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Variations on Folk Songs BEETHOVEN KUHLAU DOPPLER Anna Besson Olga Pashchenko MENU › TRACKLIST › Français › English › Deutsch
VARIATIONS ON FOLK SONGS BEETHOVEN KUHLAU DOPPLER ANNA BESSON OLGA PASHCHENKO MENU › TRACKLIST › FRANÇAIS › ENGLISH › DEUTSCH FRANZ DOPPLER (1821-1883) FANTAISIE PASTORALE HONGROISE, OP.26 1 I. Molto andante 5’13 2 II. Andantino moderato 4’08 3 III. Allegro 3’15 LUDWIG VAN BEETHOVEN (1790-1827) 6 NATIONAL AIRS WITH VARIATIONS, OP.105 4 Air irlandais ‘The last Rose of Summer’ 3’48 5 Air autrichien ‘A Schlüsserl und a Reindl’ 6’39 FRIEDRICH KUHLAU (1786-1832) 6 ‘Variations sur un ancien air suédois’ from Grande Sonate pour pianoforte et flûte obligée, op.83 no.1 8’27 LUDWIG VAN BEETHOVEN 10 NATIONAL AIRS WITH VARIATIONS, OP.107 7 Air tirolien ‘A Madel, ja a Madel’ 7’28 8 Air écossais ‘The Highland Watch’ 4’15 9 Air écossais ‘Bonny Laddie, Highland Laddie’ 2’39 10 Air russe ‘Schöne Minka’ 6’29 EUGÈNE WALCKIERS (1793-1866) 11 Rondo auvergnat (from Délassemens du flûtiste, op.47) 3’50 FRANZ DOPPLER AIRS VALAQUES, OP.10 12 I. Introduction 3’35 13 II. Thema et variations 5’22 14 III. Adagio 6’01 TOTAL TIME: 71’17 ANNA BESSON FLUTE Fridtjof Aurin after Wilhelm Liebel, Dresden, c.1830 Mangeant, Tulou system, original, c.1850 OLGA PASHCHENKO FORTEPIANO Conrad Graf, original, c.1825, restored by Pianos Maene workshop › MENU AIS NÇ RA VARIATIONS SUR DES AIRS POPULAIRES F PAR ANNA BESSON À travers ce programme, j’ai choisi de présenter des œuvres trop peu défendues de nos jours sur instruments historiques. Étonnamment, le répertoire romantique pour flûte est souvent méconnu, voire même qualifié d’inexistant, aucun compositeur illustre n’ayant voulu écrire pour cet instrument si imparfait.. -
OLGA PASHCHENKO.Pages
OLGA PASHCHENKO - - harpsichordist, pianist, fortepianist, organist. Olga Pashchenko is a young artist who has already established a reputation as a versatile performer with her own individual style of performance notable for sensitiveness toward different musical styles, virtuosity, wealth of color and special approach to each instrument she plays. Olga Pashchenko was born in 1986 in Moscow. She began her musical studies at the age of six in the Children’s Myaskovski Music School in the piano class of Sofia Genis. 1993 became laureate of the All-Russian Young Pianists’Competition. In 1993 Olga entered the Moscow Special Gnessin Music School where she studied piano with Tatiana Zelikman and harpsichord with Olga Martynova. She gave her first piano recital in New York at the age of 9. In 2002 was granted the scholarship of the fund “Russian Performance Art”. In 2003 became laureate of the Third International Gnessin Young Artists Competition and the Third International Beethoven Festival of Chamber Music.. In 2005 Olga Pashchenko graduated with honors from the Gnessin School and entered the Moscow State Tchaikovsky Conservatory. 2010 she graduated with honors from two departments of the Moscow State Tchaikovsky Conservatory - Department of Historical and Modern Art Performance where she studied with professor Alexei Lubimov (piano), Olga Martynova (harpsichord, fortepiano), and Organ Department – class of Alexei Shmitov. In 2010 Olga Pashchenko has entered the postgraduate studies of the Moscow Tchaikovsky Conservatory – class of professor -
Edition Klavier-Festival Ruhr 250 Jahre Ludwig Van Beethoven Live Recordings 2020
Vol. 39 Edition Klavier-Festival Ruhr 250 Jahre Ludwig van Beethoven Live Recordings 2020 Olga Pashchenko Lika Bibileishvili Anna Zassimova Anika Vavic´ CD 1 [79:11] LUDWIG VAN BEETHOVEN (1770 – 1827) Drei Sonaten WoO 47 „Kurfürstensonaten“ (1782/83) 1 0 Sechs Variationen über den Sonate Nr. 1 in Es-Dur „Türkischen Marsch“ aus 1 Allegro cantabile [04:36] „Die Ruinen von Athen“ op. 76 (1809) [06:01] 2 Andante [05:31] 11 Dreizehn Variationen über die Ariette 3 Rondo vivace [02:46] „Es war einmal ein alter Mann“ aus Sonate Nr. 2 in f-Moll Dittersdorfs Singspiel „Das rote Käppchen“ 4 Larghetto maestoso – Allegro assai [05:36] WoO 66 (1792) [11:41] 5 Andante [07:06] 12 Sechs Variationen über ein Schweizer Lied 6 Presto [03:16] WoO 64 (1790) [02:34] Sonate Nr. 3 in D-Dur 13 Rondo in C-Dur op. 51/1 (1796/97) [05:07] 7 Allegro [07:02] 8 Menuetto – Sostenuto [08:27] 14 Sechs Variationen über das Duett 9 Scherzando: Allegretto, ma non troppo [04:51] „Nel cor più non mi sento“ aus der Oper „La Molinara“ von Giovanni Paisiello WoO 70 OLGA PASHCHENKO (1795) [04:37] Hammerflügel, Wiener Schule, anonym ca. 1785 Schloss Hohenlimburg, Hagen LIKA BIBILEISHVILI Live Recording: 12. Oktober 2020 Haus Fuhr, Essen Live Recording: 16. September 2020 Olga Pashchenko appears by courtesy of Alpha Classics. CD 2 [79:55] Konzertflügel/Grand Piano: Hammerflügel aus der Sammlung von Edwin Beunk (Wiener Schule, anonym, um 1785) LUDWIG VAN BEETHOVEN (1770 – 1827) (Olga Pashchenko) Steinway D (Lika Bibileishvili, Anika Vavic´) 1 Fantasie in H-Dur op. -
Association of Finnish Symphony Orchestras Suomen Sinfoniaorkesterit Ry
Association of Finnish Symphony Orchestras Suomen Sinfoniaorkesterit ry Association of Finnish Symphony Orchestras Suomen Sinfoniaorkesterit ry Eerikinkatu 3 B 00100 Helsinki, Finland [email protected] sinfoniaorkesterit.fi Helena Värri Executive Director +358 50 556 9781, including media [email protected] Elina Tuomola Secretary +358 40 594 3079, including Music Library [email protected] Layout: Inka Asikanius, IA ad+comms Photos: © Maarit Kytöharju Cover photo: Helsinki Philharmonic Orchestra getting ready for the concert Grano 2019 Sinfoniaorkesterit SuoSiO Sinfoniaorkesterit MEMBER ORCHESTRAS IN 2018 first performances first performances recordings in Finland total concert audience total audience in digital media concerts participants of audience outreach and other events Concert types 11 % Symphony concerts 40 % Masses and oratorios 3 % 12 % 40 % Chamber music concerts 5 % 2 % Light music concerts 11 % 9 % Children's concerts 7 % School concerts 9 % 7 % Conc. in instituts and work places 2 % 11 % Outdoors and free concerts 12 % 3 % Other concerts 11 % 5 % ORCHESTRAS' EXPENDITURE FINANCING OF ORCHESTRAS 81,3 million € Municipalities 50 % State 22,5 % Salaries, fees and social security expenditure 76 % Earned income 14,5 % Real estate expenditure 9 % Finnish Broadasting Company funding for FRSO 11 % Other operating expenditure 15 % Other 2 % 2 % 15 % 11 % 9 % 14,5 % 50 % 76 % 22,5 % Association of Finnish Symphony Orchestras Suomen Sinfoniaorkesterit ry FACTS AND FIGURES 2018 1 Basic information -
Concert Programme
20.1. Temppeliaukio Church at 15:00 Meta4 Aleksei Lybimov, fortepiano Olga Pashchenko, fortepiano Finnish Baroque Orchestra Joseph Martin Kraus: Olympie, overture VB 33 7 min Jan Ladislav Dussek: Concerto for Two Pianos 34 min I Allegro moderato II Larghetto sostenuto III Allegro moderato INTERVAL 15 min Ludwig van Beethoven: Symphony No. 2 in D 33 min I Adagio molto – Allegro con brio II Larghetto III Scherzo (Allegro) IV Allegro molto The soloists will be playing a copy of a Clementi fortepiano from 1799 (made by Chris Maene, Belgium) and a copy of a Walter fortepiano from 1800 (made by Paul McNulty, Czech Republic). Interval at about 15:45. The concert will end at about 16:40. A recording of the concert will be broadcast on Yle Radio 1 on 22.1. 1 JOSEPH MARTIN quick main section is in sombre, dra- matic mood into which the more lyr- KRAUS (1756–1792): ical second theme introduces a ray of OLYMPIE, OVERTURE light. At the end, the music returns to the mournful mood of the opening, un- The fine works composed by Joseph derlining the play’s basic tragic under- Martin Kraus in the space of his brief current. life well earn him a place among the Olympie was premiered at the composing elite of Sweden’s Gustavian Dramaten Theatre in Stockholm in era beginning in 1772. Over the past January 1792, only just over two months few decades, “the Swedish Mozart” has before King Gustav III was assassinated. come to be more widely recognised as Shortly before, Kraus had produced a one of the most original composers setting of Bellman’s poem Öfver Mozarts of his day.