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The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
George Mccrae Rock Your Baby Mp3, Flac, Wma
George McCrae Rock Your Baby mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Rock Your Baby Country: Canada Released: 1974 Style: Soul, Funk MP3 version RAR size: 1284 mb FLAC version RAR size: 1194 mb WMA version RAR size: 1105 mb Rating: 4.2 Votes: 834 Other Formats: ASF TTA DXD AAC FLAC AU MOD Tracklist Hide Credits Rock Your Baby A1 6:20 Written-By – H. W. Casey*, R. Finch* I Can't Leave You Alone (I Keep Holdin' On) A2 3:10 Written-By – H. W. Casey*, R. Finch* You Got My Heart A3 2:35 Written-By – H. W. Casey*, R. Finch* You Can Have It All A4 2:40 Written-By – H. W. Casey*, R. Finch* Look At You B1 4:55 Written-By – H. W. Casey*, R. Finch* Make It Right B2 2:57 Written-By – H. W. Casey*, R. Finch* I Need Somebody Like You B3 3:34 Written-By – H. W. Casey*, R. Finch* I Get Lifted B4 2:50 Written-By – H. W. Casey*, R. Finch* Rock Your Baby (Reprise) B5 2:05 Written-By – H. W. Casey*, R. Finch* Companies, etc. Phonographic Copyright (p) – T.K. Productions, Inc. Copyright (c) – T.K. Productions, Inc. Credits Drums – Robert Johnson Drums, Bass – Richard Finch Guitar – Jerome Smith, Phillip Wright Keyboards – Harry Wayne Casey Producer – Harry Wayne Casey & Richard Finch Notes slightly different front & back cover than the other Canadian issue Barcode and Other Identifiers Other: T.K.-501 Matrix / Runout (Runout Groove Side A): KPLI-0501 A #2 TXH Matrix / Runout (Runout Groove Side B): KPLI-0501 B #3 TXH Other versions Category Artist Title (Format) Label Category Country Year George Rock Your Baby (LP, T.K. -
With Honors at Ceremony Mrs
M'lark College hP VOL. XXXVH NO. 5 ANTHER®CLARK COLLEGE FEBRUARY 1974 Henderson 'Roasted' With Honors At Ceremony Mrs. Vivian Henderson, individual,” Brantley said. gretted it and sometimes the president’s wife, was “He is a man deeply and I’ve been thankful.” present for the ceremony profoundly interested in the There was a surprise vi also. individual, ’ ’ Brantley said. sit by Henderson’s eldest Dr. Albert Manley, presi brother, J. J. Henderson, “1 thought the program dent of Spelman College, was who reminisced over some was nice and very well also on hand for the cere of their past experiences. done,” Mrs. Henderson said. monies. There was also a letter of “He looks like the big tough “Dr. Henderson has al congratulations from Mayor guy, but he’s really a sof ways excelled in what he Maynard Jackson presented ty,” she said speaking on tried to do,” Manly said. by the mayor’s press secre Henderson’s tears at theend Manly was Dean of Aca tary, Pearl Lomax. of the p^ogr0*’* demic Affairs at North Caro After the “roast,” Hen “I tnink for the first time lina College when Hender derson was presented with the student body is aware son was a student there. a gift and two plaques. of the many qualities of the “Vivian was not the ea Henderson was overcome president and there was a siest student to get along by tears as he stood be sincere exchange of appre with at North Carolina Col fore the audience to give him ciation between the student lege,” Manly said. -
Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves. -
T.K. Productions – Billboard 1974
General News Miami Moves Up As Soul Center Executive Turntable J Henry Stone's T.K. Productions The Major Thrust r By ART RAPPER MIAMI- George McCrae, KC Dig, Dash, Drive, Suncu6 Now many markets, our distribution situ- and the Sunshine Band, Little Bea- Sound, Gold Plate and Shane. ation is weak, so we bolster it by sell - ver, Latimore, Betty Wright, Clar- Soul charts records are Benny ing to one -imps and major retail ac- ence Reid ... they're all hot and Latimore's "Let's Straighten It Out," counts direct. We know where to go they're all from Miami, the city Little Beaver's "Party Down," with the merchandise." that's challenging Philly as the soul George McCme's new one (follow- T.K:s sound is the undulating center of the 70s. ing his chart busting "Rock Your push of George McCrae; the mw Baby "), "I Can't Leave You Alone," ILBERMAN ROTH EICHNER FRANKS Henry Stone, Miami's "soul mer- Betty Wright's "Shoorah! Shoo- girl -in-a woman's body soul of Betty chant," who arrived here from Cali- Wright, the acknowledged Queen of Mel Oberman named to the new post of division president, RCA Records rah!," Timmy Thomas' "I'd Like to fornia in 1946 to open Tone Distrib- Miami, whose advice to the ladies commercial operations, with general counsel Myron Roth succeeding him as See You Tonight," and Miami's T.K. Productions, utors, heads "Party Freaks." and warnings to the men has been division vice president, business and talent affairs. With marketing, business which releases these artists. -
Year of Publication: 2006 Citation: Lawrence, T
University of East London Institutional Repository: http://roar.uel.ac.uk This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Lawrence, Tim Article title: “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Year of publication: 2006 Citation: Lawrence, T. (2006) ‘“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco’ Journal of Popular Music Studies, 18 (2) 144-166 Link to published version: http://dx.doi.org/10.1111/j.1533-1598.2006.00086.x DOI: 10.1111/j.1533-1598.2006.00086.x “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Tim Lawrence University of East London Disco, it is commonly understood, drummed its drums and twirled its twirls across an explicit gay-straight divide. In the beginning, the story goes, disco was gay: Gay dancers went to gay clubs, celebrated their newly liberated status by dancing with other men, and discovered a vicarious voice in the form of disco’s soul and gospel-oriented divas. Received wisdom has it that straights, having played no part in this embryonic moment, co-opted the culture after they cottoned onto its chic status and potential profitability. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set. -
Track Listing:
Track Listing: - DISC ONE - POP / DANCE 1 Arrow - "Hot Hot Hot" 2 Communards - "Dont Leave Me This Way" 3 Patrick Hernandez - "Born To Be Alive" 4 The Jacksons - "Blame It On The Boogie" 5 Kool & The Gang - "Celebration" 6 Madonna - "Like A Virgin" 7 New Order - "Blue Monday" 8 Billy Ocean - "Love Really Hurts Without You" 9 Shamen - "Ebeneezer Goode" 10 Soft Cell - "Tainted Love/Where Did Our Love Go" 11 UB40 - "Red Red Wine" 12 Yazz & The Plastic Population - "The Only Way Is Up" DISC TWO - PARTY 1 Bad Manners - "Can Can" 2 Jeff Beck - "Hi Ho Silver Lining" 3 Black Lace - "Megamix 12"" 4 Brendon - "Gimme Some 12"" 5 Contours - "Do You Love Me" 6 Damian - "Timewarp 12"" 7 Charlie Daniels Band - "Devil Went Down To Georgia" 8 Dexy's Midnight Runners - "Come On Eileen" 9 Dooleys - "Wanted" 10 Four Seasons - "December '63 (Oh What A Night) (Ben Liebrand Remix)" 11 Gap Band - "Oops Upside Your Head" 12 Kaoma - "Lambada" 13 Little Eva - "Locomotion" 14 Los Lobos - "La Bamba" 15 Lulu & The Luvvers - "Shout" 16 Nolans - "I'm In The Mood For Dancing" 17 Piranhas - "Tom Hark" 18 Pogues & The Dubliners - "Irish Rover" 19 Vic Reeves And The Wonder Stuff - "Dizzy" 20 Toy Dolls - "Nellie The Elephant" 21 Traditional - "Stripper" DISC THREE - ALTERNATIVE 1 Carter U.S.M. - "Sheriff Fatman" 2 Clash - "Should I Stay Or Should I Go" 3 Cult - "She Sells Sanctuary" 4 Cure - "Love Cats" 5 Deacon Blue - "Real Gone Kid" 6 Emf - "Unbelievable" 7 Happy Mondays - "Step On" 8 Billy Idol - "White Wedding" 9 Inxs - "Need You Tonight" 10 Jam - "A Town Called Malice" 11 James - "Sit Down" 12 Lenny Kravitz - "Are You Gonna Go My Way?" 13 Martha & The Muffins - "Echo Beach" 14 Nirvana - "Smells Like Teen Spirit" 15 R.E.M. -
There's No Shortcut to Longevity: a Study of the Different Levels of Hip
Running head: There’s No Shortcut to Longevity 1 This thesis has been approved by The Honors Tutorial College and the College of Business at Ohio University __________________________ Dr. Akil Houston Associate Professor, African American Studies Thesis Adviser ___________________________ Dr. Raymond Frost Director of Studies, Business Administration ___________________________ Cary Roberts Frith Interim Dean, Honors Tutorial College There’s No Shortcut to Longevity 2 THERE’S NO SHORTCUT TO LONGEVITY: A STUDY OF THE DIFFERENT LEVELS OF HIP-HOP SUCCESS AND THE MARKETING DECISIONS BEHIND THEM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Business Administration ______________________________________ by Jacob Wernick April 2019 There’s No Shortcut to Longevity 3 Table of Contents List of Tables and Figures……………………………………………………………………….4 Abstract…………………………………………………………………………………………...5 Introduction…………………………………………………………………………………..6-11 Parameters of Study……………………………………………………………..6 Limitations of Study…………………………………………………………...6-7 Preface…………………………………………………………………………7-11 Literary Review……………………………………………………………………………..12-32 Methodology………………………………………………………………………………....33-55 Jay-Z Case Study……………………………………………………………..34-41 Kendrick Lamar Case Study………………………………………………...41-44 Soulja Boy Case Study………………………………………………………..45-47 Rapsody Case Study………………………………………………………….47-48 -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Gladys Knight & the Pips 2Nd Anniversary Mp3, Flac
Gladys Knight & The Pips 2nd Anniversary mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: 2nd Anniversary Country: US Released: 1975 Style: Rhythm & Blues, Soul MP3 version RAR size: 1597 mb FLAC version RAR size: 1542 mb WMA version RAR size: 1258 mb Rating: 4.7 Votes: 717 Other Formats: AIFF WMA VQF DMF AUD DXD ADX Tracklist Hide Credits A1 Money 3:50 A2 Street Brother 4:46 A3 Part Time Love 2:30 A4 At Every End There's A Beginning 3:41 Georgia On My Mind A5 3:37 Arranged By – Sid Feller You And Me Against The World B1 6:11 Arranged By – Don Hannah Where Do I Put His Memory B2 4:52 Steel Guitar [Pedal] – Rusty Young B3 Summer Sun 6:03 B4 Feel Like Makin' Love 6:14 Companies, etc. Mastered At – Kendun Recorders Credits Arranged By – Gary King (tracks: A1, A2, B3, B4), Kenny Kerner (tracks: A3, A4, B1, B2), Richie Wise (tracks: A3, A4, B1, B2) Co-producer – Bubba Knight, Edward Patten, Gladys Knight, William Guest Drums – Steve Gadd Engineer – Warren Dewey (tracks: A3, A4, B1, B2) Guitar – Hugh McCracken, Richie Reinsicov* Horns – Larry Wilcox (tracks: B1, B2) Keyboards – Kenny Asher* Percussion – Ralph MacDonald Producer – Eugene McDaniels (tracks: A1, A2, B3, B4), Kenny Kerner (tracks: A3, A4, B1, B2), Richie Wise (tracks: A3, A4, B1, B2) Strings – Larry Wilcox (tracks: B1, B2) Synthesizer – George Duke Notes This pressing came out with a large fold-out colour poster insert and a contest subscribe form. Barcode and Other Identifiers Matrix / Runout (Side A, Variant 1): BDS-5639-A ② KENDUN MR Matrix / Runout (Side A,