AMS Newsletter August 2018
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35. Göttinger
35. göttinger 4.–11.11.12 Bild: Renate Bethmann Bild: Renate jazz_programm_2012End_.indd 1 08.08.12 17:19 Anlagelösungen mit individueller Ausstattung. Deka-Vermögenskonzept. Konfigurieren Sie Ihr Anlagemodell nach Ihren persönlichen Wünschen und genießen Sie exzellenten Service. Unser professionelles Vermögens- management sorgt für eine gute Fahrt. Jetzt in Ihrer DekaBank Deutsche Girozentrale, DekaBank Deutsche Girozentrale Luxembourg S.A. www.deka.de jazz_programm_2012End_.indd 2 08.08.12 17:19 Editorial ie Vielseitigkeit und Aktualität des Jazz präsentieren auch in die- sem Jahr über 200 internationale, nationale und lokale Musikerinnen Dund Musiker in 34 Einzelveranstaltungen und Konzerten an den sie- ben Tagen des 35. Göttinger Jazzfestivals. Das Programm bietet nicht nur eine Reihe von erstklassigen Künstlern und Ensembles, sondern auch die Möglichkeit, verschiedene musikalische Ansätze im direkten Vergleich zu er- leben: Mit Kenny Garrett und Roy Hargrove stehen an zwei Abenden zwei große Amerikaner und einstige „Young Lions“ auf der Bühne, die sich sehr individuell mit der Hardbop-Jazztradition auseinandersetzen. Und mit den gleichermaßen ECHO-ausgezeichneten Gruppen Tingvall Trio und Michael Wollny’s [em] gelang es zwei junge, weg- weisende Piano-Trios mit ganz unter- schiedlicher Programmatik zu gewinnen. Wir danken Das Programm auf der Hauptbühne des allen mitwirkenden Deutschen Theaters wird abgerundet Musikerinnen und Musikern durch zwei grenzüberschreitende Acts: unseren Förderern und Sponsoren die Jazz-Metal-Band Panzerballett und die Stadt Göttingen, Norddeutscher portugiesische Ausnahmesängerin Maria Rundfunk – Musikförderung in João. Schon zuvor sind im Film der franzö- Niedersachsen, Landschaftsverband Südniedersachsen, Sparkasse sische Jazzpianist Michel Petrucciani, im Göttingen Gespräch der Jazzpublizist Karl Lippegaus unseren Kooperationspartnern und im Konzert die Jinling Dragon World Deutsches Theater, Lumière, Literarisches Zentrum, Musa, Basta Music Band aus Nanjing kennenzulernen. -
Kansas DOUBLE “DEVICE-VOICE-DRUM” LIVE 'BEST OF' CD RELEASED JAN
Kansas DOUBLE “DEVICE-VOICE-DRUM” LIVE 'BEST OF' CD RELEASED JAN. 27TH 2003 ON SPV Phil Ehart - Drums Billy Greer - Bass & Vocals Robby Steinhardt - Vocals & Violin Steve Walsh - Vocals & Keyboards Richard Williams - Guitar American heartland art rock band Kansas, who have sold over 30 million albums during their long and illustrious career, are set to release 'Device - Voice - Drum', a double live CD (recorded at Earthlink Live! - Atlanta, Georgia - on June 15th 2002), on SPV Records on January 27th 2003. 'Device - Voice - Drum' is a live concert film recorded for DVD and CD. The 'Device - Voice - Drum' live CD also features a live multimedia bonus track not included on the upcoming DVD, which SPV are set to release later in the year. Formed in Topeka in 1972, Kansas have played a minimum of 100 concerts a year before a million people a year over the last decade. A specially selected career-spanning set list was chosen for the gig and this double live CD features performances of such mega hits as 'Dust In The Wind', 'Carry On Wayward Son' and 'Point Of Know Return'. 'Device - Voice - Drum' also features the vocal talents of 60 members of Atlanta’s New Advent Choir. Kansas appeared on the Billboard charts for over 200 weeks throughout the 70s and 80s and the band remains a staple of U.S. classic rock radio, with “Carry On Wayward Son” named as the Most Played Track of that format in 1997. 'Device - Voice - Drum' is being released as a double CD audio set with enhanced features. Creative Edge Advertising designed a multimedia platform that includes the video outtake of the song “Distant Vision,” screensavers for Mac and PC, and a photo album of the DVD production. -
Panzerballett
Panzerballett STARKE STÜCKE ACT 9661-2 German Release Date: February 22, 2008 YOUNG GERMAN JAZZ - new additions to the family In 2005 ACT began the Young German Jazz series as a forum for the young and extremely energetic German jazz scene. With the first release of the [em] Wollny / Kruse / Schaefer trio, the idea was immediately greeted with a strong national and international response. The YGJ concept of nurturing and promoting young talented up-and-coming German musicians and giving them a fair chance on the international scene had caught on. In 2008 ACT will be treading on another Young German Jazz borderline. The motto: crossing frontiers. As with many of his young colleagues, Chris Gall has had his own personal affair with rock and pop music – they are as much a source of inspiration for him as the Great American Song Book. And you can tell simply by its name that the band Panzerballett has a casual attitude towards its own history, an attitude that is reflected in how they approach the various musical genres. They both effortlessly transcend supposedly insurmountable barriers and transform that art form called jazz into something that is once again sexy and exciting – also for a young audience! PANZERBALLETT – STARKE STÜCKE Offhand it seems foolish to combine, of all things, jazz and heavy metal. But 30-year old Jan Zehrfeld, the compositional mastermind of Panzerballett, belongs to the generation of musicians now forcing themselves into the spotlight who grew up breathing in more than one musical style. As a kid he was already into hard rock, just as the world of jazz was also something particularly special to him. -
Chapter 1 - Introduction to the Corridor Management Plan
Introduction to the Corridor Management Plan, Statement 1 of Purpose, and Corridor Story CHAPTER 1 - INTRODUCTION TO THE CORRIDOR MANAGEMENT PLAN 1.1 - Statement of Purpose CMP began. Th ere has been an actively engaged group of corridor residents that began meeting in 2009 / 2010 Th e Nanticoke Heritage Byway (NHB) Corridor to discuss ways to enhance and promote the corridor’s Management Plan (CMP) is intended to provide a tremendous sites and resources. Th e current CMP detailed collection of information that will assist in process, which began offi cially in August 2013, has meeting the corridor Mission and Vision Statement also engaged a diverse group of vested stakeholders, (see Chapter 2.0) developed for the corridor. Th is including many of the original stakeholders. Th ese CMP will attempt to foster economic development, stakeholders include citizens, business owners, continued research, and set a clear course for future government and other public agencies, religious actions (projects) within the Nanticoke Heritage entities, and private entities. In an eff ort to include Byway region. In addition, the CMP will provide and coordinate with as many entities as possible the direction and foresight as to the proper course of following groups (which we call Stakeholder groups) promotion, use, and preservation of the corridor’s were coordinated with throughout the development resources. of the CMP. Th e CMP is a product of extensive coordination and 1.3.1 Steering Committee input from the NHB communities and stakeholders. Th e Steering Committee, which was formally Th is CMP is an extension of the people – the people of identifi ed in the early stages of this CMP the NHB. -
Www. Dosado. Com/Music
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Exilerfahrung in Wissenschaft Und Politik
Dokserver des Zentrums Digitale Reprints für Zeithistorische Forschung Potsdam http://zeitgeschichte-digital.de/Doks Mario Keßler Exilerfahrung in Wissenschaft und Politik. Remigrierte Historiker in der frühen DDR http://dx.doi.org/10.14765/zzf.dok.1.911 Reprint von: Mario Keßler, Exilerfahrung in Wissenschaft und Politik. Remigrierte Historiker in der frühen DDR, Böhlau Köln, 2001 (Zeithistorische Studien. Herausgegeben vom Zentrum für Zeithistorische Forschung Potsdam. Band 18), ISBN 3-412-14300-6 Copyright der digitalen Neuausgabe (c) 2017 Zentrum für Zeithistorische Forschung Potsdam e.V. (ZZF) und Autor, alle Rechte vorbehalten. Dieses Werk wurde vom Autor für den Download vom Dokumentenserver des ZZF freigegeben und darf nur vervielfältigt und erneut veröffentlicht werden, wenn die Einwilligung der o.g. Rechteinhaber vorliegt. Bitte kontaktieren Sie: <[email protected]> Zitationshinweis: Mario Keßler (2001), Exilerfahrung in Wissenschaft und Politik. Remigrierte Historiker in der frühen DDR, Dokserver des Zentrums für Zeithistorische Forschung Potsdam, http://dx.doi.org/10.14765/zzf.dok.1.911 Ursprünglich erschienen als: Mario Keßler, Exilerfahrung in Wissenschaft und Politik. Remigrierte Historiker in der frühen DDR, Böhlau Köln, 2005 (Zeithistorische Studien. Herausgegeben vom Zentrum für Zeithistorische Forschung Potsdam. Band 18), ISBN 3-412-14300-6 http://dx.doi.org/10.14765/zzf.dok.1.911 Zeithistorische Studien Herausgegeben vom Zentrum für Zeithistorische Forschung Potsdam Band 18 Corrigenda • S. 10, Zeile 16/17: statt: Kuczyński, Alfred Meusel, Hans Mottek, Arnold Reisberg und Leo Stern waren assimilierte Juden lies: Kuczyński, Hans Mottek, Arnold Reisberg und Leo Stern waren assimilierte Juden S. 147, Zeile 15/16: statt: Has-homer Hatzair lies: Ha-shomer Hatzair Copyright (c) Zentrum für Zeithistorische Forschung Potsdam e.V. -
AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion -
H. Doc. 108-222
34 Biographical Directory DELEGATES IN THE CONTINENTAL CONGRESS CONNECTICUT Dates of Attendance Andrew Adams............................ 1778 Benjamin Huntington................ 1780, Joseph Spencer ........................... 1779 Joseph P. Cooke ............... 1784–1785, 1782–1783, 1788 Jonathan Sturges........................ 1786 1787–1788 Samuel Huntington ................... 1776, James Wadsworth....................... 1784 Silas Deane ....................... 1774–1776 1778–1781, 1783 Jeremiah Wadsworth.................. 1788 Eliphalet Dyer.................. 1774–1779, William S. Johnson........... 1785–1787 William Williams .............. 1776–1777 1782–1783 Richard Law............ 1777, 1781–1782 Oliver Wolcott .................. 1776–1778, Pierpont Edwards ....................... 1788 Stephen M. Mitchell ......... 1785–1788 1780–1783 Oliver Ellsworth................ 1778–1783 Jesse Root.......................... 1778–1782 Titus Hosmer .............................. 1778 Roger Sherman ....... 1774–1781, 1784 Delegates Who Did Not Attend and Dates of Election John Canfield .............................. 1786 William Hillhouse............. 1783, 1785 Joseph Trumbull......................... 1774 Charles C. Chandler................... 1784 William Pitkin............................. 1784 Erastus Wolcott ...... 1774, 1787, 1788 John Chester..................... 1787, 1788 Jedediah Strong...... 1782, 1783, 1784 James Hillhouse ............... 1786, 1788 John Treadwell ....... 1784, 1785, 1787 DELAWARE Dates of Attendance Gunning Bedford, -
Festivals Neue Dvds Pop & Jazz
Festivals Neue DVDs Pop & Jazz Deutsches Jazzfestival Frankfurt. 30.10.–1.11. Frankfurt/M. Karten: Tel. 069/155 20 00, www.hr-online.de Radio Soulwax: „Part Tori Amos: „Live at John Surman, hr-Bigband, Robert of the Weekend Never Montreux“ (Eagle Vi- Wyatt, Gilad Atzmon, Uri Caine u. a. Dies“ (PIAS) sion) Enjoy Jazz. 2.10.–15.11. Heidelberg, Die ehemaligen Indie- Der dröge Satz – „Aber Mannheim, Ludwigshafen. Infos: www. Rocker aus Belgien mit früher war sie mal gut“ – enjoyjazz.de einer Vorliebe für exoti- gilt auch für diese ame- Ornette Coleman, Herbie Hancock, Ca- sche Pseudonyme sorg- rikanische Pastoren- mille, Richard Galliano, Paul Weller u. a. ten in den vergangenen tochter. Vor fast 20 Jah- Grenzenlos. 24.–26.10. Murnau. Kar- Jahren auch als 2Many ren glänzte die rotmäh- ten: Tel. 08841/614 10, www.weltmusik DJs im Dance-Univer- nige Klaviermeisterin festival-grenzenlos.de sum für Furore. Clip- noch mit erstklassigen Alexander von Schlippenbach, Dhafer Regisseur Saam Farahmand war mit einer Ka- Songs wie „Crucify“ oder „China“,die sie auch Youssef, Jean-Louis Matinier u. a. mera bei 120 Auftritten rund um die Welt da- bei ihren 1991 und 1992 abgefilmten Auftrit- Ingolstädter Jazztage. 14.10.–9.11. bei. Herausgekommen ist eine erstklassige Do- ten beim Jazz Festival von Montreux im Re- Karten: Tel. 0841/305 18 11, www.ingol kumentation über den Irrsinn einer Tournee, pertoire hatte. Zusätzlich lieferte sie fabelhaf- stadt.de/Jazztage die Techno-Kultur und das Nachtleben über- te Coverversionen von Nirvanas „Smells Like Chick Corea & John McLaughlin, Ran- haupt. Dazu gibt es auch eine schöne Audio- Teen Spirit“ oder Led Zeppelins „Whole Lot- dy Newman, James Carter u. -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
Saul Brown Photograph Collection
Saul Brown Photograph Collection Memphis Public Library and Information Center Memphis and Shelby County Room Collection processed by Emily Baker with special thanks to Wayne Dowdy and Gina Cordell 2010 1 Saul Brown Biography 3 Scope and Provenance 3 Contents Summary 4 Detailed Finding Aid 6 Name Index 109 2 Saul Brown Biography Saul Brown was born in 1910 in New York to Russian immigrants. As a young adult, Brown attended Tech High School in Memphis and graduated from the Memphis Academy of Fine Arts with a degree in Fine Art. Brown served in the Air Force during World War II. After graduation, he found work with Loew’s Theaters, where he created publicity displays. Brown worked as a staff photographer for the Memphis Press-Scimitar for twenty years, retiring in April of 1980 as the newspaper’s chief photographer. After retirement, Brown continued taking publicity photographs for various Memphis theaters as well as images of public figures, personal friends, and Memphis and its residents. He received the Freedom Foundation Award in 1972. In 1986, Brown donated $5,000 to Memphis State University to establish the Saul Brown/Memphis Press Scimitar Award, awarded to students in news journalism and news photography beginning in the 1987-1988 academic year. In 1987, due to his financial support of the school’s academic fund, Brown was granted membership in the school’s Presidents Club. Saul Brown passed away in Memphis on March 13, 1992 at the home of Myron Taylor, the brother of Mildred, his late wife. Scope and Provenance The Saul Brown Photograph Collection was donated to the Memphis Public Library and Information Center in 2007. -
In 1977 the Group Kansas Added a Song to Their Album Point of Know
The Fifth Sunday of Ordinary Time February 5, 2012 Center for Spirituality and Sustainability Southern Illinois University Edwardsville Edwardsville, Illinois + Most Reverend Thomas John Paprocki Bishop of Springfield in Illinois In 1977 the group Kansas added a song to their album Point of Know Return that soared to the top of the music charts. This last minute addition – which was almost not included on the album - became their most popular song. The song, of course, is “Dust in the Wind” and it echoes the sentiments of Job expressed well in the first reading today. After everything in his life was taken from him – his family, his livestock, his crops, and even his health – Job sighed, saying, “Remember that my life is like the wind” (Job 7:7). In “Dust in the Wind,” Kansas sang: I close my eyes Only for a moment and the moment’s gone All my dreams Pass before my eyes with curiosity Dust in the wind All they are is dust in the wind 2 Same old song Just a drop of water in an endless sea All we do Crumbles to the ground, though we refuse to see Dust in the wind All we are is dust in the wind If Kansas is right – if everything we do crumbles to the ground and if all we are is dust in the wind – then Job’s question is almost certainly true: “Is not man’s life on earth a drudgery” (Job 7:1)? There are many people today who go from day to day with this question ever in the hearts.