DOCSLIB.ORG

Repertoire the HEPCATS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Repertoire the HEPCATS Repertoire THE HEPCATS Jazz 1. All The Things You Are (Jerome Kern, Oscar Hammerstein II) 2. All Through The Night (Cole Porter) 3. Almost Like Being In Love (Frederic Loewe, Alan Jay Lerner) 4. Alone Together (Arthur Schwartz, Howard Dietz) 5. Blue Orchids (Hoagy Carmichael) 6. Chega De Saudade /No More Blues (A. C. Jobim) 7. Crazy He Calls Me (Carl Sigman, Bob Russell) 8. Dream A Little Dream Of Me (Fabian Andre, Wilbur Schwandt) 9. Drop Me Off In Harlem (Duke Ellington) 10. East Of The Sun And West Of The Moon (Brooks Bowman) 11. Embraceable You (George & Ira Gershwin) 12. Fever (Little Willie John) 13. Fly Me To The Moon (Bart Howard) 14. Honeysuckle Rose (Thomas „Fats“ Waller) 15. How Deep Is The Ocean (Irving Berlin) 16. I Can t Believe That You re In Love With Me (Jimmy McHugh, Clarence Gaskill) 17. I Hear A Rhapsody (George Fragos, Jack Baker, Dick Gasparre) 18. I Love You (Cole Porter) 19. I’ve Got The World On A String (Harold Arlen, Ted Koehler) 20. In A Mellow Tone (Duke Ellington) 21. In A Sentimental Mood (Duke Ellington) 22. Invitation (Bronislaw Kaper, Paul Francis Webster) 23. It Could Happen To You (Jimmy Van Heusen, Johnny Burke) 24. Just In Time (Jule Styne, Betty Comden, Adolph Green) 25. Lazy Afternoon (John Latouche, Jerome Moross) 26. Let’s Fall In Love (Harold Arlen, Ted Koehler) 27. Like Someone In Love (Jimmy Van Heusen, Johnny Burke) 28. Lullaby Of Birdland (George Shearing) 29. Lullaby Of The Leaves (Bernice Petkere, Joe Young) 30. Meditation (A. C. Jobim) 31. Midnight Sun (Lionell Hampton, Sonny Burke) 32. More Than You Know (Vincent Youmans, Billy Rose, Edward Eliscu) 33. My Favorite Things (Richard Rogers, Oscar Hammerstein II) 34. My One And Only Love (Guy Wood, Robert Mellin) 35. Nature Boy (Eden Ahbez) 36. Nice Work If You Can Get It (George & Ira Gershwin) 37. Night And Day (Cole Porter) 38. On The Sunny Side Of The Street (Jimmy McHugh, Dorothy Fields) 39. Puttin‘ On The Ritz (Irving Berlin) 40. Recordame (Joe Henderson) 41. ‚S Wonderful (George & Ira Gershwin) 42. Samba de Verão/Summer Samba (Marcos & Paulo Sérgio Valle, Norman Gimbel) 43. Save Your Love For Me (Buddy Johnson) 44. Skylark (Hoagy Carmichael, Johnny Mercer) 45. Stairway To The Stars (Matty Malneck, Frank Signorelli, Mitchell Parish) 46. Sweet And Lovely (Gus Arnheim, Charles N. Daniels, Harry Tobias) 47. Tenderly (Walter Gross, Jack Lawrence) 48. The Look Of Love (Burt Bacharach, Hal David) 49. The Night Has A Thousand Eyes (Jerry Brainin, Buddy Bernier) 50. The Very Thought Of You (Ray Noble) 51. There Is No Greater Love (Isham Jones, Marty Symes) 52. This Can’t Be Love (Richard Rogers, Lorenz Hart) 53. Twisted (Wardell Gray, Annie Ross) 54. Walkin‘ (Miles Davis, Jon Hendrcks) 55. Whisper Not (Benny Golson, Jon Hendricks) 56. You’re My Thrill (Jay Gorney, Sidney Clare) Christmas/Winter Jazz 1. Christmas Song/Chestnuts Roasting (Robert Wells, Mel Tormé ) 2. Christmas Time Is Here (Lee Mendelson, Vince Guaraldi) 3. Have Yourself A Merry Little Christmas (Hugh Martin, Ralph Blane) 4. I’ve Got My Love To Keep Me Warm (Irving Berlin) 5. Jingle Bells (James Lord Pierpont) 6. Let It Snow (Jule Styne, Sammy Cahn) 7. Santa Claus Is Coming To Town (John Frederick Coots, Haven Gillespie) 8. Sleigh Ride (Leroy Anderson) 9. White Christmas (Irving Berlin) 10. Winter Wonderland (Felix Bernard, Richard B. Smith) Repertoire Pop/Rock 1. A Little Less Conversation (Elvis Presley) 2. Blue, Red And Grey (The Who) 3. Break On Through (The Doors) 4. Can’t Stop The Feeling (Justin Timberlake, aus „Trolls“) 5. Can’t You Hear Me Knockin (Rolling Stones) 6. Celebration (Kool And The Gang) 7. Dancing In The Moonlight (King Harvest) 8. Down On Me (Janis Joplin) 9. Finally Forever (Chris Cornell) 10. Going Down Slow (Tom Waits) 11. I Wish (Stevie Wonder) 12. Light My Fire (The Doors/Shirley Bassey) 13. Lovely Day (Bill Withers) 14. Make You Feel My Love (Bob Dylan/Adele) 15. No Matter Where You Are (Us The Duo, aus „The Book Of Life“) 16. Only These Words (Chris Cornell) 17. Pocketful Of Soul (Tower Of Power) 18. Rehab (Amy Winehouse) 19. September (Earth, Wind And Fire) 20. Sexual Healing (Marvin Gaye) 21. Sing It Back (Moloko) 22. So Right (Dave Matthews Band) 23. Something’s Got A Hold On Me (Etta James) 24. Song To Eddie (The Undefined) 25. Street Life (The Crusaders) 26. Sympathy For The Devil (Rolling Stones) 27. Talkin‘ Loud (Incognito) 28. Thank You (Led Zeppein) 29. The Heart Of The Universe (The Undefined) 30. What Is And What Should Never Be (Led Zeppelin) 31. What Is Hip (Tower Of Power) 32. Who The Devil (The Wood Brothers) 33. You And Me (Lifehouse) 34. You Can Leave Your Hat On (Joe Cocker) .
Load more

Recommended publications
  • 2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
    Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession.
    [Show full text]
  • Senior Musical Theater Recital Assisted by Ms
    THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Joy Kenyon Senior Musical Theater Recital assisted by Ms. Maggie McLinden, Accompanist Belhaven University Percussion Ensemble Women’s Chorus, Scott Foreman, Daniel Bravo James Kenyon, & Jessica Ziegelbauer Monday, April 13, 2015 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert Please turn off all cell phones and electronics. PROGRAM Just Leave Everything To Me from Hello Dolly Jerry Herman • b. 1931 100 Easy Ways To Lose a Man from Wonderful Town Leonard Bernstein • 1918 - 1990 Betty Comden • 1917 - 2006 Adolph Green • 1914 - 2002 Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist The Man I Love from Lady, Be Good! George Gershwin • 1898 - 1937 Ira Gershwin • 1896 - 1983 Love is Here To Stay from The Goldwyn Follies Embraceable You from Girl Crazy Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist; Scott Foreman, Bass Guitar; Daniel Bravo, Percussion Steam Heat (Music from The Pajama Game) Choreography by Mrs. Kellis McSparrin Oldenburg Dancer: Joy Kenyon He Lives in You (reprise) from The Lion King Mark Mancina • b. 1957 Jay Rifkin & Lebo M. • b. 1964 arr. Dr. Owen Rockwell Joy Kenyon, Soprano; Belhaven University Percussion Ensemble; Maddi Jolley, Brooke Kressin, Grace Anna Randall, Mariah Taylor, Elizabeth Walczak, Rachel Walczak, Evangeline Wilds, Julie Wolfe & Jessica Ziegelbauer INTERMISSION The Glamorous Life from A Little Night Music Stephen Sondheim • b. 1930 Sweet Liberty from Jane Eyre Paul Gordon • b.
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • A Stellar Lament of Lost Love
    MASTERPIECE A Stellar Lament of Lost Love Hoagy Carmichael’s Star Dust, with lyrics by Mitchell Parish, is probably the most-recorded song in history. By John Edward Hasse Published originally in The Wall Street Journal, Aug. 23, 2019 Love is now the star dust of yesterday The music of the years gone by. What is probably the most-recorded American song in history began as melodic fragments imagined by a former Indiana University student named Hoagland “Hoagy” Carmichael. When he finished fiddling with his wordless tune, he had the beginnings of an American classic, StarDust that surpassed his later evergreens such as Skylark, Lazy River, and Georgia on My Mind and stood apart from all other popular songs. At the piano, he toyed with his ideas for months until the piece was first recorded by a group of his pals on Halloween in 1927. Carmichael was under the musical spell of the storied comet-in-the-sky cornetist Bix Beiderbecke, whose lyricism enraptured the young pianist. Like an elegant Beiderbecke improvisation captured in midair for all time, Star Dust has the fresh and spontaneous quality of a jazz solo. So striking is the melody line that it can be played naked—no harmonies—and stand as a remarkable statement. The allure of Star Dust begins with its title, suggesting a magical quality. The song is brilliant because of its originality, artistry and adaptability to many musical voices, both instrumental and vocal. It became a standard because so many musicians, from Louis Armstrong to Frank Sinatra, and their audiences too, embraced its charms.
    [Show full text]
  • Where Stars Are Born and Legends Are Made™
    Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill.
    [Show full text]
  • First Unitarian Universalist Society of Burlington, Vermont Order of Service September 13, 2020
    First Unitarian Universalist Society of Burlington, Vermont Order of Service September 13, 2020 “Waters mingled, like our common humanity.” - Kayle Rice Prelude Polka Dots and Moonbeams Sam Whitesell Jimmy Van Heusen & Johnny Burke; arr. Sam Whitesell Welcome Judy Brook Chime Chalice “We kindle this chalice flame to remind ourselves of the light of truth, the warmth of community, and the fire of commitment.” Call to Worship “River Call” by Manish Mishra-Marzetti Rev. Patricia Hart Opening Song Come, Come, Whoever You Are Penny & Adele deRosset Meditation Spoken Words Joys & Sorrows Silence Reflection Offering Introduction Today’s offering will be shared with the Virtual Run/Walk for JUMP on September 26, the annual fundraising event for the Joint Urban Ministry Project. JUMP’s mission is to promote the physical, emotional, and spiritual well-being of people by providing spiritual care, direct assistance to meet basic needs, and advocacy. jumpvt.org Offertory Improvisation Sam Whitesell Offering Dedication “With gratitude, we dedicate these gifts in the service of our mission to inspire spiritual growth, care for each other and our community, seek truth, and act for justice.” Anthem Blue Boat Home FUUSB Choir Homily “Where Water Communion Came From” Water Communion Hymn #368 Now Let Us Sing Chalice Extinguishing “We extinguish this flame, but not the light of truth, the warmth of community, or the fire of commitment. These we carry in our hearts and share with the world until we are together again.” Benediction “All Rivers Run to the Sea” by Kayle Rice, adap. Erika Reif Postlude Waves Roll By Sam Whitesell TODAY’S WORSHIP CREATORS Developmental Senior Minister Rev.
    [Show full text]
  • Cal-Western Region Regional Categories Finals Concert
    Cal-Western Region Regional Categories Finals Concert A. Childrens Classical Bella Leybovich Wie Melodien zieht es mir Johannes Brahms Isabella Xiong High Green Mountain Ruth Morris Gray Marla Jones, pianist (Gao Shan Qing) Savannah Springer Valenciana arr. Christine Donkin Jenn Crandall, pianist B. Childrens Music Theater Brooklyn Martin Waiting For Life Stephen Flaherty McKenzie Lopezlira Middle Of A Moment Benj Pasek & Justin Paul Bella Leybovich The Tree William Friedman & Will Holt C. Youth Classical Sydney Sublette Se tu m'ami, se sospri Giovanni Pergolesi HyeJung Shin, pianist Wesley Geary Cangio d'aspetto G. F. Handel Marie Sierra, pianist Baylee Horvath Heigh-ho the Sunshine Montague F. Phillips Jenn Crandall, pianist D1. Youth MT 11-12 Year Olds Evan Vance The Kite Clark Gesner Stephen Shermitzler, pianist Maddie Miller Everlasting Chris Miller & Nathan Tysen Baylee Horvath Good Morning Nacio Brown Jenn Crandall, pianist Hadley Fugate Amazing Maizie Lynn Ahrens & Stephen Flaherty Cal-Western Region Regional Categories Finals Concert P. 2 D2. Youth MT 13-14 Year Olds Sky Keyoung Pulled Andrew Lippa Wesley Geary Try Me Jerry Bock Shreya Ghoshal In My Own Little Corner Richard Rodgers E. Youth CCM Baylee Horvath First Lauren Diagle Jenn Crandall, pianist Bella Leybovich Better Place Rachel Platten & Sally Seltman Hadley Fugate Hallelujah Leonard Cohen F1. HS CCM Treble 14-16 Year Olds Kayla Venger Misty Erroll Garner Kyle Blair, pianist Makenna Jacobs There's a Place for Us Carrie Underwood Jenn Crandall, pianist Zoie Moller Brand New Key Melanie Safka Melissa McGuire, pianist F2. High School CCM 17-18 Year Olds Isabella Brown This Thing Called Living Eloïse (TTCL) Kylie Merrill Piece by Piece Kelly Clarkson & Greg Kurstin Karen Rowley Better on My Own Karen Rowley Cal-Western Region Regional Categories Finals Concert P.
    [Show full text]
  • Seth Weaver Is an Award-Winning Trombonist, Vocalist, Composer
    eth Weaver is an award-winning trombonist, vocalist, composer, arranger, and educator based in New York City. Originally from Franklin, TN, Seth was already playing and singing professionally in Nashville while still in high school. He completed a Bachelor of Music degree in Jazz Studies from the SUniversity of North Texas in 2013 and a Master’s degree in Jazz Studies at the Manhattan School of Music in 2015. Described as a “youthful trombone firebrand pelting NYC with deliciously soulful hard bop” by Michael Dease, an internationally acclaimed jazz trombonist, Seth has quickly established himself as a new voice in the NYC jazz community. As a bandleader, Seth heads a seventeen-piece swing orchestra comprised of some of the most exciting new voices in the New York Jazz scene today. The band has performed in numerous venues around New York City, including The Iridium, Swing 46, Club Bonafide, the APAP Showcase, Shapeshifter Lab, American Beauty, St. Peter’s Church, Zinc Bar, Birdland, and many others. Described as “big band swing with a modern twist,” the group also has a monthly residency at The Speakeasy Sessions (The Gin Mill.) His debut album, Truth, will be released on March 27th through Outside in Music. Seth is a sought-after composer and arranger, and his music has been performed all over the world. His composition “Frost” was debuted at Carnegie Hall in 2018, and he composed the original score for the off- Broadway play, “For What It’s Worth.” Seth’s transcription and analysis of Michael Dease’s album Coming Home are available through Warwick Music Publications.
    [Show full text]
  • ELLINGTON '2000 - by Roger Boyes
    TH THE INTERNATIONAL BULLETIN22 year of publication OEMSDUKE ELLINGTON MUSIC SOCIETY | FOUNDER: BENNY AASLAND HONORARY MEMBER: FATHER JOHN GARCIA GENSEL As a DEMS member you'll get access from time to time to / jj£*V:Y WL uni < jue Duke material. Please bear in mind that such _ 2000_ 2 material is to be \ handled with care and common sense.lt " AUQUSl ^^ jj# nust: under no circumstances be used for commercial JUriG w «• ; j y i j p u r p o s e s . As a DEMS member please help see to that this Editor : Sjef Hoefsmit ; simple rule is we \&! : T NSSESgf followed. Thus will be able to continue Assisted by: Roger Boyes ^ fueur special offers lil^ W * - DEMS is a non-profit organization, depending on ' J voluntary offered assistance in time and material. ALL FOR THE L O V E D U K E !* O F Sponsors are welcomed. Address: Voort 18b, Meerle. Belgium - Telephone and Fax: +32 3 315 75 83 - E-mail: [email protected] LOS ANGELES ELLINGTON '2000 - By Roger Boyes The eighteenth international conference of the Kenny struck something of a sombre note, observing that Duke Ellington Study Group took place in the we’re all getting older, and urging on us the need for active effort Roosevelt Hotel, 7000 Hollywood Boulevard, Los to attract the younger recruits who will come after us. Angeles, from Wednesday to Sunday, 24-28 May This report isn't the place for pondering the future of either 2000. The Duke Ellington Society of Southern conferences or the wider activities of the Ellington Study Groups California were our hosts, and congratulations are due around the world.
    [Show full text]
  • Charles Mcpherson Leader Entry by Michael Fitzgerald
    Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d.
    [Show full text]
  • The Digital Deli Online - List of Known Available Shows As of 01-01-2003
    The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977.
    [Show full text]
  • Duke Ellington's Sophisticated Ladies
    study guide contents The Play Meet the “Duke” Cotton Club Harlem Renaissance Jazz Music The U Street Connection Musical Revue Dancing Brothers Additional Resources the play Duke Ellington’s Sophisticated Ladies is a musical revue set during America’s Big Band Era (1920-1945). Every song tells a story, and together they paint a colorful pic- ture of Duke Ellington’s life and career as a musician, composer and band leader. Duke Ellington’s Act I highlights the Duke’s early days on tour, while Sophisticated Act II offers a glimpse into his private life and his often Ladies troubled relationships with women. Now Playing at the Lincoln Theatre April 9 – May 30, 2010 Concept by Donald McKayle Based on the music of Duke Ellington Musical and dance arrangements by Lloyd Mayers Vocal arrangements by Malcolm Dodds and Lloyd Mayers Original music direction by Mercer Ellington Directed by Charles Randolph-Wright Choreographed by Maurice Hines meet the “Duke” Harlem Renaissance “His music sounds “Drop me off in Harlem — any place in Harlem. like America.” There’s someone waiting there who makes – Wynton Marsalis it seem like heaven up in Harlem.” dward Kennedy rom the mid-1920s until the early 1930s, the African-American community “Duke” Ellington was in Harlem enjoyed a surging period of cultural, creative and artistic growth. born in Washington, Spurred by an emerging African-American middle class and the freedom D.C. on April 29, after slavery, the Harlem Renaissance began as a literary movement. Authors 1899.E He began playing the Fsuch as Langston Hughes and Zora Neale Hurston expressed the spirit of African- piano at age 7, and by 15, Americans and shed light on the black experience.
    [Show full text]