PDF Download
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
From Ranking Algorithms to New Media Technologies 2018, Vol
Article Convergence: The International Journal of Research into From ranking algorithms to New Media Technologies 2018, Vol. 24(1) 50–68 ª The Author(s) 2017 ‘ranking cultures’: Investigating Reprints and permission: sagepub.co.uk/journalsPermissions.nav the modulation of visibility DOI: 10.1177/1354856517736982 in YouTube search results journals.sagepub.com/home/con Bernhard Rieder University of Amsterdam, the Netherlands Ariadna Matamoros-Ferna´ndez Queensland University of Technology, Australia O` scar Coromina Universitat Auto`noma de Barcelona, Spain Abstract Algorithms, as constitutive elements of online platforms, are increasingly shaping everyday sociability. Developing suitable empirical approaches to render them accountable and to study their social power has become a prominent scholarly concern. This article proposes an approach to examine what an algorithm does, not only to move closer to understanding how it works, but also to investigate broader forms of agency involved. To do this, we examine YouTube’s search results ranking over time in the context of seven sociocultural issues. Through a combination of rank visualizations, computational change metrics and qualitative analysis, we study search ranking as the distributed accomplishment of ‘ranking cultures’. First, we identify three forms of ordering over time – stable, ‘newsy’ and mixed rank morphologies. Second, we observe that rankings cannot be easily linked back to popularity metrics, which highlights the role of platform features such as channel subscriptions in processes of visibility distribution. Third, we find that the contents appearing in the top 20 results are heavily influenced by both issue and platform vernaculars. YouTube-native content, which often thrives on controversy and dissent, systematically beats out mainstream actors in terms of exposure. -
Lana Del Rey - Born to Die: the Paradise Edition Pdf
FREE LANA DEL REY - BORN TO DIE: THE PARADISE EDITION PDF Lana Del Rey | 136 pages | 01 Mar 2013 | Hal Leonard Publishing Corporation | 9781458448620 | English | United States Born to Die - Paradise Edition - Rolling Stone Paradise is the third extended play and second major release by American singer and songwriter Lana Del Rey ; it was released on November 9, by Universal Music. It was additionally packaged with the reissue of her second studio albumBorn to Dietitled Born to Die: The Paradise Edition. The EP's sound has been described as baroque pop [1] and trip hop. Upon its release, Paradise received generally favorable reviews from music critics. The extended play debuted at No. It also debuted at No. That same month, an EP of the same name was made available for digital purchase, containing the film along with the three aforementioned songs. In an interview with RTVE on June 15,Del Rey announced that she had Lana del Rey - Born to Die: The Paradise Edition working on a new album due in November, and that five tracks had already been written, [3] two of them being " Young and Beautiful " [ citation needed ] and "Gods and Monsters", [ citation needed ] and another track titled "Body Electric", which was performed and announced as one of her songs at BBC Radio 1's Hackney Weekend. The prior album's re-release, titled Born to Die: The Paradise Editionwas available for pre-order offering an immediate download of "Burning Desire" in some countries. The song served as the soundtrack for a short film called Desire[8] directed by Ridley Scott and starring Damian Lewis. -
UNIVERSITY of BELGRADE FACULTY of POLITICAL SCIENCES Regional Master’S Program in Peace Studies
UNIVERSITY OF BELGRADE FACULTY OF POLITICAL SCIENCES Regional Master’s Program in Peace Studies Master’s Thesis Understanding the rise and the internationalisation of online alt-right’s subculture: how memes are changing political culture worldwide Author: Anesa Omeragić 515/16 Mentor: Professor Marina Simić Belgrade, September 2019 1 Abstract and keywords This paper examines the creation and the development of alt-right subculture, their language and behaviour. Alt-right was mainstreamed in 2016, and it is growing fast in the post-truth environment. Alt-right fights with stigmatisation that usually far-right movement face with the ironic and subtler language, rejection of the political correctness and use of jokes, sarcastic and nihilist approach and dark humour memes to spread their ideology. Alt-right members seem young, smart and exciting. They are gathering in board-based websites and/or forums that have little or no freedom of speech control. Lack of regulation and anonymity give them the opportunity to say what they mean, to spread the message and radicalise more. Alt-right online subculture was somewhat connected with rising of white supremacy’s violence globally in the past couple of years. Alt-right online subculture was especially compared with the four mass shootings or attempted mass shootings in the past six months – In Australia, Norway and the US. There is a danger that this trend of rising alt-right violence will continue. The public is not very- well informed about the alt-right community and its language, and it is essential to educate, especially youth, because of the danger of radicalisation. -
BY Galen Stocking, Patrick Van Kessel, Michael Barthel, Katerina Eva Matsa and Maya Khuzam
FOR RELEASE SEPTEMBER 28, 2020 BY Galen Stocking, Patrick van Kessel, Michael Barthel, Katerina Eva Matsa and Maya Khuzam FOR MEDIA OR OTHER INQUIRIES: Katerina Eva Matsa, Associate Director, Journalism Research Galen Stocking, Senior Computational Social Scientist Hannah Klein, Communications Manager Andrew Grant, Communications Associate 202.419.4372 www.pewresearch.org RECOMMENDED CITATION Pew Research Center, September, 2020, “Many Americans Get News on YouTube, Where News Organizations and Independent Producers Thrive Side by Side” 1 PEW RESEARCH CENTER About Pew Research Center Pew Research Center is a nonpartisan fact tank that informs the public about the issues, attitudes and trends shaping the world. It does not take policy positions. The Center conducts public opinion polling, demographic research, content analysis and other data-driven social science research. It studies U.S. politics and policy; journalism and media; internet, science and technology; religion and public life; Hispanic trends; global attitudes and trends; and U.S. social and demographic trends. All of the Center’s reports are available at www.pewresearch.org. Pew Research Center is a subsidiary of The Pew Charitable Trusts, its primary funder. © Pew Research Center 2020 www.pewresearch.org 2 PEW RESEARCH CENTER Terminology [FORMAT AS DROPDOWN BOX W/LINK] This study explores the landscape of news on YouTube through a survey of YouTube news consumers alongside an analysis of the most popular YouTube channels that produce news and the videos published by a subset of these channels. Here are some definitions of key terms used throughout this report: ▪ YouTube news consumers: Those who said they get news from YouTube in a Pew Research Center survey of U.S. -
General Insights From: “The Intellectual Dark-Web”
Intersect, Vol 14, No 3 (2021) General insights from: “The Intellectual Dark-Web” Francesco C. Mannella Queen’s University Smith School of Business Within the modern era, personal ideology and political affiliation, in particular, have become absolutely integral components of social identity. In-group bias, and out-group prejudice based on political stance are currently more palpable than biases regarding race, religion, and other facets of personal identity (Iyengar and Westwood, 2015). It simply goes unquestioned that the bipartisan values one holds serve as an all- encompassing test of character and must be subject to incessant scrutiny and questioning, with little nuance or restraint (Peterson et al., 2017). Moreover, close personal relations across party lines have become a rarity, with people increasingly disassociating themselves from those of whom support non-partisan groups (Huber and Malhotra, 2017; Iyengar, Konitzer, and Tedin, 2018; Iyengar and Westwood, 2015; Westwood et al., 2017; Peterson et al., 2017). Rather than working to solve issues collectively, the pressures to either wholly reject or accept ideas have become overwhelming, causing people to be avoidant and exceedingly distrustful of oppositional figures (Rowson, 2020). Suffice it to say, the parameters for amiable discourse are slimming, even though the issues we universally face are nonetheless worsening. There is no singular cause for this growing polarization; it is truly a multivalent problem. However, exogenous forces such as social media do play a significant role. Recently, a movement known as "The Intellectual Dark-Web" has taken the academic sphere within these virtual networks by storm. Furthermore, this group has indoctrinated millions of users in the last decade, effectively strengthening the already divided population. -
Conservative Media's Coverage of Coronavirus On
University of South Carolina Scholar Commons Theses and Dissertations Fall 2020 Conservative Media’s Coverage of Coronavirus on YouTube: A Qualitative Analysis of Media Effects on Consumers Michael J. Layer Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Mass Communication Commons Recommended Citation Layer, M. J.(2020). Conservative Media’s Coverage of Coronavirus on YouTube: A Qualitative Analysis of Media Effects on Consumers. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/ etd/6133 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. CONSERVATIVE MEDIA’S COVERAGE OF CORONAVIRUS ON YOUTUBE: A QUALITATIVE ANALYSIS OF MEDIA EFFECTS ON CONSUMERS by Michael J. Layer Bachelor of Arts Goucher College, 2017 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in Mass Communications College of Information and Communications University of South Carolina 2020 Accepted by: Linwan Wu, Director of Thesis Leigh Moscowitz, Reader Anli Xiao, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Michael J. Layer, 2020 All Rights Reserved. ii DEDICATION To the wonderful creators on the internet whose parasocial relationships have taught me so much about the world and myself - namely Olly Thorn, Philosophy Tube; Carlos Maza; Natalie Wynn, Contrapoints; Lindsey Ellis; Bryan David Gilbert; Katy Stoll and Cody Johnson, Some More News; and Robert Evans, Behind the Bastards - thank you. To Dr. Linwan Wu - I am profoundly grateful for your understanding, guidance, and patience. -
DAVE RUBIN DAVE NO EDICIÓN • Salir Del Armario Político
SELLO Ediciones península COLECCIÓN FORMATO BESTSELLER DEL NEW YORK TIMES 15X23-RUSITCA CON SOLAPAS «No quemes este libro quizá no traiga la paz ¿Crees que la izquierda hoy es más reaccionaria que mundial, no salde la deuda nacional ni mejore «Oportuno, convincente, ameno y, sobre todo, esperanzador.» SERVICIO 4-12 tu vida sexual, pero, aunque todas esas progresista? ¿Estás harto de que se ponga siempre Jordan B. Peterson aspiraciones son encomiables, mi objetivo no CORRECCIÓN: PRIMERAS era ese. En cambio, quiero impulsar los valores el foco en los sentimientos y no en las ideas? ¿Temes que velan por la seguridad, lucidez y libertad de que las políticas de identidad funcionen como un DISEÑO Lucrecia las personas. Este libro es tu manual para lograr la autenticidad en diez pasos: elemento censor, pero evitas decirlo en voz alta? REALIZACIÓN DAVE RUBIN DAVE NO EDICIÓN • Salir del armario político. CORRECCIÓN: SEGUNDAS • Hacer caso a los toques de atención. DISEÑO • Pensar libremente o morir. En ese caso, vives aún en el armario político y ya es hora REALIZACIÓN • Dejar de preocuparte por si eres un nazi de que salgas de él. o un fascista. QUEMES Dave Rubin, discípulo estrella de Jordan B. Peterson y presentador CARACTERÍSTICAS • Tener presentes los hechos, no tus del exitoso programa The Rubin Report, se ha convertido en uno de DAVE RUBIN privilegios. los librepensadores de referencia para millones de personas en todo es el creador y presentador del talk show IMPRESIÓN CMYK el mundo. Partiendo del ejemplo de su mismo viaje ideológico, Rubin político The Rubin Report, programa en el 230 mm • No rendirte nunca a la mafia progre. -
Don't Burn This Book
PRAISE FOR DAVE RUBIN “Dave Rubin’s willingness to have tough conversations with those with whom he disagrees has made him a political force—and a target. This book shows why.” —Ben Shapiro, author of The Right Side of History “Dave Rubin is bridging America’s great divide. He reminds us that, while we may not always agree with the ‘other,’ we need to LISTEN to them. Rubin has mastered the vital skills of listening and of asking questions that do not serve an ideological agenda.” —Eckhart Tolle, author of The Power of Now and A New Earth “Dave Rubin has been years ahead of the mainstream media, for years.” —Peter Thiel, entrepreneur and investor, author of Zero to One “Dave Rubin is one of the bravest, smartest people I know, as well as a tremendous television presence.” —Tucker Carlson, Fox News host and author of Ship of Fools “Dave Rubin is one of a kind. A truly great interviewer. Bright, curious, and funny.” —Larry King, host of The Larry King Show “Dave Rubin’s genuine curiosity and willingness to seriously consider opinions across the political spectrum have rightly made The Rubin Report a necessary corrective to modern journalism. Don’t Burn This Book charts his personal and political transformation from predictable progressive to independent and informed thinker in a manner that his readers should find topical, engaging, personable, and, above all, reassuring.” —Dr. Jordan B. Peterson, author of 12 Rules for Life and Maps of Meaning SENTINEL An imprint of Penguin Random House LLC penguinrandomhouse.com Copyright © 2020 by Emma Dog Productions LLC Penguin supports copyright. -
(Miss) Representation: an Analysis of the Music Videos and Lyrics of Janelle Monae As an Expression of Femininity, Feminism
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 2019 (Miss) Representation: An Analysis of the Music Videos and Lyrics of Janelle Monae as an Expression of Femininity, Feminism, and Female Rage Amy Dworsky Pace University Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Communication Commons, and the Music Performance Commons Recommended Citation Dworsky, Amy, "(Miss) Representation: An Analysis of the Music Videos and Lyrics of Janelle Monae as an Expression of Femininity, Feminism, and Female Rage" (2019). Honors College Theses. 218. https://digitalcommons.pace.edu/honorscollege_theses/218 This Thesis is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. RUNNING HEADER: (MISS)REPRESENTATION (Miss) Representation: An Analysis of the Music Videos and Lyrics of Janelle Monae as an Expression of Femininity, Feminism, and Female Rage Amy Dworsky Communication Studies Advisor: Emilie Zaslow Dyson School of Arts and Sciences, Communications Department May 2019 Pace University MISS(REPRESENTATION) 1 Abstract Women in music videos have long been portrayed as sexual objects. With movements such as #MeToo and #TimesUp, artists are challenging the the construction of femininity and feminism. Some artists are using their artistic expressions to challenge the sexualization of women in music videos and are giving voice to the rage they experience in a misogynist culture that endorses a misogynist president. The shift in societal norms, taking into account the politically charged atmosphere, has created a new wave of feminism through popular music and popular culture. -
Figurative Language Found in Lana Del Rey's Selected
FIGURATIVE LANGUAGE FOUND IN LANA DEL REY’S SELECTED SONG LYRICS THESIS Submitted In partial fulfillment of the requirements for the degree of Sarjana Pendidikan (S.Pd) English Education Program By : M. RIO HASFI HAZAZI 1402050197 FACULTY OF TEACHER TRAINING AND EDUCATION UNIVERSITY OF MUHAMMADIYAH SUMATERA UTARA MEDAN 2018 ABSTRACT M. Rio Hasfi Hazazi. 1402050197. Figurative Language Found in Lana Del Rey’s Song Lyrics. Skripsi : English Education Program of Teachers’ Training and and Education University of Muhammadiyah Sumatera Utara.Medan.2018. This research dealt with Figurative Language Found in Lana Del Rey’s Song Lyrics. The objectives of the researcher were to find out types of figurative language and the reasons of the realized of figurative laguage used in the song. The source of the data was taken from the lyrics and sentences in the song. By using descriptive qualitative method of the data were analyzed and it was found , here were 102 utterances and 8 types of figurative language they were Hyperbole 24 lyrics, personification 10 lyrics, symbol 7 lyrics, Rhyme 13 lyrics, metaphore 26 lyrics, Simile 11 lyrics, Alliteration 6 and imagery 2 lyrics. The reason of using figurative language were figurative language afforded readers imaginative pleasure of literary works was 102 lyrics. Keywords : Figurative Language, Types of figurative language, Lyrics of figurative language, Born To Die Album. ACKNOWLEDGMENTS Assalamualaikum Wr.Wb In the name of Allah, the most benefecient, the most merciful, praise to Allah as the Lord of universe. First of all, the researcher would like to thank to Allah as the most almighty Who has given him the chances in finishing the mini thesis. -
Noel Casler 12 1 18 Gotham Vet Show 215,989 Views Gad Saad
Gay Millennial and Conservative: Guy Benson (Full Interview) Gad Saad and Dave Rubin: Greg Gutfeld on Fox News Hate and Berkeley’s Intolerance (Pt. 1) Taking the Knee: Players Owners Trump and You. Greg Gutfeld on Issues with Mainstream News and Evolving Views on Trump (Pt. 2) Psychology of Trump Bob Saget on Comedy Trump and Political Correctness (Full Interview) Pia Malaney and Dave Rubin: Economics and Politics (Full Interview) Dr. Mike Munger and Dave Rubin: Political Science Trump and Libertarianism (Full Interview) Steven Pinker on the Case for Reason Science Humanism and Progress (Full Interview) Candace Owens on Her Journey From Left to Right (Live Interview) Bill Whittle on the Need for a Fair Press the Abortion Debate and Common Sense (Pt. 2) Richard Dawkins and Dave Rubin: Live at the 92nd Street Y Men vs. Women and Robotics (Full Interview) Who Was Thomas Jefferson? Universal Basic Income and the Role of Economics in Politics (Pia Malaney Pt. 2) Lauren Southern and Dave Rubin: Milo Immigration and Violent Protests (Full Interview) John Stossel and Dave Rubin: Personal Freedom and the Role of Government (Full Interview) Ben Shapiro and Dave Rubin: Trump the Alt Right Fake News and More (Full Interview) David Horowitz and Dave Rubin: Communism Trump and Leaving the Left (Full Interview) Ben Shapiro on How Trump Won and Shifting American Politics Scott Adams and Dave Rubin: Trump’s Persuasion and Presidency (Full Interview) 122,850 views What to Wear on Halloween Stefan Molyneux on Abusive Relationships Atheism Race and IQ (Full Interview) Katie Hopkins and Dave Rubin: Identity Politics Islam and Hate Speech (Full Interview) Dinesh D Souza and Dave Rubin: Hillary Clinton the Democrats and Trump (Full Interview) What is The Rubin Report? Antifa and UC Berkeley: LIVE with Tim Pool The Myth of Systemic Racism (Coleman Hughes Pt. -
An Interdisciplinary Journal
FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISMFast Capitalism FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM ISSNFAST XXX-XXXX CAPITALISM FAST Volume 1 • Issue 1 • 2005 CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM FAST CAPITA LISM FAST CAPITALISM FAST CAPITALISM FAST CAPITALISM