Welcome

UPCOMING Dear Friends,

THE FOUR OF US The Globe is thrilled to bring to its stages two such different yet equally February 3 - March 11, 2007 Cassius Carter Centre Stage evanescent comedies as the next two shows in our 2006/2007 season. In the Old Globe Theatre we welcome back director and Tony Award®-winner OOO John Rando, who is at the helm of Restoration Comedy by Pulitzer Prize final- ist Amy Freed. On the Cassius Carter Centre Stage, we are pleased to bring HOLD PLEASE back Old Globe favorite Kirsten Brandt to direct award-winning playwright March 31 - May 6, 2007 Cassius Carter Centre Stage Annie Weisman’s workplace comedy, Hold Please.

OOO Thus far 2007 is proving to be another remarkable year for the Globe. The new musical ACE delighted audiences of all ages, playing to emotion-filled TWO TRAINS RUNNING April 21 - May 27,2007 standing ovations at each and every performance. As part of the Globe’s Old Globe Theatre free student matinee program, two special performances of ACE were given for over 1,200 middle and high school students who cheered ecstatically. OOO Our audiences are equally enthusiastic about the world premiere of Itamar Edward Albee’s Moses amusing, unique and important The Four of Us. WHO’S AFRAID OF VIRGINIA WOOLF? These new and inventive works and the Globe’s essential Education pro- May 19 - June 24, 2007 grams could not be possible without your help. As you know, ticket sales Cassius Carter Centre Stage cover only a portion of the cost of these projects, and your annual donation OOO is key to our being able to serve this community.

2007 SUMMER Once again we thank you for your devotion and your continued support. SHAKESPEARE FESTIVAL HAMLET TWO GENTLEMEN OF VERONA MEASURE FOR MEASURE June 16 - September 30, 2007 Lowell Davies Festival Theatre

OOO LOUIS G. SPISTO JACK O’BRIEN JERRY PATCH Executive Director Artistic Director Resident Artistic Director AVENUE Q June 30 - August 5, 2007 Spreckels Theatre (Downtown)

OOO

BELL, BOOK AND CANDLE August 4 - September 9, 2007 Cassius Carter Centre Stage

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.

The Lipinsky Family Donald and Darlene Shiley Sheryl and Harvey P.White Karen and Donald Cohn Conrad Prebys Valerie and Harry Cooper Audrey S. Geisel Supervisor Pam Slater-Price and the County of San Diego Globe Guilders Anonymous

To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS RESTORATION COMEDY Amy BYFreed

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Ralph Funicello+ Robert Blackman York Kennedy Paul Peterson

VOICE AND DIALECT COACH ORIGINAL MUSIC STAGE MANAGER Jan Gist Michael Roth Diana Moser

JohnDIRECTED Rando BY

Casting by Samantha Barrie

+ Associate Artist of The Old Globe

RESTORATION COMEDY was originally produced by Seattle Repertory Theatre David Esbjornson, Artistic Director | Benjamin Moore, Managing Director Seattle, Washington

PERFORMANCES MAGAZINE P3 Cast of Characters

IN ORDER OF SPEAKING

Loveless ...... Marco Barricelli* Snap/Tailor/Parson Bull ...... John Keating* Worthy ...... Peter Frechette* Hillaria/Nurse ...... Kimberly Scott* Amanda ...... Caralyn Kozlowski* Narcissa/Hoyden ...... Amelia McClain* Lord Foppington a.k.a Sir Novelty Fashion ...... Danny Scheie* Whore/Amanda’s Servant/Ensemble ...... Kate Turnbull! Toby/Christopher/Ensemble ...... Chip Brookes! Young Fashion ...... Michael Izquierdo* Lory/Ensemble ...... Chris Bresky! Sly/Coupler Manlove/Gardener/Sir Tunbelly Clumsey ...... Jonathan McMurtry+* Whore/Fistula/Ensemble ...... Cara Greene! Footman/Justin/Ensemble ...... Rhett Henckel! Footman/Ensemble ...... Aaron Misakian! Whore/Ensemble ...... Summer Shirey! Whore/Berinthia ...... Christa Scott-Reed*

Stage Manager ...... Diana Moser* Assistant Stage Manager ...... Jenny Slattery*

* Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. + Associate Artist of The Old Globe !Students from The Old Globe/University of San Diego Master of Fine Arts Program

There will be one 15-minute intermission.

Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher.

P4 PERFORMANCES MAGAZINE Production Sponsors The Old Globe would like to thank the following sponsors who have generously underwritten this production of RESTORATION COMEDY. . .

Karen and Donald Cohn

Karen and Donald Cohn have attended Globe productions for the past 27 years and have been actively involved with the Theatre for 16 of those years. Karen will be the Co-Chair of the 2007 Globe Gala in September, and she currently serves as Co-Chair of the Globe’s Securing a San Diego Landmark: Capital and Endowment Campaign. She and Don have helped to launch this campaign by making a significant pledge toward the campaign’s goal.

Karen first joined the Globe’s Board of Directors in 1992, has served two terms as Board President (1996-1998) and has chaired four of the Globe’s most successful Galas. Donald currently serves on the Globe’s Board of Directors, is a member of the Board’s Executive Committee and was a Globe Gala Co-Chair in 2005. The Cohns have previously spon- sored Othello,Macbeth,Antony and Cleopatra,Twelfth Night,Blue/Orange,A Midsummer Night’s Dream,The Doctor Is Out and Wonderful Tennessee.

For more than a decade, Continental Airlines has provided Globe artists non-stop service between San Diego and Continental Airlines’ New York area hub, Newark Liberty International Airport. Continental Airlines has always been committed to the community, supporting charitable organizations of various interests and concerns across the country. Continental Airlines’ previous production support includes underwriting for The Times They Are A-Changin’,Take Me Out,Bus Stop,Stones In His Pockets and Oldest Living Confederate Widow Tells All.

PERFORMANCES MAGAZINE P5 2007 Board of Directors

Dear Friends,

Many of us attending the Globe today League – the Globe’s planned-giving program – as the Globe have seen this theatre grow through has been a family tradition, and I want to ensure that future the years, becoming one of the most generations can enjoy this great theatre. prominent theatre companies in the United States with an all-encompassing The Globe offers estate-planning partnerships that are range of repertoire – from Broadway-bound musicals to advantageous to you now, your heirs and the theatre. To learn Shakespeare to new plays and contemporary revivals. more about planned giving, please contact our Development Office at (619) 231-1941 ext. 2309. The Old Globe is truly a San Diego landmark, and it is incumbent upon us – the current subscribers, donors and On behalf of the Board of Directors, I thank you for making attendees – to ensure this cultural icon’s future. the Globe a tradition and part of your life. We hope that you will continue to be involved as a patron and a supporter. A solid endowment is the key to securing that future. When I Enjoy the show! established my estate plans, I chose to join the Craig Noel Kathryn Hattox, Chair, Board of Directors

BOARD OF DIRECTORS / OFFICERS Kathryn Hattox* Anthony S. Thornley* Deni S. Carpenter* Sandra Redman* Valerie Cooper* Tim K. Zinn* Chair Vice Chair Finance Vice Chair Development Vice Chair Nominating Secretary Treasurer

DIRECTORS Victor P. Gálvez Daniel L. Sullivan, Ph.D. Delza Martin (1915–2005) Mary Beth Adderley-Wright F. George Gilman Julie H. Sullivan, Ph.D. Patsy Shumway Joseph Benoit Carol Hanson Dean Thorp Charles Brazell Viviana Ibañez Evelyn Mack Truitt HONORARY DIRECTORS Robert Cartwright Sheila Lipinsky* Debra Turner Mrs. Richard C. Adams Donald Cohn* Timothy A. MacDonald Crystal Watkins (1912–2005) Peter J. Cooper Sue Major Stewart J. Weissman Clair Burgener (1921-2006) David W. Down Arthur Neumann Harvey White* Mrs. John H. Fox (1908–2003) Bruce M. Dunlap Robin Nordhoff Ruth Wikberg-Leonardi Audrey Geisel Sue Ebner Rafael Pastor Carolyn Yorston Paul Harter Bea Epsten John Rebelo Gordon Luce (1925-2006) Joel Ewan Phyllis Schwartz EMERITUS DIRECTORS Dolly Poet Pam Farr Chris Skillern Garet B. Clark Deborah Szekely Jake Figi Nancy A. Spector J. Dallas Clark (1913–2005) Hon. Pete Wilson Sally Furay, R.S.C.J. Louis G. Spisto* Bernard Lipinsky (1914-2001)

*Executive Committee Member

The Old Globe is supported in part by grants from The City of San Diego Commission for Arts and Culture, Supervisor Pam Slater-Price and The County of San Diego.

P6 PERFORMANCES MAGAZINE The Craig Noel League

CRAIG NOEL LEAGUE MEMBERS Deferred Giving Society of The Old Globe The Importance of Anonymous (14) Arthur and Marilyn Neumann Endowment Robert S. Albritton* Craig Noel Help Secure The Old Globe for Generations to Come Nancine Belfiore Greg and Polly Noel Alan Benaryoa PACEM (Pacific Academy of The Old Globe is one of the ten leading theatres – out of Dr. and Mrs. Edgar D. Canada Ecclesiastical Music) more than 2,000 – in the United States, with an annual Garet and Wendy Clark Mrs. Margaret F. Peninger* budget of $19 million. However, compared to other leading J. Dallas* and Mary H. Clark Velda Pirtle* performing arts organizations, the Globe has an extremely R. Patrick and Sharon Connell Florence Borgeson Plunkert* small endowment of $3 million, and as part of the “Capital Patricia W. Crigler, Ph.D., Dolly and Jim Poet and Endowment Campaign: Securing a San Diego CAPT/USN/Ret. Dorothy Shorb Prough* Landmark,” The Old Globe is addressing this need. Carlos and Patricia Cuellar Brenda Marsh-Rebelo and Patricia* and Donn DeMarce John Rebelo The purpose of an endowment is to secure the theatre for the Mrs. Philip H. Dickinson Donald and Darlene Shiley long term – to ensure financial stability, even through leaner Dr. and Mrs. Robert Epsten Patsy and Forrest Shumway economic times. As a rule, an institution like the Globe Frank A. Frye, III B. Sy and Ruth Ann Silver needs an endowment approximately twice the size of its Nancy Reed Gibson Stephen M. Silverman annual budget, which would be an endowment of a Robert Gleason and Marc Matys Roberta Simpson minimum of $40 million. Marcy Goldstone Dolores and Rod Smith Kathryn Crippen Hattox John and Cindy Sorensen By drawing on the interest earned from the endowment, the David and Debbie Hawkins Marje Spear Theatre receives a reliable annual income to supplement Craig and Mary Hunter Nancy A. Spector and ticket sales, regular contributions, grants, sponsorships and Barbara Iredale* Alan R. Spector other earned income. Bob Jacobs Jeanette Stevens Joseph E. Jessop* Eric Leighton Swenson By and large, endowments are J. Robert and Gladys H. King Anne C. Taubman funded through life time Marilyn Kneeland Cherie Halladay Tirschwell gifts, estate plans, and other Jean and David Laing Marian Trevor planned giving options, and Jerry Lester Foundation (Mrs. Walter M.)* to this end the Craig Noel Dr. Bernard Lipinsky* Evelyn Mack Truitt League was created. Heather Manion Ginny Unanue Calvin Manning Carol and Lawrence Veit Members of the Craig Noel Paul I. and Margaret W. Meyer Harvey and Jordine League have notified us of Judy and George Miller Von Wantoch their intent to include the Steve Miller Merle and Phil Wahl Craig Noel, Founding Director Theatre in their estate plans. Dr. Robert W. Miner Holly J.B. Ward Shirley Mulcahy Sheryl and Harvey P.White We look forward to hearing from you about joining the Laurie Dale Munday Mrs. Jack Galen Whitney Craig Noel League and please contact Brad Ballard at Stanley Nadel and Stanley E. Willis II* (619) 231-1941 ext 2309. Cecilia Carrick Julie Meier Wright Alice B. Nesnow *Deceased

PERFORMANCES MAGAZINE P7 Profiles

Marco Barricelli Humanities/Art Major. Mr. Bresky will receive ACTOR TRAINING PROGRAM: Much Ado (Loveless) an MFA in Acting from The Old Globe/USD About Nothing,Richard III,An Absolute Turkey,The THE OLD GLOBE: Master’s Program in May of this year. 5th of July.NEW YORK: The Joan Rivers Project, Debut. AMERICAN Playwrights Horizons, Design Your Kitchen,Big CONSERVATORY Chip Brookes Sticky,The Flea Theater; 13th Avenue,The Gene THEATRE: Les Liaisons (Toby/Christopher/Ensemble) Frankel Theatre; The Three Birds,Gale Gates et. Dangeruese,Enrico IV, THE OLD GLOBE: al.EDUCATION: Cara holds a BA Cum Laude American Buffalo,Real 2006 Summer from Cornell University. FILM/TV: Mona Lisa Thing,Three Sisters,Moon Shakespeare Festival. Smile,Two Left Shoes,Powercord,Sopranos,Ed. for the Misbegotten,For the THE OLD GLOBE/ Pleasure of Seeing Her Again,Beard of Avon, USD PROFESSIONAL Rhett Henckel Celebration and The Room,Glengarry Glen Ross, ACTOR TRAINING (Footman/Justin/Ensemble) Invention of Love,Hecuba,Mary Stuart,Streetcar PROGRAM: Richard III, THE OLD GLOBE: Named Desire, and Rose Tattoo. OTHER An Absolute Turkey,The 5th 2006 Summer THEATRE: Tamara in New York City; Silence, of July, Much Ado About Nothing.UNDER- Shakespeare Festival. Subaru Theater Company, Tokyo; Oregon GRADUATE: Three Sisters,Miss Julie,Twelfth THE OLD GLOBE/ Shakespeare Festival: Cyrano,Hamlet,Henry V, Night,Yahoo Nation (world premiere), Lysistrata, USD PROFESSIONAL Richard III, and many other plays. Productions Don Juan,The Possessed,Oedipus Rex,University ACTOR TRAINING at Guthrie Theatre, Milwaukee Rep, South of Alaska Fairbanks. ELSEWHERE: Desire PROGRAM: Much Ado Coast Rep, Williamstown Theatre Festival, Under the Elms, A Midsummer Night’s Dream, About Nothing,Richard III, Huntington Theatre Company, Missouri Rep, Perseverance Theatre; Rumors,Pistarckle An Absolute Turkey,The 5th of July. ELSEWHERE: Intiman, Virginia Stage, Actors Theatre of Theatre. TV: Anywhere, Alaska. Hamlet (title role), Shakespeare Festival of Louisville, Indiana Rep, Arizona Theatre Dallas; Burn This,Speed-the-Plow,Pounding Nails Company, Portland Center Stage, Kenyon Peter Frechette in the Floor with My Forehead, Actor's Theatre of Festival Theatre, among others. TV/FILM: (Worthy) San Antonio; Earth & Sky, Second Thought Book of Daniel,L.A.Law,Romeo and Juliet. THE OLD GLOBE: Theatre; Towards Zero, Dorset Theatre Festival. EDUCATION: Fox Fellow. Graduate of the Debut. NEW YORK UNDERGRADUATE: Arcadia,Tape,The Winter's Juilliard School. (recent): The Odd Couple, Tale,She Loves Me,The Fantasticks,The Comedy of Spatter Pattern,Valhalla, Errors,The Oresteia,The Two Gentlemen of Verona, Chris Bresky Flesh and Blood,The Misalliance,The School for Scandal, Baylor (Lory/Ensemble) Dazzle,Raised in Captivity, University Theatre. FILM: Broken,No Soliciting, THE OLD GLOBE: The Destiny of Me,Our Hindsight. EDUCATION: BFA in Theatre 2006 Summer Country’s Good,Flora the Performance, Baylor University. Rhett is the Shakespeare Festival, Red Menace. REGIONAL (recent): ACT, South recipient of the 2006 Darlene V. Shiley Award. The Constant Wife (under- Coast Rep, Williamstown Theatre Festival, La study, Mortimer). THE Jolla Playhouse, Mark Taper Forum, Pasadena Michael Izquierdo OLD GLOBE/USD Playhouse. FILM (recent): The Savages,Inside (Young Fashion/Ensemble) PROFESSIONAL Man. Obie, Drama Desk, Outer Critics, LA THE OLD GLOBE: ACTOR TRAINING Drama Critics, Theatre World awards. Two Debut. ELSEWHERE: PROGRAM: Much Ado About Nothing,The 5th of Tony nominations, two Lortel nominations Mother Courage, NYSF/ July,Richard III, An Absolute Turkey.REGIONAL: and an Emmy nomination (for thirtysomething). Public Theater; The Time Metamorphosis,Cold Comfort Farm,The Boy Who of Your Life, The Hour We Fell into a Book,Christmas Carol,Lambs Players; Cara Greene Knew Nothing of Each A Skull in Connemarra, 6th@Penn. ELSE- (Whore/Fistula/Ensemble) Other, Williamstown WHERE: Stuff Happens,The Illusion,The Dining THE OLD GLOBE: Theater Festival; Moby Room.FILM: The Young and the Reckless,Going the 2006 Summer Dick, The Ohio Theatre; Much Ado About Distance.TV: MTV Becoming. EDUCATION: Shakespeare Festival. Nothing, Shakespeare Theatre of New Jersey; Undergraduate: University of San Diego, THE OLD GLOBE/ "i" in iChannel (www.youtube.com/ichannel), USD PROFESSIONAL The Sidecar (TC Pictures). EDUCATION: BA,

P8 PERFORMANCES MAGAZINE Williams College; MFA, NYU Graduate Amelia McClain ‘92 Joe Callaway Award, L.A. Critics Circle Acting Program. (Narcissa/Hoyden) Award for the title role in Uncle Vanya, and 30 THE OLD GLOBE: Drama-Logue Awards. FILM: Beautiful Joe (with John Keating Debut. Ms. McClain Sharon Stone),Best Laid Plans (with Reese (Snap/Tailor/Parson Bull) recently graduated from Witherspoon), Little Nikita (with Sidney THE OLD GLOBE: New York University's Poitier),Point Blank (with Lee Marvin).TV: Debut. NEW YORK: Graduate Acting Encore! Encore!,The Skin of Our Teeth (live PBS Juno and the Paycock, Program where her telecast from the Globe),thirtysomething,Cheers, Roundabout Theatre; favorite roles included Almost Perfect,The Naked Truth,Wings,Frasier. John Ferguson, Mint Callie Pax in Stop Kiss, Mr. McMurtry is a graduate of the Royal Theatre; Belize,Cat and Helen McCormick in The Cripple of Inishmann Academy of Dramatic Arts. the Moon, La Mama; and Mia Panzoroff in Le Borgeois Avant-Garde. Finn (in development), NEW YORK: The Horton Foote Project, 78th Aaron Misakian Mabou Mines; A Life,Pigtown and others, Street Theatre Lab. REGIONAL: Noises Off, (Footman/Ensemble) Irish Rep. REGIONAL: Three Sisters, world Arena Stage. EDUCATION/TRAINING: THE OLD GLOBE: premiere of A Mother, American Conservatory University of Evansville, BFA; New York 2006 Summer Theatre; The School for Scandal,The Tempest, University's Graduate Acting Program; 1999 Shakespeare Festival. McCarter Theatre; world premiere of Dael NFAA award winner. THE OLD GLOBE/USD Orlandersmith’s Raw Boys (Barrymore nomina- PROFESSIONAL tion for best actor), Wilma Theatre; Under Milk Jonathan McMurtry Associate Artist ACTOR TRAINING Wood, Hartford Stage; What the Butler Saw,Two (Sly/Gardener/Coupler Manlove/ PROGRAM: Much Ado River Theater; David Copperfield,Streets of New Sir Tunbelly Clumsey) About Nothing,Richard III, York, Westport Playhouse. FILM: The Street, the THE OLD GLOBE: An Absolute Turkey,The 5th of July. REGIONAL: upcoming Finding Fate. Award-winning audio Over 170 productions Antigone, South Coast Rep; Illumination book narrations include The Last Crossing since 1961, including (reading), Mark Taper Forum/PLAY; Julius (Audie nominee) and Snow Spider Trying (San Diego Critics Caesar, Long Beach Shakespeare; The Tempest (Earphones winner). Circle Craig Noel (workshop), Young ACT; Twelfth Night (work- Award), Macbeth,The shop), Shakes & Co. NYU: The Trojan Women Caralyn Kozlowski Winter’s Tale,Henry IV, (dir. Mark Wing-Davey, Graduate Acting (Amanda) Henry V,Hamlet,Romeo Program), Medea,Belgrade Trilogy,Angels in THE OLD GLOBE: and Juliet,Othello,Timon of Athens,King Lear,As America (Louis), Oh Dad,Poor Dad (Jonathan). Debut. NEW YORK: The You Like It,Bus Stop,Da,The Seagull, American ELSEWHERE: Candida,Hamlet Machine,Tone Milliner (Claudia), CSC; Buffalo,Home,Waiting for Godot,There’s One in Clusters,Hustlers in Hollywood. FILM: The More Murdering Marlow Every Marriage,(San Diego Critics’ Circle the Merrier,Seafood Heaven. EDUCATION: BFA (Emilia), In Actu Award),Rashomon,Dear Liar,Moby Dick Acting, NYU/Tisch School of the Arts. Theatre Co. REGION- Rehearsed.ELSEWHERE: A Life in the Theatre AL: Restoration Comedy (San Diego Critics’ Circle Award), North Danny Scheie (Amanda), Seattle Rep. Coast Rep, Gaslamp Theatre; Picasso at the (Lord Foppington a.k.a.Sir Novelty Fashion) and CalShakes; As You Like It (Rosalind), Lapin Agile,A Christmas Carol,Uncle Vanya,San THE OLD GLOBE: Connecticut Repertory Theatre; The Importance Diego Rep; leading roles at theatres through- Debut. REGIONAL: of Being Earnest (Gwendolen), Macbeth out the U.S., including South Coast Rep, Alley Fetes de la Nuit , Berkeley (Witch 1), Three Sisters (Irina) and others, Theatre, Studio Arena, Syracuse Stage, Arizona Rep; Cloud Nine, Trinity Shakespeare Theatre of New Jersey. ELSE- Theatre Company, San Jose Rep, Alaska Rep, Rep; Star Quality, WHERE: Three Viewings (Mac), The Shape of Ahmanson Theatre, Mark Taper Forum, Pasadena Playhouse; Yale Things (Evelyn), The Odyssey (Athena), Indiana Rep, Berkeley Rep, and the roles of Rep; South Coast Rep; Threepenny Opera (Polly). FILM/TV: Six Degrees, Shylock and Macbeth at Walnut Creek’s Asolo Rep; California Law & Order:SVU,Practical Magic,Third Watch. Regional Center for the Arts. Mr. McMurtry is Shakespeare; A Noise Within; Magic Theater; the recipient of the KPBS Patté Award for Theater Rhinoceros; Marin Theater; “Shiley Lifetime Achievement” in Theatre, the Theaterworks; SF Shakespeare; Seattle Shakespeare; Los Angeles Theater Center;

PERFORMANCES MAGAZINE P9 Profiles continued

Artistic Director, Shakespeare Santa Cruz. Moscow. FILM: The Great Buck Howard,World Amy Freed FILM: Race You to the Bottom,I Wanna Be a Trade Center,Guess Who,The United States of (Playwright) Republican.TV: Nash Bridges. EDUCATION: BA Leland,K-Pax,Sam I Am,Flatliners,The Abyss. TV: Amy Freed is the author of Restoration Comedy, in Theater, Indiana Univsersity; PhD in Medium,ER,7th Heaven,Everybody Loves The Beard of Avon,Freedomland,The Psychic Life of Dramatic Art, UC Berekeley. Raymond,Will and Grace,Soul Food. EDUCA- Savages,Still Warm,Claustrophilia, and other TION: Ms. Scott received a BFA from the plays. Her work has been produced at Christa Scott-Reed University of Texas at Austin and an MFA Playwright's Horizons,Goodman, South (Whore/Berinthia) from The Yale School of Drama. Coast Rep, Seattle Rep, American THE OLD GLOBE: The Conservatory Theater, California Shakespeare Food Chain. OFF- Summer Shirey Festival, Playwright's Horizons,Woolly BROADWAY: Pinter's (Whore/Ensemble) Mammoth, and many other theaters in Celebration and The Room, THE OLD GLOBE: the US and Canada. Restoration Comedy Ionesco's The Bald Soprano 2006 Summer received its premiere production at Seattle Rep and The Lesson, and new Shakespeare Festival. last season. Freed is a recipient of plays by David Rabe and THE OLD GLOBE/USD the Joseph Kesselring Award and The Charles Jeff Whitty in 10x20, all PROFESSIONAL MacArthur Award and is a several times at Atlantic Theater Company; Some Girls,MCC; ACTOR TRAINING winner of the LA Drama Critics Circle Award. Marion Bridge, Urban Stages; Burn This, PROGRAM: The 5th of She was also a finalist for the Pulitzer Prize in Signature; Museum and Pullman Car Hiawatha, July, An Absolute Turkey, Drama. She is currently a Playwright in Keen Company; The Voysey Inheritance,The Richard III,Much Ado About Nothing. NEW Residence at Stanford University. Mint. REGIONAL: Honour, Berkeley YORK: Pericles,Moonchildren, Slant Theatre Repertory Theatre; Diary of Anne Frank, Paper Project; Kate Crackernuts,Daniella Uses Dirty John Rando Mill Playhouse; As You Like It,Crimes of the Words, Flea Theater; Road to Nirvana,Oberon (Director) Heart, and the world premiere of Charles Mee's Theatre Ensemble. REGIONAL: Lobby Hero, THE OLD GLOBE: Moonlight and Magnolias, Limonade Tous les Jours, Actors Theatre of Salt Lake Acting Company; Macbeth,Once in Lucky Duck,The Taming of the Shrew, A Moon for Louisville; others at Cincinnati Playhouse, a Lifetime, Chautauqua Conservatory Theater the Misbegotten,The Comedy of Errors, All in the Denver Center, Barrington Stage, Repertory Company. EDUCATION: BFA, University Timing,Sylvia. BROADWAY: The Wedding Theatre of St. Louis, Syracuse Stage, Cleveland of Utah. Singer,Urinetown (Tony Award, Best Direction Playhouse, GeVa, Pioneer Theatre, etc. TV: Law of a Musical 2002, Outer Critic’s Circle & Order,Law & Order:SVU, As the World Turns, Kate Turnbull Award, National Tour, Canadian Production- Guiding Light. (Whore/Amanda’s Servant) Dora Award 2005; Neil Simon's The Dinner THE OLD GLOBE: Party;A Thousand Clowns and Dance of the Kimberly Scott 2006 Summer Vampires. For City Center Encores he recently (Hillaria/Nurse) Shakespeare Festival. directed the highly acclaimed Of Thee I Sing, as THE OLD GLOBE: Voir THE OLD GLOBE/ well as Strike Up the Band,Do Re Mi,The Pajama Dire,Joe Turner’s Come and USD PROFESSIONAL Game, and upcoming Irving Berlin’s Face the Gone. BROADWAY: Joe ACTING TRAINING Music. OFF-BROADWAY: Pig Farm for the Turner’s Come and Gone PROGRAM: Richard III, Roundabout Theatre; Bright Ideas for MCC; The (Tony Nomination, Best An Absolute Turkey,The 5th Downtown Plays for The Drama Department/ Featured Actress). OFF- of July,Much Ado About Nothing. NEW YORK: Tribeca Theatre Festival; Polish Joke for BROADWAY: Lear, Far Away, New York Theatre Workshop; Manhattan Theatre Club; Mere Mortals for Mabou Mines Company. Anatomy of Touch,Joint Stock Theatre Alliance; Primary Stages; Things You Shouldn’t Say Past REGIONAL: The Further Adventures of Hedda Straight on 'Til Morning, 78th Street Theatre Lab. Midnight at the Promenade; The Comedy of Gabler and Our Town, South Coast Repertory; REGIONAL: Lucky Girl,The Tempest, McCarter Errors for The Acting Company; Venetian Twins, Julius Caesar, Mark Taper Forum; The Comedy of Theatre (Education). EDUCATION: BA in When Ladies Battle,The Barber of Seville and Errors, Shakespeare & Co; Going to St.Ives, Salt Theatre and American Studies from the Twelfth Night for the Pearl Theatre. He has Lake Acting Company. INTERNATIONAL: University of Kansas. directed regionally at the Alley Theatre, Mark The Gospel at Colonus, Gorky Art Theatre,

P10 PERFORMANCES MAGAZINE Taper Forum, Geffen Playhouse, Berkshire Henry IV,Dancing at Lughnasa,Hedda Gabbler,The Enterprise. Spotlight Career Achievement Award Theatre Festival, Actors Theatre of Louisville, Way of the World,Twelfth Night,King Lear,Ghosts, in Television from Costume Designers Guild, Cleveland Playhouse, Philadelphia Theatre Interior Decoration,From the Mississippi Delta,The 2006. UPCOMING: The Little Foxes Company, among many others. In 2004 he Winter's Tale,Mr.Rickey...,Bargains,The Tempest, (set and costume) at American Conservatory received the Outstanding Young Texas Ex The Merchant of Venice,The White Rose,Hamlet, Theatre. EDUCATION: Yale School of Award for accomplishments as a University of Our Town,Driving Miss Daisy,Measure for Drama,MFA. Texas alumni. He was a Drama League Measure.ELSEWHERE: Mr. Funicello has Directing Fellow in 1992. designed scenery on and off-Broadway and for York Kennedy many theatres across the country, including (Lighting Design) Michael Roth Lincoln Center Theater, Manhattan Theatre Mr. Kennedy’s designs have been seen in the- (Composer) Club, American Conservatory Theatre, A atres across America and Europe including THE OLD GLOBE: A Body Of Water (also at Contemporary Theatre, Mark Taper Forum, Berkeley Rep, Seattle Repertory, American the Guthrie), Dracula, Midsummer Night’s Arizona Theatre Co, Seattle Rep, Berkeley Rep, Conservatory Theatre, The Old Globe, Seattle Dream,Compleat Female Stage Beauty,Gate of Milwaukee Rep, Denver Center Theatre Rep, The Alley Theatre, Dallas Theatre Center, Heaven (also film adaptation). BROADWAY: Company, The Shakespeare Theatre, Guthrie Yale Rep, Brooklyn Academy of Music, Chicago Brooklyn Boy, A Walk in the Woods. OFF- Theatre, South Coast Rep, Oregon Shakespeare Theatre, Goodspeed Musicals and BROADWAY: Dinner with Friends,Going to St. Shakespeare Festival, Williamstown Theatre the Whitney Museum in New York. His awards Ives,Talking Heads,The Persians, many others. Festival, Intiman Theatre, Stratford Festival in for theatrical lighting design include the REGIONAL: Numerous including over 35 Ontario, The Royal Shakespeare Company, Dramalogue, San Diego Drama Critics Circle, productions at La Jolla Playhouse, over 45 at and New York City Opera. He currently holds Back Stage West Garland, Arizoni Theatre South Coast Repertory, and, with Tom the position of Powell Chair in Set Design at Award and the Bay Area Theatre Critics Circle Stoppard and Carey Perloff, the American pre- SDSU. Award. In the dance world he has designed and mieres of Indian Ink and The Invention of Love at toured with Malashock Dance throughout ACT; with Randy Newman: music directing Robert Blackman Eastern Europe and the United States. As an the upcoming Disney feature, The Frog Princess, (Costume Design) architectural lighting designer, he has designed Education Of Randy Newman (co-conceived with GEFFEN PLAYHOUSE: Speed the Plow the lighting for numerous themed environment, Jerry Patch), orchestrating his Faust, editing (scenery and costumes),Rabbit Hole theme park, residential, retail, restaurant and three songbooks. He has collaborated with, (costume), All My Sons (set), Cat on a Hot Tin museum projects all over the world including among many others, Culture Clash, Erik Ehn, Roof,Uncle Vanya (costume). BROADWAY: the Sony Metreon Sendak Playspace (2000 Joy Gregory, Des McAnuff, Sarah Ruhl, Mac Division Street. OTHER NEW YORK: The I.E.S. Award) in San Francisco, Warner Bros. Wellman, Matt Wilder (upcoming film Your Recruiting Officer. REGIONAL: The Winters Tale, Movie World in Madrid, Le Centre de Loisirs in Name Here). CHAMBER MUSIC and OPERA: A Christmas Carol,Cyrano de Bergerac,Jumpers Morocco and The LEGO Racers 4D attraction in Numerous, including Their Thought and Back (American premiere), Peer Gynt,The Visit, Germany, Denmark, England and the U.S.A. Again, available via i-tunes or Macbeth,Romeo and Juliet,Taming of the Shrew,A His current theatre projects include The Circle at [email protected]; Landscape The Tar Roof Dolls House,The Cherry Orchard, The Lady with American Conservatory Theatre, King Lear at The Tree, a work-in-progress collaboration with All the Answers (premiere), The Violet Hour, Denver Center and Carmen at Sacramento Alice Ripley. Restoration Comedy,On The Razzle,Oregon Opera. A graduate of the California Institute for Shakespeare Festival. OTHER LA: Premiere of the Arts and the Yale School of Drama, Mr. Ralph Funicello Associate Artist Lisa Loomers Distracted,iWitness,The Royal Kennedy lives in Berkeley, CA. (Scenic Design) Family (Ovation nomination), A Month in the THE OLD GLOBE: Summer Shakespeare Country (LA Drama Critics Award), Wild Oats, Paul Peterson Festivals 2004-2006, The Constant Wife,The Hayfever,Foxfire,Henceforward... (Drama-Logue (Sound Design) Lady with All the Answers,Julius Caesar,Pericles, Award). FILM: ‘night Mother,The Running Man, THE OLD GLOBE: Over 50 productions, The Taming of the Shrew,The Trojan Women,Henry Star Trek VII:Generations and Star Trek X:Nemesis. including: The Four of Us,Pig Farm,The Sisters V,The Merry Wives of Windsor,The Hostage, TELEVISION: Stones for Ibarra,Star Trek:The Rosensweig,Trying,Moonlight and Magnolias,Vincent Paramour,Romeo and Juliet,Othello,The Comedy of Next Generation, (Emmy Award, three nomi- in Brixton,I Just Stopped By to See the Man, Lucky Errors,Pride's Crossing,Macbeth,American Buffalo, nations), Deep Space Nine (two Emmy nomina- Duck,The Intelligent Design of Jenny Chow, Private Lives,The Gate of Heaven,Mister Roberts, tions), Voyager (four Emmy nominations) and PROFILES CONTINUED ON PAGE 14

PERFORMANCES MAGAZINE P11 Program Notes Delight. . . Restoring The Restoration by Christine Sumption “If delight without restraint or distinction, without conscience With Amy Freed or shame, is the supreme law of comedy, ‘twere well if we had less on’t. ” The following combines excerpts of several inter- ~ Jeremy Collier, A Short View of the views with playwright Amy Freed,including ones Immorality and Profaneness of the English Stage conducted by California Shakespeare Theater’s When Charles II was restored to the English throne after Resident Dramaturg,Laura Hope,and Seattle Repertory Theatre’s Education Program Oliver Cromwell’s Puritan military regime, the theatres opened Manager,Scott Koh. once again. The appetite for theatre – denied for 18 long years – was enormous, and plays of all sorts poured forth to sate it. New Why did you write Restoration plays, frivolous plays, savage plays, titillating plays, plays of wit Comedy? and manners, plays of intrigue, joyous comedies, plays that AMY FREED: Restoration Comedy is mocked society – more than 400 new plays were produced my homage to the charm, exuberance between 1660 and 1700 – all energized by a feeling of liberation and acerbic honesty of the plays of the and the throwing off of Puritan restraints. Restoration era. The story is taken in George Etherege (The Man of Mode), William Wycherley (The combination from two plays of the Country Wife), Aphra Behn (The Rover), William Congreve (The Way time: Colley Cibbers’ Love’s Last Shift, of the World), Colley Cibber (Love’s Last Shift), and John Vanbrugh and John Vanbrugh’s sequel to it, The (The Relapse) were among the playwrights whose fleet plots, sharp- Relapse. I’ve appropriated the original comic situations, written new scenes tongued characters, and keen observations of society lit up the and tried, by re-inventing the language in the spirit, if not the letter, of the Restoration stage. originals, to breathe new life into the old form. By proclamation of the king, women took their place on stage What made you want to adapt those two plays? for the first time, playing female roles that had heretofore been AF: I was having a “big discovery” time with John Vanbrugh a couple of played by boys. Necklines plunged, décolletage was celebrated, years ago. I’d read his play The Provoked Wife, and he’d become my new and a new tradition arose of “the bosom as letterbox,” drawing favorite playwright. Then I read The Relapse and found out it was a sequel to comic attention to the breasts by hiding messages there. Cibber’s Love’s Last Shift. I thought they were worth combining, to try and Playwrights added “breeches parts” (women disguised as men) to address that. I loved the originals. I was completely surprised by the frank- allow ladies to show the curves of their hips and legs. There was a ness about sexuality – sexual addiction, and incompatible married people. special rapport between Restoration actors and audience, who reveled together in reclaiming pleasure in the things of this world. Where do you begin when you are writing a play based on other Restoration theatre’s frank embrace of sexuality and skeptical works? How do you start? view of marriage, however, did not go without comment by the AF: The first thing I did was consolidate the plots. Because I wanted to clergy. Jeremy Collier attacked the new plays in his anti-theatrical keep the basic plotline, but emphasize different aspects of the story, I made tract, A Short View of the Immorality and Profaneness of the English Stage. up entirely new scenes and wrote new dialogue. Eventually I ended up “I am quite tired with these wretched Sentences,” he complained replacing all the original material. My focus ultimately was to shift the story after quoting at length from one play. “The sight is indeed horri- to Amanda who is the lead in my version. I wanted to bring some organic ble, and I am almost unwilling to shew it. However, they shall be and comic reality to her connection with virtue – see what it might mean Produced like Malefactors, not for Pomp, but Execution. Snakes beyond an ancient sentimental device. Amanda might enjoy the kind of and Vipers must sometimes be look’d on to destroy them!” happy ending that would never have passed the censors of Vanbrugh’s day. With the entrepreneur’s nose for ways to appeal to both the And I believe he would have been the first to celebrate her freedom to love lofty and the not-so-lofty tastes of the theatre-going public, play- where she chooses. wright Colley Cibber launched Love’s Last Shift in 1696, a comedy During the Restoration period, the English stage began hiring that follows the adventures of Loveless, a rake who abandoned his actresses to play women’s roles instead of boys in drag, as was the wife Amanda shortly after marriage and has since “measur’d half custom in Shakespeare’s time. Do you think that changed the way the World in search of Pleasure.” Mistakenly believing that playwrights wrote their plays? Amanda is dead, he returns to London. There, having discovered AF: Oh, it clearly was a dynamic and fascinating change. For one thing,

P12 PERFORMANCES MAGAZINE e Restoration . . .Without Restraint delicious sexual variety can be found within the bonds of marriage, he reforms. The wife is victorious. The action comes to a close as physical contact between the sexes could actually happen! Loveless proclaims, “Sure the nearest to the Joys above, / Is the In Shakespeare’s day, the rhetoric of love expressed between a male actor chaste Rapture of a virtuous Love.” and a boy player had a certain idealized poetic distance. In the Restoration, To the skeptical eye, however, the conclusion to Cibber’s play there were real breasts and waists, and actresses who were personalities, was a bit too tidy. Do rakes ever truly reform? What if temptation stars that could excite the fantasy, could be actually visited backstage, and were to come Loveless’ way? This notion formed the seed of John that opportunity certainly changed the plays. Vanbrugh’s sequel, The Relapse or Virtue in Danger (a retort to The women emerge as real, complex, sympathetic, articulate, and funny Cibber’s play that also capitalized on its commercial success). in the writing of the period. There are great roles for every age and type of The Relapse begins with the happy couple celebrating their womanhood. The Restoration stage loved women. It was a bit like the reunion at their country retreat, when Loveless is called to London golden age for women in pre-code Hollywood. It wasn’t so good for women on business. Amanda, anxious about the effects of the wicked city on stage again for…well…not ever, which is another strong reason that I on her newly reformed husband, finds him defensive of his new- wanted to mine the era. found virtue, extolling the merits of the “warm pleasing fire of How did your research into this particular time period inspire you? lawful love” in contrast with the “raging flame of wild destructive AF: Inspirations? The great clothes, of course. Some of the things I most lust.” But temptation proves too much for the old rake. Amanda, liked were the detailed behavioral scenes in the plays of human life of the in turn, is pursued by a suitor, who schemes to give her proof of time. I was drawn to the honesty about money, sex, power, and I found the Loveless’ infidelity and then to come upon her, “her blood on a plays very energetic in their satiric vision. Interesting combinations of high fire” and “her conscience in ice.” But the pain of Loveless’ relapse farce and real anxiety and pain! It’s what fuels the comedy. And as I said, makes Amanda suspicious of her suitor’s advice to retaliate sexual- the great, great roles for women of all ages and types – even with the skir- ly. Instead, she offers him a place in her heart, on the condition mishes with the censors. that he “forbear to ask whatever is unfit for me to grant.” Vanbrugh’s throwaway wit, an epilogue that celebrates love’s How is adapting material from well-known plays or classics variety, and the virtuoso comic performance of Lord Foppington different from writing storylines you invent? by none other than Colley Cibber made The Relapse a huge success. AF: Because at least some of the story structure is a given, the world The comedies of the Restoration were a new beginning, a becomes about the meaning of the retelling for a new time. So it has to burst of fresh theatrical energy that blasted away at society’s come as much or as genuinely from the writer’s heart as a new play. Plays hypocrisy and pretensions, fortified by cleansing, instructive, have been routinely cannibalized and rewritten and reconceived, from delightful laughter. King Lear, which was derived from an old play called Lear and His Daughters,to — Christine Sumption, The Relapse, which was renamed and re-worked a century later and became a formerly of Seattle Repertory Theatre, musical in the 1960’s. Plays have a shelf-life. They are very temporal. A is a prominent American dramaturg. good theme can come back, but there are always new things to say about it. How does Restoration Comedy speak to today’s audiences? AF: In between the lines of The Relapse one can read an impassioned plea for common sense and a live-and-let-live attitude in matters of the bedroom and the heart. I’ve tried to create a play that feels the way a Restoration play felt to its own audience: fresh, quick, not overly studied, and frankly titillating, with its expressions of the outer reaches of human desire and the insane strategies we employ to achieve our objectives. And I fully agree with Sir John that “The joys of love are found in its… varieties.” COSTUME SKETCHES BY ROBERT BLACKMAN

COSTUME SKETCHES BY ROBERT BLACKMAN. TOP RIGHT, AMANDA; FOR MORE INFORMATION ABOUT OLD GLOBE PRODUCTIONS, PLEASE VISIT OUR WEBSITE AT www.TheOldGlobe.org. PHOTO: MARCLEFTO BARRICELLI, LOVELESSAS “L; CENTEROVELESS”, BERINTHIAAND CARALYN. KOZLOWSKI AS “AMANDA.” PHOTO BY J.T. MACMILLAN.

PERFORMANCES MAGAZINE P13 Profiles continued

Blue/Orange,Time Flies,Pentecost,Compleat Female shops internationally, such as “Shakespeare’s ADDITIONAL STAFF FOR Stage Beauty,Dr.Seuss’ How the Grinch Stole Shapely Language,” “Rotating Repertory,” and THIS PRODUCTION Christmas!,The Boswell Sisters,Crumbs from the The Voice Foundation Symposium on “Filling Table of Joy. ELSEWHERE: Centerstage, the House with Ease.” She teaches in The Old Siobhan Sullivan ...... Assistant Director Milwaukee Rep, La Jolla Playhouse, Globe/USD Professional Actor Training Sledgehammer Theatre (Associate Artist), Program. This year she was invited to teach in Sabin Epstein . . . .Period Movement Consultant Mo’olelo Performing Arts Company, The the International Voice Teachers Exchange at Paula Cogliano ...... Production Assistant Wilma Theatre, L.A. TheatreWorks, San Diego The Moscow Art Theatre and London’s Central Repertory Theatre, Florida Studio Theatre, School of Speech & Drama,brought her in to Sarah Lusby ...... Stage Management Intern Lorraine Hansberry Theatre, North Coast Rep, teach Shakespeare and Pinter workshops. Gist Diversionary Theatre, Cape Fear Regional has been published in VASTA Journals, in Mele Nagler ...... Casting Consultant Theatre, Hope Summer Repertory Theatre, the Complete Vocal Warm-Up, in More Malashock Dance & Company, The University Stage Dialects. of San Diego, San Diego State University, and the Freud Theatre at UCLA. EDUCATION: Diana Moser UNDERSTUDIES BFA in Drama with an emphasis in Technical (Stage Manager) Loveless/Sly/Coupler Manlove/ Design from San Diego State University. THE OLD GLOBE: Christmas on Mars,A Body Gardener/Sir Tunbelly Clumsey . . Chip Brookes of Water,Lobby Hero,Fiction,The Intelligent Design Snap/Tailor/Parson Bull/ Jan Gist of Jenny Chow. REGIONAL: La Jolla Playhouse, Young Fashion...... Chris Bresky (Voice and Dialect Coach) San Diego Rep, Arena Stage, Repertory Worthy ...... Rhett Henckel Jan Gist has been resident Voice, Speech, and Theatre of St. Louis, New York Theatre Dialect Coach for The Old Globe since 2002, Workshop, Berkshire Theatre Festival, Hillaria/Nurse ...... Cara Greene including: Dirty Rotten Scoundrels,Pentecost, Children’s Theatre Company of Minneapolis, Amanda/Fistula...... Kate Turnbull Himself and Nora,and ten Shakespeare produc- and Arizona Theatre Company. EDUCATION: Narcissa/Hoyden/Berinthia . . . . Summer Shirey tions. Previously she was Head of Voice and MFA in directing from Purdue University. Speech for the Alabama Shakespeare Festival When not doing theatre, Diana lives and Lord Foppington a.k.a. Sir Novelty Fashion/ Lory ...... Aaron Misakian for nine years and 140 productions. She has travels aboard the classic wooden sailboat coached many productions at theatres around “Simba I” with her beloved captain, Paul. Aaron Misakian appears in this production courtesy the country including: Royal Family, Ahmanson of Actors’ Equity Association. Theatre; The Country,La Jolla Playhouse; Jenny Slattery Continental Divide,Major Barbara,Oregon (Assistant Stage Manager) Shakespeare Festival; Romeo and Juliet,The OLD GLOBE: Shakespeare Festival 2006. Shakespeare Theatre, D.C.; Hobson’s Choice, REGIONAL: Culture Clash’s Zorro in Hell,Much Season Greetings,Milwaukee Rep; A Perfect Ado About Nothing,Palm Beach,Paris Commune, Ganesh, Arena Stage; The Taming of the Shrew, La Jolla Playhouse; Hedwig and the Angry Inch, PlayMakers Rep; Pride and Prejudice,Indiana Bee Luther Hatchee,Lypsinka:The Boxed Set,

Rep; and five full seasons at Utah Shakespeare Zachary Scott Theatre Center; The Incubus This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Festival. Gist has been a guest on KPBS Archives,Lipstick Traces,Requiem for Tesla,Rude Association, the union of professional actors and stage Radio’s A Way with Words and is the narrator Mechanicals; The Civilians, Patricia Rincon managers in the United States. for the San Diego Museum of Art’s documen- Dance Collective, Ariel Dance Theatre, 7 taries on Degas and the Retratos exhibit. She Devils Playwrights Conference, Northlight The Directors are members of the Society of Stage Directors and Choreographers, an independent national coached dialects on the film The Rosa Parks Theatre, School of Night Productions and labor union. Story and has recorded dozens of Books to Listen Meetings Services, Inc. EDUCATION: Ms.

To. Gist is a founding and published member Slattery has an MFA from UCSD, an MA from The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists of The Voice and Speech Trainers Association the University of Texas at Austin, and a BA Local USA-826, IATSE. and has presented at many conference work- from the University of Florida.

This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Local No. 122.

P14 PERFORMANCES MAGAZINE Ambassador Program GLOBE AMBASSADORS GO BEHIND THE SCENES This year The Old Globe launches the Globe Ambassadors Globe Ambassador Donor Benefits Program, a special opportunity for donors to gain “behind the scenes” access to the inner workings of the Theatre. ® Invitation to the Annual Board of Directors and Ambassadors Dinner; Membership is through special invitation, based on recommendations from Globe Board Members, executive staff ® Small group lunches with the Globe’s Executive and other Ambassadors. Each Ambassador is asked to make an Director Lou Spisto to hear more about management, annual contribution of $2,500 or more annually, which entitles artistic goals and upcoming projects at the Globe; them to exclusive benefits. ® Recognition for the 2007 Ambassador-sponsored production of Edward Albee’s Who’s Afraid of With this close personal connection to the Theatre, Globe Virginia Woolf?; Ambassadors will be better prepared to spread the word about the Theatre’s artistic and education programs among relatives, ® Listing as an Ambassador in the Globe’s Performances friends and community members. program magazine; For further information about the Globe’s Ambassadors ® Invitation to all “Meet the Artist” events; Program, please contact Associate Director of Development ® Unlimited access to the Lipinsky Family Suite, the Brad Ballard at (619) 231-1941 ext. 2309 or Globe’s VIP lounge; and [email protected]. ® VIP ticketing and personal service. Leadership Gifts to The Old Globe The Old Globe would like to recognize and thank the following generous individuals who have made extraordinary gifts of $1 million or more to this organization. These major contributions have been designated for artistic projects, the endowment and facilities, and help The Old Globe remain one of our country’s great theatre institutions. $20,000,000 or greater $10,000,000 or greater Donald and Darlene Shiley Conrad Prebys

$5,000,000 or greater Sheryl and Harvey P. White Karen and Donald Cohn

$1,000,000 or greater Kathryn Hattox Audrey S. Geisel / San Diego Foundation Estate of Dorothy S. Prough Dr. Seuss Fund The Rivkin Family Mr. and Mrs. Victor H. Ottenstein Estate of Beatrice Lynds Mrs. Helen Edison The Stephen and Mary Birch Foundation

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) City of San Diego, Commission for William Randolph Hearst Foundation Donald & Darlene Shiley Arts & Culture The James Irvine Foundation The Shubert Foundation Audrey S. Geisel/The San Diego The San Diego Union-Tribune Supervisor Pam Slater-Price Foundation Dr. Seuss Fund and the County of San Diego Season Sponsors ($50,000 to $99,999) AT&T Valerie & Harry Cooper Conrad Prebys California Bank & Trust Globe Guilders Qualcomm, Inc. J. Dallas & Mary H. Clark Fund at The Lipinsky Family Union Bank of California The San Diego Foundation Patrons of the Prado Wells Fargo Karen & Donald Cohn Sheryl & Harvey P.White Production Sponsors ($25,000 to $49,999) Mary Beth Adderley -Wright, Richard Wright Bombardier Flexjet HM Electronics, Inc. & Elizabeth Adderley Cohn Restaurant Group/Prado Restaurant Joan & Irwin Jacobs American Airlines Continental Airlines Sempra Energy Bank of America Danah H. Fayman Sheraton San Diego Hotel & Marina Alan Benaroya Jake & Todd Figi Starbucks Coffee John A. Berol Kathryn & John Hattox Mandell Weiss Charitable Trust Director Circle ($10,000 to $24,999) Anonymous (2) F. George Gilman & Dale Burgett Patsy & Forrest Shumway Mary Ann Blair Lee & Frank Goldberg Nancy & Alan Spector and Family Charles & Molly Brazell Susan & Dr. Ronald Heller Ms. Jeanette Stevens The Louis Yager Cantwell Private Foundation Dr. & Mrs. Harry F. Hixson, Jr. Anne Taubman & David Boyle Deni & Ken Carpenter Supervisor Bill Horn Gillian & Tony Thornley Peter Cooper & Norman Blachford and the County of San Diego Evelyn Mack Truitt Advised Fund at the San Diego Human Deni & Jeff Jacobs Erna & Andrew Viterbi Dignity Foundation Mr. & Mrs. Neil Kjos Christopher & Patricia Weil Supervisor Greg Cox Dr. Ronald & Mrs. Ruth Leonardi Weingart-Price Fund at The San Diego and the County of San Diego Susan & John Major Foundation Darlene G. Davies in memory of Dr. Patricia Montalbano Stewart & Brenda Weissman Lowell Davies Robin & Hank Nordhoff Brent V. Woods & Laurie C. Mitchell Mr. & Mrs. Brian Devine The Kenneth T. & Eileen L. Norris Foundation June E. Yoder Bea & Dr. Robert M. Epsten Allison & Robert Price Carolyn W. Yorston Pam & Chuck* Farr Sandra & Allen Redman Robert & Deborah Young Ellen & Tim Zinn Founder Circle ($5,000 to $9,999) Lawrence G. Alldredge & Dawn Moore Mary Ann & Arnold Ginnow Money/Arenz Foundation, Inc. Anonymous (1) Robert Gleason & Marc Matys Arthur & Marilyn Neumann Ken & Ginger Baldwin Leo S. Guthman Fund Charles Noell & Barbara Voss Jane Smisor Bastien Melissa & James Hoffmann Patti* & Mike Rabbitt The Colwell Family Fund at the Carol & George Lattimer Ellen C. Revelle San Diego Foundation Peter & Inge Manes Jeannie & Arthur Rivkin Nina & Robert Doede Bob Martinet & Susan Parkin Katie & Dan Sullivan Alan & Pauline Fatayerji Paul I. & Margaret W. Meyer Deborah Szekely Pamela & Marty Wygod

P16 PERFORMANCES MAGAZINE *Deceased Annual Fund Donors

PLAYWRIGHT CIRCLE Anonymous (1) Dr. David K. Hostetler ($2,500 to $4,999) Edwin Bacher Gary & Carrie Huckell Dr. & Mrs. Wayne Akeson Mr. & Mrs. John E. Barbey, Jr. Roberta Hussey Gail, John & Jennifer Andrade Diana Barliant & Nowell Wisch Jerri-Ann & Gary Jacobs Dr. Bob & Jill Andres Mrs. Inge Lehman Barta Al & Pat JaCoby Mr. & Mrs. Richard Baldwin Mrs. Lazare F. Bernhard Mr. & Mrs. David J. Johnson Melissa Garfield Bartell & Michael Bartell Sally & John Berry William W. Karatz Joan & Jeremy Berg Charles & Charlotte Bird Marge & Jerry Katleman Arthur & Sophie Brody Fund of the Paul Black William & Edythe Kenton Jewish Community Foundation Cynthia Bolker & Greg Rizzi Jo Ann Kilty Cecilia Carrick & Stan Nadel Terry & Bill Burd Ken & Sheryl King Garet & Wendy Clark Clint & Susie Burdett Dr. & Mrs. Ara S. Klijian Ms. Heidi Conlan/The Sahan Daywi Anita Busquets & William Ladd Dr. & Mrs. R.W. Klofkorn Foundation Dr. & Mrs. Robert M. Callicott Brooke & Dan Koehler R. Patrick & Sharon Connell Ruth Mary Campbell Rosalie Kostanzer & Mike Keefe John & Ann Davies Dr. & Mrs. Edgar D. Canada Mr. & Mrs. Richard S. Ledford Bernard J. Eggertsen & Florence Nemkov Pamela & Jerry Cesak Terry & Mary Lehr Samuel I. & John Henry Fox Foundation at Carol & Rudy Cesena Ms. Sherrill Leist Union Bank of California Carol & Jeff Chang James & Pamela Lester Millicent & Charles Froehlich Jack & Carol Clark Jerry Lester, M.D./Rosarito, Mexico Martha & George Gafford Mike Conley & Sue Steele Mr. & Mrs. Paul Levin GSG Capital Advistors, LLC/ Roger Cornell, M.D. Sandy & Arthur Levinson Laura & Glenn Goodstein Richard & Stephanie Coutts Jerry & Elsa Lewis Ms. Cheryl Haimsohn Susan B. Cowell Don & Mary Jane Lincoln Fred & Alicia Hallett Sally & Pat Crahan Mathew & Barbara Loonin Alexa Kirkwood Hirsch Gigi Guin Cramer Merriel Mandell Leonard & Elaine Hirsch Mrs. Willard T. Cudney F. Dale & Lois Marriott Tish & Jere Horsley Dr. & Mrs. Francis C. Cushing, Jr. R.J. Maus, Architects Richard & Janet Hunter Mrs. Gail Powell Davis Nancy McCune Mary & Russell Johnson Pat & Dan Derbes Bill & Jeri McGaw Dr. & Mrs. Richard L. Kahler Dean & Mrs. Michael H. Dessent Elizabeth & Edward McIntyre Bob & Gladys King Mrs. Philip H. Dickinson Harold O. McNeil Bob & Laura Kyle Jim & Sally Ditto Elizabeth Meyer Dr. Marianne McDonald Marion Eggertsen Joel & Deirdre Mick Judy & George Miller Noddy & Ira Epstein Estelle & Jim Milch Harle Garth Montgomery Carol Fink Rena Minisi & Rich Paul David & Noreen Mulliken Dieter & Susan Fischer/Dieter’s Judith & Neil Morgan Tom & Lisa Pierce Mercedes Service Coralee Ann Morris Dolly & Jim Poet Mary & David Fitz James & Nancy Mullen Mr. & Mrs. Matthew Pollack Susanna & Michael Flaster Jan & David Mullin The Pratt Memorial Fund at Union Bank Sid & Jean Fox Ruth & Jim Mulvaney of California Karen & Orrin Gabsch Bette Nagelberg John & Marcia Price Family Foundation Deede Gales Josiah & Rita Neeper Brenda Marsh-Rebelo & John Rebelo Elaine & Murray Galinson Eileen & Lawrence Newmark Margery P.Schneider Barbara & Albert Garlinghouse Mr. & Mrs. Victor H. Ottenstein Marisa SorBello & Peter Czipott Bill & Judy Garrett Marcia & Jim Piper Julie & Bob Sullivan Drs. Thomas H. & Jane D. Gawronski Martha Meade Pitzer Jay & Diane Sweeney Mr. & Mrs. Daniel Genis Mo & Bill Popp Mr. & Mrs.Joseph Taft Teresa C. George Dr. & Mrs. Daniel Porte Marilyn Elizabeth Thompson Martin & Enid Gleich Joanne Powers Dixie & Ken Unruh Tom & Sheila Gorey Jim & Claudia Prescott Carol Vassiliadis Drs. Barbara & Leonard Gosink RAdm. Arthur & Peggy Price, Jr. Jean & Tim Weiss Dr. & Mrs. William Gott Don & Marie Prisby Helene & Allan Ziman Jay & Mary Hanson Joseph Rascoff Norm Hapke & Valerie Jacobs Hapke Mr. & Mrs. Roger Roberts CRAIG NOEL CIRCLE Drs. Patrick Harrison & Eleanor Lynch Nancy J. Robertson ($1,500 to $2,499) Dr. & Mrs. Peter K. Hellwig Lorna Rosenberg The Family of Richard & Mary Adams Rhonda Heth & Thomas Mabie Rachel A. Rosenthal Richard Addesso Michael & Jill Holmes Mr. & Mrs. Charles P.Royce

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

Warren & Beverly Sanborn John & Margery Swanson Stephanie & Scott Herman Susan & Edward Sanderson Janet & Bernard Trabin Arnie & Barbara Hess C.A. & Sherry Sheppard W. Bruce & Cynthia Tuckerman Mr. Stephen Hopkins & Dr. Carey Pratt Dee E. Silver, M.D. Stan & Anita Ulrich Margot Reinke Humphreys Roberta J. Simpson James & Ellen Weil Jackie Johnston-Schoell Dotti & Joel Sollender The Grey White Family Fund Kathy & Rob Jones N.L. Stanworth in loving memory of Scott Keith J. Wong Kenneth & Marilyn Jones Nancy Steinhart & Rebecca Goodpasture Christy & Howard Zatkin Andrew & Denise Kaplan Eugene L. & Hannah Step Miriam & Jerome Katzin Mickey Stern GOLD Lloyd & Joanna Kendall Marc R. Tarasuck, AIA ($500 to $999) Helen & Webster Kinnaird The Tarlov Family Anonymous (4) Gayle & Jerry Klusky Mr. & Mrs. Charles Taubman Mr. & Mrs. Bill Arnold Jo Ann & Lee Knutson Cherie Halladay Tirschwell Arthur Family Fund at The San Diego Curt & Nancy Koch Gene & Celeste Trepte Foundation Bill & Linda Kolb Carol & Larry Veit Earl Asbury Jeri Koltun Doris & Lou Vettese Rhoda & Mike Auer LABS, Inc./Silvia Dreyfuss Jordine & Harvey Von Wantoch Shawn & Jennifer Baker John Q. Lalas, Jr. Pamela J. Wagner Ina S. Bartell Janet & Dan La Marche Merle & Phil Wahl Jack & Dorothy Baser Foundation Dr. Eric Lasley Jan Harden Webster & Raul Ortega Richard & Linda Basinger Richard C. Levi Shirli Fabbri Weiss Judy & Larry Belinsky Sherry & Rick Levin Michael & Penny Wilkes Lee & Amnon Ben-Yehuda Marc C. Lorenzo Mr. & Mrs. Harold B. Williams Nicholas B. Binkley Dr. & Mrs. Leeland M. Lovaas Alice Marie Young Robert & Nancy Blayney Dr. & Mrs. David D. Lynn Allan & Bev Zukor Joyce & Bob Blumberg Edward H. & Nancy B. Lyon Mrs. Suzanne I. Bond Dr. Carl Maguire & Margaret Sheehan PLATINUM H.L. & Irene Boschken Brian C. Malk & Nancy H. Heitel Fund at ($1,000 to $1,499) Mrs. Henri Brandais The San Diego Foundation In Memory of Charles R. Allen Mr. & Mrs. Blaine A. Briggs Dr. Robert & Marcia Malkus Mr. & Mrs. Robert Beck Beth & Tim Cann Ron & Mercy Mandelbaum Drs. Gary & Barbara Blake Greg & Loretta Cass Joanne D. Marugg Ronda & Stanley Breitbard Harry & Carol Cebron Christopher Maxin & Sandra & Harry Carter Ray & Shelley Chalupsky Stephanie Buttell-Maxin Deloitte/Mauricio Monroy Lynne Champagne & Wilfred Kearse Dr. & Mrs. M. Joseph McGreevy Ron & Devora Eisenberg–Great News! Doug & Elisabeth Clark Mr. & Mrs. William McKenzie Richard & Donna Ferrier Robin & William Comer Theodore A. Milby Peter & Christine Gault Steve & Carolyn Conner Joel, Annette & Arianna Millman Sandra Gulden & Leon J. Goldberger Alan L. & Frances E. Cornell Carol & Michael Morris Gulden Private Foundation Jane Cowgill Susan & Charles Muha Mr. & Mrs. Thomas M. Henry A.W. Dibelka Katherine Newton Suzanne & Lawrence Hess In Memory of Edith Dolnick Willene D. Nichols Drs. Sonia & Andy Israel Dr. Donald & Eilene Dose Jack & Virginia Oliver James Klein Insurance Elisabeth Ecke Rod & Barbara Orth Dr. & Mrs. James E. Lasry Peggy Elliott Mr. & Mrs. David J. Pettitt Mr. & Mrs. James Lim Dan & Phyllis Epstein Dr. Ken Pischel & Dr. Katherine Ozanich Jasna Markovac & Gary Miller Mr. & Mrs. Jesse Fadick Dr. Julie Prazich & Dr. Sara Rosenthal Akiko Charlene Morimoto & Dr. Susan Dersnah Fee Eileen Prisby Hubert Frank Hamilton, Jr. Richard & Beverly Fink Family Foundation Mrs. Charlotte Rees Susan Parker Dr. & Mrs. Frederick A. Frye Joseph W. Robinson William & Sandra Peavey Sally Fuller Stuart & Linda Robinson Deborah B. Pettry Theresa & Craig Georgi Dr. H. Warren Ross Jeanette Rubin Family Fund of the Arthur & Judy Getis Mr. Joseph Rusche Jewish Community Foundation Louise & Doug Goodman Dr. Joseph & Carol Sabatini Don & Darlene Russell Robert & Edry Goot Phoebe & David Sackett Cheryl & Frank Ruyak Chris Graham & Michael Albo Ned Schmidtke Marilies Schoepflin, Ph.D. Carol & Don Green Mr. & Mrs. John Seiber Alice & Lewis Silverberg Mr. George Guerra Ms. Debbie Seid Alan & Esther Simon Linda E. Hanson Richard Shapiro & Marsha Janger Alex & Mary Hart Kenneth A. Sherborne

P18 PERFORMANCES MAGAZINE Mr. & Mrs. Randall Silvia Helen M. Caldwell Mr. & Mrs. Joseph & Eileen Innecken Rodney & Dolores Smith Fund at Jane Carrigan Susan D. Inot The San Diego Foundation Ellen Casey Mr. & Mrs. David Ives Herbert & Elene Solomon Luc & Ann Marie Cayet-Pleska Bill & Cheri James Ron & Susan Styn Charlene Chatham & William Price Nancy B. James Edward D.S. Sullivan Mr. & Mrs. Art Cohen Lucy & Jones Jaworski Clifford & Kay Sweet Ronald D. Culbertson Cameron Jay & Kathleen Rains Tracy Tajbl & Neil Kent Jones Glenn Currie Photography In Memory of Donald Jenkins Mrs. Terry Tidmore John Davis & Bill Hughes Judge & Mrs. Anthony C. Joseph Mr. & Mrs. John Torrell Mr. & Mrs. William Deatrick James & Sharon Justeson Ms. C. Anne Turhollow & Mr. & Mrs. Homer Delawie Elaine R. Kalin Mr. Michael Perkins Mr. & Mrs. Wes Dillon Michael Keehan, MD FACS Midgie Vandenberg Patricia & Glen Doughty Patricia & Alexander Kelley Will & Vanessa Van Loben Sels Stephen & Sandra Drew Charles & Gail Kendall Natalie C. Venezia & Paul A. Sager Lizbeth Ecke & David Meyer Kathleen Kim & Zachary Rattner Pat & Allen Weckerly Patricia Eichelberger Mr. & Mrs. Albert W. Krasnoff Zona Weekley Judge & Mrs. Harry Elias Marvin M. Kripps, M.D. Jo & Harold Weiner Peter & Doris Ellsworth Betty & Richard Kuhn Janice Weinrick Barbara & Dick Enberg Vic & Mary Landa Mr. & Mrs. David Weinrieb Dr. Ruth M. Forbis Elizabeth Lasley Dennis & Carol Wilson Larry & Jan Ford Dixon & Pat Lee Mr. & Mrs. C.E. Wylie/C.E. Wylie Clare & Paul Friedman Tom & Terry Lewis Construction Company Dr. Richard & Randee Friedman Robin J. Lipman Dr. Joseph Yedid & Susan Sincoff Natacha Furlan Roy & Carol Long Elizabeth Zeigler & Bernard J. Kuchta Ferdinand Gasang Sally & Bill Luster Norman & Patricia Gillespie Jeanne Maltese SILVER Dr. & Mrs. Michael Goldbaum Mr. & Mrs. Norman Mann ($250 to $499) Howard & Carole Goldfeder Patricia Manning Margaret Acampora Drs. Thomas & Cynthia Goodman Kathleen Markham Mr. Gale Acker & Dr. Nancy Acker Euvoughn L. Greenan Harold & Beverly Martyn Dr. & Mrs. Maurice Alfaro Mr. & Mrs. Arthur A. Greenberg Bruce & Brenda Mason George Amerault Jerome & Anita Gutkin Cdr. & Mrs. John C. Mathews III Mr. & Mrs. Thomas Anderson Margaret Hall Ronald McCaskill & Robyn Rogers Anonymous (7) Helen M. Hammond Oliver McElroy & Karen Delaurier Antique Row Café - Normal Heights Robert M. & Helen M. Hansen Teresa McEuen Drs. Michael & Gabriela Antos C. Harbordt Charles & Billie McKnight Robert W. Arnhym Joel Harms Mr. & Mrs. Jim Melcher Mr. & Mrs. David A. Baer James & Ruth Harris of the Jewish Christine Mersten John & Elizabeth Bagby Community Foundation Drs. John Meyers & Betty Joan Maly Mr. Allen & Mrs. Nancy Bailey Mrs. Corrine M. Harvey Dr. & Mrs. Paul E. Michelson Beverly Bartlett & Barbara Sailors Jane & Richard Haskel James & Dorothy Mildice James & Ruth Batman Lucy & Jim Haugh Margaret Mitchell Sharon & Bill Beamer Mr. & Mrs. William Hawkins Dr. & Mrs. Izaac Mizrahi Bruce & Patricia Becker Michele D. Hearns, Inc. Mark & Margie Morel Bee Best Bee Removal, Inc. Joan Henkelmann Mary Jo Murphy Mr. & Mrs. T.K. Bell Mr. & Mrs. Stanley Herskovitz Anne Myers Armand Bernheim, Jr. Donald J. Hickey Mr. & Mrs. H. Martin Nash Mr. & Mrs. Stanley Birstein Christine B. Hickman & Dennis A. Ragen Tom & Doris Neuman Robert Blanton & Ann Clark Raymond L. Higgins Mark Niblack Mr. & Mrs. Ronald Brady Mr. & Mrs. Thomas O. Hippie Mr. & Mrs. J. Gregory Noel Dr. & Mr. Cecelia Brock Leslie Hodge Dr. David & Elizabeth Ostrander Ed Brookins John & Peggy Holl Carolann Pagliuso Perla Brownlie Paul & Barbara Holz Pamela Palisoul Dr. & Mrs. Simon C. Brumbaugh, Jr. Nancy & Bill Homeyer In Memory of Margaret Peninger Beth Bruton Bonnie & Cecil Hornbeck Clifford T. Pentrack & Mary E. Giovaniello Barbara Bry & Neil Senturia Mr. & Mrs. Lee Horowitt Mr. & Mrs. James Perley Mr. Glenn Buberl Kendyl & Merri Houdyshell Drs. Mark & Darcey Perlman David Burns & Diane Lischio Steven & Nancy Howard Lawrence Roy Perrin John & Kirk Butler Stephanie B. & Carl A. Hurst Barbara Pricola

PERFORMANCES MAGAZINE P19 Annual Fund Donors continued

Mr. & Mrs. Merlin Puck Eunice M. Simmons, M.D. Iwona A. Trybus Kedar Pyatt Anne & Ronald Simon Bill & Barbara Ward John Quesenberry Kathryn & Terrence Slavin Kathy & Jim Waring Anne Ratner Charles & Julie Smith William Weeks Daniel & Lynn Reisfeld Norman & Judith Solomon Mr. & Mrs. James Welterlen Gerald & Ruth Rosenbaum Fred & Christine Stalder Ross & Barbara White Ursula R. Roth Alan M. Stall Cass Witkowski Family Dr. & Mrs. Richard Rowen Ann & Robert Steiner Mr. & Mrs. John W. Witt Dr. Norman & Barbara Rozansky Mr. & Mrs. Harris Steiner Dr. Perri L. Wittgrove Peter & Donna Russell Edward Stickgold & Steven Cande Janet Wolf Fran & Tom Ryan Sharon S. Storey Mr. & Mrs. H.D. Wolpert George & Karen Sachs Dave & Jan Stormoen Dr. Dolores Wozniak Debbie & Wayne Sakarias Helga & Sam Strong M.J. Zahnle Josiah & Abigail Sand Abbe Wolfsheimer Stutz Mr. & Mrs. Paul Zimmer Barbara A. Sawrey John & Linda Sunkel Vicky Zollweg & Michael Dunteman Simon & Ruth Sayre Mrs. J.B. Swedelius This list is current as of January 26, 2007 Dr. & Mrs. Roger H. Schmitt Dr. Blake S. & Mrs. Peggy Jean Talbot Martin & Connie Schroeder Dr. Terry & Naomi Tanaka To learn more about supporting RAdm. & Mrs. H. James T. Sears Dr. Marshall & Leila Taylor The Old Globe’s performances and Linda J. Seifert Linda Terramagra education and outreach Lori Severson & Eric Longstreet Ned A. Titlow programs, please visit our website at Hano & Charlotte Siegel Doris Trauner, M.D. www.TheOldGlobe.org Kevin & Diane Silke Robert C. & Melesse W. Traylor or call Courtney Quinn Jerry & Beth Silverman Mr. & Mrs. Jeffrey C. Truesdell at (619) 231-1941 x2311.

CITY OF SAN DIEGO: MAJOR PLAYER IN THE FUNDING OF ARTS & CULTURE Each year, the City of San Diego provides critical financial support to nonprofit organizations through a rigorous application process managed by the City of San Diego Commission for Arts and Culture. Through this program, the City is The Old Globe's largest single donor in support of annual artistic projects and education programming for schools. City funding for arts and culture is derived from the E H

H Transient Occupancy Tax (TOT), a 10.5% tax paid by tourists T T I T A W N O visiting San Diego. The city allocates less than 1% of total T O S S I P P M S

A TOT proceeds to the Commission for distribution to U S O A R L N O R A qualified applicants. T R O S T E E C F N I E R L

W Each year the Commission appoints community volunteers I U S D I A P E H : V I D to evaluate organizations - alongside the Commissioners them- O T T N U A O C S H E R P

X selves - based on artistic programming, educational activities, E . E D A S L ’ N E A A B

S administrative stability, board leadership and programs for G O Y E L R B R G O E L J underserved populations. D L G R

O O 6 Y E 0

A TOT funding of arts and culture yields positive results and H 0 T M 2 a significant economic impact on the entire community. In 2006, the 83 funded organizations had combined annual operating incomes of more than $128 million, an increase of over $8 million from the previous year. The Old Globe alone produces an economic impact of more than $42 million with $8.6 million generated by cultural tourists attending the summer Shakespeare Festival. The Old Globe applauds the City of San Diego and the Commission for Arts and Culture for their vision for a vibrant and successful San Diego.

P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors

SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999)

Break-Away Tours Mercer Health & Benefits ResMed Foundation Evans Hotels Neiman Marcus Showtime Fashion Valley Nokia Sycuan Resort & Casino Higgs, Fletcher & Mack, LLP Relocation Coordinates U.S. Bank KPMG, LLP Vistage FOUNDER CIRCLE ($5,000-$9,999) Citigroup Foundation/Smith Barney Northern Trust The Westgate Hotel Nissan Foundation Oakwood Worldwide XLNC1

PLAYWRIGHT CIRCLE ($2,500-$4,999)

Cush Family Foundation Mission Federal Credit Union Seltzer Caplan McMahon Vitek GSG Capital Advisors, LLC Nicholas-Applegate WD-40 Company

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, Executive Director Jack O’Brien, Artistic DirectorJerry Patch, Resident Artistic Director Craig Noel, Founding Director

William Anton Tovah Feldshuh Mark Harelik John McLain Steven Rubin Conrad Susa Jacqueline Brookes Monique Fowler Bob James Jonathan McMurtry Ken Ruta Deborah Taylor Lewis Brown Ralph Funicello Tom Lacy Stephen Metcalfe Douglas W. Schmidt Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox Robert Morgan Seret Scott Paxton Whitehead George Deloy Harry Groener Dakin Matthews Steve Rankin David F. Segal James R. Winker Tim Donoghue A.R. Gurney Deborah May Robin Pearson Rose Don Sparks Robert Wojewodski Richard Easton Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers PATRON INFORMATION TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: noon – 6pm Although we understand parking is often at a premium, the seating Tuesday - Sunday: noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to perfor- mances. ADMINISTRATION HOURS Monday - Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular P.O. Box 122171 phone, please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS / CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® The Old Globe accepts Visa, Discover, MasterCard, or American Listening System is available in the Old Globe Theatre. Lightweight Express. Phone orders for non-subscribers are subject to a $3 per headsets may be obtained from the house manager prior to perfor- ticket service charge, not to exceed $12. Ticket exchanges are subject mances, free of charge. to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) PUBLIC TOURS 234-5623 during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the Ticket Services Office, or email us at [email protected]. three stages, shop and craft areas. Open tours: most Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors UNABLE TO ATTEND? and students. Phone (619) 231-1941 x2142 for information/reserva- If you find you are unable to use your tickets, please give them to a tions. friend, or turn them in to the Ticket Serivces Office and receive a tax receipt for your donation. Tickets must be received by show time. LOST AND FOUND If you have misplaced a personal item while at the theatre, please RESTROOMS AND TELEPHONES contact the Ticket Services Office or Security as soon as possible. If Restrooms are located in the lower lobby of the Old Globe Theatre we are unable to locate your item, we’ll happily take down your and adjacent to the Festival Theatre; pay phones may be found in the contact information as well as a description of the item and contact lower Globe Theatre lobby and next to the Gift Shop. you if it is found. The Old Globe does not assume liability for items left behind on premises. Ricola Cough Drops are available upon request. Please ask an Usher. P22 PERFORMANCES MAGAZINE Director Profiles

LOUIS G. SPISTO JERRY PATCH JACK O’BRIEN Executive Director Resident Artistic Director Artistic Director Louis G. Spisto has served as Executive Director of Jerry Patch was appointed Resident Artistic Mr. O’Brien has been the Artistic Director of The The Old Globe since October 2002. During his Director of The Old Globe in February 2005. He Old Globe in San Diego since 1982. Recent Globe tenure, Spisto spearheaded the return of the Globe’s most recently served as the Dramaturg and a productions: Dirty Rotten Scoundrels,Imaginary acclaimed Shakespeare Repertory Season and pro- Friends,Twelfth Night,The Full Monty,The Seagull,The duced several world-premiere plays and musicals, member of the long standing artistic team at including Dirty Rotten Scoundrels,Chita Rivera:The Southern California’s Tony Award®-winning South Magic Fire,Dr.Seuss’ How the Grinch Stole Christmas!, Dancer’s Life, and the Twyla Tharp/Bob Dylan musical, Coast Repertory (SCR), where he coordinated the the world premieres of Associate Artist A.R. The Times They Are A-Changin’, which transferred to development of 150 new plays, including two Gurney’s Labor Day and Tina Howe’s Pride’s Crossing, Broadway in September, 2006, along with the Globe’s Pulitzer Prize winners and numerous other final- as well as Time and Again,The Doctor Is Out (Getting annual holiday favorite, Dr.Seuss’ How the Grinch Stole ists. Patch became the top choice for this new role Away With Murder) by Stephen Sondheim and Christmas!. In March, 2006, Spisto spearheaded the at the Globe due to his many years of artistic George Furth, plus productions of Henry IV,Much launch of the Globe’s Capital Campaign,“Securing a accomplishments, his exceptional relationships Ado About Nothing,Oleanna,Damn Yankees,King Lear, San Diego Landmark,” to raise $75 million by the Ghosts,Hamlet,Uncle Vanya, and world premieres of with the nation’s leading directors and playwrights, Theatre’s 75th anniversary in 2010. The campaign is Terrence McNally’s Up in Saratoga, A.R. Gurney’s and his enthusiastic commitment to new work. off to a hugely successful start, having reached 61% of The Snow Ball and The Cocktail Hour, Tom Dulack’s its goal. During the past four seasons, the organiza- While at SCR, Patch worked as Dramaturg on tion has grown its subscription audience an unprece- Breaking Legs, Stephen Metcalfe’s Emily. numerous new works, including Donald BROADWAY: Creator/Supervisor, Dr.Seuss’ How the dented amount, countering a trend in the non-profit Margulies’ Sight Unseen and Brooklyn Boy, which theatre industry, resulting in the highest level of Grinch Stole Christmas!, The Coast of Utopia,Dirty opened to critical acclaim on Broadway; Margaret attendance in over a decade. Prior to coming to the Rotten Scoundrels (Tony nominations: Best Director Globe, Spisto served as the Executive Director of Edson’s Pulitzer Prize-winning Wit;Howard and Musical), Henry IV (Tony Award), Hairspray American Ballet Theatre in New York City. While Korder’s Search and Destroy; Amy Freed’s The Beard (Tony Award), The Invention of Love (Tony nomina- there, he increased ticket income and annual contribu- of Avon, Safe in Hell and Freedomland; Lynn Nottage’s tions: Best Director and Play), The Full Monty (Tony tions for the organization by nearly 20 percent. He Intimate Apparel and nine world-premieres by nominations: Best Director and Musical), More to also tripled the Ballet’s touring weeks and the Richard Greenberg, including Three Days of Rain. Love,Labor Day,St.Louis Woman,Pride’s Crossing, The resources devoted to education and training pro- In addition, he co-conceived The Education of Randy Little Foxes,Hapgood (Lucille Lortel Award for grams. Spisto has also served as the President of the Detroit Symphony Orchestra, where he provided Newman with Michael Roth and Mr. Newman. Direction, 1995), Damn Yankees (Tony nomination: fundraising leadership and creative direction for the Patch also served as the project director of SCR’s Best Musical Revival), Two Shakespearean Actors orchestra’s $60 million renovation project, and helped renowned Pacific Playwrights Festival, which annu- (Tony nominations: Best Director and Play), Porgy dramatically increase ticket sales while initiating ally introduces seven new plays to an audience of and Bess for Houston Grand Opera and Broadway several new series for the orchestra. Spisto established national theatre leaders. Typically, more than 75% (Tony Award), as well as Radio City Music Hall. a reputation as a superb arts executive here in of the plays presented receive multiple productions ELSEWHERE: The Magic Flute, San Francisco California, where he spent over ten years as the in theatres across the country. During his tenure at Opera; Tosca, Santa Fe Opera; Così fan Tutte and Executive Director of the Pacific Symphony Orchestra Aida, Houston Grand Opera; The Most Happy Fella, in Orange County. During his tenure there, he tripled SCR, Patch also held the position of Artistic Director (1990-1997) of The Sundance Theatre Michigan Opera and Broadway. TV: An Enemy of the the orchestra’s annual budget, all while eliminating a People,All My Sons,I Never Sang for My Father,Painting prior deficit and successfully completing the orches- Program, which included the Sundance Churches and The Skin of Our Teeth, all for PBS’s tra’s first endowment campaign.In addition, he estab- Playwrights Laboratory, one of the nation’s leading American Playhouse. RECENT AWARDS: 2004 lished a series of innovative recording projects with new play development programs. Additionally, he Thomas Degaetani Award (USITT), 2002 “Mr. Sony Classical and oversaw a number of nationally ran the Sundance Summer Theatre, a repertory of recognized commissioning projects. A strong advocate Abbott” Award (SDCF), 2001 Joan Cullman Award 2-3 productions staged outdoors for Utah audi- of arts education, Spisto built one of the largest and for Extraordinary Creativity, 2001 Joe A. Callaway most respected music training and outreach efforts. ences and The Sundance Children’s Theatre, which Award (SDCF), the Drama League’s Julia Hansen During his career, Spisto has also served as Director is dedicated to the development and presentation Award for Excellence in Directing, 2001. Member, of Marketing for the Pittsburgh Symphony Orchestra of new works for family audiences by leading College of Fellows of the American Theatre; and Director of Operations and Development for the American playwrights. He also serves as Honorary Doctor of Humane Letters, University of Performing Arts Center, UC Berkeley. He holds a Consulting Dramaturg for New York’s Roundabout San Diego. Mr. O’Brien is a member of the College Masters degree from the University of Wisconsin in Theatre Company. Arts Administration and a Bachelors of Business of Fellows of the American Theatre. Administration from the University of Notre Dame, and spent many years acting, directing and producing plays and musicals throughout his student days, as well as in professional summer theatre. PERFORMANCES MAGAZINE P23 Louis G. Spisto Jack O’Brien Jerry Patch Craig Noel Staff Executive Director Artistic Director Resident Artistic Director Founding Director

Michael G. Murphy ...... General Manager Melyssa Swensen ...... Assistant to Wig and Makeup DEVELOPMENT Supervisor Brad Ballard ...... Associate Director, Dave Henson ...... Director of Marketing Kim Parker ...... Wig Assistant Major and Planned Gifts and Communications Molly Yoder-Williams ...... Wardrobe Supervisor Annamarie Maricle ...... Associate Director, Todd Schultz ...... Director of Development Elizabeth Axe, Jyothi Doughman, Jeri Nicolas, Institutional Grants Kim Parker ...... Running Crew, Globe Christina Greenfield ...... Associate Director, Mark Somers ...... Director of Finance Jasmin Mellado ...... Crew Chief, Carter Advancement Gifts Richard Seer ...... Director of Professional Training Marie Jezbera ...... Rental Agent Eileen A. Prisby ...... Events Manager Properties Courtney Quinn ...... Development Coordinator, Robert Drake ...... Director of Production Neil A. Holmes ...... Properties Director Individual Annual Giving Roberta Wells-Famula ...... Director of Education Amy Reams ...... Properties Buyer Diane Addis ...... Membership Administrator Pat Cain ...... Property Master, Globe Erin McKown ...... Development Assistant Darko Tresnjak ...... Artistic Director, Shakespeare Diana Steffen ...... Development Assistant Festival David Buess ...... Property Master, Carter M.H. Schrenkeisen ...... Shop Foreman Donor Services Rory Murphy ...... Lead Craftsman Babs Behling, Barbara Lekes, ARTISTIC Ryan Buckalew, Judy Zimmerman ...... Suite Concierges Samantha Barrie ...... Artistic Coordinator Kristin Steva Campbell ...... Craftspersons Diane Sinor ...... Dramaturgy Associate Lighting MARKETING Kim Montelibano Heil ...... Literary Associate Chris Rynne ...... Lighting Director Becky Biegelsen ...... Public Relations Director Jan Gist ...... Voice and Speech Coach Megan Fonseca ...... Lighting Assistant Ed Hofmeister . . . . .Audience Development Manager Bernadette Hobson ...... Artistic Assistant Tonnie Ficken ...... Master Electrician, Globe Jackie Anderson ...... Publications Coordinator Stage Management Jim Dodd ...... Master Electrician, Carter Erin Anderson ...... Public Relations Assistant Leila Knox ...... Production Stage Manager Jason Bieber, Meghan Bourdeau, Sarah Cohen, Bonnie Claire Kennelly ...... Marketing Assistant Tracy Skoczelas ...... Assistant Stage Manager Dreibelbis, James Feinberg, Allyson Guertin, Tricia Judy Zimmerman ...... Marketing/Events Assistant Lesinski, Andy Lowe, Michael Paolini, Ashley Roberts, Paula Cogliano ...... Douglas Pagliotti Amanda Zieve ...... Electricians Erica Dei ...... Graphic Designer Stage Management Intern Craig Schwartz ...... Production Photographer Sound PRODUCTION Paul Peterson ...... Sound Director Subscription Sales Debra Pratt Ballard .Associate Director of Production Erik Carstensen . . . .Master Sound Technician, Globe Scott Cooke ...... Subscription Sales Manager Ellen Dieter ...... Company Manager Rachel Eaves ...... Master Sound Technician,Carter Russ Allen, Anna Bowen-Davies, Arthur Faro, Randi Carol Donahue ...... Production Coordinator Hawkins, Steven Huffman, Andrea Leigh Walsh, Pamela ADMINISTRATION Malone, Jessica Morrow, Ken Seper, Cassandra Shepard, Technical Grant Walpole . . .Subscription Sales Representatives Darla Lopez ...... Executive Assistant Benjamin Thoron ...... Technical Director Brian Ulery ...... Assistant to the General Manager Ticket Services Wendy Stymerski ...... Assistant Technical Director Shari Ressel ...... Ticket Services Manager Eliza Korshin ...... Technical Assistant/Buyer Information Technology Marsi Roche ...... Ticket Operations Manager Kacie Lyn Hultgren ...... Resident Design Assistant Dean Yager ...... Information Technology Manager Lyle Wilson ...... Ticket Services Supervisor Christian Thorsen ...... Stage Carpenter/ ThadSteffen ...... Information Technology Assistant Josh Martinez-Nelson . . . . .Group Sales Coordinator/ Flyman, Globe James Lawrence ...... Conversion Support Assistant Ticket Services Supervisor Mike Harris ...... Master Carpenter Shouna Shoemake ...... Lead Ticket Carole Payette ...... Charge Scenic Artist Human Resources Services Representative Adam Bernard, Steven High, Danielle Meister, Suzanne Sandra Parde ...... Human Resources Administrator Amy Blatt, Elizabeth Brown, Tony Dixon, Mame Gile, Reyes, Ryan Weckel ...... Scenic Artists Maintenance Renetta Happé, Gunther Kusior, Alicia Lerner, Jenna Nate Getrich ...... Automation Setup Chad Oakley ...... Facilities Manager Long, Grace Manuel, Kendra McCall, Caryn Morgan, Kevin Fain, Gillian Kelleher, Donald Marries, Violanda Corona, Ismael Delgado, Miguel Gaspar, Amy Northcutt, Carlos Quezada, Laura McEntyre, Ryan Meinhart, Michael Moglia, Roberto Gonzalez, Reyna Huerta, Margarita Meza, Jose Gary Rachac, Arksan Siarak, Brandon Smithey, Sheldon Goff ...... Carpenters Morales, Albert Rios, Maria Rios, Drew Wyeth ...... Ticket Services Representatives Costumes Nicolas Torres ...... Building Staff Stacy Sutton ...... Costume Director PATRON SERVICES Charlotte Devaux ...... Resident Design Assistant PROFESSIONAL TRAINING Mike Callaway ...... Theatre Manager Maureen MacNiallais ...... Assistant to the Director Llance Bower ...... Program Coordinator Danielle Burnett ...... Front of House Assistant Maria Carrera, Cynthia Caywood, Sabin Epstein, Robert Shelly Williams ...... Design Assistant/Shopper Barry Fleming, Gerhard Gessner, Jan Gist, Peter Kanelos, Merlin D. “Tommy” Thompson . .Patron Services Rep. Ashley Bruce ...... Second Design Assistant, Globe Fred Robinson, Liz Shipman ...... MFA Faculty Rob Novak, Ashley Roberts ...... House Managers Gwen Dunham, Louise M. Herman, Marsha Kuligowski, Corey Johnston, Robin Sanford Roberts, Dana Juhl ...... Food and Beverage Manager Karen W. Ross, Randal Sumabat ...... Drapers Ben Siebert ...... MFA Production Staff Haydee Aldas, Kristin Dishman, Brandi Mahan, Caryn Babs Behling, Gloria Bradford, Stacey Bridges, Nowak, Roland Roberge, Anne-Marie Shafer, Felicia Anne Glidden Grace,Leslie Malitz, Pilar Macchione, EDUCATION Tobias, Melissa Whirlow ...... Pub Staff Shirley Pierson ...... Assistant Cutters Babs Behling, Rose Espiritu, Raúl Moncada ...... Education Associate Stephanie Rakowski ...... Gift Shop Supervisors Su-Lin Chen, Joan Mathison, Holly Ward ...... Tour Coordinator Security/Parking Services Mary Miller ...... Costume Assistants Carol Green ...... Speakers Bureau Coordinator Mark Baiza, Kristin Bongiovanni, Sandie Boyadjian, Rachel “Beahr” Garcia ...... Security/Parking Jennifer Barclay, Marisela De la Parra, Janet Hayatshahi, Services Supervisor Melissa Rick Cochran, Rebecca Fabares, Elizabeth Fleck, Dana Hooley, David Tierney ...... Teaching Artists Holly Hess, Nancy Liu, Veronica Ramirez, Margo Irene Herrig ...... Acting Security Supervisor Selensky, Andrea Straw ...... Stitchers Sherisa Eselin, Janet Larson, Michael Mackey, Jeffrey Judith Craigo ...... Lead Crafts Person-Painter/Dyer FINANCE Neitzel, Sonia Paul ...... Security Officers Svi Roussanoff, Teri Tavares, Paula Nickodemus ...... Senior Accountant Sean Busby, Deborah Elliot, Sally Ward ...... Crafts Artisans J. Adam Latham . .Payroll Clerk/Accounting Assistant Catrina McQuerry ...... Parking Lot Attendants Molly O’Connor ...... Wig and Makeup Supervisor Diane Jenkins ...... Accounting Assistant Mark Brickman, Tim Cole ...... Receptionist David Nguyen ...... V.I.P.Valet Attendants

P24 PERFORMANCES MAGAZINE