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^Sre^er CZSniV l£3EZ2 66 WATER STREET G3L-JI NlC-Jr"! WWW.SONAR.BC.CA DiSCORDER WEEKEND ACTION ISSUE 248 • FEBRUARY 04 • THAT DREAMY MAG FROM CITR 101.9 FM
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FEB^S SUPERSTAR DJ KEOKfcw rco. i u m|S FR|DAY THE ,j 3TH( BE QUR Ajyx^AuarriNE) Ilk, fcsi; Either loved or hated, Keoki is never ignored..« djk8oki.cem \^ib $15 m stores w/ CZECH, REV Beading Break Party FEBJB DONALD GLAUDEsa„oeB« Ita wrldVi most energetic DJ is back! Get ready for a 3hr set from "North Cox"! sres w/CZECH -SODA, PRICELESS - ttpftrj ' Features Nate Denver's Neck by Natalie Vermeer p.l 1 fflTAYLOR, The Peter Parkers by Jason Grimmer p.12 WEST COAST TRANCE PIONEER, 0FTE*I COMPARED TO 5ASHA The Front by Dave Gwilliam p.14 $10 in stores w/ JUUAN • OJ, CHET LEE, SHAKES i •wr^j Josh Martinez by Jennifer Wong p.l6 Raking Bombs by Susy Webb p. 18 Editor: Mar 5 FLAVE! feeattlej Insane scratching overtop of house & breaks All State Champion by Emily Kendy p.20 Duncan M. McHugh Ad Wrangler: Mar 12 HA'™" , Jason Bennett Mar 19 SGUMFRl Production Manager: Graeme Worthy Regulars Editorial Assistant: From the desk of... p.6 Susy Webb Fucking Bullshit p.6 RLA and Under Review Editor: Riff Raff p.7 Kimberley Day Panarticon p.8 Layout and Design: Strut, Fret and Flicker p.8 Duncan, Graeme, Susy, Kim, Chloe Lewis, Dale Davies Under Review p.21 and Shannon Bennett Real Live Action p.22 Production: On the Dial p.24 Jason, Kim Koch, Kat Siddle, Charts p.26 Hughie Tuscano and, as Datebook p.26' always, fhe Ubyssey Kickaround p.27 On the Dial: Bryce Dunn Charts: Luke Meat Datebook: Esther Whang Cover Distribution: Matt Steffich The cover was designed by the talented US Distro: Shannpn Bennett and uses a photo of The Frankie Rumbletone Front by the lovely Michelle Mayne. The above Publisher: photo, taken during an editorial meeting, was Lydia Masemola captured by Chloe Lewis.
© "DISCORDER" 2003 by the Studen Radio Society of the University of British Columbia. All I rights reserved. Circulation 17,500. Subs :riptions, payable in .advance, to Canadian residents are $ 15 for one year, to residents of the I SA are $15 US; $24 CDN elsewhere. Single copies are $2. I (to cover postage). Please make cheques <> r money orders payable to DiSCORDER Magazine. Please | make gifts papyable to Duncan McHugh. i DEADLINES: Copy deadline for the March issue is...oh, let's say February 18. Ad space is available I until February 23 and can be booked by calling Jason at 604.822.3017 ext. 3. Our rates are available upon t request. DiSCORDER is not responsible for loss, damage, or any other Injury to unsolicited manuscripts, ( unsolicited artwork (including but not limited to drawings, photographs, and transparencies), or any other t unsolicited material. Material can be submitted on disc or In type. As always, English is preferred, but we f will accept French. Actually, we won't. Send email to DiSCORDER at discorder®club.ams.ubc.ca. I From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well i as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the I CiTR DJ line at 822.2487, our office at 822.3017. or our news and sports lines at 822.3017 f ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at www.citr.ca or Just m and write #233-6138 SUB Blvd., Vancouver. BC, V6T 1Z1, CANADA. P m
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Editing a magazine is sort of like being in a doomed to feature two hip hop interviews, with Josh Martinez love affair. At the beginning, everything is dreamy and SHiNDiG winners The Front. We also managed and exciting and new. You can spend hours with to cover two local bands: Raking Bombs and All your new lover, not even thinking of the time, simply State Champion. And then there's Moncton's basking in a reflected amorous glow. But love is Peter Parkers (interviewed by The Nasty On's Jason fleeting, and eventually, being doomed, you're left Grimmer) and some dude from San Francisco feeling distant, alone, awkward and frustrated, a bit named Nate Denver. Yee haw. ter shell of your former self, defenseless and starving, In other news, DiSCORDER's amazing new and cold and disoriented. At least this is what edit website is up and mostly running. It was designed ing DiSCORDER was like. by outgoing editor Merek and art director Lori If you apply the relationship metaphor fully, Kiessling, and took a very, very long time to com DiSCORDER has been a fucking slut. I'm the fifth edi plete, so you best be paying your respect. Go to tor of DiSCORDER since September 2001. In that time, http://discorder.citr.ca and revel in the beauty of DiSCORDER's had Lindsay Sung, Barbara Andersen, its exquisite web design. There are even message Chris Eng, Merek Cooper and myself as editor. boards, where you can leave all sorts of messages, That's a lot of frantic blood tests, my friend. Fret not or something. Anyways, it's all very exciting. though, because as of next month DiSCORDER will Also, we're looking for some help from read have a caring, passionate editor, by the name of ers. For the next issue, we're going to be doing an Kat Siddle. Kat has a show on CiTR ( "Dim Sum"), interview with Nardwuar the Human Serviette to she's short and jet-lagged—but (but!) ready to be commemorate the release of Ripple Rock, the new the sort of editor that DiSCORDER has been waiting album from his band The Evaporators. In the spirit of for. Lord knows the magazine needs it. Nardwuar-style interviewing, we're calling on read As of this issue, our staff is made up of an ad ers to provide us with obscure facts and questions guy who's worked on two issues, a brand new pro with which to confront Monsieur Nard. Submissions duction manager (still figuring out the intricacies of should be emailed to [email protected] InDesign and the voodoo of DiSCORDER's comput Finally, please keep in mind that DiSCORDER ers), a one-off interim editor and a hodge-podge of is always looking for volunteers. We need writers, various art directors. I guess what I'm trying to say is, reviewers, photographers, designers, cartoon please be patient with DiSCORDER. The magazine ists, proofreaders, sushi chefs, human flies (that's. has been on the rebound (seriously), but things are Graeme's joke, I don't get it) and fancy dancers. going to get stable: new editor, new production If this sounds like your bag, drop us an email at that manager, new ad guy, new art director; things are address up there. looking up from here. Uh, yeah. Okay, that's it for me. I hope you enjoyed my Speaking of this issue, I think we've done okay, one issue at the helm. It's not the greatest issue ever, given the chaos. DiSCORDER is, sometimes criticized but none of us really knew what we were doing. And for its lack of diversity, but in this issue we managed the mescaline didn't really help ** ^>fjf
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Hello! I'm back, fresh from my winter holiday! I'm allowed to take a holiday, aren't I? Apparently DiSCORDER lost hundreds of dollars in advertising Ht ffi niri ose fe> k>* Ke and hundreds of readers because of my absence last month. Sorry. Like I said, I was on holiday. 6M-S to
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July Fourth Toilet sure is the very thing that was in a wall toppled, the floor opened Friday 28 November short supply in the writing and up and everything folded in on Pots Pub delivery of this play: levity. itself. In memorium—Vancouver's heart to plan [NWR], to crash after one, some Inspector missed his or her Subtitled Kafka: A But I expected more.from of weirdness, late-night gathering to see and hear and absorb and chill-pill or anal latte that morning. There was a slanted wind blowing Passionate Life, K. was written this. I wanted to be left tingling & final occult holdout. The Sugar soak—to soak the inside things Yet its closure—whether forever or through Pat's, with all three of the by Martin Tullnius, artistic direc in space by the effortless slope Refinery. Every obituary is per after soaking all that rain. To soak pending relocation—will mark an night's acts working that nice, tor of Denmark's Kaleidoskop of characters and situations into sonal, and so here I write my own what we thought culture should era in the Vancouver renaissance quivery territory between "they Theatre, and had its premiere bizarre extremes. I think the term experiences of the Refinery, for be in this Northern eddy. known as "The Nineties." can't be serious" and "oh, but in Copenhagen in 1999. Tulinius for that is Kaflcaesque. its formation of a particular time 1999—Too many public lines, The Refinery might move, they are." himself came to Vancouver to & space out here on the West I guess; the all-nighter DJ spin- but the location holds the magic. Arriving in time to catch a chunk direct local actors in a co-pro Coast of the world. • tV THE PLUGHOLE outs end, the furniture becomes Alley-entrance. Up the narrow of opening band Rock'n, I rec duction with Rumble Productions a little more sane, tables begin stairs. Gazing out at the sky and ognized art scene chameleon and Theatre at UBC. so one can Guy Maddin alert!! If you missed LONG LIVE THE SUGAR REFINERY appearing, the couches make stars at 4am on a sudden dawn. David Young. As the neck of assume that this mounting repre Cowards Bend the Knee when 1995—Drifting & stoned their way into a front-room, his guitar ejaculated a stream sented his original vision. The '90s—a sudden burst it played at last year's VIFF, through the greyscape of down Steven seems to be around less of fireworks. I wondered: "Was that will catalyse the energy of The play focuses on the final you should be at the Pacific town, slicing slides with friend 8. less, living somewhere else that performance art or is he just thiscity as it becomes a cosmo- .three hours of Kafka's life (he Cinematheque when it gets a ssiess, I ran into a street vendor where he doesn't have to argue happy to see me?" Around 5am died of tuberculosis in a sanito- screening on February 7 as part of black and whites on Robson. patrons out of his bedroom. Local stand-up outlaw Paul rium at age 41), events unfold at Moving Pictures: Canadian Chat followed on photography, Food appears that is seemingly he would mosey Anthony followed, in the persona ing as a fever dream in which Films on Tour. Maddin's peep- and he drew us the secret map to regulated, the kitchen kicks into on up front, cow of a rocker whose bandmates everything that tortured him in holey melodrama is exactly one his exhibit at the Sugar Refinery. high gear, & the perogies begin had all quit. This man can trans boy hat over the reality — authority figures, father hour long, making it a good ten It was a few weeks before we to gain a certain notoriety. The form himself so brilliantly that brim of his scalp, phobia, sexual urges and the minutes too brief for general managed to find the place, Sugar Refinery becomes respect he's unrecognizable from one capriciousness of his literary muse release, so this could be a rare tucked away via the back-alley able, yet matures like a good pull out the loud gig to the next. Air guitarring his — pays a final nightmarish visit. big screen chance. Same goes entrance off 1115 Granville. wine, rich with experiences. '50s microphone way through a valiant, one-song In the rather extensive pro for his feverish six-minute opus Inside, our teenage prayers for a 200072001— Several shows set, he was a marvellous, spindly and shout "Fuck gramme notes. Tulinius states that which precedes it: The Heart of secret bohemia were answered. at the Refinery during this cartoon with the high yelp of a Off. All of ya'. Get "the use of wordless scenes is the World. Obscure furniture and seating era. Radioart with [The User's] stadium dinosaur who's blown his important in creating the dream Another Cinematheque arrangements, art displays at Silophone.net in Montreal; the hell out." Wild vocal chords. like atmosphere that is found in treat will be three features and crazed angles, & a serving of numerous experimental elec applause, scream The headliners didn't so much the writing of Kafka." Amen. But three shorts from sad-eyed comic booze that required a friendly tronic shows including the launch ing... Then: "I mean begin, as infiltrate the room until that didn't stop him from loading genius Buster Keaton. Just watch chat and a 'forgotten' beer on of Tapestry and A/V Lodge. it. Get the fuck the whole crazy assemblage was the play with expository verbiage ing him move is a rapturous expe your table (or couch)—all this The Refinery even has its own onstage in a cloud of incense, until it groaned and buckled rience. Actually, that's all you'll set the tone as chess, smoke, talk decks for awhile, in the new, outta here." bells and chanting. Unless you under the weight. The non-verbal need to do because the films are and music layered late into the carpeted booth cut out of the politan destination. Better believe consider theatricality a through- interludes weren't much help silent. They run February 26-28. night, the dawn, the morning. wall. It's a reliable mainstay in line, no two July Fourth Toilet it. Unlike the '80s, which mourned because they were often cliched Eclectic owner, playwright, the Vancouver underbelly when shows are alike and many have the loss of Vancouver as a back and represenfational — you actor, cook, bartender and all else drops from sight—the All no set list. This one was a seamless water of paradise in true industrial know, lots of choreographed sometimes poet Steven Horwood Good Cafe disappearing at the barrage of liturgy and catharsis, fashion, the '90s was a paradox, marching about by the business- lived in the back of this subcul- end of the '90s, the rave scene with members costumed as high striving to internationalise the city suited Ensemble. I was spending tural beacon. Around 5am he dead, rock venues lacking, priestesses, burn victims and god and its talents while still aiming too much time just watching the would mosey on up front, cow good clubs gone (Celebrities, knows what else. I felt like we for the lo-fi profile. Whatever the actors cope. boy hat over the brim of his scalp, Graceland). The Beans play a were watching asylum inmates aims, here's the result: two sepa Norman Armour gave a pull out the loud '50s microphone 24 Hour show that goes down in who'd gone off their meds and rate articles, read & seen in NYC clean, strong performance as and shout "Fuck Off. All of ya'. legend & makes us all proud. into art therapy. And yet...chaos in January, name Vancouver the dying man's autocratic physi Get the hell out." Wild applause, did not reign. The group had 2003—City Inspectors close (along with Toronto 8. Melbourne) cian; as did Karin Konoval in the screaming... Then: "I mean it. Get invented a fabulous beast and up the Refinery, thus reaffirming as one of the future cities of the role of his sexual and intellec the fuck outta here." Eventually would ride it till it broke. No Fun City, even under a leftish world. High technology, rela tual nemesis, Lilith. I did find them we would shamble out the door City Council. Everyone knew the tively tolerant populations, strong Although a host of talented both a bit textbook and generic, to another drizzly dawn, Steven's Refinery had changed. Horwood immigrant communities, clean air artists and musicians make up the but then they were probably just words echoing in our stoned was, and still is, in Montreal, where and water, and natural beauty. Toilet family (this show featured trying to get out of it alive. brains... waiting for the first bus in rents are cheap and weird nights A perfect leader city, ready for nine of them), the band's engine the all-night Subway. The pearl in the oyster was are still to be found. The Refinery the next level of rape. Vancouver is the mind of frontman Robert James Long in the title role. He 1997—1 begin DJing @ the by now had been sold by so far has been mainly property Dayton. Tonight, he warbled understood the character so Refinery, guesting on Robby Horwood. The irony is that, in the traded by the Yuppies. Now the and genuflected with frightening deeply and surrendered to it so Luv Dub and Jess' Knee Deep eyes of the City, it should have global rich have their eyes on intensity. In his little furry bonnet completely that he became a deep house night on Tuesdays. been for the better—the place this waterfront wonderland. and knee-length skirt, he remind barometer for what was wrong Late into the night the grooves was cleaner & more organised Like Manhattan today, one day ed me of the street woman who with the script. As an actor. Long drop from atop the raised DJ that it ever had been. Yet it was Vancouver will only be rich, richer, used to sing on the platform in seemed as hampered by the booth to the left of the stairs. not enough, some bribe was late, and richest. Camden Town tube station. He play's ballast as Kafka was by his People dance atop church taps into something that I can absurdly totalitarian surroundings. pews, school chairs, couches. only describe as an aggressive, At one point (when no one was Sex in the bathroom, lines on but endearing naffness which required to speak), he dropped the counter. The fan is eventu never asks to be taken seri to the floor and gave us a brief ally installed, blowing fabric to ously but must be protected at all flash of Gregor Samsa — the the heavens and smoke up & costs. Vive la Toilette. bloke from "Metamorphosis" who away, the furniture is rearranged turns into a giant bug — then each week, the place is under scampered up a wall on the door constant renovation, art persists handles and hung there, exud on the walls—photography, ing angst. It was sublime until he paintings, drawings, sculpture, Thursday 15 January began to spout reams of ponder junk, garbage. The decor and Frederick Wood Theatre ous text. the art merge to become one. •Jji-»<}$ WW-. There was much to admire in Plays are performed, jazz and K. is for Kafka-a writer with such Tulinius's chic, cleverly designed bands and DJs dominate night a powerful gift for portraying set, and his Danish team's dra after night of late-night specu lation and connection among bureaucracy in all its absur matic special effects, scary light the city's denizens. Otaku holds dity and horror, that his name ing design and video projections. 1 Too bad the play was nearly over court. The Refinery becomes the has spawned an adjective. What j spot to bring the out-of-towner, ilyl^^ffi^i before all this stagecraft was set— makes spending time in Kafka's free to work some visual-magic as to meet in secret before a rave. landscapes such a twisted plea ts Coast Guard By Ben Lai, even the photos. Will Self Destruct was performing in the middle of the crowd as there wasn't a stage area. They sounded exactly like ^ For over 10 years the Halifax Pop Explosion (HPX) has what I would expect from an act called This Message Will Self been the premiere music festival In Atlantic Canada. Fans, Destruct - heavy punk-metal with screaming vocals. It was a' scenesters, and musicians alike all flock to the city each fall to good. fun. energetic set, the only problem was that the vocalsk' check out some great music at fantastic venues. I love Halifax. did not come through too well on the sound system. S I love seeing shows. Following this logic I Just had to go to the Oh God was next. The HPX program guide said, "(You'll \ Halifax Pop Explosion. be) scared to death as you shake your ass and watch out-; 8a?ed Irt Halifax, This Message Will Self Destruct is William." . for glass." Well, not really. They were loud and they jumped 'r Erving on atufTOtiTebl§rRoChman on bass, and^/ocals, Ross _ ; Thursday, October 30 around a lot. but nothing special. The highlight of their set. : Larkin on vocals andispoie) bass and Eben Hicks ongijj/jfc : \ was at the end when one of the guys in the band dived into AHere are some questra^posed to Tobias. k-y kk'jg~ .? My adventures at HPX 2003 started at The Khyber Club, made the crowd and promptly fell to the floor. "That fucking hurts!" t ' famous to non-Haligonians by the album Down at the Khyber heard him complaining to his bandmates after the set. That's DISCORDER; Who are you are what do you play? by ex-Thrush Hermit front man Joel Plaskett. The Khyber is much the price you'll have to pay to be a rock star I figure. TObku: Job'qs Rochman. I play bass, sometimes guitar with '- smaller than I anticipated; it has almost the same dimension After getting a bite to eat I went to The Attic. This large r ari octave pedatand sing. *.. *''-'^^^ as our Sugar Refinery. I spotted Mike from The Meligrove Band club had been remodeled for fhe better since the last time I Can you describe your music? - (whom I've met on several occasions before) milling about, so was there; they've made the area In front of the stage much "• We plcy infectious anttpasslonate dqoce musicVtffh# . I decided to have a chat with him. He told me that their band bigger. When Toronto's blueScreen appeared on stage the %r aggravated guitars, too much feedback and lots of will be playing last tonight and they've been very busy touring place was virtually empty, which was unfortunate because and working on a new album (don't they all say that?). As the band was quite good. Their brand of atmospheric rock for the difference between HPX and other music festivals like was aided tremendously by the ethereal and haunting vocals- . '•• Where did thename of the band come from? . -*&-*? North By Northeast and New Music West. Mike commented. of Delphine Roussel. Musically they reminded me a bit of early • Wedidrt't pickthenameto'tlpour hats to any pop culture, - ~ "It's better for the bands. We get treated better and they actu Lush, which was more than okay. By the time local folk-rock^ it just describes us well. At the end of oufsets we are usually ally pay us to play." act Dusty Sorbet and the Rusty Wheels got started the Attic" ,: bloody, sweaty and unable to continue playing; we breaks Ottawa's Chris Page got on stage first. It's a guy with his was starting to fill up with people in Halloween costumes. One ~ Y.p'iqt£Hfl|ng^g»^ N©:one really gets-the — '. i electric guitar. He sang well and played well, but the set was guy had a chipmunk on his shoulder ("Chip" on the shoulder. ".."^ncirTwfoLwhaO^ V^^lv-L so boring. Every one of his songs was the same. I found myself Ouch). Dusty and his gang didn't do it for me. I spent most ofcj- paying more attention to the traffic outside the window of the their set time chatting with blueScreen and discovering that Who*% the best thing about being in a band? Khyber than to his music. He reminded me of when bands there was more to the Attic than I originally thought. When we •.' -- S^ngoribbpting ond boftjwing and stroking myegoJiSS * walked down one set of stairs we stepped right into a meat- ' have encores and only the lead singer comes out to song reqHy low self-esfeerhv But, the best part of being in "this" market type dance club, filled with teenagers rubbing against. ~ solo with his guitar. Cool at first but after two songs everyone's k"-. bdnd is. that I've never been in any band where everyone..... going, "Where the fuck's the rest of the band?" one another and dancing to R Kelly hits. What the hell? I h.-". kpn'the" same wave length with so much deditfatlerfrand*''** The Coast Guard was on next. They are an indie-pop As exciting as it was to watch half naked girls grinding . no inner-confflcts or tension. band based in St. John's. Their songs were cute, catchy and each other I decided to head back upstairs for some live had good rhythms so I enjoyed them quite a bit. I found out music. When I first heard the name of the next band. Golden When someone mentions the city "Vancouver",, what Is; the from their lead vocalist Rhiannon Thomas afterwards that she Dogs. I assumed they'll be a 70's inspired classic rock outfit. I lost her voice half way through the set but I honestly couldn't wasn't expecting an indie-pop rock band. They were excellent .- •v4*Jawing yb» Wttk&FJ-''^ tell the difference. Very promising band; maybe they will . and had a diverse sound. They hooked people into dancing 'ri^tJavlcl F. WMpeV ofed Centaur open mouth Msstog Terry be the next big thing to come out of Newfoundland since to their catchy songs, cool riffs and perfect harmonies. Lead ! £*. J^Mdfcrih. Jpasnydrag. Or Scratch Records. Hardship Post. vocalist/guitarist Dave Azzolini was very animated as a front * The Meligrove Band ended off the night at the Khyber. I've man, gesturing to the crowd and being very entertaining. seen these guys many times now and I adore their danceable And I was pretty crazy about the keyboardist Jessica Grassia's songs and driving guitars. As always they dished out a good screaming backup vocals too - it worked with the rest of the rock and roll show but could have benefited from a bigger material brilliantly. audience - it was late Thursday night and the Khyber was emp Run Chico Run was next at The Attic. Even though I Hke tying out. By the time the Meligrove Band was finished it was these two Victoria boys I Just had to leave, as I wasn't going already well past 1 AM. It was too late for me to check out any to miss seeing one of my current favorite bands. Broken Social ' other show so back to the hotel I went. Scene, at my favorite venue. The Marquee Club. By the time I ~ got to the Marquee BSS were already well into their third song, k Friday. October 31 As expected, this Canadian ubergroup was as wonderful as always. Beautiful, loud, chaotic and subtle all at the same One cool thing about HPX was that they had quite a few all- time, what grabbed me most was how comfortable with each ages shows on the menu. On Friday I decided to check out other they all seemed on stage. The highlight of the night for one of these early all-ages shows at a venue called the Cedilh. me was the song "Almost Crimes" with Kevin Drew dueling which is an Internet cafe by day. This place was packed with vocals with Amy Milien (from Stars), who sang the parts origi teenagers in Halloween costumes. A band called This Message nally done by Emily Haines (from Metric) on the album. Co/VT>VOW€^ O\* C[ ^b jGueiph Ontario. ^*^**y>,%^£-r; - *; *k^^S%^» mia^teWgflaajgjogedy consrsts ofM^»«»^%gocgoger an tsess m and Darryl on aVuTntTttsjtuMljgthebqrid after IfwIwgfeSje^^ Saturday November 1 Saturday night began for me at The Seahorse Tavern; which is a small and cozy bar. Ermine, originally from London, Ontario, was entertaining the crowd. They are a hard rock band a la Tool, decent but pretty unmemorable - except for the couple of songs with the violin which was moderately refreshing. I headed over to the Khyber (which was only a block away) to check out Tacoma Hellfarm Tragedy afterwards. They are a moody and mellow 3- piece alt country/folk band from Guelph, Ontario. Their simple, accessible songs weren't bad at all. Tyler Messick & the Museum Pieces was up next and they got uninteresting fast. Way too pre tentiously artsy for my taste. After enduring two songs I was back at the Seahorse watching the end of Dean Malenkos' set. They seemed like a neat little punk rock band - dime-a-dozen - but still fun to watch. About half an hour later Contrived appeared on stage. This high energy band got the crowd involved with a sing along during the beginning of their show and never let them go. Kudos to them. After Contrived I was back at the Khyber to scoop out Cuff The Duke. Dave from The Golden Dogs was here just to scout them out and the boys from Tacoma Hellfarm Tragedy described CTD as "Sonic Youth meets Johnny Cash" so my expectations were astronomical to say the least. Luckily they were excellent, providing the packed crowd with a rocking set. One of their greatest strengths was the variety in their music, ranging from old-style country hymns to psychedelic rootsy numbers. Back to the Seahorse I went after Cuff The Duke. Being so hyped by their label Sonic Unyon I was looking forward to see ing Kitchens and Bathrooms. This Hamilton trio's heavy handed approach to art-rock was quite respectable but overall it wasn't the kick in the ass I was hoping for. Gaffer, supposedly "one of the most beloved rawk bands in Eastern Canada" played next and this was going to be their last show ever. They started their set stumbling when they messed up halfway through a song. "That's why we broke up!" one member joked. These guys are crazy loud - too much forme after three solid nights of music, that I saw the lights at the Seahorse flicker during some of their more intense parts. On my way back to the hotel, I bumped into Jeff from Cuff The Duke. We talked about everything from Sloan to the General Motors Plant in Oshawa to why Haligonians are better partiers than Vancouverites (my theory is that they drink more alcohol and smoke less pot). The one, thing we both agreed on was that this Halifax Pop Explosion was definitely one worth coming to. Yay to the folks who put it together. Yay to Halifax. *H| \0 d>\Zc*r&*f NATE DENVER'S NECK Yes, he has a neck; it houses his spinal chord! By Natalie Vermeer. Nate Denver's Neck is a one-man show from San Francisco. I saw him open for The Dirty Three last May and have been fascinated ever since. He appeared on stage in a scary skeleton mask and black cloak and the crowd backed away! Later he removed the skull face How do you decide on who can contribute to your records? to reveal a black hooded mask and attached a cardboard scythe to Sorcery. the end of his guitar. His last look was a painted dead man face with What Is the last dream/nightmare you remember having? a cardboard axe. Of course, it wasn't just his appearance that was How did you hook up with Mick Turner and King Crab records? I had a pet koala but it meowed and purred like a cat. captivating; his songs consisted of banter between his cutesy folk My friend Mark was looking at the Dirty Three site and saw a King I felt very happy. persona and his metal roars and recorded sounds. I still remember Crab link that was asking for demos. He suggested I send a Total some of his lyrics including a song about an angry, neglected stuffed Shutdown demo. TS was already set up with Thin The Heard and Do you prefer tunnels, doughnuts or McDonalds? Why? hippopotamus that he ate and later stabbed through his own impressively wealthy, so I secretly sent my CD. Mick emailed me a When I need to get through a mountain I prefer doughnuts, because stomach to kill! Anyways, I found his rhymes and insane stories-terribJy. few weeks later and my brain ran down my spine and smothered my they give me the energy needed to dig. When I need to get to the clever and I finally emailed him this past November to see what he heart in order to produce an appropriate shock in my human body. Arc de Triomphe I prefer tunnels. And when I forget that I don't like was up to. He was just headed out on tour and kindly answered my The Dirty Three are mega. McDonalds and have been convinced by my stomach that I like it, I random questions when he returned home... like McDonalds. What is the significance of your "neck"? DiSCORDER: Where are you headed on your tour? My neck houses my spinal chord and if it is twisted too far to the left (Do you have any idea why I would ask that previous question?) Nate Denver I circled the US dragging a sword the entire way or right I will cease to live. Yes. That is my favorite part of the album, [editor's note: If I had the so I could find my way home if I got lost. I did not get lost, but I energy, I would get rid of this deplorable in-joke. But I feel very weak, did pet a raccoon. What Instruments can you play? so it stays in.] i cannot play any instrument well enough to claim I can play it. How long are you gone for? How do you stay balanced between good and evil (or are you)? As long as there are monsters in my room, which turned out to When did you start playing them? I try to follow the golden rule and I don't do murdering. Still, be one month. My dad bought me my trumpet when I was 11. My mom bought me sometimes I am a real jerk. llsifl^' my guitar when I was 13.1 cut woodshop to buy a bass at 17.1 rarely Who is joining you? |IH^S^ cut class, but I still received bad marks. In college I received good How many recordings do you have out? Casiotone for the Painfully Alone. He nearly crashed three times and marks, but I didn't play much guitar. There is one Nate Denver's Neck CD; The second CD will come out he snores so loud it sounds like he's screaming, but other than that, someday. There are two Total Shutdown albums, two 7"s and several he is a great tour companion. Last night, a house guest crashed into What music did you grow up listening to? comps. The Tilt Mode Army movie Man Down has two songs by Mark my parked car and exploded the headlight. Pete the Genius. Whiteley and I. How do you divide time up between Total Shutdown, Dig that body What inspires your stage costumes and changes, including the scythe When can we expect you back to Vancouver (or even Seattle)? up... it's Alive and your Neck? and axe ends for your guitar? I like Vancouver very much. If you invite me, I will come. Masterfully. P.S. Dig that body up.Jt's Alive is dead. I don't like going to most shows because they are often really boring so I put together something I think I would enjoy watching. I am What was Wes Borland [ex-Limp Btekifl's Halloween party like? Does Zeigenbock Kopf freak you out, even just a little? finished with my Christmas shopping. It was great. The house was decorated very well, there were lots of Negative. I'm not afraid of Germans and Zeigenbock Kopf does extravagant costumes and Wes and his wife Heather are really fun not have permission to freak me out. The tattooed member is very Have you ever performed (as Nate Denver's Neck) without your and nice. talented. I am confident and comfortable on a dance floor and will makeup? gladly annihilate any or all of them in a competition. Many times. The first year I performed I had no costumes. The first ~ What is your favorite honor movie of all time? time I put on the armour was at a brightly lit coffee shop. My dad When a Stranger Calls Again. Is there a possibility of others Joining Nate Denver's Neck? was there and he was delighted. I touched the excellent writer Beth How dare you. Two people have tried to join and they were Lisick's baby's head and thought she'd be cross with me, but she What Is your favorite kind of dougnut? defeated. Solo bands are wonderful because there is no dissenting French. voice and no ego to compete with so the individual can create the best music anyone has ever heard in the history of time. Ten million Where do you get your stories from? Nate Denver's Neck will be playing hen as soon as we elephants could not stop me. The deepest depths of heaven. Invite him back. &kn^ THE PETER PARKERS By Jason Grimmer Photos by Nicole Legault work at it together to complete the song. Some songs are written Back in 1999 my girlfriend and I moved to Halifax for a year. Nice Chasity: ...Yo La Tengo. Bright Eyes, Papas Fritas (makes me feel with little input from other members. I kinda prefer both methods town but kind of a slow lifestyle, if you know what I mean. We drank young). as it makes for more songs in less time, [but] everyone feels the Remi: The Pretty Things. Lately though...Baxter Dury, Luna, The a lot because there was nothing else to do and we really liked to satisfaction of being creative within their own parts. The end result Nasty On, The Organizers (from Saint John, NB), Test Tone Channel drink a lot. We used to get really excited when The Peter Parkers from of the song is usually dictated by the person who first came up with (Moncton, NB), The Burdocks (Halifax, NS), Radio 4, The Rapture, Moncton, New Brunswick would come to town and saw them about the original idea. We switch around on instruments a lot because Liars, Oneida, Josh Rouse. I'm really kickin' the snot out of my Thrills five times that year. Back then they had way more of a Slint feel to we just prefer that everybody gets a chance to express themselves. CD, Rex, Scott Walker, The Band, Simply Saucer, Califone, Knife in the them and each show was better than the last. Their singer Remi was Not everyone works at the same pace. This is probably why we have Water, the Monkees re-issue of Head. VU, Bruce Springsteen. That's lasted so long with so little fame and fortune. It makes for a slower always so sweaty after each show. He reminded me of a bus driver. just a few. turn around on stage (we are getting quicker) but, ultimately, it is in Not that bus drivers are sweaty- Cameron: The Best of Uncut 2003 CD...Hamel On Trial(track 1 )and the the best interest of the members of the band and hence in the best Last summer, the Nasty On got to play with them in Saint John, NB. Westerburg Tune (track 4) "Blow my hair back." As well, as always. interests of the lovely folks that buy our music and come see us live. They were so-o-o-o good. Noisy and all over the place. The Cure. And lately The Flying Burrito Brothers, CCR. Fre Neil, Primal Scream and the Pale Marys Intimate and Interactive. What are your day jobs? Anyway, I got a copy of This Is Sity Music, their debut full-length, in Chasity: I'm a team leader at a call center. This is Moncton...did you the mail around Christmas and was quite impressed. That's how this Don't most of you live in the same house? Tell me a bit about this really have to ask? interview happened... I am not fucking around, I liked the album and place. Remi: If I told you, I'd have to kill you. All I can say is the following: then set up the interview, just like that. Things like that can happen, Remi: At the moment, it is just me and Stephane, but at one time my job is so much fun that sometimes I think that I should be paying believe you me. four of us were living here. It's Rick and Tara's (Elevator) old place. X amount/hour to work there. All my friends are envious of me for Our landlord is Larry — Tara's dad — a super nice guy who gives us a working there. It's a really, really good job. Errol is a graphic designer What are your names, what do you play? sweet deal for a home and jam spot. We have been living together and Stephane works at the same great place as me. Remi Cormier (guitar, voice, keys, bass), Stephane Doucet (bass, on and off as a band for the last nine years or so. Sometimes two, Cameron: I am your friendly neighborhood tow truck dispatcher keys, guitar), Errol Girvan (the scene, guitar, drums, bass), Cameron three or four of us. It's not for everyone. Some friends of ours from man. I pee with my hands on my hips. Murphy (drums like a mofo, voice, guitar, bass), Chasity Alward Ottawa that used to be in the Wooden Stars told us they tried it once (voice, keys, bass). for a few months and they were nearly at each other throats. We What's It like living In Moncton? Favorite local bands? Where do you have just been lucky I guess. We don't mind. usually play? How long have you guys been together? Any other releases? Chasity: It's pretty cold right now.... Remi: Since September 1995. Me and Stephane started up the band This Is Sity Music is a great album. The use of piano and banjo is really Remi: Living in Moncton has its ups and downs especially when it our last year of university. Errol joined in late '96 early '97 and nice. Tell me about the recording of the album. comes to playing music. Over all, I'm glad we live here. Rent is cheap Cameron joined sometime in '99. Chasity has appeared on virtually Chasity: Good times...sometimes I wanted to kick ErroPs bum though. and we get to play shows once in a while. More and more bands every Peter Parker recording since our "Evolve Or Get Kicked Out Remi: We recorded it little by little a*er the course of a year and a from afar are making their way once again to the city. My fave Of The Continuum" 7" that came out in '97 on Sappy Records. Chas half. Hardly any stress and the guy who recorded it, Kyle McDonald, local acts... Test Tone Channel, Heimlich, Posture, The Mean, Mario officially joined the fold in late 2001, early 2002. Our first full length was a real patient man. It was a lot of fun. We kept adding stuff Poupette and the Chevettes, The Pale Marys, The Feedback Scars, tape was called Playing the Field. We've had a few compilation to the recording as ideas came in. I really like the backdrop of the Hope, Iron Giant, The Dead Fucks. I went to see Earth AD last night... releases and a few EPs: The Urchin EP and The Toledo Chapter EP. album. It felt like we were really able to get a lot of our ideas out this amazingl Tons more that will come to mind 30 seconds after I send time around. Kyle really dug the music which made it easy to do this off. We are really lucky to have all the talented people we and redo stuff. He was just as excited with the making of the album I hear some MBV, Spiritualized and Swervedriver in your music. What do in this city. We have a lot of great visual artists in Moncton as well. as we were. are some bands you consider influential? We usually play at Doc's, the Paramount and the Manhattan. Remi: So many...Fred Neil, Billy Nicholls, Van Morrison and Skip Cameron: Monkey town can be a hard go. It can toss your salad Spence, MC5,13th Floor Elevators...The Jesus and Mary Chain, Who writes the songs? right out of the bowl. The winter is abhorrent, love the Acodians, Blonde Redhead, Mercury Rev and Swervedriver. Sometimes the Chasity: Remi is our main writer... the root of all the madness, one the fall, glorious. Good hash, cheap rent in drafty old houses. The actual history of our band is an influence. could say. That being said I think everyone has creative freedom and minimum wage is the pits (third world). Call center saved my ass. Cameron: ...Pixies, Mark Gaudet, Primal Scream, GBV, Sebadoh, The - has a scry in whatever is done. People here are like friendly strangers. It's the most unique place I Tan Hill Weavers and Flaming Lips... have ever lived in. Haunted and twisted, and makes for good art. I Remi: Most songs start out as an individual idea. It is usually pretty have to say I am most definitely a lot better for having met the three loosely structured by the time it is brought to the jam room. We all other guys and the lady. They are gems. They save me time and time What shit are you listening to now? at times and mixed them in with places in the songs where I do have again. That's all I have to say. See you tonight. Love C. my wah wah pedal. Cam told me a really funny happening while partying with a jam band one night but it's unfortunately too long for a few lines written.We often play without a set list but usually have an , idea what we are doin'. The second to last time I visited Moncton I got to see Mark Gaudet this interview. You really had to be there to appreciate what goes On upstairs with some of these folks. [ex-Eric's Trip, Elevator] do a solo show at 53rd and 3rd. It was a pretty Upcoming tours? Upcoming albums? New songs? fucked up experience, very overwhelming with him pounding away Remi: The Maritimes in May, Ontario/Quebec in September. We at the drums while singing along with tapes he was playing with a You're all pretty attractive. Do you "make it work on the weekend"? would like to start recording again after our May tour. New songs, ghetto blaster. He covered "Outlaw" by The Cult that night. He's Who does your hair? as quick as we can pop'em out. We like to have new material for pretty awesome. Are there any other "hometown legends" that play Chasity: Errol does most of the work; with Remi coming in a solid our sets as often as possible. People notice and we love that they Moncton regularly? second lately...ha ha....as for the hair thing, Remi was born with do.Me and Chas are doin' a little acoustic thing called The Colonial Chasity: Julie Doiron-Claytor...although she doesn't play regularly. It's "special hair" that only I can cut...and I usually give Errol a yearly Quarrels. It's a mix of gospel, protest and love songs and is a nice great when she does. trim...Cam actually goes to a professional and Steph, well, not much change from The Peter Parkers. Peter Parkers songs can sometimes Remi: Yes, bless their little hearts. Julie and Elevator and all other going on. I cut my own but I may have recently found another take a while to write while CQ stuff comes a lot quicker. It is a simpler affiliated bands do make it down at least once or twice a year woman who I trust with scissors to my head. writing process. to grace us with wonderful performances. It is really nice to see. Especially for someone like Julie, who does her fair share of touring My uncle once gave me a T-shirt that said "I caught crabs in P.E.I." You sound pretty content. Any lowpoints in your career so far? outside of Canada. -r.wi **» Three things were strange about this: 1) I was 12 at the time. 2) There Remi: Yeah, sharing a stage with Nickelback and some bunch of freaks from Australia called Crash Palace...Crash is right; Pilot Tell me the "Jason Pierce" story. was a picture of a lobster trap on the shirt, which I don't believe is used to catch crabs. And 3) PEI doesn't really have a crabbing to Gunnerl We got double booked with them. It was right before Remi: Long story short. We thought it would be cool to make some industry, does it? Do you guys ever play in PEI? How far do your tours Nickelback got really huge. Getting into occasional fights with each T-shirts exactly like that Spacemen 3 T-shirt that says "For All The take you? Do you think you will ever make It to the west coast? other sucks pretty bad too, but we always seem to work it out. It is to Fucked Up Children Of This World" except replace Spacemen 3 with Remi: Man, If I had a dime for every time I've been asked that be expected in nine years. The Peter Parkers. You have to understand that only seven or eight crab question. I'll tell ya what I tell the rest of the lot; If they (PEI) were made at the time. Anyway, our friend, Mark, who was booking don't have a crabbing industry, they should really consider getting Spiritualized in Toronto, was cooking up a BBQ meal for the band Mark from The Cinch visited Moncton a couple of years ago. While one. I've heard great things about it. Crabs lead to a crabbing before their show that night while wearing a T-shirt we had given to there he went to Magnetic Hill (a Moncton tourist trap that involves an season which in turn leads to jobs, export, commerce, burning him as a gift.Well, Jason noticed the T-shirt and was pretty surprised optical illusion where you it in your car and it seems like you're being down government buildings and, finally, reaUy goofy T-shirts for your to see it. He didn't know what the hell was going on!! Who are these pulled uphill when you're really gliding downhill) and came back a relatives to wear and buy as shitty Christmas presents for the rest of guys? Where are they from? Where the Hell is Moncton NB? How the changed man. He will not talk about it. What goes on there, will you kin. Everyone wins... except the crabs of course. Sure, we've played hell!! What the Christ!!! He actually asked Mark if he should sue us! break the silence? wonderful PEI once or twice; both times in Charlottetown. The furthest Luckily, Mark explained that it was all pretty harmless and it was more Remi: I think it is all in the water. This city is built on a swamp or heap west we have ever gone is Windsor, ON. We certainly hope to make an homage the anything else. The fact that Mark was laughing about of garbage or something like that. I have been here almost 13 years it out west some day. I think it would be a lot of fun. Financially, it is the whole situation no doubt helped defuse it. After he understood I and I still can't figure out the vibe. If it's not dirty old man tryin' to pick such a leap to go that far but almost everyone that we know that think he felt flattered so he gave Mark a Spiritualized T shirt to give to you up at Victoria Park while you are walking home, it's some guy plays in a band from here to Ontario has done it, so I don't see why us. It is a little too large but it's the gesture that counts. pullin' a Ginsu on ya while bein' whacked out on PCP. This place is we couldn't. now a part of us and does affect the music we create, hence the title of the album.I've actually have done the Magnetic Hill thing a In Vancouver there Is a tendency for bands to smoke a lot of pot. few times; usually with friends in bands from out of town. I don't make Unfortunately, there are also a lot of funk bands. Do you have How much of your set list is derived from older recorded songs? Do the recommendation either! You guys all know about it...sorta sick if that problem in Moncton? Do you guys use "Jazz cigarettes" for you still play songs you played three years ago? How much do you you ask me! We still love yas coming down to visit us, though. I'm glad inspiration? Are any of you "Jib Rats"? play that is newer and unrecorded? Do you usually stick to a set list or do you play whatever you feel at that moment? that it does have some weird sort of allure to outsiders. Everybody Chasity: I don't know what jib rats are but if they are anything like the Remi: Very few old songs make it to new set lists. No particular always says how friendly they find people from Moncton while on rats in Detroit you keep them to yourself... but yeah, we get stoned. reason. I think we kinda think of if as looking to the future. I believed tour. I say "Thank God the city where you're from is even more jaded Remi: We have a lot of jam bands in the area. I wish we had more the oldest song we played was "Somatic," written in 1998, but that than here." Our album is a product of being in Moncton for too long. funk bands. Luckily, the "VERY FEW" good ones persist and the "not one has been off the set list since 2002. We play new unfinished, The funny thing is that we are not going anywhere anytime soon. so good ones" pack it in after they realize that they DON'T get unrecorded songs quite a bit. It takes me forever to write the lyrics so showered with joints on stage by adoring fans and get laid 15 times it would take us forever to play them. I just make up words as we go a night. It makes me wanna ditch my wah wah pedal and I love For more info, check out www.thepeterparkers.com l3-&k«-^ of our shows an older woman of about 75 approached me in a very by Dave Gwilliam Welcome all to CiTR. The Front is in the house — please introduce complimentary way... "I love your music... and... could you guys play , yourselves. at my birthday party!" It was early November of 2003, when Ben Lai, the ever-enlightening organiser of CiTR's annual battle of the bands — SHiNDiG — Front: Benjamin Arce, vocals; Jarrett Martineau, vocals; Allan Ollivierre, WeU, I think it transcends a few boundaries... let's not confine you approached me with a brief description of the first "hip-hop" band to keyboards; Chris von Szombathy, bass; and Jess Conn-Potegal, drums. guys to the limitations of hip-hop. What was the initial experience like, enter the competition. The Front, he told me, was a collective of local coming together and forging your sound? Vancouver musicians with a unique approach to urban sound. His For those who are unfamiliar with the band, could you describe your review left me wanting to know more, and within a week of so I had sound? Jarrett: Ben and I had known each other for a while, performing the opportunity to watch them in action in the semi-finals. with an unofficial collective of hip-hop artists called The Lost Tribes of Chris: Well, recently a few reviews have compared us to The Roots, the Sun, but we weren't really a group... more like a cross-national I was left awestruck. Observing The Front, I witnessed the superior but aside from the live accompaniment, I'm not so sure we're that connection, with everyone working towards fulfilling their aspirations. fusion of hip-hop and funk. As Dr. Dre and the Neptunes, to name a alike. But this was a more traditional hip-hop crew and Ben and I both few, progressively refine the genre with invigorating production, the expressed interest in performing with a live accompaniment. raw essence of hip-hop seems to be fading. In a world of marketing Jarrett: Yeah, I've also read we're like a local Spearhead, or a Jurassic . hype and big booty. The Front offers a refreshing new outlook on what 5 sound, but these come from people that seem unfamiliar with the Ben: I knew Allan and Jarret knew Chris, and so in April of 2002, we music, especially hip-hop, can be. The passion and commitment is genre. You know it's cool, but we don't really feel it that way. The went looking for a recording space to experiment. We knew Jess had outwardly evident when watching the collective perform, but beyond range of sound tends to go beyond a strictly hip-hop label. a studio, so it was a very natural o that there lies a strong devotion to rockin' a party. Jess: I think that it's a very unique sound due to the diversity found Jess: We had talked about doing something funky, but had left the While many of the SHiNDiG performers and observers were surprised in each member's background. Everyone's individual repertoire idea alone for a while. When we finally all came together it was a to see such a different sound enter the competition, what was more contributes to give the music a very innovative feel. pretty amazing experience. Allan starting in on the keys, then Chris surprising was the frenzy that erupted in the crowd when they came rolled with a smooth beat, and I picked it up from them. Ben and onthe stage. The Railway Club was thumping, and the crowd filled Chris: We all have our influences, [for me] groups like Kraftwerk, etc. Jarrett literally just jumped in on the rhythm. On that first day we out, bewildered. The Front was good, and despite the long-standing probably laid done two or three tracks. emphasis on indie rock at SHiNDiG, there was no room for frontin'. Jarrett: Yeah, the first night of SHiNDiG, people seemed surprised to see me wearing a Modest Mouse T-shirt. That's very cool, to Just rip into it like that... In early December the final competitors showed down with all the flair and creativity they could muster... in the end The Front Ben: I've always been very strongly influenced by hip-hop, funk and Chris: We had all been doing our own thing, working to constantly emerged victorious. Feeling surprised, but blessed, the band was very soul, so amalgamating musical tastes seems appropriate. better our skills. When it came time to groove, it seemed very easy appreciative of what the journey had given them. It was probably and professional, each member supplying a sound technical one of the most challenging experiences they had encountered as Chris: I play with other free jazz groups, one in particular called Jazz understanding. It made us very confident in our ability. a young band. In retrospect, I realise that I was instantly a tan... finally for Robots, but this is my first venture into the realm of hip-hop. l could bob my head, and shake somethin' with my girlfriend. Now Being dubbed a hip-hop group brings many connotations. Even more understand that no one in the band has been shot nine times and But I don't feel comfortable labeling you guys as a hip-hop group- so when you are called "The Front," can you elaborate on the name? there are no child molestation charges pending; as individuals they Jess: With a ten year history as a D J playing dance music, I try to are grounded and sincere which manifests itself in their music. The Jarrett: The hip-hop connotations of the word definitely play out as a sound is unique and their stage presence is powerful. Sit down and approach the drums in a dance-oriented kind of way, as opposed to sort of joke. Everything about our style is very real... The music is very chat with Alan, Benjamin, Chris, Jarret or Jess and you will instantly a break beat or house. It has seeped into my soul. I shoot to supply a up front and in your face, but it can also be very laid back depending bear witness to the passion for music that runs constantly through their dance groove, but at a tempo that allows Ben and Jarrett to rap... on the situation. blood. beats that will get your head nodding and your ass shaking. Ben: When I heard it I immediately thought of the hip-hop feel, like the It was roughly a month later, on an overcast day in Vancouver Allan: My personal background with gospel music creates a soulful opposite of real. But what we produce is anything but that. [editor's note: Overcast? Vancouver?!] when the members of The sound to the music as well. Front arrived on the UBC campus to chat. Chris: But of course it is an elaborate front to fund our excessive coke Jarrett: I really feel our music can appeal to a wide audience. At one habits... •}\ Allan: I felt we thrived during the competition. Personally, I am very A quick read of the album indicates that religion and family play a In the legendary mud-wrestling competitive so I was loving the battle aspect of it.-1 felt it took our large part in your creative process. Describe, that Influence for us. showdown between Ned Carter performing to a higher level. and Wheezie, who would Ben: Family plays a huge part. All our families are very supportive. Our victorious? [editor's note: Ben: We are pretty familiar with the limits of the hip-hop community, parents have given us the opportunity to experiment and with each huh?j so this was less of a traditional rap battle, which was perfect because family having a distinct background, musically and culturally, we it allowed us to display all sorts of things and experiment on the spot." have developed a strong respect for diversity. All: Nell would definitely We were totally feeding off the crowd reaction take all) Jess: My family has always been supportive, to the point where they Jarrett: We aren't pretending to be all things to all people, but we used to come out to raves to watch me spin... The Front's CD also don't want to be one thing for only one crowd. SHiNDiG's crowd release Is at the and judging panel was so diverse that we take the win as a huge Allan: My family was always perceived as a Jackson Five. My parents Piccadilly Pub on compliment. raised me with a love for gospel music. Our evangelical background February 9. The Front influences my life a great deal. The emotion and passion around the will perform with Josh I noticed a lot of UBC students in the crowd... Did you know you had a church community inspires me. Martinez. following on campus? Ben: If we ever have beef with one another, it's like a divine drive that Allan: Everyone was great,, and it came as • surprise; lots of party pushes us to check our shit at the studio door. We all know what we people ready to get down with us. I really f< el the energy of the are here to do, so when it is time, we don't mess around: when we atmosphere fueled us a lot. leave the studio it's nothing but love. Ben: This is where hip-hop seems to influence us the most... With the independant music seen being so competitive, CiTR's music definitely want to ensure that the crowd is feeling us. director — Luke Meat — wants to know what keeps The Front from <> -fe>C Susy Webb STATE CHAMP Emily Kendy While 12 pm is considered afternoon by most, it's the crack of dawn for musicians. k:. "I've never done an interview during the day before," says a blurry- eyed Dan Sioui, the singer of local sweat-rock band. All State Champion. He butters his muffin with a dazed expression. "I think I know why. Sloul: No. No new van yet. You guys have any backstage cheer, or pre-show warm up? "In a comer of Bambo's Cafe, across from the Cambie, we wait for McConkey: It's okay, but it needs to be hosed out. That's no joke, either. Sloul: We try to stay away from each other. the other band members to arrive. Eventually, Wes Cook (bass) ambles in, alert and firm of handshake. He is soon followed by drummer Todd "the 'o' How would you compare your music to your lour van? Why? makes the first 'd' silent" McConkey who hands over the requested Sioui: What? Sloul: We're four very different people. pictures, which are to accompany the interview. There are three out-of-fo- Cook: We're precise. Our van isn't. McConkey: Tim has a short attention span. cus shots of McConkey and Sioui. Sloul: Do you want us to compare how they're the same? Cook: He's a spaz. "Where's me and Tim?" says Cook, alluding to McGuinness, guitarist McConkey: We over-heat a lot, and something always smells bad... Sioui: Todd's the angry dad. When he gets mad, it's like "Uh oh. Dad's and MIA fourth member. McConkey shrugs, indifferently, returning to his Cook: Exhaust leaks. mad." And he throws things at you, keys, and drums. story of how Ween, apparently, self-recorded their first album over top of Sioui: We're both driving. That sounds good, doesn't it? McConkey: Dan's the worrying mom. a cassette tape of the Doobie Brothers. Jjep«§ Cook: We're both striving to the next level. Sioui: I guess I am. Wes is...just an amazing bass player with the weirdest. While this interview was meant to cc-inside with the band's September McConkey: Oh, man. most obscure bass lines. release of their debut full-length. Is It Nothing to You, the release date was Sioui: We've both broken down... Cook: I'm the least obscure of the band. pushed to February, by their Santa Monica label. Five One Inc. McConkey: That sounds like we cry together, and hug, like the Chili Peppers. Sloul: But your parts aren't simple. On this particular semi-sunny Sunday, the band talks about the Sioui: This is a hard question. Are there going to be more questions like this? McConkey: If people play their parts on their own, you don't have any painful wait, how they ended up with a US based label, and sorts out once idea what song they're playing. and for all who wears the pants in their relationship. How was working with Jesse Gander [Operation Makeout], on the album? Sioui: It's because we don't write with chord progressions for the most Sioui: If it wasn't for him we wouldn't have a record. He's a great guy. He part. They're too boring. DiSCORDER: How come the album was pushed back? loves music and wants to help bands. It's rare. Dan Sioui: We were bumped. The label had other releases scheduled. How do you write. If you don't write with chord progressions? Todd McConkey: We also had trouble getting our visas and passports What did you learn during the recording? Sioui: It's basically a bunch of riffs.W e put our parts together like g puzzle. together, which we needed, in order to tour. Sioui: We played to a click track land learned]. We weren't very good at keeping time. What do you think to yourself, when you wake up on a good day? Why aren't you on a local label? McConkey: Thanks. Cook: That I'm lucky to do what I do, that I'm healthy. That I live in B.C. McConkey: Nobody wants us. Sloul: We ALL weren't. We had more time with this record. Used different McConkey: I don't have very many good days. Sloul: It's funny after all this time, it's LA willing to help us. In Canada, it's amps and things, but tried to keep the intensity of a Five show. Sloul: He's not even kidding. I think, "Yay! Someone's helping us put out bands like Nickelback and Hot Hot Heat [that have support]. There's a record." insurance there. If you're not playing Are you guys really into the technical side of making music? a popular genre, there's less support. McConkey: When we play. What do you think, when you wake up on a bad day? Wes Cook: It's a risk. Sloul: Go by feel. Sloul: I hope the record comes out. Sioui: We're a risk. McConkey: The best songs write themselves, the trick is to not think about it. Cook: I wish Tim was here, he'd have something to say about it... Sioui: We have so many songs we've recorded, since the EP [released in Can you give me an All State Champion lyric to finish off the Interview? 2000], but we were never happy with them. We're fussy. Sloul: "I'll lie on the tarmac and wait for death to stop this plane." How did you guys hook up with Five One inc.? McConkey: And we keep writing songs that are more relevant, so McConkey: A friend of a friend. Sioui: We're the only North American old songs disappear. But I'd rather have it this way then have a shitty That's kind of depressing. I'd like to end on a light note... band on the label. There's a band from Japan called Eastern Youth, and recording you wish didn't exist. McConkey: The painful wait. a couple bands from Norway, one called Sister Sonny, which is basically Sloul: Buy our album so we can fix our van. Thank you. electronic pop. Do you remember your first show? Sloul: Yeah. It was at the Brickyard. On a Wednesday night, with Joanie How do you guys fit in? Loves Chachi. Sioui: We don't fitin . Kenji, the guy who runs the label, just really likes our songs. Were you nervous? One of the last interviews I read of you guys, you were having some Sioui: Yeahl I still get nervous. Sometimes I barf before shows. AM State Champion will be playing Rock For Choice. Feb 6. Their CD serious van troubles. Do you have a new tour van now? McConkey: I wish I got nervous. release party Is February 21, at the Brickyard. lO ^ISC©**^*^ and synths rather than the more band, Alexisonfire. But don't be also avant-folkist Sufjan Stevens, popular guitar. Furthermore, it so ignorant. Listen hard and listen who on his third album. Greetings seems that they're a group that well to this little work of art. You'll from Michigan, the Great Lake recorded media actively avoids pigeon holing, hear a diversity that well reflects State, rushes to the defense of since none of them are Jewish, their personalities; a little bit of his maligned home state (ie. one is a girl, and no one really something sweet, a little more "Ontario has T.O., but Michigan knows if the songs are to be of something violent, but a larger has B.O."). Shifting between taken as serious or not. As a part of purity in rock. two camps in the beastiary of result it almost seems too easy —Niki Reitmayer bedroom troubadours—the quiet to label them a teenage novelty shuffle of the rainy day pretty boys Matt Mays sensitive keyboard-accordion rockin' revelry. Wait a sec, are you band, trying to garner attention April March (Nick Drake. Smog before the s/t sounding vocals are amazing even listening to me? You're still based on their birthplace and Triggers brackets), and, in wild polyphonies, (Maple Music) with Courtney Bowles' dreamy," googly-eyed over her, aren't you? unique sounds, but their musical (Pias America) of brass, woodwinds, and voice, a Just when you thought that Nova melting voice. This album is the GEEZUZ... virtuosity and songwriting skills April March. AKA Elinor Blake, is nicely ramshackle take on the Scotia had had its moment to perfect soundtrack for holing —Bryce Dunn are simply too great to be cast cool for the following reasons: 1) mod composers (Jim O'Rourke, shine. Matt Mays shows us its alive up in your bedroom with lots of aside so easily. They really have she pretends she's French, 2) she Eric MarthewsJ-Stevens calls on and well. He slaps us west coast pillows and lit candles. One of The Mountain Goats to be admired for their ingenuity, worked as an animator on Pee the only form that will do: the snobs in the face with his self-titled my favourite tracks is amazingly We ShaH AH Be Healed their musical exploration and Wee's Playhouse, 3) she was an concept album. And while many debut, with his own style but with simple-"An Ideal History"-which (4AD) for their fun-loving approach animator and writer for The Ren records fold under the weight of an oh-so-East-Coast feel. is two and a half minutes of wind- There are few Mountain Goats to song writing, not to mention and Stimpy Show, 4) she is the star their concept, here it's the trump This is a man who loves his up jewelry box sounds. It can fans who don't miss the old days their storytelling lyrics which often of an upcoming a comic book, card. If you are cool with Stevens' hometown of Dartmouth, and sound demented and creepy or of John Darnielle's voice, backed come off both intimate and and 5) her latest album. Triggers, voice, which can get a little cute you can hear and feel it in every innocent and comforting. only by tape hiss and frantic guitar innocent. In the end. Mr. Bones' is wonderful. For her second solo at times, the resulting conflation song. He takes us around his "Temporary Things" stands strumming, all tied together by his Walk-in Closet is an endearing effort, the Californian chanteuse of pervasive Michiganiana, block, around the tree-lined "city out too as it in some way reminds stories and sense of humour. With album, but I have a feeling that teamed up with producer wonderfully epic track titles of lakes." It has remnants of his me of Nine Inch Nails' "Hurt": their last album, Tallahassee, the it's going to be overshadowed Bertrand Burgalat to create a ("Detroit, Lift Up Your Weary Head countrified Guthries days but with but somehow Rick's whispered Mountain Goats fundamentally by the subsequent recordings the modern interpretation of '60s [Rebuild! Restore! Reconsider!]") a slightly stronger rock flavour. A vocals sound more necessary changed, moving to a production Barmitzvah Brothers put out. French pop. The result is a stylish, and unfolding moods and themes comparison to young Petty isn't than Trent's. I keep expecting studio, with a band to boot. Initial —Soren Brothers swirling sound that makes full will pack each passing song with too much, it's justified. the simple but haunting "Hurt" reactions were mixed, but most use of the possibilities of stereo, a little more of whatever it is that you may be looking for: scorching The first time I saw Matt keyboard downward scale. I came to the same conclusion— Sfreeghtiight Manifesto moving from the spy music of oboe riffs, anti-Globalization Mays, he was opening for Sam actually tried mixing the two songs this is still Darnielle, and there's still Everything Goes Numb "Coral Bracelet" to the synth-y fodder, sad beauty, maybe just a Roberts and no one recognized together but I needed to slow a spark to the music that makes (Victory Records) rock of "Somewhere Up Above", new record to throw on while you him, or El Torpedo. El Torpedo is down "Hurt." If could totally work it Mountain Goats, and so we When I chose this CD, I was in a and staying nearly perfect the clean up the house. the band that accompanies him In some parts, though, I swearl still love it. Well, with We Shall All blue mood... I'll admit, I was a bit whole way. —Basil Waugh on his live gigs; they add such a What else can I say about Be Healed, the same approach sad that the school term was over —KatSiddle vitafity that I wished they would this album but that it seriously as Tallahassee's is in effect, and and the Christmas break was at unite and record with Matt as the becomes better with every so again we have to wonder if my doorstep. I wouldn't be The Thrills Raising the Fawn lead singer. By the end of the set, repeat: which is pretty amazing his songwriting and expanded seeing my friends everyday and So Much For fhe Cffy by fhe warmth of your flame they seduced the crowd, got an because I liked it right from the recording techniques will be able I would be working my poor little (EMI) (Sonic Unyon) to compensate for anything that enthusiastic standing ovation, and start. ass off. But as soon the first few I have to admit that I was a For an EP. it blew my mind. he might have lost along the way. sold more CDs and signed more —Natalie Vermeer bars played, I was like, "Screw bit skeptical early on, what It's reminiscent of so many Recorded in one 10-day session, it autographs than any unknown friends! I have music!" Yes, this with the recent onslaught of more bands I know and love, feels a bit rushed, but with Darnielle opener I've ever seen. The Minds album was definitely a picker- rhyming "The" bands (The Kills, Radiohead, Sigur R6s and local that's almost a good thing. While Actually, 'unknown' is Plastic Girls upper. Six male band members The Stills) invading my eyery band Stabilo, to name a few. the humour seems to have mostly inappropriate-sort of. Matt is big (Dirtnap Records) manage to skillfully choreograph orifice. However to my surprise, I'm not sure I could quite do died away, the songs are still on his own East Coast turf. With With so many good bands bass guitar, uh... "normal guitar," "Dublin's The Thrills debut album. this EP justice, as it is beautifully structurally simple, even if they're the amount of East Coast Music coming outta Portland these baritone sax, tenor sax, alto sax, So Much For The City, wasn't half conceived beyond words. Singer now more texturally complex. This Award nominations he's gotten days, (Hunches, Triggers, Epoxies, trumpet, trombone, drums, and bad. In fact, it was about three John Crossingham of Broken tends to leave the songs sounding and the amount of praise poured Electric Eye etc.), it's a wonder vocals into a kick ass sound that is quarters good. Listening to them Social Scene is the essence of a bit shallow at first, but given that down on him, it's surprising that he how anyone can keep track of neither overwhelming with noise was like listening to '70s radio Raising the Fawn, and with by the most popular complaint with doesn't have a bigger following 'em all. Add The Minds to the or reminiscent of scarring grade in your Californian motel room the warmth has proven himself the Mountain Goats is that all on the West coast. list and try to stop the bum rush. eight band class memories. Titles just as the sun is setting, and all to have one of the most haunting the songs can sound the same, —Parmida Zarinkamar Combining the aforementioned like "A Moment of Silence" and you want to do is cry yourself to and intriguing voices to come WSABH comes out as surprisingly Epoxies knack for synth-pop "The Saddest Song" will sure fool sleep. A bunch of Irish lads singing out of the Canadian indie rock successful. Darnielle mixes some The Rhinos goodness and a singer with a the hell out of you, but in a good about Santa Cruz, sunshine and scene. And I'll tell you, I'venever of his earSer sounds on songs such Year of the Rhinos cheese-grater throat to give happy way. I would recommend Hollywood? Crazy talk! Evidently, been a fan of the banjo, but as "Home Again Garden Grove," (Rainbow Quartz) songs like "Night Drive" and "Hot" each and every song—no matter they had spent four months in San now I check such opinion. The and also successfully introduces Did anyone else hate it when just enough punk rock mozza for what the title—of this album to Diego writing this album. I can't vast array of instruments used in new sounds that the Mountain you were a kid and your parents the Rip Off records purists, and anyone, anytime, anywhere. help but compare lead singer the production of this EP, running Goats have never before put KISS fM on the car radio? you got yourself a winner. Nice Conor Deasy's vocals to that through banjos to xylophones, explored on songs such as "Mole." The songs aren't in-your- Well. I popped in this CD, and Adverts cover, too. of fellow panting exhaustionists all manners of acoustics and Even though the songwriting skills face either. Tracks often start flinched: instant flashback to pre- —Bryce Dunn Bright Eyes' Conor Oberst and electrics, together contribute to of the Mountain Goats may not out soft, slow, and wonderfully adolescence in my family's beat- Death Cab For Cufie's Benjamin the emotionally powerful and be good enough to compensate rythmic, shoot up to some mad up Toyota. Gibbard. Despite this dreary ethereal qualities of the songs.. SpreadEagle for the humour and atmosphere mad playing, then ease back disposition, songs like "Santa And although the track list Granted, at times the S/T they used to have, Darnielle is down, then shoot back up, then Cruz (You're Not That Far)," "Big numbers only five, with a running Rhinos are bearable. But for the (Nerve Records) still undoubtedly able to paint a ease back down... It's a rockin' Sur," "One Horse Town" and time a little over 26 minutes, it's most part, this band sounds like Well if you can get past lovely thousand pictures with his words, balance that keeps listeners on hidden track "Plans," make this comfortably in the range were watered-down and mediocre cover vixen Meghan...l SAID, if and that's what counts. their toes. They sound a lot like. record enjoyable with dancing it can be left on repeat for a Beach Boys. Cheese-dripping you can get past Meghan what —Soren Brofhers No Doubt before Gwen went pianos and delicious build-ups. while, as I frequently find myself and cliche and painfully lacking , you hold in your sweaty palms is ghetto fabulous. If No Doubt had With a wide array of instruments doing. The song that stands out something you can't quite the first (and only) claim to Mission unprotected sex with Sublime, (banjos, organs, pianos and what the most on the EP is the last, put your finger on. Attitude? fame, a bar-room brawl set to The Barmitzvah Brothers they would probably name their appears to be a slide guitar). The "country home," a toast to the Creativity? It's like Christopher music for the most ADD-afflicted Mr. Bones' Walk-In Closet baby Streelight Manifesto (not Thrills keep things interesting and old fashion and recorded in lo- Cross, I don't want to listen long rock and roll fans among you. (WeeWerk Records) minding the custody battles, spirited at the best of times. At fi. where Crossingham's voice enough to figure it out. Yes, allegiance to Motorhead. I think I should really start telling child payments, etc..) Uh...yeah. others, I can't help but become steeps to new levels of melody —Parmida Zarinkamar and the Dwarves is recognized, people I'm from Guelph, Ontario Unprotected sex bad, Streelight bored with balladry. I want and grandeur. I'd definitely say but I'd venture these guys (and (home town of the Constantines, Manifesto good. to love them. Really, I do. But that Raising the Fawn is a band to gal) listen to a little Boston and Royal City, and King Cobb Spokane —Eurassia everything else makes me feel look out for in the coming years. maybe even some Outkast Steelie to name a few), because Measurement like I hit "repeat." —julia (Jagjaguwar) (although they'd probably never maybe they'll finally start taking End This Week With Knives If you like the slow of Low, the admit to it publicly). Me. I can my music seriously. Or will they? We Are So Transparent —Patricia de Matos drama and control of Godspeed, shake it like a Polaroid picture The Barmitzvah Brothers are (Hell or High Water) You Black Emperor! and the to these tunes just fine, but if you three teenagers from Guelph They mix hardcore with emo and Sufjan Stevens eerie vocals of Trish Keenan of can't make it on the floor, next whose musical style can only something tortured, yet deny Greetings From Michigan, the Broadcast, you could totally love best thing is let to SpreadEagle be described as grab-bag. This resemblence to other bands Great Lake State Spokane. kick your behind down onto the means that they occasionally in their genre. A first thought (Asthmatic Kitty) This album seems to cigarette and beer-encrusted sing in Hebrew (for the Tun of it), is that they may remind you a Ah, Michigan, land not only of become fuller with every listen. carpet that Meghan finds herself and choose to root their songs in little too much of a west coast historic race riots, husks of industry, Rick Atverson's hesitant touch- laying in after too many nights of bizarre sounding household items version of the St.Catherines and mysterious seepages, but T.\4*^> quirky bouncing songs backed "Dead Passengers". Highlights ahem—water sports, provided by cello and violin and you get included "Don't Be Shallow", the band with the first of many live reviews the Idea. "Is. >.;ix "You Know So WeH", "Sleep on opportunities for spectacle. When it was time for the Needles" and "Single-Hand Bathing the stage in yellow lights headliners I could hear a few Affairs". The audience was also and throwing dozens of yellow people chatting about the treated to a few new songs. streamers into the crowd, even drunken nature of the lead singer One of the new tracks, "It's the most prudish audience Aidan Moffat, and I started Over", grabs your attention right member was left longing to be wondering myself what kind of away, sounding both lovely and peed on (okay, maybe it was evening we'd be getting from melancholy live. just me). Three Inches Of Blood Joel Plaskett Emergency The quiet lull between Metric these Scots. Arab Strap came out Lerche had a great stage For the next song, two male Goats Blood Leeroy Stagger and Hot Hot Heat was killed off . as a 7-piece band (as opposed presence, keeping the crowd go-go dancers, allegedly found Fuel Injected 45 November 12 by scenesters bopping along to the two core members), and entertained for over an hour. He on the street according to head October 31 Green Room to a mix tape of The Streets. were all so sober that members was in a playful mood, telling Camera Joel Gibb, joined the The Brickyard For some, choosing between The Walkmen and The Clash. of the crowd were even buying stories and dishing out witty fray. By this point, the stage was I started getting excited about this show and the Broken Social Just when it felt like a Luvafair rounds of shots for the entire remarks. When someone in the now framed by two beautiful, this show at about two in the Scene show was one of the resurrection, the lights dimmed band, which were (mostly) turned crowd cat-called to him, he soon-to-be-nearly-naked torsos, afternoon on Halloween. As I hardest decisions of their lives. and the crowd surged to the down and left by the side for cheekily responded with, "No with everything—from projected wandered the depleted aisles For me, it was one of the easiest. stage and jumped in time to - thirsty concertgoers. animals allowed". He even'had song lyrics to the cloth cut out of Value Village searching for a Since moving to Vancouver I had the swaying of Steve's big hair. Being sober, they were some audience participation at banners favoured by churches "depressed housewife" costume, been waiting for one thing, and Racing back and forth from one musically all there and more. the end of "All Luck Ran Out", to musicians dressed as sailors I looked across the room, and one thing only: a Joel Plaskett end to the stage to the other. Hot They had great moments with the leading a sing-along of na na and rabbits—in between. The who did I see but a few of the Emergency show. Hot Heat showed us why they're live drums (as opposed to their nas. The big fans in the crowd enthusiasm of the band was members of Three Inches of The night started off with an so... hot. Though short, the set was usual electronic blips) trumpet, anticipated this concert tradition so great that a Vancouver Blood, who were also searching excellent performance by Leeroy mostly the best from Make Up the cello, violin, and guitar all working and were providing back-up audience was coaxed into the racks. My spirits, lost in the Stagger. Just something about Breakdown and the sound was together as one, but I couldn't harmony throughout the song. dancing for a whole song ("I crush of last minute bargain that voice drags you into his tight. The kids ate it up like candy. help but shake the feeling that Lerche shook things up a bit Want Another Enema," no less), hunters, soared. Costumes, music, which all in all is rumoured Whether it was the bouncy some of the music's, core was when he used the distortion as directed by band members. I realized, make for a good to be significantly better than in keyboard intra of "No Not Now," missing. Such a major aspect of pedal on "Sleep on Needles". That was probably the most show. Now, I'm not a metal past months. the perky "Get In or Get Out," Arab Strap's music is rooted in He was mellow one moment, unexpected spectacle of all. aficionado, but I am a huge fan The Joel Plaskett Emergency or the popular "Talk To Me loneliness, fear, and feelings of rocking the next. Ironically, he As for the music itself, the of Halloween. The spirit of that didn't waste much time before Dance With Me," watching Hot ineptitude, which didn't really labelled this dynamic display Hidden Cameras performed black holiday set the tone for taking the stage and beginning Hot Heat feed off their fans felt come across all that much with as "soft rock". The only rival to magnificently. Most songs were my evening, and my enjoyment their set, which lasted almost more like a giant sing-a-long 80's the performance, as opposed Lerche's voice was his killer guitar from The SmeU Of Our Own and of bands I might not always go two hours and did not leave dance party than your typical to their recorded music. As a skills. 2001 's Ecce Homo, but there to see. anyone unsatisfied or wishing he impersonal concert. When the result I found the concert feeling The crowd response was were a handful of new songs, Goats Blood played first. or she had gone to Richard's on kids screamed, "I love Victoria!!" a bit less honest, and a bit more huge that night. After the encore, all of which sounded great live. There was some nice violin Richards that night. Joel Plaskett Steve sheepishly grinned and generic, even though there's the audience didn't budge More than anything else though, action going on above the was absolutely fantastic, not said, "I love Victoria too". Smiles no denying the beauty of their and kept on cheering and it was great to be see a band predominantly heavy songs missing a single note, going all abound, Hot Hot Heat plain sound, and their sheer talent. stomping until Lerche came out make use of the full potential of a and rhythms, which made for out with those guitar solos that rocked the casbah. Maybe I'm just a sentimental and graciously took a final bow. performance. They even played some interesting listening. Fuel are so familiar to Thrush Hermit I've come to realise that, fool and can't appreciate Four words (on a button that a song blindfolded; it was pretty Injected 45 took the stage next, fans, playing requests, improvising musically, we live in an exciting good music when I hear it, but an audience member gave to sweet. wearing all white, and I am lyrics and tossing out witty banter time. There's that buzz in the somehow I missed the thought Lerche) can sum up the evening: Duncan now fully aware how frightening between songs that was actually air and an intensity at the of two guys sitting in a dark room How sweet it is. that clinical look can really shows that, for a while, I never in Scotland, playing around and Emily Khong Notes From Underground be. Between songs the singer There were many highlights thought I'd get to experience. trying to make as emotionally The Skinjobs spoke sweetly, giving candy out in the set, including audience-led Vancouver's live venues may powerful a sound as they can Hidden Cameras A virgin In Hollywood to the audience, but as soon backing vocals and a multi-song be shrinking, but the music is together, in an attempt to The Gay Ms. T's Benefit she started singing she was a section of '70s honky tonk covers increasing and it's not stopping. overcome severe depression. November 25 November 28 woman possessed. The huge low (think Lefty Frizzell), leading to a What I saw that night proved that Soren Brothers Richard's on Richards Pat's Pub voice that came out of her was"' '90s R&B cover of R. Kelly's remix the Canadian indie rock scene is Duncan came late, so I agreed Ms. T's Cabaret burned down overpowering. I half wanted to to "Ignition". Probably the most nowhere close to dying. Sondre Lerche to make a few comments about and nobody gave a shit. Or so I run up to whoever was about to memorable point of the show, Robyn Hanson Adrienne Pierce The Gay, who opened up this thought. I was told some bands bite into the chocolate bar or however, was Joel Plaskett's November 24 wonderful concert. I think it's butted heads with Donna, Ms. T's Jollypop that she had given out haunting solo acoustic version of Arab Strap Richard's on Richards safe to say that Vancouver is owner, but as much as I screwed and wrench it from their hands. Jt the Thrush Hermit song "Before Sparrow For this show, Adrienne Pierce slowly becoming the supergroup over that poor woman, she never could be poison; you can't trust You Leave," from the band's final Malcolm Middleton was the opening act, and she capital of the world, third only held it against me. She let me her, not with that voice. I haven't album, Clayton Park. November 23 took the unusual route by singing to Duluth and Copenhagen. play there every time to almost heard any reports of mysterious Nothing could have possibly Richard's on Richards a capella for her first song. It was The Gay features members empty capacity, and on Friday, illnesses, but you can never be made this show better. With the First off, who would've guessed a nice surprise. Pierce comes from Vancouver Nights, a lot of recognizable bands were too careful. intimacy of such a nice, smaH that an arab strap was a sex across as a melodic singer/ Superconductor and the Beans. at Pat's Pub to pay their respects Lastly, the highlight of the venue packed with Joel Plaskett toy? I suppose someone who songwriter, singing in a soft tone Alone, they are lost, powerless too pretty decent venue. evening, a just home from tour fans and great music, the band has listened to Arab Strap's with a childlike innocence.She and lack direction. Together as The Badamps had to Three Inches of Blood. Honestly, ended a perfect night with an lyrical content, or for that matter was armed only with a guitar and a group, they are found, strong cancel due to a case of mono, I can't even remember if they energetic "From The Back of someone who's wondered drifted through her repertoire. The and have direction. (Badamps and Revisionist, were wearing costumes now. the Film," another Thrush Hermit why Belle and Sebastian make highlights of the set were a song This event was quite eventful sittin' in a tree ) so A Virgin in I think they were, but my focus favourite among all of the '90s reference to it, but still I had called "Sylvia" and the highly because I met Randy Iwata from Hollywood opened up the night. was entirely on the songs and East Coast music scene fans. And no clue. That being said, there requested "Arizona". Her quiet Mint Records. His goatee makes A Virgin in Hollywood. Oh yes. the energy of both the band and there were a lot of us. were no sex toys anywhere in demeanour was a nice change him looks sinister. Sign me up! Didn't my band handily dismantle the audience. The crowd was Kimberley Day sight as Malcolm Middleton, of pace from the hectic world The Gay have the greatest them at last year's SHiNDiG? glad to have them back home, half of Arab Strap, opened up outside. shirts. It's like the Bay logo, except They sound a lot heavier since and this on top of an excess of Hot Hot Heat the night with his solo acoustic Sondre Lerche brought it says "THE GAY." GENIUS! And that fateful evening, but that girl both candy and beer made for Metric music (which was more or less a healthy dose of charm to after all that goodness, you'd has got some pipes, and now a good set. There was plenty The Unicorns lyrically paralleled with Arab Richard's on Richards. This think I'd be let down. NOT she's hiding it behind a guttural of pushing; I saw a little bit of November 17 Strap's music). For example, his was the first time that Lerche SOI Every band should have screech. I really like the new shoving, and at least a couple Croatian Cultural Centre final song, which was probably headlined his own North an accordion. That girl was direction, but I hope Elisha can of people were doused in beer. The drive across the city in a the best, had him returning to American tour. It was a treat awesome. The songs were full of find a balance between singing What more could you want torrential downpour didn't stop the thought that his songs are "all to have Lerche perform in wonderful melody and a great and screaming. from a Halloween show? By the me from seeing Hot Hot Heat, but shite" and that he'd amount to Vancouver again. Without props, spirit. The crowd loved it. Buy the I was surprised by how much end of the night I believe the it did prevent me from catch nothing. a fancy light show or back-up album, you jerks. TAG. Take it, I enjoyed The Skinjobs. They had metal gods had been satiated ing Vancouver Island's much Needless to say, it was a band, he was just a guy with an Duncanl some hard-driving art-tinged for another year, as was my talked about The Unicorns, which bit of a change of pace when amp, guitar and smile. Chris-A-R'iffic punk tunes. And it was fun. The craving for miniature chocolate I regret. Regardless, it was still a Sparrow hit the stage soon Lerche's songs take on a songs were upbeat and the . bars. On a last note, awards for great line-up. Metric were on after him. I actually thought it new life on stage, there is an It's true, I came very close to dancers were a nice touch (I best costumes go to, in no order stage when I arrived at the Croa might be Arab Strap coming up upbeat vibe and energy. He has sleeping through The Hidden think one was checking me out). other than that in which I saw tian Cultural Centre. It was a post- because of all the fog they were a smooth voice that reaches high Cameras' show. However, thanks I can see them getting some them, Tron, Pee Wee Herman, punk fury led by an energetic pumping to make a mysterious notes effortlessly. He must be an to some benevolence from acclaim, if they haven't already. and the retiree jogging couple. mini-skirt clad keyboardist, Emily or dour atmosphere in Richard's, old soul because he manages transit gods, I arrived just as the Notes From The Underground Unfortunately there are no Haines. Emily is a natural leader but instead it was these sunny to channel vocal stylings and nine-member Toronto collective were clearly the most musical prizes, just my eternal reverence. on the stage, rocking it out hard popsters, whose music was melodies from past eras. His was starting up with "Golden of the three, and the tightest Congratulations. with confidence and style. The something like the Starlight Mints phrasing is unique, where he Streams," the first track on their ensemble of the evening. The Angela Friesen crowd embraced Metric and with maybe more keyboard and plays aroundwith melody and latest album, the excellent The four-piece laid some finely displayed their love with cease less guitar. Just try to imagine a vocal delivery. Smell Of Our Own. The song, a crafted pop tunes, and the less dancing. , smiPng keyboardist pumping out Lerche opened the set with gorgeous ode to the delights of— crowd dug them, as did I. clubbers as they cluttered the SoorejPooni chummy with the'crowd, the streets on this Saturday night, sound was better, and atmo scampering off to the same old Travis sphere was everywhere. Well, the clubs to dance to the same old Jason Falkner band tried to get chummy with music. But little did so many of January 22 us, bassist Jim Diamond sang "I'm these faces know that just down Orpheum Theatre Through With White Girls", then the street, the city was home, for Travis kicked off their U.S. tour proceeded to illicit marriage pro a night, to the great excitement here in Vancouver. This was the posals from a couple lucky ladies, that has come to encapsulate Scottish band's third visit to Van but the sound was so muffled you indie-rock fans of today. After the couver; the fast time was back in couldn't hear half of what was release of their second full length, 2001 when they opened for Dido. being said. The set was plagued (n Keeping Secrets of Silent Earth: Their return was long overdue. with bad sound from the start, and 3, Coheed and Cambria have Jason Falkner set the mood there was very little atmosphere, set the stage for further touring for the night and energized the but the band made the most of and returned to Vancouver at crowd. He was literally a one- it. Before I go any further though, Richard's on Richards. Two hardly man show. He took over the gotta send a heartfelt apology to known bands: Jamison Parker stage with his electric guitar and my bras in the Ho's, 'cuz I missed and Vaux opened up for Co a microphone. Some may know their set, I'm sure they were at their heed and Cambria, while Bear Falkner from his days with the most rockinest. Strolled in a couple vs. Shark decided not to cross the bands Jellyfish and T.V. Eyes. songs into The Sights set, and man, border as the other supporting For those in the audience who what a change from seeing them band. didn't know who he was, he won only six months prior when they Jamison Parker presented them over by the end of his set. opened for The Datsuns, no bassist, themselves as a two piece with He had a spunky stage presence different keyboard player and lots a drum machine and melodies and upbeat and alt-rock songs of new songs, mostly branching off that ached to do something new. were his speciality. He played into psych-rock territory and not Vaux consisted of a six piece with along with CD tracks of his album as melody driven as the material strong stage presence and a in the second half, with the from their last album, Gof What nifty light show and fog machine, vocals taken out, so his backing We Want, of which they played while trying to do something that band was supplied by the stereo "Don't Want You Back" and so many emo-punk bands are system. From the crowd reaction, "Nobody", the soulfully epic closer spitting out these days. These they enjoyed every crazy second from the record. The Hammond B3 openers had moments of intensity of his performance. was a nice touch too, but could and appeal, but overshadowed For the rest of the night, have been higher in the mix, as themselves with a lack of Travis kept the energy level up it had to perform double duty as anything that the audience by treating fans to almost 2 hours bottom end and melody at once. could really eat up. of music. In a live setting, the It was only fitting that Coheed and Cambria new songs like "Quicksand", "The The Dirtbombs kicked off the brought their progressive rock Fear", "Peace the Fuck Out" evening with "Start The Party" sound at full force as they and "The Beautiful Occupation" from Dangerous Magical Noise, stepped on stage to the fantasy came across as more rich, dense, because partying is what they intra track to their new album. loud, and rockin' then their studio came to do and we were more The Ring in Return, and blasted versions. Things evolved even than ready to do our part. New away with the complex and epic more when lead singer, Fran addition Ko on second bass sound of the following title track Healy yelled and screamed; added more punch to Jim's to the disc. One might wonder, it was almost painful to watch already rock solid four string, and what makes this band so original the raw emotion spill out of him. the tag team of Pat Pantano Metric at the Croatian Cultural Centre photo by Grace Ma arid interesting, other than what • because both his face and body and Ben Blackwell on drums may appear as a stolen LOTR looked contorted. This was a allowed for some cool fills and So let us raise our glasses and onstage it was if they'd never Highway could not theme—but is actually nothing nice change of pace from the toward the end of the set, Ben toast Ms. T's one last time. I miss been apart. The perfectly-timed even take a stab at pronouncing, of the sort. It's the fact that this other material. Older favourites took his turn at Keith Moon-style the bath house already. sloppiness, the "Are they or aren't there's gratitude for ya), and band's guitar work, vocals, lyrical were revisited as well. The bassist theatrics, by tackling Ko as she Chris-A-Riffic they?" Christianity, and the sheer despite 90% of the crowd having theme and musical cohesiveness Dougie Payne shared lead vocal tried to get behind the kit. Of emotional intensity that define read the little puff piece the are simply amazing. Though lead duties on "Turn," prompting the course all Mick had to do was Jon-Rae and The River the Jon-Rae show were all at Straight presented as reason to singer Claudio managed to fowl question: Why doesn't he sing smile and play, smile and play. Jauary 8/9 optimum levels. Darcy's soulful check out the latest Sweden has up a few words and wasn't 100% more often? Lots of tunes were played from The Brickyard / Pat's Pub guitar stood out in particular. to offer, they did not disappoint. on vocals due to being sick, the new record, including "Get On« purely empirical level, His expressive melodies wove Taking us on a "Sweet Ride" of The highlight of the night had he still dished out an amazing It While You Can", "Thunder In Vancouver is getting worse. The in and out of Jon-Rae's vocals, Kinks-inspired garage or injecting to be during the encore. Healy performance. The Sky," "Motor City Baby", Olympics are coming, CN is combining with Kim's violin and • us with some "Motown Blood," came out alone on stage and and "Earthquake Heart", which fencing in the eastside train yards Anne's impassioned back-up was the expressed purpose of Fans cried out singing along asked the crowd to be silent for had Rich Hope and I taking turns with razor wire, and Jon-Rae singing to create a sound that Mando Dlao' s trip across the to the band's extraordinary "Flowers in the Window". The singing the back-up "Baby!" parts Fletcher, Anne Rust-D'Eye, and was at once densely layered yet ocean, and of course to show us lyrics, which are based upon scene was set as Healy proceed to each other like we were giddy Ryan Sawatsky have moved to never too heavy. why there is always a need for Claudio's complex and artistic ed to play an unplugged version, fan boys. We got plenty of soul Toronto. But for two bittersweet more organ solos (he was a bit epic of fantasy writings. This singing the song without a mic. It Both nights were packed covers from Ultraglide In Black like nights in early January, we were buried in the mix, one small gripe series of writings explains the was wonderful. with friends and fans, often one "Underdog", "If You Can Want," able to forget the trials and of the Pic's sound system). strangely enticing names of the There were many and the same. There were tears and "Kung Fu" with additional tribulations wrested upon our fair They saved "Sheepdog" for band, its albums and events and memorable moments during both on and off-stage. It was mood lighting for extra spookiness. city, as we were transported into the halfway mark, and almost characters such as those who the show. Healy did just about over all too soon. We can only I love how they rip the bass lines the not-so-distant past by the didn't get through it when singer/ grace the bands name. With this everything that night from hope for another West Coast visit, from "Bela Lugosi's Dead"! Also sheer magic of Jon-Rae's music. guitarist Bjom Dixgard crashed geek theme aside, the band put clipping his nails on stage to and dream of the Vancouver in the set was "Cedar Point '76", headfirst into his amp. No matter, on a powerful show and dished donning a scarf around his head A friend rested his head that once was. their rockin' ode to pinball, and he was saved by the breakdown out everything expected from for a fan. Healy really does say on my shoulder during one set Susy Webb only one tune from Homdog Fest, provided by his partner in rhyme, the crunchy emo sounds and the damdest things! He talked and mused, "Do you remember "I Can't Stop Thinking About It", Gustaf Noren. They served up complex guitar work off their first about wanting to become a when this used to be every Mando Diao which I settled on only after yelling other cool tracks from Bring 'Em album to the progressive and woman for a night, and talked weekend?" I sighed, thinking Orchid Highway myself hoarse trying to get them In like "Mr. Moon," "The Band," varying themes of the new one, about his stage towel that was a back to early Jon-Rae shows November 29 to play "Granny's Little Chicken". and "Paralyzed," and finished which made for a great set for lovely shade of brown: "Lovely for at Ms. T's, the like or which will Piccadilly Pub The encore was definitely worth with an isley Brothers-style rave- fans new and old. wiping your bum." never bejeen again. Jon-Rae's Hadn't been to the Pic since the the price of admission alone up which wrapped up the show Coheed and Cambria The boys of Travis prove that heartfelt, sometimes disturbingly summer, so'it was good to see — when Mick started singing the at the punctual hour of 1AM. showed that they could carry a little emotion/energy/humour/ authentic brand of country music some things hadn't changed first line "I was bom an original Those who stuck around got a over technical, melodic and tight talent goes a long way. is truly unique. Over and above (still dark as hell, small stage, and sinner..." the crowd was on its little more of DJs Lee Modem and sounds to the stage with a great Emily Khong his incredible songwriting, the puke in the urinals), but I digress. knees! "Missionary Man" by The Zumatt's trademark grooves as effort and show, and left their chemistry of backing band The Orchid Highway, you would think Eurythmics! Fucking brilliant! And they'd been spinning throughout fans waiting for them to headline The Dirtbombs River is something that cannot your time in London would have The Elois garage-pounder "By My the night, keeping the great this summer's Warped Tour. This The Gung Ho's be replicated. Vocalist Anne at least taught you how to dress Side", over the top! and guitar virtuoso Ryan are now better (leather, or is that pleather, Swedish rock tradition intact. will be a welcomed vacation The Sights in Toronto with J-R, but bassist pants?) and not to cover "Hush." Bryce Dunn from Richard's where touring January 22 Next time The Dirtbombs Steve Hubert (The Fireside Room), That's something I would expect bands don't even know the Commodore Ballroom come to town, don't miss the guitarist Darcy Hancock (The from that band that plays the Coheed and Cambria venue is 19+, and where a 10:30 I was pretty disappointed when boat, and hey guys, next time Metic), drummer Ryan Peters Brit night at the The Cellar. Wait Jamison Parker band curfew has been instated they decided to move this show bring more swag! We want merch, (The Mennonfles) and violinsit a minute, maybe you are that Vaux so that the dance party can get from Richard's to the vgcuous dammit! Kim Koch (Sparrow) remain in band? Oh in that case, don't quit January 17 under way. If you're looking for Commodore. Seeing The Dirt- Bryce Dunn • a great sounding band to take Vancouver. your day job. Richard's on Richards bombs last year at The Crocodile you "off your feet, Coheed and in Seattle (a venue much similar While the group hadn't Clearly the night belonged A dark rain fell on downtown Cambria are a sure catch. to Dick's), the band really got rehearsed together in months, to the headliners (who Orchid Vancouver and a myriad of .ji<&*«*"r> most dangerous criminal! gem! chicken or stir-fry vegetables!" ^M discord roll debris. David "Love" Jones brings performances. 9:00PM-1 1:00PM SKA-FS SCENE-IK DRIVE! you the best new and old jazz, GENERATION ANNIHILATION PLUTONIAN NIGHTS 10:00AM-12:00PM soul, Latin, samba, bossa and 12:00PM-1:00PM 11:OOPM-1:O0AM Email requests to: MONDAY TUESDAY WEDNESDAY FRIDAY FILL-IN PACIFIC PICKIN' PLEASE ROCK REGGAE LINKUP (RT) THE DOOR (EC) l-IUU-IIN FILL-IN (RG) SUBURBA ^ JUNGLE (E BREAKFAST HIGHBRED VOICES END OF THE CAUGHT IN (WO) => WITH WORLD NEWS (EC) THE RED (RR) THE THE BROWNS FILL IN ARE YOU THIRD TIMES SATURDAY (EC) PLANET SERIOUS? THE CHARM (RR) EXQUISITECORPSE(EX) SKA-T'S EDGE (RT) MUSIC (EC) LOVETRON (DC) SCENIC DRIVE (SK) FILL-IN | kilORNING AFTER FIRED UP (TK) THE DIM SUM SHOW ANOIZE (EC) FEEL TO REAL (TK) (NO) GENERATION BEATUP UNPACKYOURADJECTIVES THESE ARE THE ANNIHILATION (PU) RONIN ' ROCKERS (EC) THE FOR THE STEVE & MIKE (HC) BREAKS (HH) SHOW (RG) PARTS UNKNOWN pLEMENTS (TK) SHAKE (RR) RECORD (TK) POWERCHORD (PO) THE ONOMATOPOEIA (MT) CIRCUIT TRACING DEMOCRACY NOW (TK) SHOWfTK) LEO RAMIREZ (DC/EC) SHOW (WO) SANDBOX THEATRE (TK) BLOOD ON THE RADIO . 1 EN AVANT MOTORDADDY/ RHYMES & CODE BLUE SEIU(TK) | LA MUSIQUE (FR) NARDWUAR SADDLE (RT) RUMBLETONE RADIO REASONS (HH) (RT) ABSOLUTE BEGINNERS (EC) MEAT EATING VEGAN (EC) (RR) PRESENTS (NW) CHIPSWITH 1 SAINT LOCAL KIDS 1 PEDAL STRAIGHT TALK (TK) WENER'S BBQ (SP) NECCESSARY MAKE GOOD FEVOLLmON(TK) CTTR NEWS AND ARTS (TK) ELECTROLUX HOUR (EC) EVERYTH«Q CH=children's • DC=dance/electronic • EC=eclectic • EX=experimental • FR=French language • GI=goth/industrial • HC=hardcore • HH=hiphop • HK=Hans Kloss • Kl=kids • JZ=jazz LM=live music • LO=|ounge • MT=metal • NO=noise • NW=Nardwuar • PO=pop • PU=punk • RG=reggae • RR=rock «~RT=roots • SK=ska • SO=soul • SP=sports • TK=talk • WQ=wor1d 7S $&>«+*»n\ •"^»i£vsr To submit an event to datebook send info to: [email protected] Saturday 31 Friday 6 Wednesday 11 Star Collector »mber Albums Mates of State The Dolly Ranchers The Walkmen The Ryecatchers @ Brickyard Rae Spoon The Decemberists ® Media Club 1 THE GAY* You Know The Rules Mint 8 pm (doors) @ WISE Hall The Countless Jibes Sunday 1 9 pm ® Richard's International Playboys 2 RADIO BERLIN* Sister Sounds (Remixes) Globol Symphonic Playing Enemy Rock for Choice featuring: . @ Brickyard 3 HUMAN HI-LITE REEL* S/T Otto Uphill Battle Fuel Injected .45 Thursday 12 . 4 SPREAD EAGLE* ^^ifV^g^H Nerve Goatsblood The Basement Sweets Notwist Saturday 21 Skinjobs ® Richard's Radio Killer 5 YOUNG AND SEXY* Life Through One Speaker Mint A Javelin Reign No-No Spots Absence 6 V/A* Paper Bag Sampler: vol. 1 Paper Bag 7 pm @ Underwear Farm 10pm@ Brickyard Friday 13 ® Cobalt 7 DIRTBOMBS Dangerous Magical Noise In The Red Right to Rock! featuring: Monday 2 The Golers Faces of Eve Fine Options •8 JOEL* Return of the Fucked Flyer Groundhog's Day, fuckers The Inebriators Flipswitch Mongoose ? SHALABI EFFECT* Pink Abyss Alien8 @ Pic Pub The Grails ® Pic Pub 10 SHINS Chutes Too Narrow Sub Pop Pip Junedog McEnroe Vic Lipucci Dan Swinimer Run Chico Run 11 APPROACH* • Wings Of Monarchs Flyer @ Pic Pub Splitting Adam ® Media Club Notes from Underground 12 UNICORNS* W.W.C.O.H.W.W.G.? Alien8 @ Media Club @ Pub340 13 ONEIDA Secret Wars Jagjaguwar Tuesday 3 Stabilo Starsailor Saturday 7 @ Richard's State of Shock CD release 14 SUN KILMOON Ghosts O' Great Highway Jet Set 9 pm @ Commodore Low Fluffy Star 15 FLAMING LIPS Ego Tripping At The Gates. Warner Chet Saturday 14 @ Media Club 16 V/A DFA Compilation # 1 DFA Numbers 8:30 pm @ The Drink The Evaporators @ Brickyard Los Furios Sunday 22 17POREST Prude Juice... Seeland Rock for Choice featuring: Riff Randells Les Yeux Noire 18 MECCA NORMAL* Janis Zeppelin Smartin Up! Wednesday 4 S.T.R.E.E.T.S. Rosin ® Richard's 19 LAIKA Wherever 1 Am 1 Am... Too Pure Gomez Black Rice Thee Goblins Rachael Yamagata Che: Chapter 127 @ Brickyard Monday 23 20 AL GREEN 1 Can't Stop Blue Note 9 pm @ Commodore Billy the Kidand the Lost Boys British Sea Power 21 OLD BOMBS Audios Soft Abuse 10pm@ Brickyard New Town Animals KaitO 22 STINKMITT* Scratch 'N' Sniff Teenage USA Rock for Choice featuring: Wednesday Night Heroes • ® Richard's Honeysuckle Serontina Three Dots Emergency 23 OPEN CITY The Birth Of Cruel Thin Wrist All State Champion Elizabeth @ Pic Pub Tuesday 24 24 MOVIETONE The Sand And The Stars Drag City End This Week With Knives No-No Spots Super Furry Animals 25 THE WEEKEND* Teaser [EP] Teenage USA Harrow ® Pic Pub Tuesday 17 ® Richard's 7:30 pm @ Video In The EvaporaJors OST Warner 26 KILL BILL: VOLUME ONE The Flairs Los Furios Thursday 26 27 V/A* B.Y.O.P Calgary... Saved By Radio Thursday 5 Means to An End Riff Randells Ruff n' Tuff Jam 28 THE DARKNESS Permission To Land Atlantic Pigmy Love Circus Vincent Black Shadow Thee Goblins @ Richard's 9 pm @ Richard's @ Media Club 7 pm (doors) ® Mesa Luna Cuneiform 2? EL GUAPO Five Suns Friday 27 30 CHARLES McPHERSON*"Liv e at the Cellar Cellar Live Rock for Choice featuring: Monday 9 Wednesday 18 Clumsy Lovers CD release 31 THE PETER PARKERS* This Is Sity Music Indie Carolyn Mark . The Front Dakona @ Media Club Barley Wik Josh Martinez Pilate 32 PLASTIKMAN * Closer Paper Bag Red on the Leftie ® Pic Pub @ Richard's Sunday 29 33 V/A Rocky Horror Punk Rock... Springman 10 PM ©Railway Club Dillinger Escape Plan 34 DUB NARCOTIC... Degenerate Introduction k Tuesday 10 Friday 20 Red Light Sting Chocolate Soup Drive-By Truckers Rant Music The Locust 35 EVIL PUPIL* gallons of void Cyclop Media @ Pic Pub 9 pm ® Richard's ® Pic Pub @ Mesa Luna Indie Home Jobs places to be 1 Mongoose White Plastic Deer concert venues: misc venues: 2 Billy and the Breaking down the barriers Lost Boys that break down your music brickyard 315carrall 604.685.3922 cinematheque 1131 howe 604.688.8202 3 The Plutonics S/T cafe deux soleils 2096 commercial 604.254.1195 ridge cinema 3131 arbutus 604.738.6311 4 Second S/T cellar 3611 w. broadway 604.738.1959 video in studios 1965 main 604.872.8337 Expression in Layman's Terms 5 The Rebel Spell cobalt 917 main 604.764.punk 6 Magical Glass Tears These Autumn Leaves 604.739.7469 commodore 868 granville record shops: 7 Roadbed Autopilot green room 695 cdmbie 604.608.2871 8 Married to Music World's Gotta Go RoUnd lotus 455 abbott 604.685.7777 active pass records 324 w. hasting 604.646.2411 9 The Basement Sweets For Rent EP the main 4210 main 604.709.8555 bassix records 217 w. hastings 604.689.7734 lOSelvatone Across the Bridge 573 homer 604.683.1720 beatstreet records 3-712 robson 604.683.3344 11 Emerald City S/T marine club 12 Little Luann Absorbent pat's pub 403 e. hastings 604.255.4301 black swan records 3209 w. broadway 604.734.2828 13 Salmon Arm S/T pic pub 620 w. pender 604.682.3221 crosstown music 518 w. pender 604.683.8774 14 Pete Campbell My Cool Heart railway club 579 dunsmuir 604.681.1625 futuristic flavour 1020 granville 604.681.1766 15Shitfaced S/T richard's 1036 richards 604.687.6794 highlife records 1317 commercial 604.251.6964 16 Man Down S/T the royal 1029 granville 604.685.7527 red cat records 4305 main 604.708.9422 17 EXP I'm Alive sonar 66 water 604.683.6695 scrape records 17 w. broadway 604.877.1676 18 The Clumsy Lovers After the Flood sugar refinery 1115 granville 604.331.1184 scratch records 726 richards 604.687.6355 19 Screwtape Self Titled S/T WISE club 1882adanac 604.254.5858 zulu records 1972 w. 4th 604.738.3232 20 Mermaid Engine Another Man's Gun Ht &\Wio< o*r mOBRT fmm DYiflHYflHMRSCHYFF —CBHT Bnumn worn BRIMMER ^ FEBRUflRY II RSEBS PARTY MIRY I SMIMHOHGS [YirTFNTIfll DUrrT DflDTV *THBSJOWOI? OF aw SUE LAlAlLnilnL W\\i\l lUMl vnm flflKOOHf flfflOJIMIOTlIZ BRDUBBH (ITDER© © mm RBRUflRnuY 25 mwi ifclii COMPOSER JMPROTHR 0WEIK OT SPWIGBEIS 08 UfUcw,^ we're repnnfinj -K* {*«(• one. The Noise Map ftyteople^Lsa*survey. . ONEIDA CAUFONEf BELLI AND Secret Wars CD Heron King Blues SEBASTIAN ThePopB^hit Wt| | here are 10 reasons this record Tis worthy of your attention: 1. Fans Only m tf This record is equipped with a . If American popular music is struc- fi^l we had last left off with % Itured like the human psyche, then DVD Brighton's Electrelane they song called "Ceasar's Column" — eed something for W that alone implies it has guts. 2. Califone are the unconsdbusanf/ were busy supporting the release of m m i Wilco are consciousness^$K?iof Nthose lazy Sunday jh$rjjtellar'deba|Rock R To The Oneida will impress you with their j ajfternoorjsj.spent lying use of gongs — a rarely employed percussion accent. 3. 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Recalling the repressed matenWeij8r0raSl%|nd then drifts into dreamy ^majjiy^nTes pv^l|ayMou curtealgpina ball up glory dayjjjif The Faith Healers. Moonshake and Laika, we and yang — feedback and synthesizer. 7. Theirjfejpus and ephemera, a loosely evolving ambience. For example, the front of the fire a/id exhausted hoi||lwJiyour recomi^pi} this record for all those who always wished sublime record "Anthem of the Moon" was losffrmroreak^ Heron King itself is a SALE PRICES IN EFFECT UNTIL FEBRUARY 29, 2004 CD/LP 19.98 CDAP**—^^ Dwartatzah Zulu Records STORE HOURS J5J; iaofjMfles ii a melt of tie |||ik:k,;:|| 1972-1976 W 4th Ave Hon to Wed 10:30-700 nods, mw art wxA wmt% I 1 H • SI Vancouver. BC Thurs and Fri 10:30-9:00 Sat 9:30-6:30 tel 604.738.3232 K£C07?D3 Sun 12:00-6:00 www.zulurecords.com