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Actors Anonymous of Legion the Watching from Thrill Different a Be Will That Me, for But, Audience
NOTES FROM THE DREAM FACTORY BY TOM ROSTON he first met when they were both in the 2002 Broadway play Burn This. And although we’re talking about Burrell, Norton might as well be speaking about his own brilliant debut in 1996’s Primal Fear, when he, seemingly out of nowhere, rocketed to recognition. “It is a very particular kind of excitement,” he says. “There is no sense of the artifice. That’s what’s really thrilling.” I am always hoping for pure moments when I watch a movie: those times when my disbelief is so entirely suspended that I forget that I’m watching one. Going into a theater, I often feel overwhelmed with baggage—who the main actor slept with last week, how the director mortgaged his house to get the movie made, and how the production designer only used three shades of green on the set. It even bugs me that once I like a director or an actor, I expect something from him or her, and so the work has an added layer of self-consciousness. When the lights go down, it’s hard to wash the slate entirely clean and just watch. That’s why my eyes tend to drift toward the margins for something surprising. And, often, I see it in an actor whom I know nothing about, and who brings something deeper and richer to his character even though he may have just two minutes of screen time. This may seem random (and that’s the point), but do you remember in the Will Smith movie Hitch, which I just caught on DVD, that there’s this misogynist asshole who is, well, such an asshole? Actor Jeffrey Donovan gets it just right. -
The New Year!
Welcome to the New Year! Can you believe we have already been back in school for almost a month? We’re looking forward to another exciting school year her at Cherry Tree ESE. We have a quite a few returning counselors and some new faces too. Those returning are Mrs. Haddock(Site Supervisor), Ms. Lucero(Assistant Site Supervisor), Mrs. Garg(Head Kid Counselor), Mr. Niemiec, Miss Bartley, Miss Saunders and Mr. Ford(AM program). Our new counselors are Mr. Short, Miss Eacret and Mr. Arbogast. Mr.Short was with us for a few days at the end of last school year and worked all summer at our summer camps. He is a junior at Carmel. Mr Arbogast also worked all summer at our summer camps and he will be subbing for us at Cherry Tree this year so you will see him here and there. He is a senior at Carmel and looking forward to college next year. Miss Eacret is just joining us this year and is enrolled at a local charter school. We are all looking forward to getting to know your kids and making it a great year! CHERRY TREE ELEMENTARY Monica Haddock, Site Supervisor [email protected] | 317.698.6579 July and August Birthdays Happy birthday to those students that celebrated birthdays in July, August and September. Throughout the year our students will receive a coloring birthday card signed by the counselors, a birthday slap bracelet and a sticker around their birthday. Here are some fun facts for each month we’re celebrating this edition. July- July is National Ice Cream month, the birth flower is the water lily, and you share a birthday month with J.K. -
Back by Popular Demand the King of Queens KEVIN JAMES STAND-UP COMEDY TOUR COMING to DPAC, DURHAM PERFORMING ARTS CENTER JUNE 5, 2013
Back by Popular Demand the King of Queens KEVIN JAMES STAND-UP COMEDY TOUR COMING TO DPAC, DURHAM PERFORMING ARTS CENTER JUNE 5, 2013 March 4, 2013 (Durham, NC) — Working class funnyman, Kevin James will be returning to DPAC, Durham Performing Arts Center on June 5, 2013. Following his 2012 sellout show at DPAC, Kevin James is back by popular demand with new material for another big night of laughs. Tickets go on sale Friday, March 8 at 10am: • Online at DPACnc.com • DPAC Ticket Center: 919.680.2787, 123 Vivian Street, Durham, NC • Ticketmaster.com / Ticketmaster Charge by phone at 800.745.3000 Friends of DPAC members may place their orders on March 6. Joining Friends of DPAC is free, and you can register at http://www.dpacnc.com/fod. "DPAC has become one of the top comedy theaters in the country, and Kevin James choosing to return so quickly after his sold-out 2012 show is great news. For fans that missed his first tour, this back-by-popular- demand return will feature both the best moments from his 2012 show plus new material," said Bob Klaus, GM of DPAC. Kevin James is a producer, co-writer, and star of the hit comedies Paul Blart: Mall Cop (2009), Zookeeper (2011) and his latest film, Here Comes The Boom. James starred with Adam Sandler in Columbia Pictures’ blockbuster Grown Ups (2010) and I Now Pronounce You Chuck and Larry (2007); he broke into the film world in 2005 in Columbia Pictures’ Hitch starring opposite Will Smith. The King of Queens, which premiered in 1998, ran for nine seasons on CBS with James starring and executive producing, and it garnered him an Emmy® nomination in 2006 for Outstanding Lead Actor in a Comedy Series. -
Doug Robinson Podcast Transcript
This transcript was exported on Jul 13, 2020 - view latest version here. John Boccacino: Hello, and welcome back to the 'Cuse Conversations Podcast. My name is John Boccacino, the communication specialist in Syracuse University's Office of Alumni Engagement. I'm also a 2003 graduate of the SI New House School of Public Communications, with a degree in broadcast journalism. I am so glad you found our podcast. From an early age, Doug Robinson envisioned a career in the entertainment industry, preferably as a producer. After graduating with degrees in marketing management and television radio and film from Syracuse University, Robinson set about accomplishing his career goals, but it was not easy. Robinson worked his way up from the Creative Artists Agency mailroom to become an agent, and eventually he was a partner and cofounder of the talent division at Endeavor Talent Agency. There, he represented talent like Adam Sandler, Chris Farley, Will Smith, Jennifer Garner, Wesley Snipes and Ashton Kutcher. After these successes, Robinson reinvented himself as a television producer, and his executive producer credits include Rules of Engagement, The Goldbergs, and Schooled. Robinson's latest television project, For Life, is a fictionalized legal drama telling the story of a prisoner who becomes a lawyer and fights to overturn his life sentence for a crime he did not commit. Late last summer, we caught up with Robinson in his Los Angeles office on the Sony Picture Studios lot to discuss how he went from the mailroom to a career as a decorated Hollywood agent and producer. We also discussed how Syracuse University taught Robinson to create his own personal narrative, and why he chose to help start the Syracuse University Los Angeles semester program. -
100 Years: a Century of Song 1990S
100 Years: A Century of Song 1990s Page 174 | 100 Years: A Century of song 1990 A Little Time Fantasy I Can’t Stand It The Beautiful South Black Box Twenty4Seven featuring Captain Hollywood All I Wanna Do is Fascinating Rhythm Make Love To You Bass-O-Matic I Don’t Know Anybody Else Heart Black Box Fog On The Tyne (Revisited) All Together Now Gazza & Lindisfarne I Still Haven’t Found The Farm What I’m Looking For Four Bacharach The Chimes Better The Devil And David Songs (EP) You Know Deacon Blue I Wish It Would Rain Down Kylie Minogue Phil Collins Get A Life Birdhouse In Your Soul Soul II Soul I’ll Be Loving You (Forever) They Might Be Giants New Kids On The Block Get Up (Before Black Velvet The Night Is Over) I’ll Be Your Baby Tonight Alannah Myles Technotronic featuring Robert Palmer & UB40 Ya Kid K Blue Savannah I’m Free Erasure Ghetto Heaven Soup Dragons The Family Stand featuring Junior Reid Blue Velvet Bobby Vinton Got To Get I’m Your Baby Tonight Rob ‘N’ Raz featuring Leila K Whitney Houston Close To You Maxi Priest Got To Have Your Love I’ve Been Thinking Mantronix featuring About You Could Have Told You So Wondress Londonbeat Halo James Groove Is In The Heart / Ice Ice Baby Cover Girl What Is Love Vanilla Ice New Kids On The Block Deee-Lite Infinity (1990’s Time Dirty Cash Groovy Train For The Guru) The Adventures Of Stevie V The Farm Guru Josh Do They Know Hangin’ Tough It Must Have Been Love It’s Christmas? New Kids On The Block Roxette Band Aid II Hanky Panky Itsy Bitsy Teeny Doin’ The Do Madonna Weeny Yellow Polka Betty Boo -
"Ali" the Film: a Review
University of Central Florida STARS On Sport and Society Public History 12-25-2001 "Ali" The Film: A Review Richard C. Crepeau University of Central Florida, [email protected] Part of the Cultural History Commons, Journalism Studies Commons, Other History Commons, Sports Management Commons, and the Sports Studies Commons Find similar works at: https://stars.library.ucf.edu/onsportandsociety University of Central Florida Libraries http://library.ucf.edu This Commentary is brought to you for free and open access by the Public History at STARS. It has been accepted for inclusion in On Sport and Society by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Crepeau, Richard C., ""Ali" The Film: A Review" (2001). On Sport and Society. 177. https://stars.library.ucf.edu/onsportandsociety/177 SPORT AND SOCIETY FOR H-ARETE DECEMBER 25, 2001 Across the world in this century there is no other sports figure better known and more admired than Muhammad Ali. In the United States there may be no sports figure more admired and reviled in any century than Muhammad Ali. For these and other reasons the opening of the film "Ali" today is a much-anticipated event. Beginning his boxing career as Cassius Clay this remarkable athlete came to symbolize many of the forces loose in America in his time. His popularity and infamy as well as the transformation of his persona over several decades are signposts in the history of America in the second half of the twentieth century. To say that Muhammad Ali was a charismatic figure, to say that he had an overpowering presence wherever he went, or to say that he was larger than life, equally understates his impact. -
“Ellen with Will Smith Full Interview” Talk Show: Emotive Language Functions
PERFORMANCE “ELLEN WITH WILL SMITH FULL INTERVIEW” TALK SHOW: EMOTIVE LANGUAGE FUNCTIONS Kartika1, Faidah Yusuf2, Umar Thamrin3 Mahasiswa UIN Makassar1, Dosen UIN Makassar2, Dosen UIN Makassar3 Jln. H.M. Yasin Limpo, Samata. Gowa. South Sulawesi [email protected], [email protected], [email protected] Abstract: This study focused to analyze the emotive language functions in the Ellen DeGeneres talk show. The objective of this study was to describe the emotive language functions work in the conversation performance by the actors “Ellen with Will Smith Full Interview” talk show. This study used qualitative method. The data were analyzed based on Jacobson’s theory. The result of this study showed that only 5 of 17 emotive language functions were applied. The emotive language functions applied were pleasure, like, dislike, surprise, gratitude. While the emotive language functions that not applied were hope, satisfaction, dissatisfaction, worry, preference, sympathy, intentions, want, desire, dear and disappointment. This study found that the most emotive function that frequently used in the Ellen DeGeneres Talk Show was “like expression”. The emotive function in the Ellen DeGeneres talk show worked to express the actor’s feelings to other people based on the context and situation of the conversation. Keywords: Performance, Talk Show, Emotive Language Functions Abstrak: Studi ini difokuskan untuk menganalisis fungsi bahasa emotif dalam talk show Ellen DeGeneres. Tujuan dari penelitian ini adalah untuk mendeskripsikan fungsi bahasa emotifik yang bekerja dalam penampilan percakapan oleh aktor “Ellen with Will Smith Full Interview”. Penelitian ini menggunakan metode kualitatif. Data dianalisis berdasarkan teori Jacobson. Hasil penelitian ini menunjukkan bahwa hanya 5 dari 17 fungsi bahasa emotif yang diterapkan. -
Netflix Is the Future of Film the Film Industry Could Learn a Thing Or Two from the Streaming Service
FUTURE SOCIETY Hollywood is Wrong: Netflix is the Future of Film The film industry could learn a thing or two from the streaming service. Kristin HouserApril 20th 2018 https://futurism.com/epidiolex-fda-committee-marijuana-drug The film industry has sent a clear message to Netflix: You can’t sit with us. Industry insiders clearly think Netflix’s films are somehow “less than” those released in theaters. Steven Spielberg told ITV News the streaming service’s releases shouldn’t be eligible for Oscars. Christopher Nolan told IndieWire he would never work with the company. Cannes banned Netflix’s films from competition, prompting Netflix’s chief content officer Ted Sarandos to pull allof the service’s films from the festival, even the ones that weren’t eligible to win anything. “We want our films to be on fair ground with every other filmmaker,” Sarandos told Variety. And why shouldn’t they be? They star A-list actors (Will Smith, Adam Sandler). They’re helmed by respected directors (Martin Scorsese, Noah Baumbach). And they truly do compete with movie-theater films, scoring Oscar nominations and winning other prestigious awards. Film industry haters should really reconsider. Even the snobbiest film buffs can’t deny that Netflix is bringing something positive to the world of cinema. Instead of lashing out against Netflix, the industry could benefit by embracing some of what Netflix is doing right. First, the film industry might want to take more risks. “Studios are lagging behind for the very simple reason that they are relying on retreads and reboots, and most of those aren’t being well received,” Jeff Bock, an expert on film industry trends at Exhibitor Relations, told Business Insider. -
Will Smith Talks About Breaking Character, And
WINONA RYDER, ALEC BALDWIN AND OTHER STARS TAKE A JAB AT HOLLYWOOD november 2001 volume 2 number 11 canada’s entertainment lifestyle magazine STEVE MARTIN ON NOVOCAINE ADAM BEACH TALKS WINDTALKERS LORD OF THE RINGS FACTS, STATS AND DATA SPOTLIGHT ON: BRAD PITT, JET LI & HILARY SWANK STRONG WILL WILLWILL SSMITHMITH TATALKSLKS AABOUTBOUT BREAKINGBREAKING CHARACTER,CHARACTER, ANDAND ALMOSTALMOST BREAKINGBREAKING HISHIS BODY,BODY, TOTO STARSTAR ININ ALALII $300 plus NEW VIDEO RELEASES| WEB| VIDEOGAMES | BOOKS | MUSIC | HOROSCOPE | CARLA COLLINS contents Famous | volume 2 | number 11 | 22 31 FEATURES COLUMNS 22 THREE RINGS CIRCUS 12 HEARSAY Opening night for The Fellowship of Heidi Fleiss’s Hollywood beau the Ring is so close you can almost hear the Black Riders approaching. 40 LINER NOTES Here we give you 54 facts about next Chris Sheppard, still tending his flock month’s big flick and the rest of the Lord of the Rings trilogy 42 PULP AND PAPER 24 New grub for bookworms 24 ON THE BEACH You know him as that good-looking 44 BIT STREAMING guy from just about every Canadian DEPARTMENTS Do-it-yourself Star Wars renovations production that has anything to do with native people. Soon the whole world 08 EDITORIAL 46 NAME OF THE GAME will know him as Nicolas Cage’s co-star Reviewing Xbox, Gamecube and PS2 in the World War Two drama Windtalkers. 11 LETTERS We dive into the psyche of Adam Beach By Sean Davidson 14 SHORTS November film fests 20 31 STEVE-ADORE Joking about the perils of low-budget 16 THE BIG PICTURE pics, rumours that he’s gay and Monsters, Inc., Shallow Hal and co-star/former flame Helena Bonham Harry Potter storm theatres Carter, Steve Martin had journalists eating out of the palm of his hand at a 20 THE PLAYERS press conference for his new dentistry Everything you need to know about thriller Novocaine By Marni Weisz Jet Li, Brad Pitt and Hilary Swank COVER STORY 32 TRIVIA 34 MUHAMMAD ALI’S WILL 36 COMING SOON Why did Will Smith get the role of Muhammad Ali over Oscar-winners like 38 ON THE SLATE Cuba Gooding Jr. -
Broadmoor Movies: October 1 St
BROADMOOR MOVIES: OCTOBER 1ST - 15TH Tuesday, October 1st 7:00 pm Pokémon: Detective Pikachu PG (1 hour, 44 minutes) Wednesday, October 2nd 7:00 pm Dark Phoenix PG-13 (1 hour, 53 minutes) Thursday, October 3rd 7:00 pm Yesterday PG-13 (1 hour, 56 minutes) Friday, October 4th 7:00 pm Pokémon: Detective Pikachu PG (1 hour, 44 minutes) Saturday, October 5th 12:00 pm Capitan Marvel PG-13 (2 hours, 3 minutes) 7:00 pm Dark Phoenix PG-13 (1 hour, 53 minutes) Sunday, October 6th 2:00 pm PRIVATE EVENT 7:00 pm Yesterday PG-13 (1 hour, 56 minutes) Monday, October 7th 7:00 pm Pokémon: Detective Pikachu PG (1 hour, 44 minutes) Tuesday, October 8th 7:00 pm Dark Phoenix PG-13 (1 hour, 53 minutes) Wednesday, October 9th 7:00 pm Yesterday PG-13 (1 hour, 56 minutes) Thursday, October 10th 7:00 pm Pokémon: Detective Pikachu PG (1 hour, 44 minutes) Friday, October 11th 7:00 pm Dark Phoenix PG-13 (1 hour, 53 minutes) Saturday, October 12th 12:00 pm Aladdin PG (2 hours, 8 minutes) 7:00 pm Yesterday PG-13 (1 hour, 56 minutes) Sunday, October 13th 2:00 pm Won’t Back Down PG (2 hours, 1 minute) 7:00 pm Pokémon: Detective Pikachu PG (1 hour, 44 minutes) Monday, October 14th 7:00 pm Dark Phoenix PG-13 (1 hour, 53 minutes) Tuesday, October 15th 7:00 pm Yesterday PG-13 (1 hour, 56 minutes) PLEASE NOTE THE FOLLOWING Movies are shown in the Little Theatre All movies & times are subject to change Movies are complimentary for Guests & Members Matinee Showings are 12:00pm on Saturdays & 2:00pm on Sundays Dark Phoenix Rating: PG-13 Genre: Action | Adventure | Sci-Fi Running Time: 1 hour, 53 minutes Summary: Jean Grey begins to develop incredible powers that corrupt and turn her into a Dark Phoenix. -
Track List: All Songs Written by Syd Barrett, Except Where Noted. ”UK Release” Side One 1
Track List: All songs written by Syd Barrett, except where noted. ”UK release” Side one 1. "Astronomy Domine" – 4:12 2. "Lucifer Sam" – 3:07 3. "Matilda Mother" – 3:08 4. "Flaming" – 2:46 5. "Pow R. Toc H." (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 4:26 6. "Take Up Thy Stethoscope and Walk" (Roger Waters) – 3:05 Side two 1. "Interstellar Overdrive" (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 9:41 2. "The Gnome" – 2:13 The Piper at the Gates of Dawn – August 5, 1967 3. "Chapter 24" – 3:42 Syd Barrett – guitar, lead vocals, back cover design 4. "The Scarecrow" – 2:11 5. "Bike" – 3:21 Roger Waters – bass guitar, vocals Rick Wright – Farfisa Compact Duo, Hammond organ, Certifications: piano, vocals TBR Nick Mason – drums, percussion "Astronomy Domine" Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Blinding signs flap, Flicker, flicker, flicker blam. Pow, pow. Stairway scare, Dan Dare, who's there? Lime and limpid green, the sounds around The icy waters under Lime and limpid green, the sounds around The icy waters underground. "Lucifer Sam" Lucifer Sam, siam cat. Always sitting by your side Always by your side. -
Retro Aesthetics, Affect, and Nostalgia Effects in Recent US
arts Article Retro Aesthetics, Affect, and Nostalgia Effects in Recent US-American Cinema: The Cases of La La Land (2016) and The Shape of Water (2017) Sabine Sielke North American Studies Program, Universität Bonn, 53113 Bonn, Germany; [email protected] Received: 7 May 2019; Accepted: 3 July 2019; Published: 9 July 2019 Abstract: Nostalgia and retro are phenomena of modernism and modernization that are currently booming. This goes for political decision-making processes as much as for popular culture where retro aesthetics is the dominant mode of design: Both appear driven by ‘longings for a time that never was.’ While research on nostalgia and retro abound, nostalgia still remains a vague and undertheorized concept seemingly identical with retro. Engaging the ways in which Damien Chazelle’s 2016 movie La La Land and Guillermo del Toro’s The Shape of Water of 2017 produce and interrogate affects, this essay shows how film allows us to make distinctions that the proliferating research on nostalgia and retro often fail to deliver. As we zoom in on how both films reference iconic moments in film history, it becomes evident that retro aesthetics operates in distinctively diverse manners. While La La Land interrogates cinema’s “nostalgia for nostalgia”, The Shape of Water reclaims nostalgia as a mode of social bonding. In this way, both movies foreground how the dynamics of nostalgia, at best, moves forward, not back. Film studies, in turn, can shed considerable light on how both nostalgia and retro work—and why they sell so well. Keywords: cinema; nostalgia; affect; La La Land; The Shape of Water 1.