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University of Florida Thesis Or Dissertation Formatting
THE TELEVISED SOUTH: AN ANALYSIS OF THE DOMINANT READINGS OF SELECT PRIME-TIME PROGRAMS FROM THE REGION By COLIN PATRICK KEARNEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2020 © 2020 Colin P. Kearney To my family ACKNOWLEDGMENTS A Doctor of Philosophy signals another rite of passage in a career of educational learning. With that thought in mind, I must first thank the individuals who made this rite possible. Over the past 23 years, I have been most fortunate to be a student of the following teachers: Lori Hocker, Linda Franke, Dandridge Penick, Vickie Hickman, Amy Henson, Karen Hull, Sonya Cauley, Eileen Head, Anice Machado, Teresa Torrence, Rosemary Powell, Becky Hill, Nellie Reynolds, Mike Gibson, Jane Mortenson, Nancy Badertscher, Susan Harvey, Julie Lipscomb, Linda Wood, Kim Pollock, Elizabeth Hellmuth, Vicki Black, Jeff Melton, Daniel DeVier, Rusty Ford, Bryan Tolley, Jennifer Hall, Casey Wineman, Elaine Shanks, Paulette Morant, Cat Tobin, Brian Freeland, Cindy Jones, Lee McLaughlin, Phyllis Parker, Sue Seaman, Amanda Evans, David Smith, Greer Stene, Davina Copsy, Brian Baker, Laura Shull, Elizabeth Ramsey, Joann Blouin, Linda Fort, Judah Brownstein, Beth Lollis, Dennis Moore, Nathan Unroe, Bob Csongei, Troy Bogino, Christine Haynes, Rebecca Scales, Robert Sims, Ian Ward, Emily Watson-Adams, Marek Sojka, Paula Nadler, Marlene Cohen, Sheryl Friedley, James Gardner, Peter Becker, Rebecca Ericsson,
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Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows.
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CALL GLOBE BIG at 561-989-1015 Or TOLL-FREE at 1-800-749-7733 Ext
DELTAWHAT’S wrong with Delta Burke’s DISASTER! face? The 58-year-old star is unrec- ognizable as the actress who played Suzanne Sugarbaker on the hit TV sitcom Designing Women from 1986 to 1991. Her bloated appearance stunned shoppers as she and actor hubby Gerald McRaney, 67, left a Studio City, Calif., deli following lunch a few days ago. “I haven’t seen her in a while and I was shocked at her ap- pearance,” says an eyewitness. “She was barely recognizable.” Now, speculation is running ram- pant the former beauty queen is the victim of a plastic surgery disaster Delta gets hands on with the late Meshach Taylor, surrounded by (clockwise) the late Alice Ghostley, Jean Smart, Annie Potts and Dixie Carter who died in 2010 for the Miss America crown. Since then, the 5-foot-5 actress has battled the bulge, Type 2 diabetes, depression, obsessive-compulsive disorder and hoarding. She checked Delta strolls with hubby into a clinic for depression in 2008 Gerald McRaney when her compulsion to hoard pos- sessions exploded out of control. – or bloating from prescription medication. Support from hubby Dr. Steve Fallek, a Big Apple cos- And after ballooning to nearly metic surgeon, tells GLOBE, “There 200 pounds, she had eight inches is no way her face is the result of fat of fat sucked off her tummy with injections or implants. ‘Designing’ beauty is liposuction. “It’s more likely caused by steroid But despite her changed appear- medication – just like Ashley Judd’s ance, Delta gets strong support from bloated face a while ago.
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Annual Report
ANNUAL REPORT 2013 Archive Name ATAS14_Corp_140003273 MECH SIZE 100% PRINT SIZE Description ATAS Annual Report 2014 Bleed: 8.625” x 11.1875” Bleed: 8.625” x 11.1875” Posting Date May 2014 Trim: 8.375” x 10.875” Trim: 8.375” x 10.875” Unit # Live: 7.5” x 10” LIve: 7.5” x 10” message from THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER At the end of 2013, as I reflected on my first term as Television Academy chairman and prepared to begin my second, it was hard to believe that two years had passed. It seemed more like two months. At times, even two weeks. Why? Because even though I have worked in TV for more than three decades, I have never seen our industry undergo such extraordinary — and extraordinarily exciting — changes as it has in recent years. Everywhere you turn, the vanguard is disrupting the old guard with an astonishing new technology, an amazing new show, an inspired new way to structure a business deal. This is not to imply that the more established segments of our industry have been pushed aside. On the contrary, the broadcast and cable networks continue to produce terrific work that is heralded by critics and rewarded each year at the Emmys. And broadcast networks still command the largest viewing audience across all of their platforms. With our medium thriving as never before, this is a great time to work in television, and a great time to be part of the Television Academy. Consider the 65th Emmy Awards. The CBS telecast, hosted by the always-entertaining Neil Patrick Harris, drew our largest audience since 2005.
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Three Designing Women New Customer Packet 2.25.2020
THREE DESIGNING WOMEN INTRODUCTION Hello and welcome to the ree Designing Women® family! We are truly thankful that you have chosen to carry our line - the nest personalized Self-Inking Stampers, Embossers, and award winning Designs in the world. e information enclosed in this new customer on-boarding packet will help you achieve the best results with our products. If you have questions, please contact us at 877-267-4334. ABOUT US ree Designing Women® is a wholesale manufacturer of consumer products and is the most recognized brand in the self-inking stamp industry. We are a multi-time Trendy Award Winner, the gift and stationery industry’s highest honor. We have been featured in national print publications such as O Magazine, Martha Stewart Living, Real Simple, InStyle, Everyday with Rachael Ray, Brides, Modern Bride, Better Homes & Gardens, Redbook, Southern Living, Lucky, US Weekly and many more. “ BEST GIFT! ” “ ALL TIME FAVORITE ” “ BEST GIFTS! ” “ RACH’S PICKS ” “ GREAT PICKS ” “ THINGS WE LOVE ” “ TOP 10 GIFTS ” What truly separates us from the competition is our revolutionary stamper with Clean Hands Technology®, a patented, removable Clip which makes changing Stamp Designs clean and eortless. Our designs and packaging are copyright protected, and ree Designing Women® boasts the most recognizable trademarks in the industry. ree Desiging Women® oers hundreds of designs and several accessories for the perfect personalized gift. For every part of your life, we help you make the very best impression. NEW CUSTOMER INFORMATION Your application to set up an accout with ree Designing Women® is included in this package. et k Please be sure to complete the form in its entirety so we may quickly process your application.
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Shawna F. Felkins 521 Maryland Ave, Lexington KY 40508 Tel: (270) 646-8205 S Hawnaff[email protected]
Shawna F. Felkins 521 Maryland Ave, Lexington KY 40508 Tel: (270) 646-8205 s hawnaff[email protected] EDUCATION Ph.D. in Gender and Women’s Studies In Progress University of Kentucky, Lexington, KY Dissertation Advisors: Dr. Karen Tice and Dr. Melissa Stein M.A. in Southern Studies 2015 University of Mississippi, University, MS B.A. in English, Summa Cum Laude 2013 Western Kentucky University, Bowling Green, KY TEACHING EXPERIENCE Selling Sex (Winter 2020; Enrollement 20) Women’s, Gender, and Sexuality Studies Program, Transylvania University, Adjunct Faculty Cultural Anthropology (Summer 2019; Enrollment 20) Kentucky Governor’s Scholars Program, Faculty Introduction to Women’s and Gender Studies in the Social Sciences (Fall 2019, Spring 2019, Fall 2018; Enrollment 25) Humanities Department, Jefferson Community and Technical College, Adjunct Faculty Composition and Communication II (Spring 2019, Spring 2018; Enrollment 23) Department of Writing, Rhetoric, and Digital Studies, University of Kentucky, Instructor of Record Composition and Communication I (Spring 2020, Fall 2019, Fall 2018, Fall 2017; Enrollment 23) Department of Writing, Rhetoric, and Digital Studies, University of Kentucky, Instructor of Record Sex and Power (Spring 2017, Fall 2015; Enrollment 50) Department of Gender and Women’s Studies, University of Kentucky, Instructor of Record Gender and Popular Culture (Spring 2016; Enrollment 50) Department of Gender and Women’s Studies, University of Kentucky, Instructor of Record WORK EXPERIENCE AP Seminar Reader Spring 2018-Present
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Designing Women and the Revisioning of the Thomas/Hill Hearings Patricia A
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 1-1-1996 "Women's Reality" and the Untold Story: Designing Women and the Revisioning of the Thomas/Hill Hearings Patricia A. Sullivan SUNY New Paltz Steven R. Goldzwig Marquette University, [email protected] Published version. ""Women's Reality" and the Untold Story: Designing Women and the Revisioning of the Thomas/Hill Hearings" in Outsiders Looking In: A Communication Perspective on the Hill/ Thomas Hearings. Ed. Paul Siegel. Cresskill NJ: Hampton Press 1996: 229-247. Publisher link. © 1996 Hampton Press. Used with permission. I~omens Reality" and the Untold 13 Story: Designing Women and the Revisioning of the Thomas/Hill Hearings Patricia A. Sullivan Steven R. Goldzwig Editor's Note: In this second of three essays about the Desi~nin~ Women episode. Patricia A. Sullivan and Steven R. Goldzwig argue that the texture and multiple subplots in the script result in a "subversive televisual response" to the hearings. That is. the script was akin to a coded message that would lull the network and advertisers into seeing a superficially balanced message. while permitting that part of the viewership with the kind of White feminist sensibility closely matching Thomason-Bloodworth sown (the real "insiders?") to decode the "true" message. The particularities of black female subordination are suppressed as the terms of racial and gender discrimination law require that we mold our experiences into that of either white women or black men in order to be legally recognized. -Kimberle Crenshaw (1992, p. 404) A Time magazine cover story, "Hollywood and Politics," observed that Linda Bloodworth-Thomason, creator of Designing Women, is "the closest thing TV has to an advocacy producer" (Zoglin, 1992, p.
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Essentializing Femininity in AI Linguistics
Student Publications Student Scholarship Fall 2019 Designing Women: Essentializing Femininity in AI Linguistics Ellianie S. Vega Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Artificial Intelligence and Robotics Commons, Feminist, Gender, and Sexuality Studies Commons, and the Linguistics Commons Share feedback about the accessibility of this item. Recommended Citation Vega, Ellianie S., "Designing Women: Essentializing Femininity in AI Linguistics" (2019). Student Publications. 797. https://cupola.gettysburg.edu/student_scholarship/797 This open access student research paper is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. Designing Women: Essentializing Femininity in AI Linguistics Abstract Since the eighties, feminists have considered technology a force capable of subverting sexism because of technology’s ability to produce unbiased logic. Most famously, Donna Haraway’s “A Cyborg Manifesto” posits that the cyborg has the inherent capability to transcend gender because of its removal from social construct and lack of loyalty to the natural world. But while humanoids and artificial intelligence have been imagined as inherently subversive to gender, current artificial intelligence perpetuates gender divides in labor and language as their programmers imbue them with traits considered “feminine.” A majority of 21st century AI and humanoids are programmed to fit emalef stereotypes as they fulfill emotional labor and perform pink-collar tasks, whether through roles as therapists, query-fillers, or companions. This paper examines four specific chat-based AI --ELIZA, XiaoIce, Sophia, and Erica-- and examines how their feminine linguistic patterns are used to maintain the illusion of emotional understanding in regards to the tasks that they perform.
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Sherith Israel, Hadassah and Others to Keep Serv- Ears Ago, a Couple of High School Stu- Ing the Jewish Community
the Jewish bserver www.jewishobservernashville.org Vol. 84 No. 1 • January 2019 24 Tevet-25 Sh’vat 5779 Gordon JCC Parghs’ generosity to benefit staffer lends community for generations to come a hand in By KATHY CARLSON The Temple, Congregation Sherith Israel, Hadassah and others to keep serv- ears ago, a couple of high school stu- ing the Jewish community. Pittsburgh dents walked into the Young Men’s “My father always had a sense of By DANIEL CHRISTMAS YHebrew Association in downtown remembering people who were kind to Aquatics Director Nashville. One had just moved here with him growing up,” the Parghs’ older son, Gordon Jewish Community Center his family from Oklahoma, where their Bernard Pargh, said. “He enjoyed giving. retail stores had gone out of business in It really made him feel connected to the he city of Pittsburgh recently went the Great Depression. His mother had community.” through a horrible experience family in Nashville, so it seemed like a “The biggest part of my Dad’s reason Twith the Oct. 27 fatal shootings good place to live. for giving was the generosity shown to at the Tree of Life The newcomer, Eugene Pargh, liked him when he was young and could not congregation. The what he saw at the YMHA: basket- afford much,” said their daughter, Linda Pittsburgh Jewish ball court, tables for card games, people Pargh Mossman. “But he found a home Community Center socializing. He wanted to join, and the at the YMHA. They allowed him mem- is right around the director asked what he could pay.
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Absence of Malice, 53 Academy Awards
Index A Absence of Malice, 53 Ain’t in It for My Health, 59, 83 the Baby, 77; Bronco Billy Academy Awards (Oscars), 3, Albee, Edward, 52, 53, 54 and the Greaser, 3; Broncho 4, 5, 7, 10, 18, 31, 38, 39, 41, Alexander, Katharine, 11, 12; Billy and the Maid, 2; 42, 43, 46, 47, 50, 53, 56, Death of a Salesman (play), Broncho Billy and the School 57, 58, 59, 60, 63, 64, 74, 12; In Name Only, 12; That Mistress, 3; Broncho Billy’s 79, 80, 81 Awful Mrs. Eaton, 12; That Christmas Deed, 2; Broncho Accomplices to the Crime, 57, 92 Certain Woman, 12 Billy’s Redemption, 2; Accountant, The, vii, viii, 74, Alfred Hitchcock Presents Broncho Billy’s Sentence, 3; 75, 85 (TV series), 42 Broncho Billy: The First Reel Action in the North Atlantic, 31 Alias Smith and Jones Cowboy, 81; The Girl from Adam at Six A.M. (TV series), (TV series), 54 Montana, 2; The Great 51 Allegiance (musical), 55 Train Robbery, 2; The Lucky Adams, Joey Lauren, viii, 66, Allen, Eric, 49 Dog, 3; Raffles, The Amateur 67, 90; Big Daddy, 66; Allen, Woody, 20 Cracksman, 2; The Son-of- Chasing Amy, 66, 67; All the President’s Men, 47 A-Gun, 3; Western Justice, 2 Come Early Morning, 66; All the Real Girls, 68 Andrews, Lloyd, 17, 29–31, 90; Coneheads, 66; Dazed and American Beauty, 66 Rhythm of the Rio Grande, Confused, 66; Mallrats, 66; American Dream, The (play), 53 30; Take Me Back to Trucker, 66; Valley Inn, 66 American Folk Blues Festival: Oklahoma, 31 Adams, Julie, 17, 27, 28, 30; The British Tours, 1963– Andy Griffith Show (TV series), Bend of the River, 30; 1966, 82 33 Creature
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Women's Leadership in Primetime Television an Introductory Study
Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period.
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Above-Entitled Matter Was Reconvened, Pursuant to Adjournment, In
BEFORE THE COPYRIGHT ROYALTY TRIBUNAL WASHINGTON, D.C. In the &latter of 1989 CABLE ROYALTY DOCKET NO. CRT 91-2-89CD DISTRIBUTION PROCEEDING (This volume contains pages 525 through 691) washington, D.C. Thuursday, September 19, 1991 The above-entitled matter was reconvened, pursuant to adjournment, in. the Offices of the Copyright Royalty Tribunal, in Room 921, 1825 Connecticut Avenue, N.H., Uashington, D.C., at 9:30 a.m. BEFORE NARIO F. AGUERO Chairman J.C. ARGETSINGER Commissioner CINDY DAUB Commissioner ROBERT CASSLER General Counsel NEAL R. GROSS COURT REPORTERS AND TRANSCRIBERS 1323 RHODE ISLAND AVENUE, N.W. (202) 234-4433 WASHINGTON, D.C. 20005 (202) 234-4433 526 APPEARANCES: PROGRAM SUPPLIERS: On behalf of MPAA: ARTHUR SCHEINER„ ESQUIRE DENNIS LANE, ESQUIRE Holland & Knight 888 17th Street, N.'tl., Suite 900 '|washington, D.C. 20006 (2O2) 955-555O 1|USIC CLAIlJANTS: On behalf of ASCAP: I. FRED KOENIGSBERG, ESQUIRE White R Case 1155 Avenue of the Americas Ne~z York, Ne~a York 10036-2787 (212) 819-8200 BERNARD KORIIAN, ESQUIRE BENNETT H. LINCOFF, ESOUIRE ASCAP One Lincoln Plaza New York, New York 10023 (212) 621-6270 On behalf of BNI: CHARLES T. DUNCAN, ESQUIRE MICHAEL FABER, ESQUIRE JOSEPH J. DiHONA, ESOUIRE Reid E Priest Market Sc(uare 701 Pennsylvania Avenue, N.N. Washington, D.C. 20004 (202) 508-4081 EDWARD H. CHAPIN, ESOUIRE General Counsel Broadcast Music, Inc. NEAL R. GROSS COURT REPORTERS AND TRANSCRIBERS 1323 RHODE ISLAND AVENUE, N.W. (202) 234-4433 WASHINGTON, D.C. 20005 (202) 234-4433 527 APPEARANCES: (Continued) On behalf of SESAC: LAURIE HUGHES, ESOUIRE SESAC, Inc.
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