The Master Collection
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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
DW10: EP 1 "A Star in Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT
DOCTOR WHO SERIES 10 EPISODE 1 "A Star In Her Eye" By Steven Moffat SHOOTING SCRIPT 16/06/2016 (SHOOTING BLOCK 1) DW10: EP 1 "A Star In Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT. THE DOCTOR’S OFFICE - DAY 1 - 16.00 1 The quietest opening we’ve ever had. We’re in a reasonably untidy office. Dust and books. Obviously academic. A university lecturer’s office. We hold this stationary shot - there’s a pleasing symmetry. There’s a door on the left of the screen, and a slightly open one on the right - like the two doors on a weather clock. Through the slightly open door we can see another, smaller room. In between the doors, there’s a desk, facing across the screen. Two empty chairs. The one in front of the closed door, is a simple, wooden chair. Facing it across the desk is an elegant swivel chair. Distantly, a bell chiming. We hear the chatter of distant voices - young people, chatting and laughing. Under that, the drone of traffic. Ordinary and still, for as long as we dare. Then: Squeak! Squeak! Squeak! It’s like the squeaking wheel on a supermarket trolley - and it’s getting closer. Now the closed door opens, revealing: Nardole. Much as we last saw him in The Husbands Of River Song. He steps into the room (always a squeak on his left leg) revealing: In the doorway, Bill. Young, female, cheeky as hell. Nardole stands clear of the door, gestures towards the wooden chair. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
Doctor Who Magazines
mmm * fim THE * No.48 ARCHITECTS JANUARY A MARVEL MONTHLY 30p ^ OF FEAR! x > VICTORIAN SIAIfc ENGLAND trembles v , BENEATH A PHOTO FEATURE SPECIAL FEATURES ARCHITECTS OF FEAR 16 IS DOCTOR WHO TOO FRIGHTENING FOR AN EARL Y EVENING TV AUDIENCE? DOCTOR WHO MONTHLY DOESN'T THINK SO. WE INVESTIAGE THE FEARSOME ASPECTS OF THE SERIES. MONSTER GALLERY 20 ASA COMPANION PIECE TO OUR ARCHITECTS OF FEAR FEATURE WE PRESENT A SPECIAL PICTORIAL FEATURE ON THE MONSTERS OF DOCTOR WHO. STATE OF DECAY 22 DOCTOR WHO MONTHLY LOOKS AT THE DOCTOR'S MOST RECENT ADVENTURE. [■i»if i»: i’.’i:>y *i:m-Ty ti1 •f T|.»> y\ OUR VERY OWN MYSTERY IN THE WAX MUSEUM. DOCTOR WHO MONTHLY WAS PRESENT THE DAY THREE TOM BAKERS CAME FA CE- TO-FA CE THE TALONS OF WENG CHIANG 32 Editor: Paul Neary A SPECIAL PHOTO FEATURE ON THE 1977 DOCTOR WHO STORY. Features Editor: Alan McKenzie SPECIAL CONVENTION PICTORIAL 36 Layout: Steve O'Leary MANY OF THE FOLK IN VOL VED IN THE PRODUCTION OF THE Art Assistance: Rahid Khan DOCTOR WHO TV SERIES DROPPED INTO THE MARVEL Consultant: Jeremy Bentham CONVENTION LAST OCTOBER. WE PRESENT A PHOTOGRAPHIC REPORT ON JUST SOME OF THE EVENTS. Gothscan 2006 COMIC STRIPS fVT’AV ■ ' s OF DEATH 7 THE CONCLUSION OF THIS EXCITING TALE PLUS THE SAD DEPAR¬ ftp « iBggBg isgBasaL.3 TURE OF SHARON. his month we have a bumper crop of special features for your delight and delectation. We have a double helping on the subject of fear which includes a study of the horror content - or should that be lack TOUCHDOWN thereof? Plus we will be taking a look at some of the fearsome monster foes that I ON DENAB-7 have met on my travels through time and space. -
{PDF EPUB} Doctor Who and the Doomsday Weapon by Malcolm Hulke Doctor Who and the Dinosaur Invasion
Read Ebook {PDF EPUB} Doctor Who and the Doomsday Weapon by Malcolm Hulke Doctor Who and the Dinosaur Invasion. The Doctor and Sarah arrive in London to find it deserted. The city has been evacuated as prehistoric monsters appear in the streets. While the Doctor works to discover who or what is bringing the dinosaurs to London, Sarah finds herself trapped on a spaceship that left Earth months ago travelling to a new world… Against the odds, the Doctor manages to trace the source of the dinosaurs. But will he and the Brigadier be in time to unmask the villains before Operation Golden Age changes the history of planet Earth and wipes out the whole of human civilisation? This novel is based on a Doctor Who story which was originally broadcast from 12 January–16 February 1974. Featuring the Third Doctor as played by Jon Pertwee with his companion Sarah Jane Smith and UNIT. Doctor Who: Invasion Earth! (Classic Novels Box Set) Terrance Dicks. Malcolm Hulke. Doctor Who And The Sea-Devils. Malcolm Hulke. Doctor Who and the Cave Monsters. Malcolm Hulke. Doctor Who And The War Games. Malcolm Hulke. Doctor Who And The Green Death. Malcolm Hulke. Doctor Who And The Silurians (TV Soundtrack) Malcolm Hulke. Doctor Who And The Dinosaur Invasion. Malcolm Hulke. Doctor Who And The Doomsday Weapon. Malcolm Hulke. Doctor Who: The Faceless Ones (TV Soundtrack) David Ellis. Malcolm Hulke. DOCTOR WHO. 101 Books. Malcolm Hulke was a prolific and respected television writer from the 1950s until the 1970s. His writing credits included the early science fiction Pathfinders series, as well as The Avengers. -
Terrance DICKS a Tribute
Terrance DICKS A tribute FEATURING: Chris achilleos John levene John peel Gary russell And many more Terrance DICKS A tribute CANDY JAR BOOKS . CARDIFF 2019 Contributors: Adrian Salmon, Gary Russell, John Peel, John Levene, Nick Walters, Terry Cooper, Adrian Sherlock, Rick Cross, Chris Achilleos, George Ivanoff, James Middleditch, Jonathan Macho, David A McIntee, Tim Gambrell, Wink Taylor. The right of contributing authors/artists to be identified as the Author/Owner of the Work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Editor: Shaun Russell Editorial: Will Rees Cover by Paul Cowan Published by Candy Jar Books Mackintosh House 136 Newport Road, Cardiff, CF24 1DJ www.candyjarbooks.co.uk All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. In Memory of Terrance Dicks 14th April 1935 – 29th August 2019 Adrian Salmon Gary Russell He was the first person I ever interviewed on stage at a convention. He was the first “famous” home phone number I was ever given. He was the first person to write to me when I became DWM editor to say congratulations. He was a friend, a fellow grumpy old git, we argued deliciously on a tour of Australian conventions on every panel about the Master/Missy thing. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
{PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke
Read Ebook {PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke. Of the three books that helped make me into a fan, this one is probably my favorite. And why not? It’s a story that dares to talk about pollution and the effects of the coal industry long before climate change became the hot-button political issue it is today. Even with the inherent conservatism of the Pertwee era in mind, (as writers like Paul Cornell and Elizabeth Sandifer have suggested) to see Doctor Who take a firm step for environmentalism this early on is wonderful. And while I wish I could say the situation has improved since the story originally aired on TV in 1973, (and then published in 1975) the truth is, I can’t. Things have only gotten worse in the last 40-odd years, thanks to rising levels of pollution everywhere, and the general warming of the planet leading to significantly stronger hurricanes, melting polar ice caps, and other such disasters. In 2016, the nations of the world signed the Paris Climate Accords, with the goal of keeping the global average temperature from breaching 2 degrees Celsius, but then former president Donald Trump withdrew the United States from the accords, and spent his entire term in office destroying the environment, rather than preserving it. True, Joe Biden returned the US to the agreement after he took office in January, but whatever else he may have planned from a legislative standpoint will run up against a reduced Democratic majority in the House of Representatives, a nominally Democratic Senate, a far right judiciary, and various recalcitrant Republican-controlled states who don’t believe his presidency to be legitimate in the first place, all ready and willing to block even modest reforms, whether through legislation or executive actions. -
Doctor Who: Frontios
The TARDIS has drifted far into the future and comes to rest hovering over Frontios, refuge of one group of survivors from Earth who have escaped the disintegration of their home planet. The Doctor is reluctant to land on Frontios, as he does not wish to intervene in a moment of historical crisis – the colonists are still struggling to establish themselves and their continued existence hangs in the balance. But the TARDIS is forced down by what appears to be a meteorite storm, and crash-lands, leaving the Doctor and his companions marooned on the hope-forsaken planet . DISTRIBUTED BY: USA: CANADA: AUSTRALIA: NEW ZEALAND: LYLE STUART INC. CANCOAST GORDON AND GORDON AND 120 Enterprise Ave. BOOKS LTD, c/o GOTCH LTD GOTCH (NZ) LTD Secaucus, Kentrade Products Ltd. New Jersey 07094 132 Cartwright Ave, Toronto, Ontario I S B N 0 - 4 2 6 - 1 9 7 8 0 - 1 UK: £1.50 USA: $2.95 *Australia: $4.50 NZ: $5.50 ,-7IA4C6-bjhiaf— Canada: $3.95 *Recommended Price Science Fiction/TV tie-in DOCTOR WHO FRONTIOS Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD Number 91 in the Doctor Who Library A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. PLC A Target Book Published in 1984 by the Paperback Division of W.H. Allen & Co. PLC 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1984 Original script copyright © Christopher H. Bidmead 1984 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1984 The BBC producer of Frontios John Nathan-Turner, the director was Ron Jones Printed and bound in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 19780 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e.