Accessories Collection 2020

2020 Accessories Collection 1 Introduction 2020 2 Dining 6 Home Office & Stationery 10 Clocks 14 Decorative Objects 22 Lighting 24 Coat Racks & Shelves 28 Pillows & Blankets 32 Small Furniture Accessories CollectionAccessories

#VITRAACCESSORIES but rather gains character through amix of old not achieved by conforming to aunified plan, collage –the idea that avibrant living space is identity. At Vitra, we believe in the principle of andstory is an expression of our individual reflect our personality: every object has its own where we can truly beourselves. Our interiors studio Front and Raw-Edges. design Bouroullec,and Erwan Stockholm-based George Nelson to the newest products by Ronan and Girard Alexander Eames, Ray and Charles by creations timeless from ranges It conviction. this mementos objects. found and and new, classic and contemporary, favorite Accessories. New Vitra Products availablefor time only. alimited Products Eames “SeaThings” Collection. There’s no place like home –the only place The Vitra Accessories Collection embodies embodies Collection Accessories Vitra The

1 2 thoughtful host anticipating anticipating host thoughtful ‘The role‘The of the designer the needs of his guests.’ is that of avery good, Dining CHARLES EAMES CHARLES

5 4 3 2 1 2 Herringbone Trays Herringbone Bowls Herringbone Trays TraysRotary High Trays Item 1 5 3 4 Raw-Edges, 2019 Raw-Edges, 2019 Morrison, 2017 Morrison, 2014 Morrison, 2017 Designer Ø 180/290/400 Ø 300 x140 Ø 300 Ø 300 x120 Ø 300 Ø 195 x120 Ø 195 Ø 355 x35 Ø 355 mm

Dining 3 Dining 4 9 9 8 7 6 12 11 10 6 Candle Holder Angel Candle Holders Mugs Coffee Table Runners Round Lace Geometric Square Round Geometric Tablecloths 10 12 7 Girard, 1963 1953 Girard, Girard, 1971 Girard, 1964 Girard, 1961 Girard, 1961 Girard, 1961 11 Ø 94-103 x 30-55 94-103 Ø 1200 x1200 1200 400 x1500 400 Ø 75 x95 120 x161 120 Ø 1300 Ø 1300 8 17 16 15 14 13 14 15 Classic TraysClassic small TraysClassic medium TraysClassic large Paper large Napkins Paper small Napkins 16 13 17 Girard, 1952-1974Girard, 1947-1974Girard/Eames, 1947-1974Girard/Eames, Various, 1947-1972 Various, 1947-1972 400 x400 400 250 250 x 460 x360 460 280 x280 280 360 x280 360

Dining 5 Home Office Home & Stationery & add acheerful touch that will sculptures, my office products products office sculptures, my ‘Inspired by cartoons and and cartoons by ‘Inspired brighten any up setting.’ MICHEL CHARLOT

4 3 2 1 S-Tidy O-Tidy Toolbox Hexagonal Container, set of 3 of set Container, Hexagonal Item 2 1 4 3 Designer Charlot, 2016 Charlot, 2016 Charlot, 2010 Levy, Morrison, 2018 90 x35/70/100 90 Ø 220 x80 Ø 220 327 x 167 x 327 315 x 250 315 mm

Home Office & Stationery 7 Home Office & Stationery 8 7 6 5 10 9 8 7 10 6 5 Greeting Cards small Cards Greeting medium Cards Greeting CardsGreeting square large Cards Greeting S Bin Happy L Bin Happy 9 Various, -1971 1955 Various, -1971 1955 Various, -1971 1955 Various, 1955-1971 2016 Charlot, 2016 Charlot, 8 Ø 235 x295 Ø 235 Ø 300 x375 Ø 300 220 x220 220 150 x220 150 115 x170 115 82 x 120 x 120 82 14 13 12 11 14 Graphic Bags Sun Key Ring Key Ring Elephant 5 of set Dots, Magnet 12 11 13 Girard, 1961-1971 Girard, Girard, 1966 Jongerius, 2015 Jongerius, 2016 370 x 400 370 120 x79 120 40 x80 40 37 5 7, 3 Ø

Home Office & Stationery 9 hands and giving it proper ‘The simple‘The joy of taking an idea into one’s own form –that’s exciting.’ Clocks GEORGE NELSON

13 12 11 10 9 8 7 6 5 4 3 2 1 11 5 1 8 Star Clock Brass Clock, Asterisk Clock Asterisk Black Walnut Red Multicolored Cherry Black/Brass Red Multicolored Beech Orange Ball Clock Item Sunburst Clock Sunburst 12 2 6 9 Designer Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 3 13 10 7 4 Ø 470 Ø 470 Ø 470 Ø 470 Ø 250 Ø 250 Ø 330 Ø 330 Ø 330 Ø 330 Ø 330 Ø 330 Ø 610 Ø mm

Clocks 11 Clocks 12 24 23 22 21 20 19 18 17 16 15 14 17 14 20 Eye Clock Fan Clock Turbine Clock Petal Clock Popsicle Clock Butterflies of Flock black ash/brass Clock Sunflower Sunflower Clock birch Wheel Clock Clock Spindle Polygon Clock 23 21 15 18 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 1948-1960 Nelson, 24 22 19 16 760 x340 Ø 448 Ø 577 Ø 384 Ø 430 Ø 455 Ø 350 350 Ø Ø 750 Ø 750 Ø 765 Ø Ø 610 Ø 37 36 35 34 33 32 31 30 29 28 27 26 25 25 35 Fernando the Fish Owl the Omar Elihu Elephant the #3 Model Clock, Ceramic #2 Model Clock, Ceramic #1 Model Clock, Ceramic Cone Clock Base Cone Chronopak Diamond Clock Tripod Clock Night Clock Black Night Clock 29 32 26 36 33 30 Nelson, 1965 Nelson, 1965 Nelson, 1965 Nelson, 1953 Nelson, 1953 Nelson, 1953 Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 1947/1953Nelson, 27 34 31 28 37 280 x250 280 270 x255 270 320 x320 320 155 x225 155 255 x 170 255 130 x190 130 105 x150 105 x150 105 150 x170 150 x170 150 170 x135 170 110 x165 110 170 x115 170

Clocks 13 wonderful creches in the churches the in creches wonderful a little boy. Iguess Ithought they figures began with my fondness fondness my with began figures for Nativity scenes when Iwas ‘I suppose my fascination with with fascination my suppose ‘I were real people. There were of Florence, and Istarted to Decorative Objects collect my own.’ my collect ALEXANDER GIRARD

8 7 6 5 4 3 2 1 7 1 8 5 Eames (small) Elephant Eames Elephant (Plywood) Elephant Eames Whale House Eames walnut Bird, House Eames Bird House Eames B Mobile, Plywood A Mobile, Plywood Item 2 Designer Eames, 1945 Eames, 1945 Eames, 1945 Eames, 1941 Eames, 1941 Eames, 3 6 460 x 335 x335 460 320 x400 320 278 x276 278 x276 278 700 x140 700 390 x210 390 785 x415 785 x415 785 mm 4

Decorative Objects 15 Decorative Objects 16 10 * Color Update * Color 10 9 13 12 11 9 11 Resting Bird,Resting small Bird Resting Cat,Resting small Cat Resting Bear Resting 12 * 13 * * * * * * Front, 2018 Front, 2018 Front, 2019 Front, 2018 Front, 2018 Front, 343 x264 343 270 x210 270 918 x531 918 138 x218 138 132 x126 132 * 18 * Limited Edition * Limited 27 26 25 24 23 22 21 20 19 18 17 16 15 14 14 23 Cork Bowl small Bowl Cork Cork Bowl large Nuage small medium Nuage Nuage large Nuage céramique small Nuage céramique medium Nuage céramique large Vessel ripped Vessel plain L’Oiseau maple natural L’Oiseau ceramic L’Oiseau marble* Algue 15 19 16 24 17 26 Morrison, 2020 Morrison, 2020 2016 Bouroullec, 2016 Bouroullec, 2016 Bouroullec, 2017 Bouroullec, 2017 Bouroullec, 2017 Bouroullec, Raw-Edges, 2019 Raw-Edges, 2019 2011 Bouroullec, 2011 Bouroullec, 2019 Bouroullec, 2004 Bouroullec, 25 21 20 Ø 600 x90 Ø 600 Ø 300 x55 Ø 300 27 257 x320 257 245 x150 245 x150 245 x150 245 195 x240 195 195 x 270 x270 195 195 x300 195 133 x 250 x250 133 125 x320 125 195 x160 195 195 x130 195 195 x80 195 22

Decorative Objects 17 Decorative Objects 18 35 34 33 32 31 30 29 28 33 Girard Ornament, Angel Girard Ornament, Rabbit Girard Ornament, Star Girard Ornament, Sun Girard Ornament, Moon Girard Ornament, Dove Girard Ornament, Heart Girard Ornament, Mouse 28 31 29 34 Girard, 1965 Girard, 1965 Girard, 1965 Girard, 1965 Girard, 1965 Girard, 1965 Girard, 1965 Girard, 1965 32 30 35 103 x42 103 33 x101 33 97 x45 97 79 x79 79 79 x85 79 79 x70 79 83 x7683 81 x77 81 Herringbone Herringbone Collection 2019 Raw-Edges

19 Herringbone Collection Q&A Raw-Edges

In one interview, I read that you prefer surprises over clear messages (similar to contemporary dance) – how is this inscribed in the Herringbone Collection?

«Surprise can also mean not having full control over the design. For example, the ceramic Herringbone pieces for Vitra are all made by hand in an uncontrolled process. Each item will end up looking slightly diff erent; the quality of the glaze line will have an unpredictable result. One line will be straight while another turns out wavy and curled. It is a fascinating result for ‘industrial’ products that are normally supposed to end up identical, but in this case the outcome is more organic.»

Created by Raw-Edges, the Herringbone Collection emerged from the studio‘s interest in the technique of immersion dyeing. What was the motivation for using a wide palette of materials The transformation of objects when they are dipped in a dye (wood, textile, ceramic) in the Herringbone Collection? bath exert an almost magical fascination for the design duo Was that because you wanted to achieve diff erent goals Shay and Alkalay and Yael Mer. and end eff ects?

In 2018, Raw-Edges conceived the furnishings and layout for «When we develop a system, a principle with certain rules, an entire fl oor of the VitraHaus on the Vitra Campus. For this the motivation is to see how far we can push it and where project, they developed a series of pillows and small, tree-like it can be applied and on what materials and shapes. wooden objects with patterns based on the immersion dyeing It’s almost like checking an algorithm on diff erent technique. These pieces met with great interest, which led to the applications, investigating the potential for surprises decision to further refi ne the designs for mass production. and anticipating where disappointing results might occur. Here the rule was to work with materials that can ‘hold’ The resulting Herringbone Collection consists of the Herring- a layer of color … wood, textile and ceramic being the bone Pillows and the Herringbone Vessels. The color scheme most obvious ones for home accessories.» and sharpness of the pattern contours vary depending on the respective material.

Credits: Interview by Eva Slunečková, published in ELLE Decoration 04/2019

Raw-Edges Raw-Edges Designer

Charles & Ray Eames Sea Things

Upon earning their degrees from the Royal College of Art in 2007, Israeli designers Shay Alkalay and Yael Mer founded the design studio Raw-Edges in . They develop furniture, installations and products, always placing an emphasis on playfulness and provocative illusion. Colors, patterns and movement are essential elements in the design duo’s award-winning work for customers across the globe.

Raw-Edges Charles & Ray Eames Sea Things Sea Things

Sea Things is a pattern created by Ray Eames in 1945. It shows a lovingly designed undersea world full of starfi sh, jellyfi sh, crustacea, algae and other whimsical creatures. The pattern is conceived so that it can be repeated horizontally or vertically, or only used in part – still always forming a lively underwater universe.

Ray Eames submitted Sea Things together with her design Crosspatch to the ‘Competition for Printed Fabrics’ organised by the New York Museum of Modern Art in 1947. Sea Things received an honourable mention and was included in the exhibition ‘Printed Textiles for the Home’.

Vitra is reviving the cheerful motif for a limited period in close collaboration with Eames Demetrios, grandson of Charles Eames and Director of the Eames Offi ce: Sea Things in a blue-green color will appear on the Paper Napkins, Classic Trays and Table Runner, evoking a fresh, yet subtle ocean mood.

Charles & Ray Eames Charles & Ray Eames products of Charles and Rayproducts their mark Eames that left fundamental to development the of Vitra. Its activity of design, an theycontribution ongoing made to the on Vitra. With their to approach Vitra. With andon understanding most important fi important most design. ofgures twentieth-century as a furniture manufacturer began in 1957as began afurniture the with manufacturer production of their designs.production Yet it was not the only fi design. exhibition and photography lmmaking, Charles and Ray Eames are the counted among Their work spans fiTheir the elds of furniture design, The inflThe ofuence Charles and Ray Eames was values and goals of the company. the of goals and values Charles & Ray Eames &Ray Charles Designer

Marble Cork & Cork

xi xii Mediterranean region, can attain an age of 250 to 350 years, to 350 region, canMediterranean an of age attain 250 Vitra uses premium-grade recycled cork, whose coarse grain coarse whose cork, recycled usesVitra premium-grade Cork is anaturalCork renewable material obtained bark from the and have been protected as a species in as protected since Portugal aspecies the and have been furniture and interior material the is objects: hard-wearing, of cork oak trees. Cork oaks are oaks indigenous Cork toof western trees. the oak cork lightweight, pleasant to touch, food-safe, fl food-safe, touch, to lightweight, pleasant retardant,ame thirteenth century. The properties of century. make cork thirteenth it for properties ideal The waterproof and does not absorb surrounding odours. odours. surrounding not absorb does and waterproof gives pattern. material the alively surface Cork Bowls & Cork Family by Jasper Morrison by Jasper Family &Cork Bowls Cork Cork tively commonplace, is diffi marble and cut,cult to extract so surface is easy to wipe and collects no dust, no to and collects is wipe easy it idealsurface making a vast range of colors, from bright white to amber, emerald aged, marble can be polished back to perfection time and time to perfection back polished canaged, be marble for those allergies. with And, in unlikely the event it is dam- has agrain as unique as afingerprint. Likewise, it in comes green togreen pink and even, rarely, more rela- Although black. world. in earth’s the Formed turbulent interior, piece each Marble is a natural stone that occurs in many parts of the is in that anatural occurs many stone Marble parts perfect for domestic use. for domestic Like all carbonate stones, itperfect can Because it is extremely hard and very resistant is hard marble and very it isBecause extremely withstand temperatures as high as 600° Cand its dense withstand temperatures as high as 600° is associated with the idea of luxury. idea is the with associated Occasional Table LTR by Charles & Ray Eames &Ray Table LTR by Charles Occasional L’Oiseau by Ronan & Erwan Bouroullec and and Bouroullec &Erwan L’Oiseau by Ronan time again. time Marble

xiii 18 42 42 41 40 39 38 37 36 Quotes PostersQuotes WallMetal Relief, Snake WallMetal Relief, Arrow WallMetal Relief, Dove WallMetal Relief, Heart Little WallMetal Relief, Sun WallMetal Relief, Heart 38 36 41 39 Eames, 1950 Eames, Girard, 1968 Girard, 1966 Girard, 1965 Girard, 1966 1966 Girard, Girard, 1966 37 40 400 x240 400 270 x240 270 430 x 380 x380 430 500 x700 500 403 x181 403 966 x99 966 Ø 600

Decorative Objects 19 Decorative Objects 20 43 46 51 50 49 48 47 46 45 44 43 Cat &Child Fish Mother Devil Little Wooden Dolls Wooden Dolls Bull Silhouette Mermaid Silhouette Dog Dog large Cat large 44 47 45 Girard, 1952 Girard, 1952 Girard, 1952 Girard, 1952 Girard, 1952 Girard, 1952 Girard, 1952 Girard, Girard, 1965 Girard, 1965 48 49 50 80 x 145 – 45 x 305 x305 –45 x145 80 180 x 52/125 x35 x52/125 180 129 x279 129 129 x286 129 110 x390 110 x390 110 46 x140 46 50 x 170 50 x170 50 51 See the entire Miniatures Collection at vitra.com at Collection Miniatures entire the See 65 64 63 62 61 60 59 58 57 56 55 54 53 52 52 63 56 60 Vegetal, set of 3 of set Vegetal, Chair Side Wiggle 5 of set Chairs, Panton Heart-Shaped Cone Chair &Ottoman Chair Lounge Chair Coconut Stool Butterfly RAR DSW Chaise La DCW Armchair Organic Chair Landi Standard Chair Miniatures Collection 53 61 57 64 Bouroullec, 2008 Bouroullec, 1972 Gehry, Panton, 1959/1960 1959 Panton, 1956 Eames, 1955 Nelson, 1954 Yanagi, 1950 Eames, 1950 Eames, 1948 Eames, 1945 Eames, 1940 &Saarinen, Eames 1938 Coray, Hans Prouvé, 1930 Designer 54 58 65 62 55 59 250 x135 250 160 x140 160 130 x140 130 140 x135 140 130 x155 130 101 x130 101 105 x115 105 65 x145 65 85 x140 85 90 x125 90 80 x120 80 80 x135 80 70 x135 70 80 x70 80 mm

Decorative Objects 21 Lighting 3 2 1 Lampe de Bureau de Lampe Potence Petite Potence 2 3 1 Prouvé, 1930 Prouvé, 1950 Prouvé, 1947 2030 x755 2030 1040 x300 1040 240 x225 240

Lighting 23 we need small, informal storage in belongings on a rock jutting from jutting rock a belongings on ‘The same‘The way that we hang our a cliff before diving into the sea, Coat Racks Coat & Shelves& everyday life too.’ life everyday RONAN & ERWAN BOUROULLEC

3 2 1 1 Corniches small Corniches medium Corniches Corniches large Item 2 3 Designer Bouroullec, 2012 Bouroullec, 2012 Bouroullec, 2012 Bouroullec, 455 x86 455 352 x88 352 210 x116 210 mm

Coat Racks & Shelves 25 Coat Racks & Shelves 26 6 5 4 5 6 Uten.Silo II Uten.Silo I Uten.Silo 3 of set Dots, Coat 4 Becker, 1969 Becker, 1969 Becker, Jongerius, 2013 520 x680 520 670 x870 670 Ø 50 why Ifind textiles interesting and don't have to design an entirely new piece. The skin alone can can alone skin The piece. new also an important subject for for subject important an also make the design new. That’s ‘If you design atextile you Pillows & Pillows Blankets the future.’the

7 6 5 4 3 2 1 1 4 Herringbone Pillows Herringbone Double Heart 2 Heart Double Home Sweet Home PillowsEmbroidered red Love, Snake, ultramarine Eyes Graphic Print Pillows Item 7 5 2 Raw-Edges, 2019 1952 Girard, 1952 Girard, 1952 Girard, Girard, 1961 Girard, 1961 Girard, 1961 Designer 3 6 400 x400 400 x400 400 x400 400 x400 400 400 x300 400 x300 400 x300 400 mm

Pillows & Blankets 29 Pillows & Blankets 30 13 12 11 12 Eames Wool Blankets Wool Eames Color Block Blankets Dots Seat 13 11 Eames, 1947Eames, Jongerius, 2016 Jongerius, 2016 2040 x1300 2040 2000 x1350 2000 Ø 380 380 Ø

31 what already exists. That’s not ‘It’s about continually striving ‘It’s striving continually about to make products better than always possible, but it’s what Furniture motivates me.’ motivates Small Small JASPER MORRISON

7 * outdoor 11 10 9 8 7 6 5 4 3 2 1 Wooden Side Table large Wooden Side Table medium Wooden Side Table small Metal Side Table large* Metal Side Table large Table Side Metal medium* Table Side Metal medium Table small* Side Metal Table small Side Metal Table Side Leather medium Table small Side Leather Item 5 3 1 9 2 10 Bouroullec, 2015 Bouroullec, 2015 Bouroullec, 2015 Bouroullec, 2004 Bouroullec, 2004 Bouroullec, 2004 Bouroullec, 2004 Bouroullec, 2004 Bouroullec, 2004 Bouroullec, 2014 Bouroullec, 2014 Bouroullec, Designer 11 8 4 6 400 x445 400 x445 400 x445 400 700 x365 700 700 x355 700 x355 700 330 x380 330 415 x445 415 315 x380 315 x380 315 315 x390 315 mm

Small Furniture 33 Small Furniture 34 13 12 16 15 14 Table 55 Table 45 Table 35 Table Occasional Low Table Rise Table NesTable 12 13 14 15 Morrison, 2016 Morrison, 2016 Morrison, 2016 Morrison, 2014 Morrison, 2007 16 Ø 500 x475-660 500 Ø 500 x 574-770 x574-770 500 Ø 500 x450 500 Ø Ø 500 x550 500 Ø Ø 500 x350 500 Ø 18 17 Panton Junior TablePrismatic 18 17 Panton, 1959/60Panton, 1957 Noguchi, 376 x628 410 x375 410

Small Furniture 35 Small Furniture 36 22 19 22 21 20 Tabouret Solvay Hocker Stool Elephant Cork Family,Cork A/B/C/D/E model 21 20 19 Morrison, 2004 1941 Prouvé, 2005 Meuron, & de Herzog 1954 Yanagi, Ø 310 x330 310 Ø 400 x450 400 395 x421 395 515 x370 515 2020, art. no. 9187904 no. art. 2020, Cocksedge Mark © LLC, Office, © Eames (styling), Cugini Hüsser (interiors),Connie Lorenz Eggimann (products), Marc Photography: Studios Apartamento Concept: Sprich Benjamin Direction: Art www.vitra.com [email protected], 00, 00 +41 61/377 Vitra International AG, Klünenfeldstrasse CH–4127 22, Birsfelden notice. without change to subject prices 2020; December 31 until valid Prices Vitra. from permission written prior without reproduced be may brochure this of part No notification. upon immediately omission the correct will we acknowledgement, without material used inadvertently have we If times. all at parties third of rights the respect to AG strives International Vitra explicitly andare reserved. ofVitra property the remain and copyrights, Distribution rights for Europa and Japan. For other regions, please contact Maharam Inc. Maharam contact for andJapan.For please Europa rights regions, other Distribution |ClassicPillows → America. andSouth andNorth Africa Europe, to restricted Yanagi Stool |Sori America. Knoll Inc.for for North Butterfly the rights →Distribution for DiningTable the rights distribution America; by Herman MillerInc.for heldby North TurkeySwitzerland, for Coffee the rights Kingdom.Distribution United andthe Table held Portugal, Sweden, Norway, , the Luxembourg, Malta, Liechtenstein, Belgium, Czech Republic, Finland, Denmark, Italy, Germany, Iceland,Ireland, Greece, Austria, inAustralia, rights distribution holdsthe toVitra restricted LightSculptures Akari for rights HermanMillerInc.|Isamu Noguchi →Distribution contact please regions, for designsexclusively other rights MiddleEast.For for andthe distribution Europe other →Worldwide Nelson for Collection; allclocks andMiniatures rights distribution HermanMillerInc. |George contact MiddleEast.For please and the regions, other Europe to WallEnvironmental restricted are rights Hangings,for distribution which the Miller Inc.|Alexander →Worldwide exception the Girard with rights, ofthe distribution Herman exclusively contact MiddleEast.For please forandthe regions, Europe other for designs allother rights distribution Collection, Blankets andfor Miniatures the ClassicTrays, Mobile, Plywood Paper Posters, Napkins,EamesQuotes EamesWool Eames →Worldwide EamesElephant, Chair,LaChaise, for Organic the distribution Charles apply: Thefollowing andsale. restrictions for production their rights exclusive designsandholdthe these worldwide anddistribute manufacture to rights property intellectual owners ofthe the from haveauthorisation DesignMuseum Vitra andthe Vitra by copyright. protected publication are designsshown inthis All ofthe 2020, art. no. 9187909 no. art. 2020,

The design of the PantonThe designofthe Panton Chairandthe trademarks. registered nameare ® All copyrights and intellectual property rights, including trademarks, patents patents includingtrademarks, rights, property andintellectual Allcopyrights & Ray

Imprint INT

Alexander Girard Arik Levy Charles & Ray Eames Dorothee Becker Front George Nelson Hella Jongerius Herzog & de Meuron Isamu Noguchi Jasper Morrison Jean Prouvé Michel Charlot Raw-Edges Ronan & Erwan Bouroullec Sori Yanagi Collection Verner Panton Accessories

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