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Celebrating Brett Dean Biographies

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Celebrating Brett Dean Biographies BIOGRAPHIES BRETT DEAN CONDUCTOR LORINA GORE SOPRANO Brett Dean studied in Brisbane before moving to Award winning Australian soprano Lorina Gore Germany in 1984 where he was a member of the completed her postgraduate voice studies at the Berlin Philharmonic for fourteen years, during which Australian National University in Canberra and at time he began composing. His music is championed the National Opera Studio in London. She has won by many of the leading conductors and orchestras numerous prestigious opera awards, including two worldwide, including Sir Simon Rattle, Vladimir Helpmann Awards (2017 and 2018) and a Green Jurowski, David Robertson, Andris Nelsons, Marin Room Award (2018). Alsop and Sakari Oramo. Much of Dean’s work CELEBRATING BRETT DEAN draws from literary, political, environmental or visual Lorina joined Opera Australia as a principal artist stimuli, including a number of compositions inspired in 2008 and has since performed many roles for 7.30pm Friday 9 November 2018 by artwork by his wife Heather Betts. the company including: Honey B (Bliss; in Sydney, Melbourne and at the Edinburgh Festival), Roxana Brett Dean conductor Dean began composing in 1988, and it was through (Krol Roger), Violetta (La traviata), Leïla (Les works such as his clarinet concerto Ariel’s Music pêcheurs de perles), Amina (La sonnambula), Queen Lorina Gore soprano (1995), which won an award from the UNESCO of Night (Die Zauberflöte), Die Fiakermilli (Arabella), Topi Lehtipuu tenor International Rostrum of Composers, and Carlo Tytania (A Midsummer Night’s Dream), Woglinde (Der (1997) for strings, sampler and tape, inspired Ring des Nibelungen). ANAM Orchestra by the music of Carlo Gesualdo, that he gained international recognition. In 2018, Lorina performed the role of Ophelia in Brett Dean’s Hamlet to critical acclaim, for which she In 2009 Dean won the Grawemeyer Award for music was awarded her second Helpmann Award. Future composition for his violin concerto The Lost Art of appearances include Marie in Wozzeck, Musetta in La Richard MEALE (1932–2009) Clouds Now and Then (1969) Letter Writing. In June 2017 his second opera Hamlet bohème, and Corinna in Il viaggio a Reims for Opera was premiered at Glyndebourne Festival Opera to Australia in 2019. great acclaim, winning both the 2018 South Bank Sky Arts Awards and International Opera Awards for Brett DEAN (b. 1961) From Melodious Lay (2016) opera. TOPI LEHTIPUU TENOR I thought thy bride-bed to have deck’d Topi Lehtipuu enjoys a reputation as one of Finland’s O lord, as I was sewing in my closet Dean is 2018/19 Composer in Residence of Radio most highly individual artists and has appeared The most beautified Ophelia Symphony Orchestra Berlin, and is also Artist in in concert halls and opera houses throughout the (Orchestral interlude) Residence with the Sydney Symphony from 2016 world. An extremely versatile artist and a highly Get thee to a nunnery -2018 which saw the world premiere of Dean’s skilled stage performer, he is renowned equally for There is a willow Cello Concerto for Alban Gerhardt, conducted repertoire ranging from early music, through Bach, Farewell, my dove by David Robertson, in August 2018. The Cello Mozart and classical composers, to contemporary Concerto received its European premiere from the creations enjoying close relationships with the world’s Lorina Gore soprano Berlin Philharmonic conducted by Sakari Oramo leading conductors and directors. Topi Lehtipuu tenor in October 2018. Elsewhere this season Dean joins Radio Symphony Orchestra Berlin and Helsinki Highlights in 2018-19 include the creation of The Philharmonic to perform his Viola Concerto and Creature in Mark Gray’s Frankenstein, a new opera conducts a number of orchestras including Sydney commissioned by La Monnaie/De Munt; and the INTERVAL Symphony, Adelaide Symphony, Swedish Chamber creation of a multi-disciplinary dance and vocal Orchestra and the Australian National Academy of project with the renowned Tero Saarinen Dance Music. Company, featuring music by Monteverdi. Past Lisa ILLEAN (b. 1983) Land’s End (2015) acclaimed performances include Glück’s Iphigénie en Brett Dean is represented by Intermusica. Tauride (Pylade) at the Salzburg Whitsun Festival The works of Brett Dean are published by Boosey & and semi-staged performances of Bach’s St Matthew Hawkes. Passion with Peter Sellars, Sir Simon Rattle and Georges LENTZ (b. 1965) Jerusalem (after Blake) for orchestra & electronics (2011-14) the Berlin Philharmonic, which toured extensively including to New York and to the BBC Proms. Topi also enjoys a career as artistic consultant and curator. He was Director of the Helsinki Festival from Durations: 8’ – 23’ – Interval 20’ – 11’ – 25’ 2015 to 2018 and artistic director of Turku Music Festival from 2010 to 2015, as well as of Joroinen Music Days, a chamber music festival in eastern Finland. Presented by Australian National Academy of Music (ANAM) & Melbourne Recital Centre Brett Dean’s ANAM residency is generously supported by Kerry Landman The 2018 ANAM at Melbourne Recital Centre series is generously supported by Loris Orthwein PROGRAM NOTES Richard Meale Clouds Now and Then generations of forensic work on early editions, of Georges Lentz Jerusalem (after Blake) final goal, but it is also our own terrestrial world. Richard Meale was born in Sydney on 24 August establishing where Shakespeare’s hand was or Jerusalem (after Blake) was inspired by the poetry Considered in the word’s latter meaning, we might 1932. He studied piano, clarinet, harp, history and was not to be found in the first Quarto, the second and visual art of William Blake (1757-1827), that do well to heed the poet’s warning when he exclaims: theory at the NSW State Conservatorium, but Quarto, the first Folio editions of this play, all great visionary of English Romantic literature who “Awake! Awake Jerusalem!” remained self-taught in composition. In 1960 he won published in or shortly after his lifetime. “So let’s use it remained completely misunderstood and ignored by a Ford Foundation Grant and used it to study non- all”, said we, and that’s what we authorised ourselves his contemporaries and only gained recognition 100 I dedicate the end of the work to the victims of Western music at the University of California in Los to do. years after his death, in no small part due to the another plane tragedy – that ill-fated flight MH Angeles and concentrated on Japanese court music advocacy of such 20th century writers as W. B. Yeats 370, which in March 2014 disappeared off the radar and Javanese and Balinese gamelan. After visiting From Melodious Lay is an exploration of the and Aldous Huxley. Today of course, Blake is a classic without a trace and probably crashed into the Indian Europe in 1961, Meale joined the Music Department relationship between Hamlet and Ophelia, diffracted of English literature and widely regarded as one of the Ocean thousands of miles from its destination. A of the Australian Broadcasting Corporation (ABC) through a liberal redistribution of texts both spoken strangest, most fascinating writers of his time. lilting barcarole (Venetian gondolier’s song) briefly and developed special programs of Asian and by these characters, or spoken about them by other evokes gently lapping waves, only to abruptly contrast contemporary music. He remained at the ABC until characters. For several years now I have been reading, and its harmlessness with an altogether more sinister 1968. trying to understand, Blake’s so-called Prophetic aspect of water: a violent crash and human bodies And what if Gertrude’s famous lament “I thought thy Books. These are difficult works that abound in at the bottom of the ocean. When people in the Throughout the 1960s and 1970s Meale’s music gained bride-bed to have decked and not have strew’d thy surreal visions in both words and images. Blake, a towers of New York made their final frantic phone considerable interest. In 1965 Homage to Garcia Lorca grave” was uttered by Hamlet, who surely once also trained graphic artist, illustrated his books himself calls, the world heard the desperate human side of was performed at the Commonwealth Arts Festival thought to share that particular bed with his beloved? with the help of a special printing technique of his the apocalypse. There were no phone calls from the in the Royal Festival Hall, London, by the Sydney own invention. Blake’s pictorial worlds, with their passengers of the MH 370. I’d like to think that the Symphony Orchestra under Dean Dixon. In the same And what if the mysterious and faith-ridden line “But multitudes of bleak fiery landscapes, their hosts final sounds of my piece (soft brass sounds played year, Meale was solo pianist in the first Australian for this, the joyful hope of this…” - taken from the of sinister angels, starry night skies, interwoven via mobile phones from the back of the hall) might performance of Messiaen’s Oiseaux exotiques in First Quarto version of a rather well-known Hamlet muscular bodies, heavenly gates, distorted faces, represent those phone calls that never were – a brief Sydney. With such works as Nocturnes (1967), Very soliloquy - helped us understand Ophelia’s resilience, monsters, ominous cathedrals, wavy robes, hair elegy to those who disappeared. It isn’t for sure of high kings (1968), Clouds Now and Then (1969), Soon it her disarming capacity to move forwards in a world of manes etc. are stylistically far ahead of the artist’s course that the MH 370 incident constituted an act will die (1969), Interiors/exteriors (1970), Coruscations relentless obstacles? time – or at least very hard to anchor within it. Some of terrorism. Nonetheless, the possibility remains and (1971), Incredible floridas (1971), Evocations (1973) and elements are reminiscent of the dark world of Spanish its mystery haunted me.
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