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"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Mick Jagger © Felix Aeppli 04-2020 / 09-2021
Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance. -
Peter Frampton Comes Alive Album Download Peter Frampton
peter frampton comes alive album download Peter Frampton. Peter Frampton (born 22 April 1950 in Beckenham, Kent) is a British musician, best known today for his multi-platinum selling solo work in the mid-1970s when he was an "arena rocker". He originally became famous, however, as a young member of psychedelic era band The Herd and became a teen idol in Britain. Steve Marriott reportedly wanted to bring the 18 year old Frampton into the Small Faces lineup but when rebuffed, started Humble Pie with Frampton instead. After touring the US and Europe for two years, he left Humble Pie as the group was gaining popularity because of disdain for Marriott's hard living lifestyle and screaming boogie rock direction. Aside from his work with Humble Pie, other recordings of this era that feature Frampton include albums by Harry Nilsson, Jerry Lee Lewis, and George Harrison. His solo debut was 1972's Wind Of Change, which did not fare well on the charts, and neither did two more efforts, one under the moniker Frampton's Camel. Constant touring though began to create awareness of his talents and 1974's Frampton LP went gold. He gained lasting international fame by 1976 when his much-loved live album, Frampton Comes Alive! was released. Having built up his reputation on the road, the LP debuted at No. 1 on the charts in January 1976. It was long considered the best-selling live album of all time, moving over 16 million copies worldwide. In 1978, Peter suffered a near fatal car crash in the Bahamas, which left him with a concussion, muscle damage and broken bones. -
November 1982
VOL. 6 NO. 8 Cover Photo by Rick Mattingly CONTENTS FEATURES VINNIE COLAIUTA Occasionally, a lot of people will start talking about a certain musician—"Hey, have you heard...?" Most recently, Vince Col- aiuta has captured this kind of attention. First coming to promi- nence with Frank Zappa, Vinnie has gone on to make his mark on the L.A. studio scene. MD caught up with Vinnie, and probed the background of "the new guy in town." by Robyn Flans 8 BARRY ALTSCHUL Having the ability to combine such diverse influences as Dixie- land, blues and avant-garde into a cohesive style demands a strong underlying concept. Barry Altschul has such a concept, which he is able to articulate in words as well as in his playing. by Rick Mattingly 12 THE HISTORY OF ROCK DRUMMING Part V: The Final Chapter Photo by Lissa Wales by Scott Fish 16 BOB DISALLE A View From Toronto by Scott Fish 20 LIBERTY DEVITTO When Billy Joel decided that his New York-flavored music called for New York musicians, drummer Liberty DeVitto became Photo by Tom Copi part of Joel's band, where he has remained ever since. Liberty talks about drumming for Billy, and about his various other studio ac- tivities. by Cheech Iero 24 WILLIAM F. LUDWIG, JR. A Candid Discussion by Dave Levine 28 Photo by Lissa Wales STRICTLY TECHNIQUE SOUTH OF THE BORDER COLUMNS Triplets With Paradiddles and Doubles Jopa: Old World Craftsmanship EDUCATION by Brent Brace 84 by Cheech lero 82 JUST DRUMS 122 UNDERSTANDING RHYTHM ROCK CHARTS The Eighth-Note Triplet "Touch and Go" by Nick Forte 32 by James Morton 90 PROFILES UP AND COMING ROCK 'N' JAZZ CLINIC COMPLETE PERCUSSIONIST Owen Hale Soloing On An Ostinato Bass Drum Introduction to Tabla by Scott Fish 76 by Ken Meyers 38 by Brian Knave 94 CONCEPTS RUDIMENTAL SYMPOSIUM NEWS Rudimental Positioning For "Can You Play Like John Smith?" UPDATE by Roy Burns 42 Set and Snare 116 by Mark Van Dyck. -
Special Commencement Issue
I I Special Commencement Issue lu're "'Continuous News Service Since 1881". Graduazting! See page 3. I r ~tI , -I 1 'l1 - - - --. .---- -- - - - VULUME 95, NUMBER 27 MIT, CAMBRIDGE, MASSACHUSETTS MONDAY, JUNE 2, 1975 .. ._ . Ua to.! et, e res in -ceirernoni s to a r More than 1300 seniors and the Dean. of the recipient's graduate students will receive School reads his name. Doctoral degrees from MIT President recipients will receive hoods at Jerome B. Wiesner at the Insti- the same time from Dean of the, tute's 109th annual commence- Graduate School Irwin Sizer and ment ceremony today. Chairman of the Faculty Profes- Wiesner, who will also give sor Elias Gyftopoulos. the commencement address to A record number -of women the students and their parents - more than 150 - will receive and guests, will present about degrees today, almost half again 1450 degrees in the 2-hour cere- as many as were awarded degrees mony, which begins at 10:30am last year. Two of the female in Rockwell Cage. degree recipients will be seated Howard W. Johnson, Chair- on the stage at the front of the man of the Corporation and Cage as permanent officers of former president of MIT, will the Class of 1975..- Ilene S. preside over the commencement. Gordon, class vice-president, and More than 4000 students, Jennifer Gordon, class secretary- parents, faculty, alumni and treasurer. guests are expected- to attend. Other officers on the stage Marching to the sound of the will include Class of 1975 Mar- MIT Concert Band, directed by shal Jim Moody, and Graduate Humanities Instructor John D. -
Ron Wood © Felix Aeppli 08-2018 / 06-2020
Gimme Some Neck Ron Wood © Felix Aeppli 08-2018 / 06-2020 7001 June 1, 1947 Born in Hillingdon, Middlesex: Ronald David Wood. 7001A Late 1963 and early 1964 Yiewsley, Middlesex: RHYTHM AND BLUES BOHEMIANS (not recorded) RW, Tony Munroe: guitar; Robin Scrimshaw: vocals; Kim Gardner: bass; Bob Langham: drums; - When Ali McKenzie replaced singer Robin Scrimshaw in early 1964, the band changed their name to THE THUNDERBIRDS, soon to be shortened to THE BIRDS in order to avoid confusion with Chris Farlowe’s backing band. 7001B Early March, 1964 Live at the Crawdaddy Club, Station Hotel, Richmond, Surrey: THE YARDBIRDS (not recorded) RW (replacing Keith Relf for one gig): harmonica; Eric Clapton: guitar, vocals; Chris Dreja: guitar; Paul Samwell-Smith: bass, vocals; Jim McCarty: drums, back-up vocals. 7001C June, 1964 Demo recordings, Tony Pike Sound Studio, Putney, London: THE BIRDS, SAY THOSE MAGIC WORDS (Beat Rec. BLP-3 [UK], late Summer, 1997); THE COLLECTORS’ GUIDE TO RARE BRITISH BIRDS (Deram 564139-2, CD [UK], Aug. 1, 1999): 1. You Don’t Love Me [Demo] (McDaniel), 2. You’re On My Mind [Demo] (Wood) Line-up: same as next. Summer, 1964, onwards THE BIRDS, BRITISH BALLROOM & CLUB DATES 7002 Early November, 1964 Decca Studios, London: THE BIRDS, Single (Decca F 12031 [UK], Nov. 20, 1964); THESE BIRDS ARE DANGEROUS (Edsel Rec. NEST901;12" EP [UK], 1985); SAY THOSE MAGIC WORDS (Beat Rec. BLP-3 [UK], late Summer, 1997); THE COLLECTORS’ GUIDE TO RARE BRITISH BIRDS (Deram 564139-2, CD [UK], July, 1999); RONNIE WOOD, ANTHOLOGY: THE ESSENTIAL CROSSEXION (EMI 3 11735 2, CD [UK], June 26, 2006): 1. -
Machat Impeache January Tria1
i^l^l^l^l^H ig Bust r sports • Results In Coach Elliott Photo Essay 9V . page 10 7 Arrests urnratt? Vol. 49, No. 23 Tuesday, December 11, 1973 Ph. 284-4401 By DIANE RENNICK Aaatatan* Naw. ttfitar Negotiations in a Universi ty of Miami dormitory for a large marijuana deal led tn the arrest of four UM students and three other persons, Metro police said. Machat Impeache A police undercover agent took part in the negotiations which resulted in purchase of marijuana at a residence in 1 the southwest section of Miami occupied by two of the students, investigators January Tria said. A Metro police spokesman said the undercover agent By VALERIE STRAUSS one has to make a mockery cal threats against him hv had been involved in negotia News Editor out of USBG because he telephone and in direct con tions with persons living in The Student Senate voted wants his name to be made frontation the Kendall area for the pur yesterday to impeach around campus," Machat "I am being threatened chase of narcotics and was Undergraduate Student Body said. M of my work to clean taken to UM dorms, where dovernment (USBG) Trea up student goVernnierit .1 see the negotiations were contin surer Steve Machat for al "I Unfortunately, they no other reason to threaten ued Thursday for the alleged leged malfeasance and non picked the least political po me unless they have purchase of a quanitity of feasance of ofice. sition, that of treasurer, to something to hide. 1 am being marijuana for $3,500. -
Central Florida Future, Vol. 08 No. 20, March 12, 1976
University of Central Florida STARS Central Florida Future University Archives 3-12-1976 Central Florida Future, Vol. 08 No. 20, March 12, 1976 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 08 No. 20, March 12, 1976" (1976). Central Florida Future. 254. https://stars.library.ucf.edu/centralfloridafuture/254 With 54 pct. of the vote .LJFF wins bargining election By KERRY FAUNCE name on it. Thompson explained Staf! Writer the challenged ballots did not have to be used since only 2,286 The United Faculty of Florida vot~s were needed to win. (UFF) has been elected the At FTU, the UFF vote was 80 exclusive bargaining agent for per cent. Thompson said all but about 5,100 state university 27 of 314 eligible employes cast employes last Tuesday. ballots. According to Dr. Richard The first UFF action will be a Thompson, FTU UFF president, st.atewide convention at the "This victory by a vacuity union Orlando Hyatt House on March on the first ballot without a 24 and 25. Thompson said run-off is the first time it's been delegates will prepare a finalized done in the United States." . -
Patrick Keeler
WECKL ENCORE • LUKATHER ON PORCARO TTHEHE WORLD’SS #1 DRDRUM MAGAZINEMAGAZINE THE RACONTEURS’ PATRICK WINWIN AA $12,000+$12,000+11222,000000+ KEELER DWDW PACKAGE!PACKAGEPAAC THE ART OF ROCK KAAAGEE!! KING CRIMSON’S GAVIN HARRISON MARK GUILIANA BACK TO BEAT MUSIC RAY LUZIERLUZIER IN THETHE STUDIOSTUDIO NOVEMBERNOVEMBER 20192019 THETHE REGRETTES’REGRETTES’ DREWDREW THOMSENTHOMSEN EXERCISESEXERCISES FFOROR DRDRUMMERSUMMERS ALESISALESIS SSTRIKETRIKE MULTIPAMULTIPADD An Icon for an Icon. DW is proud to present the long-awaited Collector’s Series® Jim Keltner Icon Snare Drum. Precise, laser-cut wood inlays are meticulously applied over an all-maple 11-ply VLT shell. A collectible meets highly-playable instrument that will always endure. Legendary, timeless, iconic. To experience more, visit dwdrums.com. ©2019 DRUM WORKSHOP, INC. ALL RIGHTS RESERVED. 12 Modern Drummer June 2014 GET YOUR GRIP. TAILORED TO YOUR FEEL, AND NOW IN MORE MODELS The Vic Firth catalog continues to expand so you can find your perfect pair. PureGrit and DoubleGlaze are going beyond just 5A and 5B, and are now available in three new sizes – 7A, X5A, and X5B – so you can improve your grip without changing your choice of stick. PureGrit is a raw, textured, and lacquer-free stick, ideal for drummers who prefer a natural feel. DoubleGlaze offers an extra coating of our special lacquer to deliver a uniquely tacky feel, for additional grip when you need it. TEXTURED, NATURAL GRIP UNIQUE TACKY FEEL VICFIRTH.COM ©2019 Vic Firth June 2013 Modern Drummer 1 CONTENTS Volume 43 • Number 11 CONTENTS Cover and contents photos by David Swanson 38 MARK GUILIANA The famed drummer is back in electro mode with his way forward-looking Beat Music project. -
Peter Frampton Frampton Mp3, Flac, Wma
Peter Frampton Frampton mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Frampton Country: Europe Style: Rock & Roll, Pop Rock, Hard Rock MP3 version RAR size: 1202 mb FLAC version RAR size: 1243 mb WMA version RAR size: 1253 mb Rating: 4.3 Votes: 379 Other Formats: ASF AIFF VQF AUD MPC AAC TTA Tracklist Hide Credits A1 Day's Dawning 3:56 A2 Show Me The Way 4:06 A3 One More Time 3:21 The Crying Clown A4 4:05 Vibraphone – Poli Palmer A5 Fanfare 3:29 B1 Nowhere's Too Far (For My Baby) 4:18 B2a Nassau 1:08 Baby, I Love Your Way B2b 4:43 Bass – Peter Frampton B3 Apple Of Your Eye 3:43 B4 Penny For Your Thoughts 1:22 B5 (I'll Give You) Money 4:35 Companies, etc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Printed By – MacNeill Press Ltd. Recorded At – Clearwell Castle Overdubbed At – Olympic Studios Mixed At – Olympic Studios Mastered At – The Mastering Lab Credits Art Direction – Roland Young Bass [Fender] – Andrew Bown* Design – Rod Dyer Drums, Percussion – John Siomos Engineer [Assistant] – Andy Knight, Ron Engineer [Chief], Co-producer [Associate Producer] – Chris Kimsey Featuring [As Himself] – Clive Frampton Lacquer Cut By – Porky Other [Host And Hostess] – Bernard And Sue Yates Photography By – Michael Zagaris Producer, Guitar, Piano, Organ, Performer [Talkbox], Vocals – Peter Frampton Notes Sleeve printed in England Barcode and Other Identifiers Matrix / Runout: AMLH 64512 A1 ⠨ • A PORKY PRIME CUT Matrix / Runout: AMLH 64512 B1 PECKO ⠨ • Other versions Category Artist Title (Format) Label -
The Ultimate Complete Michael Bloomfield Discography
The Ultimate Complete Michael Bloomfield Discography Michael Bloomfield December 7, 1964 “The music you listen to becomes the soundtrack of your life....” Michael Bloomfield Feb. 13, 1981 Compiled by René Aagaard, Aalekaeret 13, DK-3450 Alleroed, Denmark - [email protected] www.the-discographer.dk - Copyright September 2014 Version 9 Michael Bernard Bloomfield was born July 28, 1943, in Chicago, Illinois and was found dead in his car in San Francisco, California on February 15, 1981. Between these dates he made a lasting impression on the world of music. Today he is still considered one of the greatest and most influential white guitarists from the USA. He learned by listening to all the great black musicians that played Chicago in the ’50s and early ’60s - people like Howlin’ Wolf, Muddy Waters, Big Joe Williams, Sleepy John Estes and many more. He was always eager to join them on stage and made quite a name for himself. He also played with many white musicians his own age, like Barry Goldberg, Charlie Mussel- white, Nick Gravenites and whoever toured Chicago. In the early ’60s, barely 20 years old, he was the musical director of a Chicago blues club called The Fickle Pickle. Here he hired many of the old, black blues legends, and he treated them so well that Big Joe Williams even mentions him in a song about the club, “Pick a Pickle”. In 1964 Michael Bloomfield was “discovered” by legendary producer John Hammond, Sr., who went to Chicago to hear and record Bloomfield, and then invited him to New York to audition for Columbia Records. -
Do You Feel Like We Do
7 DO YOU FEEL LIKE WE DO Words and Music by Peter Frampton, John Siomos, Rick Willis and Mick Gallagher Arr. Dan Coates Moderate rock 4 2 3 2 4 b 4 & b b 4 œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ ˙. F ? b 4 œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ b b 4 œ1 . œ œ œ1 œ. œ œ œ œ. œ œ œ œ. œ œ œ 5 J 5 J J J 5 4 2 3 2 4 b & b b œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙. œ œ œ œ. œ œ œ. œ œ œ œ œ ? b œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ b b J œ J œ J œ J œ 9 2 2 3 3 3 b œ & b b œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ ˙. œ. œ œ œ. œ œ œ. œ œ œ œ œ ? b œ. œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ œ b b J œ J œ J œ J œ 13 4 2 3 2 1 1 b œ œ œ œ & b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ.