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9-26-2007

Guest Artist Recital: Richard Goode, piano

Richard Goode

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Recommended Citation Goode, Richard, "Guest Artist Recital: Richard Goode, piano" (2007). All Concert & Recital Programs. 6951. https://digitalcommons.ithaca.edu/music_programs/6951

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ITHACA COLLEGE CONCERTS 2007-8.

Richard Goode, piarto

Ford Hall Wednesday, September 26, 2007 8:15 p.m. Prdudeand Fugue in q minor, BWV 885 (Book II) (1685-1750)

Four Sinfonias

E MaJor, BWV 79 2 E minor, BWV 793 Gminor, BWV 797 E-{UltMajor,BWV 791

Prelude and Fugue i11B Major, BWV 892 (Bookll)

Sonata.inD Major (Hoboken XVI:24) Franz Joseph Haydn (1732-1809) Allegro Adagio Presto

Sonata No. 14 in Cssharp minor, Op. 27, No. 2 (1770-1827) 'Sonata quasi unafantasia'

· Adagio sostenu.to Allegreto Presto agitato

INTERMISSION Three Preludes Claude· Debussy . (1862-1918) La cathedrale engloutie (Book I) Ondine (Book II) General LaYine "".Eccentric (Book II)

Impromptu inF 0 sharp Major, Op. 36 Frederic Chopin (1810-1849)

Three Mazurkas G Major, Op. 50, No. 1 C Major, Op. 241No. 2 C-shatp minor, Op. 50, No. 3

. N<::>ctµrnein B Major, Op .. 62, No. 1 Polonaise inF"sharp.rriinor, Op. 44 Richard Goode has been hailed for music making of tremendous emotio.nal power, depth and expressiveness, and has been acknowledged worldwide as one of today's leading interpreters of Classical and Romantic music. In regular performances with the major mchestras, recitals in the world's .music capitals, and acclairned None.such recordings, he has won a large and devoted follmving. In an extensive profile in The New Yorker, Pavid Blum wrote: "What one reme.mbers most from Goode's playing is not its beauty-exceptional as it is-but his way of coming to grips withthe composer'scentral thought, so that a work tends to make sense beyond one's .previous perception of it.... The spontaneous formulating process of thecreator [becomesl tangible in the concert hall. If According to the • Times, "It is virtually impossibletowalk awayfrom one of Mr. Goode's recitals without the sense of having gained some new insight, subtly or · otherwise, irito the works he played or about pianism itself.II

In addition tohis 'engrossing' (New York Times). eight-event Carnegie Hall Perspectives in 2005-2006, Richard Goode was invited to hold master classes at the City's three leading conservatories - Juilliard, Manhattan and Mannes - and to give two illustrated talks on his Perspectives repertoire at the Metropolitan Museu.m of Art. Last year, he was honored for his contributions to music with the first ever Jean Gimbel Lane Prize in Piano Performance, whkh will culminate in a residency at Northwestern University in Evanston, IL this year and next. Goode's recent recording of the Beethoven Concerti withlvan Fischer and the Budapest Festival Orchestra was released, in early 2007, by Nonesuch, whi.ch also released his historic recordings of the cqmplete·Beethoven s.onatas .

Richard Goode played recitals in the major music capitols in Europe and the UnitedStates, including London, Brussels, Usbon, Madrid, Leipzig, Rotterdam, Warsaw, Boston, San Francisco, , and an all-Bach program at Disney Hall.in Los Angeles. His orchestral appearances in 2005- • 2006 included the Boston Symphony Orchestra under the baton of Bernard Haitink ahd the TonhaUe Zurch w.ith David Zinman and .a two,week European tour with the Budapest Fes.tival Orchestra and Ivan Fisher.

In 2005, he appeared with James Levine and the Boston Symphony at Tanglewood, opened a newfestivaLin Toronto, and retumed to the Edinburgh Festival irt his regular role as Artist-in-Residence as well as a featured soloi.st at the Proms in London. After a five-month sabbatical to explore new repertoire1 the 2006-2.007 season saw a return in recital at <;arnegie Hall, a multiple-eventresidency for San.Francisco Performances, and recitals in such cities as Philadelphia, Atlanta, Kansas City, Ottawa, and Vancouver. In Europe, he performed Mozart in Berlin with Blomstedt and the Deutsche Symphonie and recitals including London, Birmingham and major cities on The Continent .

. Anative of New York, Richard Goode studied with Elvim Szigeti and Claude ·Frank, with Nadia. Reis~nberg at the Mannes College of Music,. andwith at the Cu.rtis Institute. He has won many prizes, including the Youqg Concert Artists Award, First Prize in the Competition, the Avery Fisher Prize, and a Grammy Award. I:Iis remarkable interpretations . of Beethoven came to national attention when he played alLfive concerti With the. Baltimore Symphony under David Zin man, and when he · performed the complete cycle.of sonatas at New York's 92nd.Street Y and Kansas City's FollyTheater.

In addition to his most recent release of Mozart solo works, Richard Goode has made more than two-dozen recordings, indudihg Mozart Concerti with the Orpheus Chamber Orchestra,. the complete. Beethoven Piano Sonatas, the c.·o.m· .··.plet.e ·.Pa·rt· itas b.y Johann S·.eb. a. stia·n· Bach,·. and solo and. cha.m. b~. r w.o. rks of Brahms, Schubert, Schumann, Chopin, Busoni and George Pede. Goode is •A the first American-born pianist to have recorded the complete Beethoven Sonatas, which were nominated for a 1994 Grammy Award. With soprano Da""n Upshaw, he has recorded Goethe Lieder of Schubert, Schumann, and· Hugo Wolf for Nonesuch. The four recordings of Mozart Concerti with the Orpheus Chamber Orchestra werereceived with wide <::ritic:alacclaim, including many f1Bestofthe Year" nominations and awards, and his recording of the Brahms sonatas with clarinetist won a Grammy Award. Mr. Goode's first, long-awaited Chopin recording was also chosen "Best of the Month" by StereoReview and described.as !!absolutely magical .. , glorious playing."

Over the last few seasons, Richard Goode has appeared with many of the world's great~st orchestras., including the Boston Symphony Orchestra under Levine, Haitink, and Ozawa, the Chicago. Symphony under Eschenbach, the c:Ieveland Orchestra under Zinman, the San Francisco Symphony under Blomstedt, the New York Philharmonic with Sir Colin Davis, and the Toronto Symphony with Peter Oundjian. He has also appeared with the Orchestre de Paris under David Robertson, and toured on a number of occasions withJvan Fischerand his Budapest Festival Orchestra, as well as making his Musikverein debut with the Vienna Symphony. He has been heard throughout Germany. in sold-out concerts with The Acaderny of St. Martinin the Fields under Sir Neville Marriner. ·

·As.a· recitalist, Mt. Goode has become a favorite throughout Europe as well as the United States, including regular appearances in New York, Philadelphia, San Francisco, Boston, Los Angeles, Cleveland, Chicago, Paris, London, Amsterdam, Vienna and the leacling cities of Germany and Italy.

··Mr. Goode serves with as co-Artistic Director of the Marlboro Music School ai;id Festival in Marlboro, Vermont. He is. married to the violinist Marda Weinfeld, and, when the Goodes are not on tour, they and tht::>frcollecti~m of some 5,000 volumes live in New York City.

Program is subject to change. Richard Goodf·is managed by: • Frank Salomon As.sociates 201 \yest 54'h Street, Suite IC New York, New York 10010 -www.franksalomon.com