October 1989
Total Page：16
File Type：pdf, Size：1020Kb
Cover Photo by Richard Laird JACK 18 DEJOHNETTE Between his own Special Edition band and his work with such artists as Keith Jarrett, Pat Metheny, and Dave Holland, Jack DeJohnette has been very active over the past few years. He discusses the concepts behind his drumming and explains how specific drummers contributed to his style. by Rick Mattingly PAT Mauro Aldo 24 MASTELOTTO by Best known for his work with Mr. Mister, Pat Mastelotto Photo has also contributed to a recent recording by XTC. Here, he recalls his formative years, and talks about his integration of acoustics and electronics. by Robyn Flans RICHARD 28 BAILEY After creating a stir with his playing on Jeff Beck's landmark Blow By Blow album in 1975, Richard Bailey Kotos seemed to disappear from public view. But he was working to solidify his Caribbean-influenced style, and Jaeger by since then he has turned up on recordings and tours by Photo artists such as Paul Carrack, Cleo Laine, Joan Armatrading, and Billy Ocean. by Teri Saccone SUMMER 32 NAMM '89 Brunelli Pictorial coverage of the NAMM Summer Market, held P.G. by this past June in Chicago. Photo by Rick Mattingly VOLUME 13, NUMBER 10 ROCK CONCEPTS PERSPECTIVES Talent And Two-Handed Riding Follow-through by Howard Fields by Roy Burns PRODUCT 42 88 CLOSE-UP Drum Workshop EDITOR'S JAZZ DRUMMERS' DRUM SOLOIST Drumkit OVERVIEW WORKSHOP Philly Joe Jones: by Bob Saydlowski, Jr. 40 4 Where's The Ethos? "Locomotion" Transcribed by Joe by Peter Erskine SHOP TALK READERS' 50 LaBarbera 90 Taking The Mystery PLATFORM ROCK 'N' JAZZ Out Of Tuning 6 by Larry Nolly CLINIC 44 ASK A PRO Samba Grooves 12 by Grant Menefee ELECTRONIC 58 REVIEW IT'S C-ducer Drum Wizard QUESTIONABLE STRICTLY by Norman Weinberg 16 TECHNIQUE 56 Variations On DRUM MARKET Stick Control ON TRACK by Joe Morello 94 110 60 PORTRAITS AROUND Amy Knoles by Karen Pershing THE WORLD UPDATE 62 Joropo Maraca Playing 8 by Edward Harrison 74 INDUSTRY HAPPENINGS 102 EDITOR/PUBLISHER MODERN DRUMMER Ronald Spagnardi ADVISORY BOARD Henry Adler, Kenny Aronoff, Louie Bellson, Bill Bruford, Roy ASSOCIATE PUBLISHER Burns, Jim Chapin, Alan Dawson, Isabel Spagnardi Dennis DeLucia, Les DeMerle, Len DiMuzio, Charlie Donnelly, Peter Erskine, Vic Firth, Danny Gottlieb, Sonny Igoe, Jim Keltner, SENIOR EDITOR Mel Lewis, Larrie Londin, Peter Rick Mattingly Magadini, George Marsh, Joe Morello, Andy Newmark, Neil Peart, Charlie Perry, Dave Samuels, MANAGING EDITOR John Santos, Ed Shaughnessy, Steve Reaching Rick Van Horn Smith, Ed Thigpen. CONTRIBUTING WRITERS ASSOCIATE EDITORS Susan Alexander, Robyn Flans, The Right Person William F. Miller Simon Goodwin, Karen Ervin Adam Budofsky Pershing, Jeff Potter, Teri Saccone, It's not surprising that a significant amount of mail from all over Robert Santelli, Robin Tolleson, Lauren Vogel, T. Bruce Wittet. the world arrives at our home office every day. The mail is sorted EDITORIAL ASSISTANT daily and promptly distributed among the various departments at Cynthia Huang MODERN DRUMMER Magazine the magazine. Despite the sorting procedure, additional time is (ISSN 0194-4533) is published often spent in the editorial department reshuffling correspon- monthly with an additional issue dence that was not addressed correctly to begin with. We could in July by MODERN DRUMMER probably save some time, and you could be assured that you're ART DIRECTOR Publications, Inc., 870 Pompton reaching the right individual simply by following a few simple Terry Kennedy Avenue, Cedar Grove, NJ 07009. guidelines. Second-Class Postage paid at Cedar Grove, NJ 07009 and at If you've written, or are planning to write, an article for the ASSISTANT ART DIRECTOR additional mailing offices. Copy- magazine, the person with whom you should correspond de- Scott G. Bienstock right 1989 by Modern Drummer pends on the nature of the material. Generally speaking, most Publications, Inc. All rights feature-interview material, Portraits articles, and Up & Coming reserved. Reproduction without profiles are coordinated by our Senior Editor, Rick Mattingly. the permission of the publisher is ADMINISTRATIVE MANAGER Correspondence related to these areas would best be sent to his prohibited. attention. Tracy Kearney Material ear-marked for MD column departments tends to be a EDITORIAL/ADVERTISING/ ADMINISTRATIVE ASSISTANT ADMINISTRATIVE OFFICES: bit more complicated. Basically, articles of a general educational Modern Drummer Publications, nature should be directed to my attention or to the attention of Joan C. Stickel 870 Pompton Avenue, Cedar MD's Managing Editor, Rick Van Horn. Rick also handles new Grove, NJ 07009. product information and industry updates published in New And ADVERTISING DIRECTOR Notable and Industry Happenings respectively. Bob Berenson MANUSCRIPTS: Modern Drummer If you're submitting transcriptions for publication in Rock Charts welcomes manuscripts, however, or Drum Soloist, your best bet would be to address them to cannot assume responsibility for DEALER SERVICE MANAGER them. Manuscripts must be accom- Associate Editor William F. Miller. New books, records, and Crystal W. Van Horn panied by a self-addressed, videos for review are also handled more efficiently if they're stamped envelope. addressed to Bill Miller at MD. In other areas, you'll find the correct individuals listed on the MAIL ROOM SUPERVISOR MUSIC DEALERS: Modern Drum- masthead, under the departments they head. Obviously, if you're Leo Spagnardi mer is available for resale at bulk interested in learning more about advertising your product or rates. Direct correspondence to service in MD, you should contact our Ad Director Bob Beren- CONSULTANT Modern Drummer, Dealer Service, 870 Pompton Ave., Cedar Grove, son. And music dealers who'd like to carry Modern Drummer in TO THE PUBLISHER their shops should go directly to Crystal Van Horn, MD's Dealer NJ 07009. Tel: 800-522-DRUM or Arnold E. Abramson 201-239-4140. Service Manager. Subscribers should also be aware that questions regarding their subscriptions are not actually handled from our home office SUBSCRIPTIONS: $25.95 per year; $46.95, two years. Single copies in New Jersey. All correspondence should be directed to our $2.95. subscription service center at P.O. Box 480, Mt. Morris, Illinois SUBSCRIPTION CORRESPONDENCE: Modern Drummer, PO Box 61054. Back-issue information and ordering are also handled 480, Mount Morris, IL 61054-0480. Change of address: Allow at least from that location. I mention this only because it's surprising six weeks for a change. Please provide both old and new address. Toll how often an MD editor will receive mail regarding a subscrip- Free Phone: 1-800-435-0715. tion problem or requesting a back issue. POSTMASTER: Send address changes to Modern Drummer, P.O. Box Certainly, every piece of mail we receive ultimately ends up in 480, Mt. Morris, IL 61054. the right hands; however, we'd sure appreciate your coopera- tion. In return, you'll have further assurance that your correspon- dence will always be received and handled by the proper indi- vidual at MD. OMAR HAKIM also useful for a first-time "sea drummer" Editor's note: Rod's Rock 'N' Jazz Clinic I don't think I've ever heard (or even heard to choose between the pros and cons. It column in last month's issue featured tran- of) a drummer as versatile as Omar Hakim. also brought back a lot of memories for scriptions and analyses of his playing with To be able to play with as many diversified me. I was the percussionist aboard the S.S. Winger. groups as he has done—and nail every Norway for over two years. style—is a talent that few other drummers Unfortunately, however, I doubt that have exhibited. And Omar's interview in cruise lines are, as Scott states, "one of the ONE DRUMMER'S LAMENT your July issue proved him to be a very last true holdouts for live music." One of Does everybody in the music business think articulate and interesting person, as well. I the reasons I left the Norway was because they're a drummer or that they know how was fascinated by Omar's opinions and of the total use of taped music in the thea- drums should be played better than a feelings about his various past gigs, his cur- ters and the dissolution of the big band. At drummer does? "Punch it...kick it...lay into rent solo project, and drumming in gen- one point, there were 40 musicians ac- it...simplify it...smack it...do a crash eral. (Thanks to William Miller for a well- companying names like Rita Moreno, Lou here...do a fill there...you're too structured interview.) This guy has an atti- Rawls, and Michel LeGrand. Now, that's a loud...you're too soft...speed up the tude that I can really relate to. Thanks for thing of the past. Also, Scott failed to men- tempo...play behind the beat...." A person the great story. tion the heavy influence of reggae and ca- gets tired of hearing this stuff from guitar Tyrone Jeffries lypso bands. Almost every ship has one. players, bass players, etc. What makes these Little Rock AR Gary Leone people more of an authority on the way a Ft. Myers FL song should feel or sound than a drummer? Do people think that drummers have no NICE SHOTS musical tastes or abilities, and only know I don't often write to magazines about the THANKS TO ROD how to thrash? stories they feature, and I've never written First and foremost, I'd like to express my What makes it worse is that usually the to one about its photography. But after view- gratitude to you for publishing the most guitar player or lead singer is the band- ing the great shots in your July issue's fea- informative magazine that further fuels my leader.