Clare's manuscripts. Blunden was a prolific writer and he published numerous works between 1914 and 1967. Initially unable to support himself as a full-time writer, in 1924 he accepted the post of Professor of English at the University of Tokyo. In 1931, he became a Fellow of Merton College, Oxford and in 1944 became assistant editor of The Times Literary Supplement. -
The Art Collection of Peter Watson (1908–1956)
099-105dnh 10 Clark Watson collection_baj gs 28/09/2015 15:10 Page 101 The BRITISH ART Journal Volume XVI, No. 2 The art collection of Peter Watson (1908–1956) Adrian Clark 9 The co-author of a ously been assembled. Generally speaking, he only collected new the work of non-British artists until the War, when circum- biography of Peter stances forced him to live in London for a prolonged period and Watson identifies the he became familiar with the contemporary British art world. works of art in his collection: Adrian The Russian émigré artist Pavel Tchelitchev was one of the Clark and Jeremy first artists whose works Watson began to collect, buying a Dronfield, Peter picture by him at an exhibition in London as early as July Watson, Queer Saint. 193210 (when Watson was twenty-three).11 Then in February The cultured life of and March 1933 Watson bought pictures by him from Tooth’s Peter Watson who 12 shook 20th-century in London. Having lived in Paris for considerable periods in art and shocked high the second half of the 1930s and got to know the contempo- society, John Blake rary French art scene, Watson left Paris for London at the start Publishing Ltd, of the War and subsequently dispatched to America for safe- pp415, £25 13 ISBN 978-1784186005 keeping Picasso’s La Femme Lisant of 1934. The picture came under the control of his boyfriend Denham Fouts.14 eter Watson According to Isherwood’s thinly veiled fictional account,15 (1908–1956) Fouts sold the picture to someone he met at a party for was of consid- P $9,500.16 Watson took with him few, if any, pictures from Paris erable cultural to London and he left a Romanian friend, Sherban Sidery, to significance in the look after his empty flat at 44 rue du Bac in the VIIe mid-20th-century art arrondissement. -
Cecil Beaton: VALOUR in the FACE of BEAUTY
Cecil Beaton: VALOUR IN THE FACE OF BEAUTY FROM BRIGHT YOUNG THING AND DOCUMENTER OF LONDON‘S LOST GENERATION OF THE 20S TO A DOCUMENTER OF A NEW GENERATION WHO WOULD LOSE THEIR LIVES IN THE SECOND WORLD WAR, THIS IS JUST ONE SLICE OF Cecil Beaton‘s REMARKABLE LIFE THROUGH PHOTOGRAPHY. ©THE CECIL BEATON STUDIO ARCHIVE AT SOTHEBY’S. STUDIO ARCHIVE AT ©THE CECIL BEATON TEXT Mark Simpson CECIL BEATON SELF-PORTRAIT, CAMBRIDGE FOOTLIGHTS, 1925 Another Another 254 Man Summer/Autumn 2020 Man 255 CECIL BEATON In a world saturated with social me-dear surveillance and Beaton: No, no one could help me. It was up to me to find suffused with surplus selfies, being ‘interesting’ becomes ever- the sort of world that I wanted. more compulsory – just as it becomes ever-more elusive. Not Face to Face, 1962 just for artists in this brave new connected, visual, attention- seeking world, but for civilians too. Cecil Walter Hardy Beaton was born in 1904 into a Little wonder that Cecil Beaton, a man who essentially prosperous Edwardian middle-class family in Hampstead, a invented himself and his astonishing career with a portable leafy suburb of London. He was the product of true theatrical camera loaded with his ambition and longing, one of the romance: his mother Esther was a Cumbrian blacksmith’s brightest of his bright young generation of the 1920s, has daughter who was visiting London when she fell in love with become more famous, not less. As we plough relentlessly into his father Ernest, a timber merchant, after seeing him onstage a 21st century that he anticipated in many ways, long before in the lead role in an amateur dramatic production. -
Edmund Blunden
Edmund Blunden: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Blunden, Edmund, 1896-1974 Title: Edmund Blunden Papers Dates: 1909-1970, undated Extent: 95 boxes (39.90 linear feet), 10 galley folders (gf), 7 oversize folders (osf) Abstract: World War I British poet and English professor Edmund Blunden’s papers consist almost entirely of materials acquired from him during his lifetime. Nearly all of Blunden’s poetry, fiction, and nonfiction is represented in the Works series. Among the most extensive correspondences are those of fellow poet Siegfried Sassoon, publisher Rupert Hart-Davis, second wife Sylva Norman, and literary agent A. D. Peters. Four indexes (for Works, Letters, Recipients, and Miscellaneous) follow the Container List and provide more detailed access to the contents of these papers. Call Number: Manuscript Collection MS-0426 Language: The bulk of the collection is in English , with some materials in Chinese, French, German, Japanese, Spanish, and Welsh. Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. -
Wallace Nethery Papers
http://oac.cdlib.org/findaid/ark:/13030/kt9v19s0q2 No online items Finding Aid for the Wallace Nethery Papers 1931-2000 Processed by Jamie Henricks. William Andrews Clark Memorial Library University of California, Los Angeles 2520 Cimarron Street Los Angeles, CA 90018 Phone: (323) 731-8529 Fax: (323) 731-8617 Email: [email protected] URL: http://www.humnet.ucla.edu/humnet/clarklib/ ©2009 The Regents of the University of California. All rights reserved. Finding Aid for the Wallace MS.2007.017 1 Nethery Papers 1931-2000 Descriptive Summary Title: Wallace Nethery Papers, Date (inclusive): 1931-2000 Collection number: MS.2007.017 Creator: Nethery, Wallace 1910-1996 Extent: 4 boxes (1.5 linear feet) Repository: University of California, Los Angeles. Library. William Andrews Clark Memorial Library Los Angeles, California 90095-1490 Abstract: This collection contains material created and collected by Wallace and Corry Nethery. Correspondence, drafts, research notes, and ephemera are included for a number of Nethery's books. Materials related to Nethery's work as a librarian at the University of Southern California are included as well. Photocopies of letters to, from, and about Elisabeth Jungmann are numerous. The subject matter for most of the books and papers relate to Max Beerbohm, Charles and Mary Lamb, Elisabeth Jungmann, and miniature books. Materials are in English, German, and Dutch. Physical location: This collection is stored at the Southern Regional Library Facility. Please contact Clark Library staff at least 2 weeks in advance if you would like to view the materials in this collection. Language of Material: Collection materials in English Access Collection is open for research. -
EARLY HISTORY, ANNUALS, PERIODICALS Early History, Annuals, Periodicals
EARLY HISTORY, ANNUALS, PERIODICALS Early History, Annuals, Periodicals 166. ALCOCK, C W (Compiler) 171. [ANON] The Cricket Calendar for 1888, a The Cricket Calendar for 1909 pocket diary . The Cricket Press. Original limp cloth, very The Office of “Cricket”, 1888. Original limp good. Wynyard’s copy with annotations cloth, very good. Interesting, hand-written throughout. Includes his hand-written itiner- notes by the original owner. £90 ary for the 1909/10 MCC Tour to SA. Also reports on the 1909 MCC Team to Egypt, of 167. ALCOCK, C W (Compiler) which Wynyard was a member, introduction The Cricket Calendar for 1889, a to the 1909 Australians, death of the Earl of pocket diary . Sheffield etc. (illustrated below) £80 The Office of “Cricket”, 1888. Original limp cloth, very good. Interesting, hand-written notes by the original owner. £90 168. PENTELOW, J N (Compiler) The Cricket Calendar for 1899, being a pocket diary, containing all the chief county and club fixtures of the season, arranged in chronological order etc. The Cricket Press. Original limp cloth, very good. E G Wynyard’s copy with his hand- written notes throughout and his detailed match scores and performances written in. Includes club matches, MCC, Hampshire and other first-class games. Portrait of NF Druce. 175. TROWSDALE, T B This was the only year that Pentelow edited 172. LEWIS, W J the Calendar which ran from 1869 to 1914. The Language of Cricket; with The Cricketer’s Autograph Birthday £80 illustrative extracts from the Book W Scott, 1906. 342pp, illus, contains 130 literature of the game 169. -
MAX BEERBOHM AS a LITERARY CRITIC by BEVERLY JOAN
MAX BEERBOHM AS A LITERARY CRITIC by BEVERLY JOAN NORBY B.A., University of British Columbia, 1949 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1967 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by h.i>s representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ENGLISH The University of British Columbia Vancouver 8, Canada Date October, 1967 ABSTRACT The purpose of this thesis has been to define Max Beerbohm's critical literary principles, to evaluate his con• tribution to aesthetic criticism and thereby to determine his place in the critical tradition. The methods of investi• gation have been: to study the formative influences on the development of his critical principles and to evaluate the results of their application in Max's essays and dramatic criticisms. From this study it is evident that as a man and as an artist Max was "formed" during the Eighteen-nineties. By nature he was an intellectual dandy who always preferred strong, narrow creative personalities like himself. He was detached, fastidious, witty, and humane, and he was noted for his wisdom and sound common sense, even as a very young man. -
Sassoon, Siegfried (1886-1967) by Tina Gianoulis
Sassoon, Siegfried (1886-1967) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com Siegfried Sassoon in 1916. The grueling, seemingly endless years of World War I brought a quick education in devastation and futility to hundreds of thousands of young British men, including those who grew up in privilege. One of these was the gay "war poet," Siegfried Sassoon. Brought up in the leisured life of a country gentleman, Sassoon enlisted in the military just as the war was beginning. His poetry reflects the evolution of his attitudes towards war, beginning with a vision of combat as an exploit reflecting glory and nobility, and ending with muddy, bloody realism and bitter recrimination towards those who profited from the destruction of young soldiers. Sassoon came of age during a sort of golden period of Western homosexual intelligentsia, and his friends and lovers were some of the best-known writers, artists, and thinkers of the period. Born on September 8, 1886 in Weirleigh, England, in the county of Kent, Siegfried Louvain (some give his middle name as Loraine, or Lorraine) Sassoon was the son of a Sephardic Jewish father and a Catholic mother. His parents divorced when young Siegfried was five, and his father died of tuberculosis within a few years. While still a teenager, Sassoon experienced his first crush on another boy, a fellow student at his grammar school. He studied both law and history at Clare College, Cambridge, but did not receive a degree. He did, however, meet other gay students at Cambridge, and would later count among his friends such writers associated with Cambridge as his older contemporary E. -
The Dead and Their Bodies in World War I Poetry
The Hilltop Review Volume 9 Issue 2 Spring Article 4 June 2017 Glorious and Execrable: The Dead and Their Bodies in World War I Poetry Rebecca E. Straple Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Part of the Literature in English, British Isles Commons, and the Modern Literature Commons Preferred Citation Style (e.g. APA, MLA, Chicago, etc.) Chicago This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 14 Rebecca Straple Glorious and Execrable: The Dead and Their Bodies in World War I Poetry “Unburiable bodies sit outside the dug-outs all day, all night, the most execrable sights on earth: In poetry, we call them the most glorious.” – Wilfred Owen, February 4, 1917 Rebecca Straple Winner of the first place paper Ph.D. in English Literature Department of English Western Michigan University [email protected] ANY critics of poetry written during World War I see a clear divide between poetry of the early and late years of the war, usually located after the Battle of the Somme in 1916. Af- ter this event, poetic trends seem to move away from odes Mto courageous sacrifice and protection of the homeland, toward bitter or grief-stricken verses on the horror and pointless suffering of the conflict. This is especially true of poetry written by soldier poets, many of whom were young, English men with a strong grounding in Classical literature and languages from their training in the British public schooling system. -
Selected Letters of Siegfried Sassoon and Edmund Blunden, 1919-1967
THE PICKERING MASTERS SELECTED LETTERS OF SIEGFRIED SASSOON AND EDMUND BLUNDEN, 1919–1967 Contents of the Edition Volume 1 Letters 1919–1931 Volume 2 Letters 1932–1947 Volume 3 Letters 1951–1967 SELECTED LETTERS OF SIEGFRIED SASSOON AND EDMUND BLUNDEN, 1919–1967 Edited by Carol Z. Rothkopf Volume 2 Letters 1932–1947 First published 2012 by Pickering & Chatto (Publishers) Limited Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 52 Vanderbilt Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business © Taylor & Francis 2012 © Editorial material Carol Z. Rothkopf 2012 Th e letters of Siegfried Sassoon, his poem ‘Blunden’s Beech’, as well as short extracts from of his other works are copyright © by Siegfried Sassoon and published by the kind permission of Th e Estate of George Sassoon. Th e letters of Edmund Blunden and extracts from some of his other works are copyright © and published by the kind permission of Th e Estate of Edmund Blunden. To the best of the Publisher’s knowledge every eff ort has been made to contact relevant copyright holders and to clear any relevant copyright issues. Any omissions that come to their attention will be remedied in future editions. All rights reserved, including those of translation into foreign languages. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
ENG 5006-001: Studies in 20Th Century British Lit John Moore Eastern Illinois University
Eastern Illinois University The Keep Fall 2015 2015 Fall 8-15-2015 ENG 5006-001: Studies in 20th Century British Lit John Moore Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_fall2015 Part of the English Language and Literature Commons Recommended Citation Moore, John, "ENG 5006-001: Studies in 20th Century British Lit" (2015). Fall 2015. 89. http://thekeep.eiu.edu/english_syllabi_fall2015/89 This Article is brought to you for free and open access by the 2015 at The Keep. It has been accepted for inclusion in Fall 2015 by an authorized administrator of The Keep. For more information, please contact [email protected]. English 5006-001 Studies in Twentieth-Century British Literature: Literature of the Great War. 1914-1918 and Beyond Coleman Hall 3159 Thursday 3:30-6:00 Professor: John David Moore ([email protected]) Office: Coleman Hall 3771 Office Hours: TTR 9:30-11:00; 12:30-2:00 & by appointment A century ago, what was known as the Great War was about to enter its second year, its devastation already encompassing most of Europe, the Balkans, the Middle East, Africa, and parts of the Asian Pacific. Paul Fussell, in his The Great War and Modern Memory (1975), dwells extensively on the perhaps unrivaled role of literature in this “war that will end war” (H.G. Wells). The British soldier, whether the officer out of Sandhurst or Cambridge, or the common soldier from the laboring classes, brought to the trenches of France and Belgium a literary background born of the liberal belief in the powers of education both in the classics and in the canon of English literature. -
Neurasthenia, Robert Graves, and Poetic Therapy in the Great War Juliette E
Student Publications Student Scholarship Fall 2017 Neurasthenia, Robert Graves, and Poetic Therapy in the Great War Juliette E. Sebock Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Cultural History Commons, European History Commons, Literature in English, British Isles Commons, and the Military History Commons Share feedback about the accessibility of this item. Sebock, Juliette E., "Neurasthenia, Robert Graves, and Poetic Therapy in the Great War" (2017). Student Publications. 588. https://cupola.gettysburg.edu/student_scholarship/588 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Neurasthenia, Robert Graves, and Poetic Therapy in the Great War Abstract Though Robert Graves is remembered primarily for his memoir, Good-bye to All That, his First World War poetry is equally relevant. Comparably to the more famous writings of Sassoon and Owen, Graves' war poems depict the trauma of the trenches, marked by his repressed neurasthenia (colloquially, shell-shock), and foreshadow his later remarkable poetic talents. Keywords Robert Graves, poetry, great war, World War I, shell-shock Disciplines Cultural History | European History | Literature in English, British Isles | Military History Comments Written for HIST 219: The Great War. Creative Commons License Creative ThiCommons works is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This student research paper is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/ student_scholarship/588 Neurasthenia, Robert Graves, and Poetic Therapy in the Great War Juliette Sebock By 1914, hysterical disorders were easily recognisable, in both civilian and military life.