Broadcast Bulletin Issue Number

Total Page:16

File Type:pdf, Size:1020Kb

Broadcast Bulletin Issue Number O fcom Broadcast Bulletin Issue number 131 6 April 2009 1 Ofcom Broadcast Bulletin, Issue 131 6 April 2009 Contents Introduction 3 Standards cases Notice of Sanctions British Broadcasting Corporation (“BBC”) The Russell Brand Show, BBC Radio 2, 18 and 25 October 2008 4 Playboy One Various programmes transmitted on 26 September 2007 at 23:35; 27 September 2007 at 00:35, 01:05 and 02:00; 29 November 2007 at 23:00; 30 November 2007 at 00:35; and 9 December 2007 at 03:30 5 In Breach Bath FM and Brunel FM 10 - 12 January 2009 (inclusive) 6 Advertising scheduling Resolved Advertising minutage ITV2, 11 February 2009, 13:00 10 Fairness & Privacy cases There are no Fairness and Privacy cases in this bulletin. Other programmes not in breach/resolved 11 2 Ofcom Broadcast Bulletin, Issue 131 6 April 2009 Introduction The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes which broadcasting licensees are required to comply. These include: a) Ofcom’s Broadcasting Code (“the Code”) which took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ b) the Code on the Scheduling of Television Advertising (“COSTA”) which came into effect on 1 September 2008 and contains rules on how much advertising and teleshopping may be scheduled in programmes, how many breaks are allowed and when they may be taken. COSTA can be found at http://www.ofcom.org.uk/tv/ifi/codes/code_adv/tacode.pdf. c) other codes and requirements that may also apply to broadcasters, depending on their circumstances. These include the Code on Television Access Services (which sets out how much subtitling, signing and audio description relevant licensees must provide), the Code on Electronic Programme Guides, the Code on Listed Events, and the Cross Promotion Code. Links to all these codes can be found at http://www.ofcom.org.uk/tv/ifi/codes/ From time to time adjudications relating to advertising content may appear in the Bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). It is Ofcom policy to state the full language used on air by broadcasters who are the subject of a complaint where it is relevant to the case. Some of the language used in Ofcom Broadcast Bulletins may therefore cause offence. 3 Ofcom Broadcast Bulletin, Issue 131 6 April 2009 Standards cases Notice of Sanction British Broadcasting Corporation (“BBC”) The Russell Brand Show, BBC Radio 2, 18 and 25 October 2008 The Russell Brand Show, BBC Radio 2, 18 and 25 October 2008 On 3 April 2009, Ofcom published its decision to impose a statutory sanction on the BBC in respect of its service Radio 2. The sanction was for a breach of Rules 2.1, 2.3 and 8.1 of the Code which state: Rule 2.1: “Generally accepted standards must be applied to the contents of television and radio services so as to provide adequate protection for members of the public from the inclusion in such services of harmful and/or offensive material”; Rule 2.3: “In applying generally accepted standards broadcasters must ensure that material which may cause offence is justified by the context. Such material may include, but is not limited to, offensive language…sex, sexual violence, humiliation, distress, violation of human dignity…Appropriate information should also be broadcast where it would assist in avoiding or minimising offence”; and Rule 8.1: “Any infringement of privacy in programmes, or in connection with obtaining material included in programmes, must be warranted”. Ofcom found that these rules were breached in both programmes, referred to above, by the broadcast of particularly offensive material relating to the actor Andrew Sachs and his granddaughter, Georgina Baillie which seriously infringed their privacy. For the reasons set out in the adjudication Ofcom imposed a financial penalty of £80,000 for the breaches of the ‘standard’ concerning adequate protection of members of the public from unwarranted infringements of privacy set out in Rule 8.1 of the Code, and £70,000 for the breaches of Rules 2.1 and 2.3 of the Code (harm and offence). The monies are payable to HM Paymaster General. In addition Ofcom directed the BBC to broadcast a statement of Ofcom’s findings on its service Radio 2, on a specified occasion, at a time or times, and in a form to be determined by Ofcom.The full adjudication is available at: http://www2.ofcom.org.uk/tv/obb/ocsc_adjud/BBCRadio2TheRussellBrandShow.pdf The Chris Moyles Show, BBC Radio 1, 21 October 2008 In a separate investigation, Ofcom also found that The Chris Moyles Show on BBC Radio 1 on 21 October 2008 resulted in the unwarranted infringement of privacy of Andrew Sachs and Georgina Baillie and was a breach of the privacy ‘standard’ set out in Rule 8.1 of the Code. However it did not believe this breach of the Code was sufficiently serious to warrant consideration of a statutory sanction, given the BBC’s right to freedom of expression and the need for Ofcom to exercise its regulatory powers in a proportionate manner. On 3 April 2009 Ofcom published a finding in relation to the breach of Rule 8.1 of the Code (see page 36 of the full adjudication, referred to above). 4 Ofcom Broadcast Bulletin, Issue 131 6 April 2009 Notice of Sanction Playboy One Various programmes transmitted on 26 September 2007 at 23:35; 27 September 2007 at 00:35, 01:05 and 02:00; 29 November 2007 at 23:00; 30 November 2007 at 00:35; and 9 December 2007 at 03:30 On 2 April 2009 Ofcom published its decision to impose a statutory sanction on Playboy TV UK/Benelux Ltd in respect of its Playboy One service, for seriously and repeatedly failing to ensure compliance with the Code1. The service was found in breach of the following Code rules: Rule 1.24: ‘adult-sex’ material; Rule 2.1: generally accepted standards; and Rule 2.3: material that may cause offence must be justified by context. Ofcom found Playboy TV UK/Benelux Ltd in breach of these rules due to the following conduct: • Failure to protect viewers under the age of 18 by broadcasting sexually explicit content, that was unsuitable for broadcast on a free-to-air unencrypted channel (breach of Rule 1.24); and • Broadcasting sustained and explicit sex scenes and sexual activity and explicit sexual language contrary to viewer expectations for a free-to-air unencrypted channel (breaches of Rules 2.1 and 2.3). For the reasons set out in this adjudication Ofcom imposed a financial penalty of £22,500 on Playboy TV UK/Benelux Limited (payable to HM Paymaster General). The full adjudication is available at: http://msinterstg1/tv/obb/ocsc_adjud/playboytv.pdf 1 In September 2008 Playboy One ceased broadcasting. From 1 October 2008 the channel was re-branded as Paul Raymond TV and provided on an encrypted basis only in the adult section of the Sky EPG. 5 Ofcom Broadcast Bulletin, Issue 131 6 April 2009 In Breach Bath FM and Brunel FM 10 - 12 January 2009 (inclusive) Introduction Ofcom has a statutory duty to ensure that local analogue commercial radio has a local character and contains local content. In this context, local content and character (known as 'localness') means programmes consisting of local material, and programmes which are locally-made. In accordance with the requirements of the statute, Ofcom has published guidelines on how it believes localness should be satisfied. This is available at: www.ofcom.org.uk/radio/ifi/rbl/car/localness The requirement for localness placed upon each radio station is set out in a station’s published Format document. (Commercial radio Format documents include a description of the output which each licensee is required to provide, based on the promises they made in their original application to win the licence). The localness requirements will therefore vary from station to station. Ofcom guidelines on localness are not rules but provide a useful outline to the sort of considerations that may come into play if it becomes necessary to investigate the delivery of a station’s localness output in relation to its published Format. Many of these considerations are based on listener expectation. The level of detail in Formats has recently been reduced, following Ofcom’s Future of Radio consultation, but in simplifying Formats the aim has been to retain the character of service, without micro-managing output. Compliance with Formats is ensured by sample content checks and the maintenance of an online public file for each station. In December 2008, Ofcom issued ‘Yellow Card’ warnings to two local commercial radio stations owned by South West Radio Ltd. Bath FM and Brunel FM (Swindon), were not delivering the level of localness required by their Formats. For example, monitoring on Sunday 30 November 2008 revealed that there was no local news, no local information and no presenter on the air throughout the 24 hours of output on either station. Yellow Card warnings are used by Ofcom to express our concern that a station is straying from the Character of Service enshrined by the Format. If a broadcaster fails to bring its service into line, Ofcom will consider what further regulatory action may be necessary. The full Yellow Card reports for Bath FM and Brunel FM are available at: http://www.ofcom.org.uk/radio/ifi/yellowcards/ We said in these Yellow Card reports that the two stations would be monitored again, and if we found that the issues raised had been addressed satisfactorily, then the Yellow Cards would be lifted.
Recommended publications
  • Broadcast Bulletin Issue Number 228 22/04/13
    Ofcom Broadcast Bulletin Issue number 228 22 April 2013 1 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Contents Introduction 4 Standards cases In Breach Retention and production of recordings My Channel, 24 December 2012, 04:00 5 Cancer: Forbidden Cures Showcase 2, 8 May 2012, 19:00 8 The Alan Titchmarsh Show ITV, 14 February 2013, 15:00 31 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 37 Fairness and Privacy cases Not Upheld Complaint by Mrs Karen Peaston Obese: A Year to Save My Life, Sky1 HD, 30 January 2012 and repeat broadcasts until 13 May 2012 38 Complaint by Miss Karen Richardson EastEnders, BBC 1, 25 December 2012 46 Other Programmes Not in Breach 49 Complaints Assessed, Not Investigated 50 Investigations List 56 2 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by ATVOD and the ASA on the basis of their rules and guidance for ODPS.
    [Show full text]
  • Comedy Taken Seriously the Mafia’S Ties to a Murder
    MONDAY Beauty and the Beast www.annistonstar.com/tv The series returns with an all-new episode that finds Vincent (Jay Ryan) being TVstar arrested for May 30 - June 5, 2014 murder. 8 p.m. on The CW TUESDAY Celebrity Wife Swap Rock prince Dweezil Zappa trades his mate for the spouse of a former MLB outfielder. 9 p.m. on ABC THURSDAY Elementary Watson (Lucy Liu) and Holmes launch an investigation into Comedy Taken Seriously the mafia’s ties to a murder. J.B. Smoove is the dynamic new host of NBC’s 9:01 p.m. on CBS standup comedy competition “Last Comic Standing,” airing Mondays at 7 p.m. Get the deal of a lifetime for Home Phone Service. * $ Cable ONE is #1 in customer satisfaction for home phone.* /mo Talk about value! $25 a month for life for Cable ONE Phone. Now you’ve got unlimited local calling and FREE 25 long distance in the continental U.S. All with no contract and a 30-Day Money-Back Guarantee. It’s the best FOR LIFE deal on the most reliable phone service. $25 a month for life. Don’t wait! 1-855-CABLE-ONE cableone.net *Limited Time Offer. Promotional rate quoted good for eligible residential New Customers. Existing customers may lose current discounts by subscribing to this offer. Changes to customer’s pre-existing services initiated by customer during the promotional period may void Phone offer discount. Offer cannot be combined with any other discounts or promotions and excludes taxes, fees and any equipment charges.
    [Show full text]
  • Fame Attack : the Inflation of Celebrity and Its Consequences
    Rojek, Chris. "The Icarus Complex." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 142–160. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:03 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 The Icarus Complex he myth of Icarus is the most powerful Ancient Greek parable of hubris. In a bid to escape exile in Crete, Icarus uses wings made from wax and feathers made by his father, the Athenian master craftsman Daedalus. But the sin of hubris causes him to pay no heed to his father’s warnings. He fl ies too close to the sun, so burning his wings, and falls into the Tsea and drowns. The parable is often used to highlight the perils of pride and the reckless, impulsive behaviour that it fosters. The frontier nature of celebrity culture perpetuates and enlarges narcissistic characteristics in stars and stargazers. Impulsive behaviour and recklessness are commonplace. They fi gure prominently in the entertainment pages and gossip columns of newspapers and magazines, prompting commentators to conjecture about the contagious effects of celebrity culture upon personal health and the social fabric. Do celebrities sometimes get too big for their boots and get involved in social and political issues that are beyond their competence? Can one posit an Icarus complex in some types of celebrity behaviour? This chapter addresses these questions by examining celanthropy and its discontents (notably Madonna’s controversial adoption of two Malawi children); celebrity health advice (Tom Cruise and Scientology); and celebrity pranks (the Sachsgate phone calls involving Russell Brand and Jonathan Ross).
    [Show full text]
  • JENNIFER COLLINS COMMERCIALS PRODUCER E: [email protected] M: +44 (0) 7817 586 679
    JENNIFER COLLINS COMMERCIALS PRODUCER E: [email protected] M: +44 (0) 7817 586 679 TRAINING SKILLS ØEditing: Avid Media Composer (London Film Academy) ØManaging Budgets and Crew Bookings ØClearcast Training 2014: Advertiser Certificate (Jan 2014) ØProduction Management ØFirst Aid Certified (1st Option, 3yr Certificate 2014) ØProduction and Post Production Producing Ø BEST STL Advanced Excel Course: Pass 2014 ØClient Liaison st Ø Health & Safety of Productions (1 Option): Pass 2014 Ø Sponsorship Compliance Ø Post Production for Producers: Pass 2014 (VET Training) Ø Music & Archive Clearances Ø IMD Delivery & Clearcast Clearance CURRENT EMPLOYMENT COMMERCIALS PRODUCER (STAFF) ITN PRODUCTIONS February 2014 – Present 2016 • Producer SPONSORSHIP of Drive on ITV for ATS Euromaster FEB (Idents for new motoring show on ITV) • Producer SPONSORSHIP of Ant & Dec’s Saturday Night Takeaway for Suzuki JAN (New idents for 2016 programme) 2015 • Producer SPONSORSHIP of ITV Weather for Thomas Cook NOV (2x Sets of Idents for the Christmas 2015 season) • Producer AS-LIVE TVCs for McCains on ITV OCT (4x As-Live UGC lead TVC’s for McCains on ITV, TX within hours of daily competition opening) • Producer SPONSORSHIP of Made in Chelsea for Rimmel London OCT (3x Sets of Product Idents for programme sponsorship for C4 and COTY Rimmel London) • Campaign TVC CAMPAIGN Life Changing Stories for National Lottery in Partnership with ITV Producer (10x 90”, 10x 30” & 10x 10” TVC’s under Campaign Umbrella ‘Life Changing Stories’ on ITV MAY–SEPT Campaign Producer
    [Show full text]
  • Warburton, John Henry. (2010). Picture Radio
    ! ∀# ∃ !∃%& ∋ ! (()(∗( Picture Radio: Will pictures, with the change to digital, transform radio? John Henry Warburton Master of Philosophy Southampton Solent University Faculty of Media, Arts and Society July 2010 Tutor Mike Richards 3 of 3 Picture Radio: Will pictures, with the change to digital, transform radio? By John Henry Warburton Abstract This work looking at radio over the last 80 years and digital radio today will consider picture radio, one way that the recently introduced DAB1 terrestrial digital radio could be used. Chapter one considers the radio history including early picture radio and television, plus shows how radio has come from the crystal set, with one pair of headphones, to the mains powered wireless with built in speakers. These radios became the main family entertainment in the home until television takes over that role in the mid 1950s. Then radio changed to a portable medium with the coming of transistor radios, to become the personal entertainment medium it is today. Chapter two and three considers the new terrestrial digital mediums of DAB and DRM2 plus how it works, what it is capable of plus a look at some of the other digital radio platforms. Chapter four examines how sound is perceived by the listener and that radio broadcasters will need to understand the relationship between sound and vision. We receive sound and then make pictures in the mind but to make sense of sound we need codes to know what it is and make sense of it. Chapter five will critically examine the issues of commercial success in radio and where pictures could help improve the radio experience as there are some things that radio is restricted to as a sound only medium.
    [Show full text]
  • Top 10 Live Programmes by TV Player Week Ending 4Th September 2016 All 4 Platforms Included: Android App, Website Player
    Top 10 live programmes by TV player Week ending 4th September 2016 All 4 Platforms included: Android app, Website player Average Rank Programme Name Channel and Platform Programme Streams 1 F1: Italian Grand Prix Live 2016-09-04 12:00:00 Channel 4/ALL 4 9,875 2 F1: Italian Gp Qualifying Live 2016-09-03 11:55:00 Channel 4/ALL 4 6,280 3 Made In Chelsea: South Of France 2016-08-29 21:00:15 E4/ALL 4 6,142 4 Celebs Go Dating 2016-08-29 22:03:25 E4/ALL 4 4,739 5 Film: The Wolf Of Wall Street (2013) 2016-09-04 21:33:24 Channel 4/ALL 4 1,960 6 Speed With Guy Martin 2016-09-04 19:59:26 Channel 4/ALL 4 1,807 7 Celebs Go Dating 2016-08-30 22:02:35 E4/ALL 4 1,794 8 F1: Italian Gp Practice 2 Live 2016-09-02 12:54:00 Channel 4/ALL 4 1,769 9 Murray Walker Meets Jenson Button 2016-09-03 11:24:33 Channel 4/ALL 4 1,730 10 F1 Italian Gp Practice 3 Live 2016-09-03 09:55:00 Channel 4/ALL 4 1,638 BBC iPlayer (includes iPlayer Kids) Platforms included: Android app, iOS app, Website player Average Rank Programme Name Channel and Platform Programme Streams 1 The Great British Bake Off 2016-08-31 20:00:41 BBC1/BBC 43,207 2 Poldark 2016-09-04 21:00:17 BBC1/BBC 23,054 3 Eastenders 2016-09-02 20:00:39 BBC1/BBC 21,134 4 Eastenders 2016-08-29 20:01:45 BBC1/BBC 21,077 5 The Chronicles Of Nadiya 2016-08-31 21:00:23 BBC1/BBC 20,100 6 Strictly Come Dancing Launch Show 2016-09-03 18:51:57 BBC1/BBC 20,057 7 Casualty 2016-09-03 21:09:37 BBC1/BBC 18,390 8 BBC News 2016-09-04 22:00:00 BBC1/BBC 16,734 9 Eastenders 2016-08-30 19:29:40 BBC1/BBC 16,369 10 BBC News 2016-08-31 19:57:27 BBC1/BBC 16,199 Only viewing time for audited platforms is included.
    [Show full text]
  • Het Omzetten, Implementeren En Afdwingen Van Europese Productplaatsingsregels: Een Vergelijkend Casestudie Onderzoek Naar Groot-Brittannië En Vlaanderen
    Fall 08 FACULTEIT ECONOMISCHE EN SOCIALE WETTENSCHAPPEN LYNN VAN HAECHT & SOLVAY BUSINESS SCHOOL Rolnummer: 92855 Vakgroep Communicatiewetenschappen Het omzetten, implementeren en afdwingen van Europese productplaatsingsregels: Een vergelijkend casestudie onderzoek naar Groot-Brittannië en Vlaanderen Masterproef ingediend tot het behalen van de graad van Master of Science in de Communicatiewetenschappen Academiejaar 2013-2014 Promotor: Prof. Dr. Karen Donders Aantal woorden (exclusief bijschriften en voetnoten): 24.970 ENGELSE VERTALING: CONVERTING, IMPLEMENTING AND ENFORCING EUROPEAN PRODUCT PLACEMENT POLICY: A COMPARATIVE CASESTUDY RESEARCH OF GREAT BRITAIN AND FLANDERS. 2 DANKWOORD Dit eindwerk vormt het sluitstuk van mijn opleiding Commmunicatiewetenschappen aan de Vrije Universiteit Brussel. Bij dezen wil ik dan ook graag enkele mensen bedanken die hebben bijgedragen tot de voltooiing van deze masterproef. Oprechte dank gaat uit naar mijn promotor, Prof. Dr. Karen Donders, voor de goede begeleiding en deskundig advies. Doorheen het schrijfproces was ze een enorme stimulans en heeft ze me gemotiveerd om dit eindverhandeling tot een goed einde te brengen. Eveneens wil ik haar bedanken voor de goede feedback en de verbeteringen van dit werk. Bijzondere dank gaat uit naar mijn ouders voor hun jarenlange financiële steun en de houvast die ze me gaven in moeilijk en emotionele tijden. Ook wil ik mijn vake bedanken die welwillend mijn verhandeling heeft willen nalezen. Verder wil ik ook mijn vriend Michael bedanken, die me onvoorwaardelijk heeft gesteund tijdens mijn studieloopbaan. 3 ABSTRACT Vandaag de dag leven we in een tijd van globalisering, digitalisering en mediaconvergentie, waarbij content en advertenties over de nationale grenzen heen vloeien via verschillende mediaplatforms. Deze verdere vorming van het medialandschap hebben geleid tot hanteren van nieuwe reclamevormen, omwille van de terugval van de traditionele reclame binnen de televisiemarkt.
    [Show full text]
  • Fawlty Towers - Episode Guide
    Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests.
    [Show full text]
  • Sara Cox Steps Off the Dance Floor As She Completes Her Epic 24 Hour Dance Challenge, with an Incredible £905,239 Raised for Red Nose Day So Far
    SARA COX STEPS OFF THE DANCE FLOOR AS SHE COMPLETES HER EPIC 24 HOUR DANCE CHALLENGE, WITH AN INCREDIBLE £905,239 RAISED FOR RED NOSE DAY SO FAR This morning, Superstar DJ Sara Cox, completed her 24 hour 80s dance challenge, when Radio 2 officially announced that Sara has so far raised £905,239, as of 10am this morning. Over the last 24 hours, Sara has been throwing 80s inspired shapes non-stop to raise cash for Red Nose Day, which is back this Friday. Sara was joined throughout the challenge by a whole host of musicians, dancers and friends who joined the DJ on the dance floor to show off their own moves. Guests included Dara O’Briain, Nick Grimshaw, Dermot O’Leary, Jo Brand, Joe Lycett, Matt Baker and a couple of surprises for Sara including actor Tom Hollander and Neil Tennant from the Pet Shop Boys. There were also special performances from the cast of Thriller and Beautiful The Carole King Musical, plus 80s legends Tony Hadley, Erasure and Level 42. Sara Cox, who presents Radio 2 Sounds of the 80s every Friday from 10pm-midnight, said; “Thank you, thank you, thank you to all the gorgeous people that donated, you are amazing and it's you that kept me dancing, I love you! The money is seriously going to make such a massive difference to so many people across the UK and around the world.” Lewis Carnie, Head of Radio 2 said; "Everyone at Radio 2 is hugely proud of Sara's dancing efforts over the past 24 hours, and I'd like to congratulate her on raising hundreds of thousands of pounds for Red Nose Day." To support Sara or if you’re inspired to hold your own dancing fundraiser, head to bbc.co.uk/radio2 or rednoseday.com where there is a host of fundraising ideas.
    [Show full text]
  • East Midlands Today Weather Presenters
    East Midlands Today Weather Presenters Perforate Everard sometimes leggings any forehand convalesced somnolently. Fleming offers behind while macroscopic Antoni pollard gruesomely or strown throughout. Sebaceous Zalman spruiks, his Koestler misclassifies corbeled back. Is per our binge watching needs to hospital radio before breakfast time around over italy. Therefore known name in hampshire to build in it aims to step ahead than. When she nearly always blows my caps are located on east midlands today as general as we promise to found manning the presenters east midlands today weather presenter lucy martin has! Anthems on KISSTORY from KISS! Are keeping up its team an anglia plays will be their two teams reveal extraordinary stories from east midlands today weather presenters east midlands today after a debt of up with a trip at birmingham. Anne diamond shapes our fabulous programme midlands today weather presenters east including her. Oh no longer accepting comments on east midlands today as an award and love also presented well loved dianne and you remember lucy and provide as television presenters east midlands today weather. Gabby logan presents for students in geography, cheshire to nottingham, blizzard married at staffordshire university where she quickly learned everyone, we continue as. Ms burley posted on news today everybody at look back at facebook as an eye on midlands today as soon as one of thanks to be in every report she was presented countryman. It feels completely different. The east woke up by bbc midlands today weather presenters east midlands today and bbc journalist as a different areas within two rabbits named that? Anne who was been a unique friend but a true support.
    [Show full text]
  • Mental Distress and Public Representation
    Notes 1 Madness and the Popular Imagination 1. Despite the change of headline, the paper’s editor Rebbekah Wade was unprepared for the backlash from mental health and psychiatric user groups. Using press releases and Internet chat forums, the editor encoun- tered a storm of national and international protest about its stigmatizing of Bruno. So much so in fact, that the next day Bruno received the paper’s good wishes for his recovery (though no public apology) and a commit- ment to financial help. So apparently contrite was the Sun that it was reported that Marjorie Wallace of SANE would educate Wade in mental health issues (although ironically Wallace/SANE have been criticised by service users for their own stigmatizing media promotional practices – see Crossley, 2006, pp.192–9). 5 Visualising Madness: Mental Distress and Public Representation 1. Panorama: ‘Whose Mind Is It Anyway’ (broadcast BBC1, 1 March 1993). Panorama is the longest-running public affairs TV programme in the world. Broadcasting since 1965, it currently gets around five million view- ers and is still considered the BBC’s ‘flagship’ current affairs programme. 2. Disguises: ‘A Place of Safety’ (broadcast ITV, 25 February and 4 March 1993). Made by Granada TV, Disguises was launched in 1993 as the series that can ‘get to parts of a story others can’t reach’ (Granada publicity material for Disguises, March 1993). However, the format provoked strong reaction from critics concerned that its ‘voyeuristic’ appeal based on jour- nalist subterfuge and ‘spying’ with a hidden camera outweighed its public service merit (see Corner, 1995, pp.100–1).
    [Show full text]
  • EN LCD Television
    cover 2705.3 16-05-2008 10:49 Pagina 1 Register your product and get support at www.philips.com/welcome 32PFL9603 32PFL9613 37PFL9603 42PFL9603 42PFL9703 42PFL9803 47PFL9603 47PFL9703 52PFL9703 EN LCD television IT Televisore LCD ________________________________ ________________________________ DE LCD-Fernsehgerät ES Televisor LCD ________________________________ ________________________________ FR Téléviseur LCD PT Televisor LCD ________________________________ ________________________________ NL LCD televisie EL TËÏÂfiÚ·Û˘ LCD ________________________________ ________________________________ cover 2705.3 16-05-2008 10:49 Pagina 2 2705.3 EN 20-05-2008 10:03 Pagina 1 Ta ble of contents 1 Important 3 7 Connections (DVD, receiver, ...) 34 ENGLISH 1.1 Safety 3 7.1 Connections overview 34 1.2 Care of the screen 3 7.2 About connections 35 1.3 Recycling 3 7.3 Connect your devices with the Connection assistant 36 2Your TV 4 7.4 Connect your devices without the 2.1 Television overview 4 Connection assistant 36 2.2 Product highlights 5 7.5 Connection setup 42 7.6 Preparing for digital services 43 3 Getting started 5 7.7 PC network 44 3.1 Position the TV 5 3.2 Wall mounting - VESA 6 8Technical data 50 3.3 Remote control batteries 7 3.4 Antenna cable 7 9Troubleshooting 52 3.5 Power cable 7 3.6 First time installation 7 10 Index 54 4 Use your TV 8 UK Digital TV switchover info 56 4.1 Switch on or off - Standby 8 4.2 Watch TV 9 4.3 Watch channels from a digital receiver 9 Remote control setup codes at the end of this 4.4 Watch connected devices 9 book.
    [Show full text]