A Historiographical Problem in Athenaeus
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'Gut-Madness': Gastrimargia in Plato and Beyond
‘GUT-MADNESS’: GASTRIMARGIA IN PLATO AND BEYOND Judy Stove (University of New South Wales) The classical Greeks’ and Romans’ ethical systems focused heavily on virtues, that is to say, on good human attributes. Human vices, in fact, always received much more thorough treatment from Christian writers than pagan writers gave them. Our very notion of a vice is heavily influenced by Christian views of sin. This should not overshadow the fact that pagan writers dealt, to some extent, with habits or actions which later entered the canon of vices or sins (for example, Aristotle in the work commonly called Virtues and Vices). My topic is gastrimargia: the bad habit which, in Greek, means ‘gut-madness’, and which came to be translated as gula in Latin and gluttony in English. Overeating and its visible outcome, obesity, are receiving, in our society, a high level of attention, both official and individual. Yet, to state the obvious, overeating (like drinking too much alcohol) is not something unprecedented in earlier societies. Perhaps not so obviously, it was a feature even of societies of the distant past, in times which we might think were insufficiently wealthy to allow it. Gastrimargia represented, of course, one of those bodily desires the denial of which was critical to both pagan and Christian virtue. In fact, the very commonness of the habit may have been the reason why it seems to have assumed quite an important role in some ethical discussions. Gastrimargia features in two key dialogues of Plato. The first I want to discuss appears in the Phaedo.It is easy to forget how very ascetic Plato makes Socrates, in this dialogue. -
Alexander the Great and Hephaestion
2019-3337-AJHIS-HIS 1 Alexander the Great and Hephaestion: 2 Censorship and Bisexual Erasure in Post-Macedonian 3 Society 4 5 6 Same-sex relations were common in ancient Greece and having both male and female 7 physical relationships was a cultural norm. However, Alexander the Great is almost 8 always portrayed in modern depictions as heterosexual, and the disappearance of his 9 life-partner Hephaestion is all but complete in ancient literature. Five full primary 10 source biographies of Alexander have survived from antiquity, making it possible to 11 observe the way scholars, popular writers and filmmakers from the Victorian era 12 forward have interpreted this evidence. This research borrows an approach from 13 gender studies, using the phenomenon of bisexual erasure to contribute a new 14 understanding for missing information regarding the relationship between Alexander 15 and his life-partner Hephaestion. In Greek and Macedonian society, pederasty was the 16 norm, and boys and men did not have relations with others of the same age because 17 there was almost always a financial and power difference. Hephaestion was taller and 18 more handsome than Alexander, so it might have appeared that he held the power in 19 their relationship. The hypothesis put forward here suggests that writers have erased 20 the sexual partnership between Alexander and Hephaestion because their relationship 21 did not fit the norm of acceptable pederasty as practiced in Greek and Macedonian 22 culture or was no longer socially acceptable in the Roman contexts of the ancient 23 historians. Ancient biographers may have conducted censorship to conceal any 24 implication of femininity or submissiveness in this relationship. -
Copyrighted Material
Index Note: page numbers in italics denote tables, maps, or illustrations Abdera 74 Cleomenes 237 ; coins 159, 276 , Abu Simbel 297 277, 279 ; food production 121, 268, Abydos 286 272 ; imports 268 ; Kleoitas 109 ; Achaea/Achaeans: Aigialos 213 ; Naucratis 269–271 ; pottery 191 ; basileus 128, 129, 134 ; Sparta 285 ; trade 268, 272 colonization 100, 104, 105, 107–108, Aegium 88, 91, 108 115, 121 ; democracy 204 ; Aelian 4, 186, 188 dialect 44 ; ethnos 91 ; Aeneas 109, 129 Herodotus 91 ; heroes 73, 108 ; Aeolians 45 , 96–97, 122, 292, 307 ; Homer 52, 172, 197, 215 ; dialect group 44, 45, 46 Ionians 50 ; migration 44, 45 , 50, Aeschines 86, 91, 313, 314–315 96 ; pottery 119 ; as province 68 ; Aeschylus: Persians 287, 308 ; Seven relocation 48 ; warrior tombs 49 Against Thebes 162 ; Suppliant Achilles 128, 129, 132, 137, 172, 181, Maidens 204 216 ; shield of 24, 73, 76, 138–139 Aetolia/Aetolians 20 ; dialect 299 ; Acrae 38 , 103, 110 Erxadieis 285 ; ethnos 91, 92 ; Acraephnium 279 poleis 93 ; pottery 50 ; West Acragas 38 , 47 ; democracy 204 ; Locris 20 foundation COPYRIGHTED 104, 197 ; Phalaris 144 ; Aëtos MATERIAL 62 Theron 149, 289 ; tyranny 150 Africanus, Sextus Julius 31 Adrastus 162 Agamemnon: Aeolians 97 ; anax 129 ; Aegimius 50, 51 Argos 182 ; armor 173 ; Aegina 3 ; Argos 3, 5 ; Athens 183, basileus 128, 129 ; scepter 133 ; 286, 287 ; captured 155 ; Schliemann 41 ; Thersites 206 A History of the Archaic Greek World: ca. 1200–479 BCE, Second Edition. Jonathan M. Hall. © 2014 John Wiley & Sons, Inc. Published 2014 by John Wiley & Sons, -
Beauty on Display Plato and the Concept of the Kalon
BEAUTY ON DISPLAY PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Jonathan Fine All rights reserved ABSTRACT BEAUTY ON DISPLAY: PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE A central concept for Plato is the kalon – often translated as the beautiful, fine, admirable, or noble. This dissertation shows that only by prioritizing dimensions of beauty in the concept can we understand the nature, use, and insights of the kalon in Plato. The concept of the kalon organizes aspirations to appear and be admired as beautiful for one’s virtue. We may consider beauty superficial and concern for it vain – but what if it were also indispensable to living well? By analyzing how Plato uses the concept of the kalon to contest cultural practices of shame and honour regulated by ideals of beauty, we come to see not only the tensions within the concept but also how attractions to beauty steer, but can subvert, our attempts to live well. TABLE OF CONTENTS Acknowledgements ii 1 Coordinating the Kalon: A Critical Introduction 1 1 The Kalon and the Dominant Approach 2 2 A Conceptual Problem 10 3 Overview 24 2 Beauty, Shame, and the Appearance of Virtue 29 1 Our Ancient Contemporaries 29 2 The Cultural Imagination 34 3 Spirit and the Social Dimension of the Kalon 55 4 Before the Eyes of Others 82 3 Glory, Grief, and the Problem of Achilles 100 1 A Tragic Worldview 103 2 The Heroic Ideal 110 3 Disgracing Achilles 125 4 Putting Poikilia in its Place 135 1 Some Ambivalences 135 2 The Aesthetics of Poikilia 138 3 The Taste of Democracy 148 4 Lovers of Sights and Sounds 173 5 The Possibility of Wonder 182 5 The Guise of the Beautiful 188 1 A Psychological Distinction 190 2 From Disinterested Admiration to Agency 202 3 The Opacity of Love 212 4 Looking Good? 218 Bibliography 234 i ACKNOWLEDGEMENTS “To do philosophy is to explore one’s own temperament,” Iris Murdoch suggested at the outset of “Of ‘God’ and ‘Good’”. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Xenophon and Epaminondas Westlake, H D Greek, Roman and Byzantine Studies; Spring 1975; 16, 1; Proquest Pg
Xenophon and Epaminondas Westlake, H D Greek, Roman and Byzantine Studies; Spring 1975; 16, 1; ProQuest pg. 23 Xenophon and Epaminondas H. D. Westlake HE PRESENTATION ofEpaminondas by Xenophon is very remark Table, even in a work so unmethodically and capriciously written as the Hellenica. Epaminondas is mentioned for the first time as leader of a Theban expedition to Achaea in 366 B.c. (7.1.41)1 when his achievements already included his celebrated defiance of Agesilaus at the Peace Congress of 371, his defeat of the Spartans at Leuctra, and his first two invasions of the Peloponnese, which resulted in the devastation of Laconia, the liberation of Mes senia and the foundation of Messene and Megalopolis. 2 The suppres sion of his name up to that point has rightly been attributed to the notorious antipathy of Xenophon towards the The bans, which causes him to deny to their principal leader the credit due for all these achievements.3 It is, therefore, astonishing to find that when Xenophon deals with the fourth The ban invasion of the Peloponnese culminating in the battle of Mantinea (7.5.4-27), Epaminondas dominates the narrative: the course of events is recorded almost exclusively from his point of view; his plans and motives are carefully analysed; he is credited with having shown foresight and boldness throughout the campaign; some of his actions are explicitly praised. It is tempting to interpret the presentation of Epaminondas in the last pages of the Hellenica as a palinode; to conclude that Xenophon, conscious of having done him less than justice hitherto, now wishes to 1 All references are to the Hellenica unless otherwise stated. -
Middle Comedy: Not Only Mythology and Food
Acta Ant. Hung. 56, 2016, 421–433 DOI: 10.1556/068.2016.56.4.2 VIRGINIA MASTELLARI MIDDLE COMEDY: NOT ONLY MYTHOLOGY AND FOOD View metadata, citation and similar papersTHE at core.ac.ukPOLITICAL AND CONTEMPORARY DIMENSION brought to you by CORE provided by Repository of the Academy's Library Summary: The disappearance of the political and contemporary dimension in the production after Aris- tophanes is a false belief that has been shared for a long time, together with the assumption that Middle Comedy – the transitional period between archaia and nea – was only about mythological burlesque and food. The misleading idea has surely risen because of the main source of the comic fragments: Athenaeus, The Learned Banqueters. However, the contemporary and political aspect emerges again in the 4th c. BC in the creations of a small group of dramatists, among whom Timocles, Mnesimachus and Heniochus stand out (significantly, most of them are concentrated in the time of the Macedonian expansion). Firstly Timocles, in whose fragments the personal mockery, the onomasti komodein, is still present and sharp, often against contemporary political leaders (cf. frr. 17, 19, 27 K.–A.). Then, Mnesimachus (Φίλιππος, frr. 7–10 K.–A.) and Heniochus (fr. 5 K.–A.), who show an anti- and a pro-Macedonian attitude, respec- tively. The present paper analyses the use of the political and contemporary element in Middle Comedy and the main differences between the poets named and Aristophanes, trying to sketch the evolution of the genre, the points of contact and the new tendencies. Key words: Middle Comedy, Politics, Onomasti komodein For many years, what is known as the “food fallacy”1 has been widespread among scholars of Comedy. -
Starting with Anacreon While Preparing a Compendium of Essays on Sappho and Her Ancient Reception
Starting with Anacreon while preparing a compendium of essays on Sappho and her ancient reception The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2021.02.06. "Starting with Anacreon while preparing a compendium of essays on Sappho and her ancient reception." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/starting-with-anacreon- while-preparing-a-compendium-of-essays-on-sappho-and-her- ancient-reception/ Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37367198 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. -
Euripides” Johanna Hanink
The Life of the Author in the Letters of “Euripides” Johanna Hanink N 1694, Joshua Barnes, the eccentric British scholar (and poet) of Greek who the next year would become Regius Professor at the University of Cambridge, published his I 1 long-awaited Euripidis quae extant omnia. This was an enormous edition of Euripides’ works which contained every scrap of Euripidean material—dramatic, fragmentary, and biographical —that Barnes had managed to unearth.2 In the course of pre- paring the volume, Barnes had got wind that Richard Bentley believed that the epistles attributed by many ancient manu- scripts to Euripides were spurious; he therefore wrote to Bentley asking him to elucidate the grounds of his doubt. On 22 February 1693, Bentley returned a letter to Barnes in which he firmly declared that, with regard to the ancient epistles, “tis not Euripides himself that here discourseth, but a puny sophist that acts him.” Bentley did, however, recognize that convincing others of this would be a difficult task: “as for arguments to prove [the letters] spurious, perhaps there are none that will convince any person that doth not discover it by himself.”3 1 On the printing of the book and its early distribution see D. McKitterick, A History of Cambridge University Press I Printing and the Book Trade in Cambridge, 1534–1698 (Cambridge 1992) 380–392; on Joshua Barnes see K. L. Haugen, ODNB 3 (2004) 998–1001. 2 C. Collard, Tragedy, Euripides and Euripideans (Bristol 2007) 199–204, re- hearses a number of criticisms of Barnes’ methods, especially concerning his presentation of Euripidean fragments (for which he often gave no source, and which occasionally consisted of lines from the extant plays). -
University of Groningen Hellenistic Rural Settlement and the City of Thurii, the Survey Evidence (Sibaritide, Southern Italy) A
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Groningen University of Groningen Hellenistic Rural Settlement and the City of Thurii, the survey evidence (Sibaritide, southern Italy) Attema, Peter; Oome, Neeltje Published in: Palaeohistoria DOI: 10.21827/5beab05419ccd IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2018 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Attema, P., & Oome, N. (2018). Hellenistic Rural Settlement and the City of Thurii, the survey evidence (Sibaritide, southern Italy). Palaeohistoria, 59/60, 135-166. https://doi.org/10.21827/5beab05419ccd Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 13-11-2019 PALAEOHISTORIA ACTA ET COMMUNICATIONES INSTITUTI ARCHAEOLOGICI UNIVERSITATIS GRONINGANAE 59/60 (2017/2018) University of Groningen / Groningen Institute of Archaeology & Barkhuis Groningen 2018 Editorial staff P.A.J. -
The Tyrannies in the Greek Cities of Sicily: 505-466 Bc
THE TYRANNIES IN THE GREEK CITIES OF SICILY: 505-466 BC MICHAEL JOHN GRIFFIN Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics September 2005 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2 ACKNOWLEDGEMENTS Firstly, I would like to thank the Thomas and Elizabeth Williams Scholarship Fund (Loughor Schools District) for their financial assistance over the course of my studies. Their support has been crucial to my being able to complete this degree course. As for academic support, grateful thanks must go above all to my supervisor at the School of Classics, Dr. Roger Brock, whose vast knowledge has made a massive contribution not only to this thesis, but also towards my own development as an academic. I would also like to thank all other staff, both academic and clerical, during my time in the School of Classics for their help and support. Other individuals I would like to thank are Dr. Liam Dalton, Mr. Adrian Furse and Dr. Eleanor OKell, for all their input and assistance with my thesis throughout my four years in Leeds. Thanks also go to all the other various friends and acquaintances, both in Leeds and elsewhere, in particular the many postgraduate students who have given their support on a personal level as well as academically. -
Constitutional Design in the Ancient World
LANNI & VERMEULE 64 STAN. L. REV. 907 (DO NOT DELETE) 5/23/2012 11:39 AM CONSTITUTIONAL DESIGN IN THE ANCIENT WORLD Adriaan Lanni* & Adrian Vermeule** This paper identifies two distinctive features of ancient constitutional design that have largely disappeared from the modern world: constitution-making by single individuals and constitution-making by foreigners. We consider the virtues and vices of these features, and argue that under plausible conditions single founders and outsider founders offer advantages over constitution-making by representative bodies of citizens, even in the modern world. We also discuss the implications of adding single founders and outsider founders to the constitutional toolkit by describing how constitutional legitimacy would work, and how consti- tutional interpretation would be conducted, under constitutions that display either or both of the distinctive features of ancient constitutional design. INTRODUCTION....................................................................................................... 908 I. HISTORY ........................................................................................................... 911 A. The Greek Lawgivers ................................................................................. 914 B. Distinctive Features of Ancient Constitutional Design .............................. 918 II. VIRTUES AND VICES OF ANCIENT CONSTITUTION-MAKING ............................. 919 A. Single Founders.........................................................................................