April 2021 Shofar
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
NBC Presents Kristin Chenoweth's
July 13 - 19, 2018 2 x 2" ad 2 x 2" ad A M F S A Y P Y K A O R B S A 2 x 3" ad Q U S L W N U E A S T P E C K Your Key A R J L A V I N I A C D I O I To Buying G D A Y O M E J H D W A Y N E 2 x 3.5" ad V E K N W U B T A T R G X W N and Selling! U R T N A L E O L K M O V A H B O Y E R W S N Y T Z S E N Y L I W G O M H L C A H T U N I A I R N G W E O W V N O S E P F J E C V B P C L Y W T R L D I H O A J S H K A S M E S B O C X Y S Q U E P V R Y H M A E V F D C H O R F I W O V A D R A N W A M Y D R A X S L Y I R H P E H A I R L E S S E S O Z “Trial and Error” on NBC Bargain Box (Words in parentheses not in puzzle) Lavinia (Peck-Foster) (Kristin) Chenoweth (New York) Lawyer Place your classified Classified Merchandise Specials Solution on page 13 Josh (Segal) (Nicholas) D’Agosto (Bizarre) Murder ad in the Waxahachie Daily Merchandise High-End Dwayne (Reed) (Steven) Boyer East Peck 2 x 3" ad Light, Midlothian1 x Mirror 4" ad and Deal Merchandise Carol (Anne Keane) (Jayma) Mays Flamboyant (Outfits) Ellis County Trading Post! Word Search Anne (Flatch) (Sherri) Shepherd Hairless (Cat) Call (972) 937-3310 NBC presents Run a single item Run a single item © Zap2it priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week Kristin Chenoweth’s 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post Kristin Chenoweth stars in Season 2 of “Trial & Error,” and online at waxahachietx.com All specials are pre-paid. -
Creating Racial Identities Through Film: a Queer and Gendered Analysis of Blaxploitation Films Angelique Harris Marquette University, [email protected]
Marquette University e-Publications@Marquette Social and Cultural Sciences Faculty Research and Social and Cultural Sciences, Department of Publications 4-1-2013 Creating Racial Identities Through Film: A Queer and Gendered Analysis of Blaxploitation Films Angelique Harris Marquette University, [email protected] Omar Mushtaq University of California, San Francisco Published version. Western Journal of Black Studies, Vol. 37, No. 1 (Spring 2013): 28-38. Publisher link. © 2013 Washington State University Press. Used with permission. Creating Racial Identities Through Film: A Queer and Gendered Analysis of Blaxploitation Films Harris, Angelique;Mushtaq, Omar Western Journal of Black Studies; Spring 2013; 37, 1; ProQuest pg. 28 Creating Racial Identities Through Film: A Queer and Gendered Analysis of Blaxploitation Films ANGELIQUE HARRIS-MARQUETTE UNIVERSITY OMAR MUSHTAQ-UNIVERSITY OF CALIFORNIA, SAN FRANCISCO Abstract This paper examines how racialized knowledge is reproduced through film. Through an analysis oftwenty blaxploitationfilms, this paper examines how gendered and sexualized discourses are used to shape Black identity. Discussed are the two typologies ofqueer images found within these films, the jester and the scoundrel, and how these images are used to frame Black identities. Consequently, we argue that queer images in blaxploitation films contribute to how racialized knowledge is produced. Introduction power these images have over us. Thus, following Hill Collin's (1990) logic, images are used as representa Sociologist Patricia Hill Collins ( 1990) discusses tions to reinforce knowledge through the "Eurocentric the intersections of knowledge and race. In particular, masculinist knowledge validation process" (p. 203). she goes on to describe how some types of knowledge Knowledge is racialized through creating images are privileged over others. -
Saturday and Sunday Movies
4b The Goodland Star-News / Friday, July 29, 2005 abigail My husband was in another part of feel they are responsible for it and are She goes very far, but hasn’t gone all a clinic where she can not only get Brother-in-laws’ the house and didn’t see or hear his afraid they’ll be punished. the way yet. birth control, but also learn how to van buren brother and our son by the back door. Tell your son that no matter what, Would it be wrong of me to take prevent a sexually transmitted dis- I expressed my concern to my hus- he can always come to you and tell Haley to a birth control clinic and ease that could damage her health actions makes band later, after our son had gone to you anything because you love him have the counselors speak with her and/or fertility. It would be a tremen- •dear abby bed. I told him I was uncomfortable and you’re on his side. Let him know and get her on birth control? The dous kindness. Mom uneasy about the idea of his brother being that if he has any questions about woman she lives with doesn’t seem DEAR ABBY: I have six sisters. DEAR ABBY: My 44-year-old Last week, I came home early alone with our son. My husband dis- anything, you will make the time to to care what the girl does and figures We all share the same mother, but brother-in-law, “Bryce,” still lives at from work. -
A Queer and Gendered Analysis of Blaxploitation Films
Marquette University e-Publications@Marquette Social and Cultural Sciences Faculty Research and Publications/Department of Social and Cultural Sciences This paper is NOT THE PUBLISHED VERSION; but the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation below. Western Journal of Black Studies, Vol. 37, No. 1 (2013): 28-38. DOI. This article is © Washington State University and permission has been granted for this version to appear in e- Publications@Marquette. Washington State University does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Washington State University. Contents Abstract ......................................................................................................................................................... 2 Introduction .................................................................................................................................................. 2 Literature Review .......................................................................................................................................... 3 Social Identity Theory ............................................................................................................................... 3 The Politics of Semiotics ........................................................................................................................... 4 Creating Racial Identity through Film and -
Yaphet Kotto
TPA TEXAS PUBLISHERS ASSOCIATION This paper can www.TheAustinVillager.com be recycled Vol. 47 No.33 Phone: 512-476-0082 Email: [email protected] March 19, 2021 Beyoncé Makes Grammy Award History INSIDE - Winning her 28th Grammy Award Texas expands group 1C eligibility pool. RAPPIN’ See VACCINE Thomas Wyatt Page 3 It Ain’t About “Complying” Today, I’m putting so- cial justice trolls on Blast. By Naomi Richard I’m calling out all the VILLAGER “Compliers”, here and Entertainment Reporter COA prioritizes now. The ‘Red Herring’ vulnerable that Compliers have used populations. over the past decade to (VILLAGER) - See RENT mask their prejudice has Beyoncé and husband Page 5 just been caught, gutted, Jay-Z were in attendance fried, and devoured. at the outdoor and so- But first, let’s get on cially distanced 63rd the same page. Compliers: Grammy Awards where those individuals who ar- she won her 28th gue unarmed black men Grammy, making her the and women killed by police most decorated female are attributed to not com- plying with officer com- singer in all of Grammy Delta Beta Chapter mands. history! First the Hous- earns Academic Basically, Compliers ton Music Legend tied Excellence honor. attest Eric Garner died be- Alison Kraus for most See MISSION cause he “didn’t” comply. Grammys won by a fe- Page 6 | I say, go watch the tape. male performer (after http://austintexas.gov/ GET THE FACTS FACTS THE GET Compliers say she and Megan Thee George Floyd died because Stallion won Best Rap he “didn’t” comply. I say, Song for the “Savage” go watch the tape. -
Belknap Collection for the Performing Arts - the AFRICAN-AMERICAN CINEMA COLLECTION
AFRICAN-AMERICAN CINEMA CINEMA AFRICAN-AMERICAN CINEMA The history of the African-American Cinema is a harsh timeline of racism, repression and struggle contrasted with film scenes of boundless joy, hope and artistic spirit. Until recently, the study of the "separate cinema" (a phrase used by historians John Kisch and Edward Mapp to describe the segregation of the mainstream, Hollywood film community) was limited, if not totally ignored, by writers and researchers. The uphill battle by black filmmakers and performers, to achieve acceptance and respect, was an ugly blot on the pages of film history. Upon winning his Best Actor Oscar for LILLIES OF THE FIELD (1963), Sidney Poitier accepted, on behalf of the countless unsung African-American artists, by acknowledging the "long journey to this moment." This emotional, heartbreaking and inspiring journey is vividly illustrated by the latest acquisition to the Belknap Collection for the Performing Arts - THE AFRICAN-AMERICAN CINEMA COLLECTION. The valuable research material, housed in this collection, includes over 300 pressbooks (illustrated campaign and advertising catalogs sent to theatre owners), press kits (media packages including biographies, promotional essays and illustrations), programs and over 1000 photographs and slides. The journey begins with the blatant racism of D.W. Griffith's THE BIRTH OF A NATION (1915), a film respected as an epic milestone, but reviled as the blueprint for black film stereotypes that would appear throughout the 20th century. Researchers will follow African-American films through an extended period of stereotypical casting (SONG OF THE SOUTH, 1946) and will be dazzled by the glorious "All-Negro" musicals such as STORMY WEATHER (1943), ST.LOUIS BLUES (1958) and PORGY AND BESS (1959). -
An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2011 An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle Dominique M. Hardiman Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Hardiman, Dominique M., "An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle" (2011). Research Papers. Paper 66. http://opensiuc.lib.siu.edu/gs_rp/66 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 1 AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM BY DONALD BOGLE Written by Dominique M. Hardiman B.S., Southern Illinois University, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Masters of Science Degree Department of Mass Communications & Media Arts Southern Illinois University April 2011 ii RESEARCH APPROVAL AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM By Dominique M. Hardiman A Research Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Science in the field of Professional Media & Media Management Approved by: Dr. John Hochheimer, Chair Graduate School Southern Illinois University Carbondale April 11, 2011 1 ACKNOWLEDGEMENTS This Research would not have been possible without the initial guidance of Dr. -
Study of the Gender Representations Within the Aliens Series
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2001 Study of the Gender Representations within the Aliens Series Whitney Anspach University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Anspach, Whitney, "Study of the Gender Representations within the Aliens Series" (2001). Open Access Master's Theses. Paper 1356. https://digitalcommons.uri.edu/theses/1356 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. STUDY OF THE GENDER REPRESENTATIONS WITHIN THE ALIEN SERIES BY WHITNEY ANSPACH A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN COMMUNICATION STUDIES UNIVERSITY OF RHODE ISLAND 2001 MASTER OF ARTS THESIS OF WHI1NEY ANSPACH APPROVED: Thesis Committee DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2001 Abstract This study employed a detailed examination of and comparison between and among each of the four films within the Alien series to explore and demonstrate distinct differences in gender representation in the series. This study has also determined that there exists a relationship between these differing gender representations and concurrent changes in the gender norms of films created for the primary target audience the United States with secondary international audiences. This determination was aided by a detailed examination of the gender norms in multiple genres including science fiction, action, horror, and hybrid mixtures of these three. -
25Jan2021 6032 Films
DVDjan03 1/25/2021 MOVIE_NAME WIDE_STDRD STAR1 STAR2 Jan25 2021 UpLd GoogleDrive 6032 add Dig Copies YouTube Vudu AMZ iTunes = moviesAn RR for railroad: SURF-separate; DG TRAV MUSIC AmzVidLib Pcar ELVIS DOC was pbs now most (500) day of summer BluRay Joseph Gordon-Levitt zooey deschanel 007 1962 Dr. No (part of james bond collection) sean connery / ursula andress joseph wiseman - dir: terrence 007 1963 From Russia with Love (james bond sean connery / dir: terrence yo 007 1964 Goldfinger james bond ultimate ed & sean connery / gert frobe honor blackman 007 1965 Thunderball 3bond BluRay collection BluR sean connery / adolfo celi claudine auger (domino) 007 1967 Casino Royale 1967 ($25 film collecti ws peter sellers / ursula andress david niven / woody allen 007 1967 You Only Live Twice (part of james b BluRay sean connery / donald pleasen 007 1969 on her majesty's secret service (part george lazenby / diana rigg telly tavalas 007 1971 Diamond are Forever james bond ulti BluR sean connery / jill st. john 007 1973 live and let die (part of james bond c roger moore / yaphet kotto jane seymour (mccartney & win 007 1974 man with the golden gun james bond roger moore / christopher lee britt ekland 007 1977 spy who loved me james bond ultima roger moore / barbara bach curt jurgens 007 1979 moonraker (part of james bond collec roger moore / lois charles michale lonsdale / richard kiel 007 1981 for your eyes only (part of james bon roger moore / carole bouquet topol 007 1983 ? never say never again (sean too ol ws non ca sean connery / klaus maria bra kim basinger / max van sylow 007 1983 octopussy (part of james bond collect roger moore / maud adams louis jourdan / kristina wayborn 007 1985 view to a kill james bond ultimate ed. -
Cultural Appropriation and Capitalism
Cultural Appropriation and Capitalism Co-opting Blaxploitation in the Filmic Live and Let Die CAMILLE S. ALEXANDER 1 In 1973 when United Artists released the eighth James Bond flmm Live and Let Die (LLD)m the flm industry had changed considerablly since the deblut of the frst flm in the !ranchisem Dr. No (19"#)$ %he &re'iew of Dr. No occurred during the (old )ar when *ennedy was still &resident+ the U, (i'il -ights .o'ement was acti'e; immigration had blecome a national concern in the U*+ and western lack audiences were still marginally willing to &ay to watch a flm that either ignored their existence or !etishised them and their cultures. LLD debluted at the end of the (i'il -ights .o'ementm during the Black 1ower .o'ementm and at the end of the 2ietnam )arm meaning thatm i! the Bond !ranchise was to sur'i'em the flms had to change with the times y ap&ealing to a wider audiencem which meant ac3 /nowledging bllack li'esm culturesm and e0&eriences 4 albleit in a comedic and out3 rageous way to a'oid alienating mainstreamm white audiences. %he flms also had to shi5 towards ac/nowledging bllack characters y incor&orating them into the &lotlines in &rimary roles. %his alteration to the ty&ical Bond narrati'e resulted in the co-o&tation of bllax&loitation flm elements within LLD$ In the flm 'ersion of LLDm Bond wor/s closely with the (IA to neutralise a criminal drugs trafc/ing organisation led y 7r$ *anangam /nown in the under3 1 %he author wishes to thank -ima 8ayed and *huloud Alshehhi !or their assistance in researching this article$ Camille S. -
Dream a Dream
FINAL-1 Sat, Apr 13, 2019 7:09:05 PM tvupdateYour Weekly Guide to TV Entertainment For the week of April 21 - 27, 2019 Dream a Dominic West stars in “Les Misérables” dream INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 On Sunday, April 21, witness the next chapter in Jean Valjean’s (Dominic West, “The Affair”) extraordinary journey of redemption as he eludes the persistent Inspector Javert (David Oyelowo, “Selma,” 2014) after serving a brutal prison sentence in a new episode of “Les Misérables,” on PBS. The prestige period piece’s cast is rounded out by Lily Collins (“The Last Tycoon”), Ellie Bamber (“Nocturnal Animals,” 2016), Adeel Akhtar (“Counterpart”) and Oscar winner Olivia Colman (“The Crown”). WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS To advertise here GOLD/DIAMONDS BUY SELL please call ✦ 37 years in business; A+ rating with the BBB. TRADE ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES We Need: SALES Motorsports& SERVICE (978) 946-2375 5 x 3” Gold • Silver • Coins • Diamonds MASS. 1 x 3” MOTORCYCLE We are the ORIGINAL and only AUTHENTIC INSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 1615 SHAWSHEEN ST., TEWKSBURY, MA at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 978-851-3777 Open 7 Days A Week ~ www.cashforgoldinc.com WWW.BAY4MS.COM FINAL-1 Sat, Apr 13, 2019 7:09:06 PM COMCAST ADELPHIA 2 CHANNEL Kingston Sports Highlights Atkinson Londonderry 8:00 p.m.