DOCSLIB.ORG

Retold Fairy Tales

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Retold Fairy Tales The fairy godmother While beauty slept by Mercedes Lackey by Elizabeth Blackwell SCIFIC FANTASY Lackey RETOLD FICTION Blackwell The newest fairy godmother A Gothic retelling inspired by the tries to help three princes find legend of Sleeping Beauty. the women of their dreams. Inspired by Cinderella. FAIRY TALES The wild girl Daughter of the forest by Kate Forsyth by Juliet Marillier FICTION Forsyth SCIFIC FANTASY Marillier Inspired by the heartbreaking To reclaim the lives of her romance of Wilhelm Grimm and brothers, Sorcha leaves the only the woman who told him many of safe place she has known and his most famous tales. starts on a journey of pain, loss, and terror. Inspired by The Wild Swans. The snow child Spinning silver by Eowyn Ivey by Naomi Novik FICTION Ivey SCIFIC FANTASY Novik A childless couple in 1920’s Alaska Miryam, the daughter and discover a little girl living in the granddaughter of money Books putting a different spin wilderness with a red fox as a lenders, is forced by her father’s companion. Inspired by The inability to collect his debts to on folk, fairy tales and myth Snow Maiden. take matters into her own hands. Bitter greens by Kate Forsyth Dreamer’s pool SCIFIC-FANTASY Forsyth By Juliet Marillier A story of desire, black magic and love interweaves the Rapunzel SCIFIC FANTASY Marillier fairy tale with the true-life story of After escaping wrongful French novelist Charlotte-Rose de imprisonment, a magical healer is Logan Library la Force. duty-bound to assist anyone who 255 North Main asks for her help. Inspired by Logan, Utah 84321 | 435 716-9123 Irish mythology library.loganutah.org Wicked Once upon a tower The princess bride by Gregory Maguire by Eloisa James by William Goldman SCIFIC FANTASY Maguire FICTION James SCIFIC FANTASY Goldman Set in Oz, Elphaba, the Wicked A romantic Rapunzel retelling A fractured fairy tale in which Witch of the West makes plans to from James’ Fairy Tales series. Westley, a handsome farmhand, avenge her sister’s death. rescues Princess Buttercup to win her hand in marriage and their happily ever after. The girl in the tower Winter rose by Patricia A. McKillip by Katherine Arden The mists of Avalon SCIFIC FANTASY McKIllip SCIFIC FANTASY Arden by Marion Zimmer Bradley Two sisters fall in love with Vasya is forced to choose SCIFIC FANTASY Bradley aristocrat who returns to claim between marriage and life in a convent. Inspired by Russian A retelling of King Arthur legends their father’s abandoned estate. from the perspective of female Inspired by Tam Lin. folkore. characters. The seven sisters A court of thorns and roses Circe by Lucinda Riley by Sarah J. Maas by Madeline Miller FICTION Riley SCIFIC FANTASY Maas FICTION Miller Six adopted sisters are handed Huntress Feyre is captured faeries A retelling of the Greek myth of tantalizing clues to their heritage by for killing a wolf. A dark the sorceress Circe who turned through the will of their wealthy, fantasy series that is a mixture of Odysseus’ crew into swine. deceased father. Inspired by the tales from Beauty and the Beast Greek myth of Pleaides. to Tam Lin. Gods of jade and shadow The bear & the nightingale Anansi Boys By Silvia Moreno-Garcia by Neil Gaiman by Katherine Arden SCIFIC FANTASY Moreno- SCIFIC FANTASY Gaiman SCIFIC FANTASY Arden Garcia Fat Charlie meets the twin brother In a remote Russian village, a In 1920s Mexico a young he never knew and is introduced stranger presents a father with a woman unwittingly awakens the to exciting new ways to spend his unique gift for his newborn Mayan god of death and is time. Inspired by West African daughter. Inspired by Russian pulled into his plans for trickster tales. folklore. vengeance. Inspired by Mexican folklore. .
Load more

Recommended publications
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Escapism and the Ideological Stance in Naomi Novik's
    B R U M A L Revista de Investigación sobre lo Fantástico DOI: https://doi.org/10.5565/rev/brumal.606 Research Journal on the Fantastic Vol. VII, n.º 2 (otoño/autumn 2019), pp. 111-131, ISSN: 2014-7910 «I DIDN’T OFFER TO SHAKE HANDS; NO ONE WOULD SHAKE HANDS WITH A JEW»: ESCAPISM AND THE IDEOLOGICAL STANCE IN NAOMI NOVIK’S SPINNING SILVER SARA GONZÁLEZ BERNÁRDEZ Universidade de Santiago de Compostela [email protected] Recibido: 12-06-2019 Aceptado: 11-09-2019 AbsTRACT Naomi Novik, an American writer of Lithuanian-Polish ascendency, is one of the most acclaimed voices in contemporary young-adult fantasy fiction. Her fantasies are heav- ily influenced by her cultural heritage, as well as by the fairy tale tradition, which be- comes most obvious in her two standalone novels, Uprooted and the subject of this es- say, Spinning Silver. As the quote chosen for this essay’s title demonstrates, Novik’s second standalone work constitutes one of the most obvious outward statements of an ideological stance as expressed within fantasy literature, as well as an example of what Jack Zipes (2006) called transfiguration: the rewriting and reworking of traditional tales in order to convey a different, more subversive message. This paper considers how Novik’s retelling takes advantage of traditional fairy-tale elements to create an implicit critique of gender-based oppression, while at the same time, and much more overtly, denouncing racial and religious prejudice. The ideological stance thus conveyed is shown to be intended to have consequences for the reader and the world outside of the fiction.
    [Show full text]
  • Land of Faerie: the Disappearing Myth
    Volume 5 Number 2 Article 1 10-15-1978 Land of Faerie: The Disappearing Myth Caroline Geer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Geer, Caroline (1978) "Land of Faerie: The Disappearing Myth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 5 : No. 2 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol5/iss2/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses various theories for the origins of fairies (and tales about them) in myth, history, and religion. Additional Keywords Faerie—Origins; Fairy tales—Origins; Fairy tales—Relation to Myth; Bonnie GoodKnight This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol5/iss2/1 LAND OF FAERIE: THE DISAPPEARING MYTH by Caroline Geer So an age ended, and its last deliverer died Tolkien, however, asserts that "history often resembles In bed, grown idle and unhappy; they were safe: 'myth,' because they are both ultim ately of the same stuff.
    [Show full text]
  • Read-Alike Catalog
    2 0 2 0 • alike Catalog This catalog contains our recommendations for books that might appeal to readers who enjoyed Naomi Novik’s Spinning Silver. Spinning Silver (2018) by Naomi Novik Miryem is the daughter and grand- daughter of moneylenders, but her father’s inability to collect his debts has left his family on the edge of poverty— until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold. When an ill- advised boast draws the attention of the king of the Staryk—grim fey creatures who seem more ice than flesh—Miryem’s fate, and that of two kingdoms, will be forever altered. “A perfect tale . rich in both ideas and people, with the vastness of Tolkien and the empathy and joy in daily life of Le Guin.” — NY Times Book Review Uprooted (2015) by Naomi Novik “Moving, heartbreaking, and thoroughly satisfying, Uprooted is the fantasy novel I feel I've been waiting a lifetime for. Clear your schedule before picking it up, because you won't want to put it down.” — NPR “Uprooted is also part of the modern fairy-tale retelling tradition, because it is very much concerned with which stories get told, why and how they are told, and what truths might underlie them. That focus makes the novel not just exciting, but emotionally satisfying, and very much worthy of reading.” — TOR.com The Bear and the Nightingale (2017) by Katherine Arden “Arden’s supple, sumptuous first novel transports the reader to a version of medieval Russia where history and myth coexist.
    [Show full text]
  • Stallings Book 4 Print.Pdf (3.603Mb)
    Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Stallings_final.indb 1 5/17/2007 5:14:41 PM Stallings_final.indb 2 5/17/2007 5:14:41 PM Mutha ’ is half a word Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture L. H. Stallings The Ohio State University Press Columbus Stallings_final.indb 3 5/17/2007 5:14:42 PM Copyright © 2007 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Horton-Stallings, LaMonda. Mutha’ is half a word : intersections of folklore, vernacular, myth, and queerness in black female culture / L.H. Stallings. p. cm.—(Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1056-7 (cloth : alk. paper) ISBN-10: 0-8142-1056-2 (cloth : alk. paper) ISBN-13: 978-0-8142-9135-1 (cd-rom) ISBN-10: 0-8142-9135-X (cd-rom) 1. American literature—African American authors—History and criticism. 2. American literature—women authors—History and criticism. 3. African American women in literature. 4. Lesbianism in literature. 5. Gender identity in literature. 6. African American women— Race identity. 7. African American women—Intellectual life. 8. African American women— Folklore. I. Title. II. Series PS153.N5H68 2007 810.9'353—dc22 2006037239 Cover design by Jennifer Shoffey Forsythe. Cover illustration by Michel Isola from shutterstock.com. Text design and typesetting by Jennifer Shoffey Forsythe in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials.
    [Show full text]
  • Resistance Through 'Robber Talk'
    Emily Zobel Marshall Leeds Beckett University [email protected] Resistance through ‘Robber Talk’: Storytelling Strategies and the Carnival Trickster The Midnight Robber is a quintessential Trinidadian carnival ‘badman.’ Dressed in a black sombrero adorned with skulls and coffin-shaped shoes, his long, eloquent speeches descend from the West African ‘griot’ (storyteller) tradition and detail the vengeance he will wreak on his oppressors. He exemplifies many of the practices that are central to Caribbean carnival culture - resistance to officialdom, linguistic innovation and the disruptive nature of play, parody and humour. Elements of the Midnight Robber’s dress and speech are directly descended from West African dress and oral traditions (Warner-Lewis, 1991, p.83). Like other tricksters of West African origin in the Americas, Anansi and Brer Rabbit, the Midnight Robber relies on his verbal agility to thwart officialdom and triumph over his adversaries. He is, as Rodger Abrahams identified, a Caribbean ‘Man of Words’, and deeply imbedded in Caribbean speech-making traditions (Abrahams, 1983). This article will examine the cultural trajectory of the Midnight Robber and then go on to explore his journey from oral to literary form in the twenty-first century, demonstrating how Jamaican author Nalo Hopkinson and Trinidadian Keith Jardim have drawn from his revolutionary energy to challenge authoritarian power through linguistic and literary skill. The parallels between the Midnight Robber and trickster figures Anansi and Brer Rabbit are numerous. Anansi is symbolic of the malleability and ambiguity of language and the roots of the tales can be traced back to the Asante of Ghana (Marshall, 2012).
    [Show full text]
  • Elemental Magic: All-New Tales of the Elemental Masters Free Ebook
    FREEELEMENTAL MAGIC: ALL-NEW TALES OF THE ELEMENTAL MASTERS EBOOK Mercedes Lackey | 320 pages | 04 Dec 2012 | Penguin Putnam Inc | 9780756407872 | English | New York, United States Elementary: All-New Tales of the Elemental Masters This collection of short stories is a combination of new tales in Mercedes Lackey's Elemental Masters world, with a weird injection of some authors who have no idea what the Elements should be like. "Fire-Water" by Samuel Conway brings a fishhawk to a rabbit to stop a small war. Among Mercedes Lackey’s many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn-of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth. Among Mercedes Lackey's many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn- of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth. Elemental Masters Series Among Mercedes Lackey’s many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn-of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth.
    [Show full text]
  • Hero, Shadow and Trickster; Three Archetypes in the Kingkiller Chronicle
    Hero, Shadow and Trickster; Three Archetypes in The Kingkiller Chronicle Tapio Tikkanen Master’s Thesis English Philology Faculty of Humanities University of Oulu Autumn 2018 Table of contents 1 Introduction.............................................................................................................................1 2 The History of Archetypes.........................................................................................................2 2.1 Carl Jung and the Collective Unconscious...........................................................................2 2.2 James Frazer’s Anthropological Examinations....................................................................4 2.3 Maud Bodkin’s Application of Jungian Archetypes to Poetry..............................................6 2.4 Northrop Frye and the Archetypes of Literature.................................................................9 3 Outlining the Archetypes........................................................................................................11 3.1 The Hero.........................................................................................................................11 3.2 The Shadow....................................................................................................................14 3.3 The Trickster...................................................................................................................15 4 Archetypes and Fantasy...…………….........................................................................................17
    [Show full text]
  • Children of Blood and Bone Named Audiobook of the Year at the 2019
    FOR IMMEDIATE RELEASE Contact: Danielle Katz, The Media Grind (818) 823-6603 Children of Blood and Bone named Audiobook of the Year at the 2019 Audie Awards Megan Mullally and Nick Offerman among others recognized last night for achievement in spoken word entertainment New York, NY – March 5, 2019 – The Audio Publishers Association (APA), the premiere trade organization of audiobooks and spoken word entertainment, announces today the winners of last night’s annual awards gala, The Audie Awards. The event was hosted by Queer Eye fashion expert, upcoming memoirist and audiobook narrator, Tan France, who lent his charming personality and delightful wit to the evening’s festivities. The Audies recognizes outstanding achievement from the authors, narrators, publishers, and producers of the most talked-about audiobooks in the industry. This year’s most prestigious award, Audiobook of the Year, has been named Tomi Adeyemi’s Children of Blood and Bone, published by Macmillan Audio. Recognized by the esteemed judging panel of Ron Charles (Book Critic for The Washington Post), Linda Holmes (Host of NPR's Pop Culture Happy Hour), and Lisa Lucas (Executive Director of the National Book Foundation), the Audiobook of the Year acknowledges the work that, through quality and influence, has caught the attention of the industry’s most important thought leaders. The panel praised Adeyemi’s work and Bahni Turpin’s captivating narration. “There's something magical about the timbre of Turpin’s voice that's perfectly tuned to the fantastical nature of this novel. I felt transported into the world of "Children of Blood and Bone," said Ron Charles.
    [Show full text]
  • Fairy Trail Booklet
    FAIRY TRAIL www.bunrattycastle.ie NCE UPON A TIME.. There was a fairy called Éirinn, who was a good fairy, and lived mostly in the woods. Her best friend was Seán the Pixie, who liked to get himself into mischief. O One day Seán decided to play a trick on Éirinn by taking her fairy wings and hiding them somewhere in the park. The fairies request the help of _________________________ to help find Éirinn’s fairy wings. INTRODUCTION INSTRUCTIONS THE CLUES We need you and your friends to help the fairies 1. Follow the directions and map around the grounds find their missing fairy wings. By following the clues of the park to discover the clues. and directions, you should be able to uncover the hidden location of the fairy wings. Along the way, 2. The information panels can be found throughout you will need to locate the information panels at the grounds, around the park. Each panel contains various points, answer a question and then finally information about fairies and their friends. decipher the answer. 3. Match up each marker with the clue found within the booklet, answer the question, then enter your correct answer on the back page. TO START THE TRAIL Your start point is at the Music Shop. Please ensure you have suitable footwear and clothing before starting. The fairies request the help of _________________________ Remember that you are responsible for the safety of yourself and others in your group, whilst on the trail. Please to help find Éirinn’s fairy wings. respect the privacy and property of others.
    [Show full text]
  • The Significant Other: a Literary History of Elves
    1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee.
    [Show full text]
  • Melting Pot Rapunzel by Jay Voorhies a Thesis Presented to the Honors
    Melting Pot Rapunzel by Jay Voorhies A Thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College April 2015 TABLE OF CONTENTS Page Signature Page……………………………………………………………………….……..………i Acknowledgements…………………………………………………………………..........……….ii Abstract……………………………………………………………………………..........……......iii Table of Contents………………………………………………………………………...……......iv List of Figures……………………………………………………………………………………...v Part I – Research Component Chapter 1 – Organismic Rapunzel………………………………………...…………..…..1 Chapter 2 – The Maiden-in-a-Tower Tale…………………………………….………..…3 Chapter 3 – “Rapunzel”…………………………………………………..…………….....4 Chapter 4 –“Petrosinella”……………………………………………………….……..….9 Chapter 5 – Mediterranean Variants…………………………………………………......13 Chapter 6 – “Persinette”……………………………………………………………….....16 Chapter 7 – French Variants……………………….………………………….………....21 Chapter 8 – “Louliyya Daughter of Morgan”………………………………………..…..24 Chapter 9 – The Legend of Saint Barbara…………………………………………..…...28 Chapter 10 – “Zal and Rudabeh”…………………………………………………….......30 Chapter 11 –“Mother and Daughter”…………………………………………….........…31 Chapter 12 – Sugar Cane: A Caribbean Rapunzel………………………………………33 Chapter 13 – Tangled………………………………………………………….……...….36 Conclusion…………………………………………………………………………...…..40 Part II – Creative Component “Yamaima”…………………………………………………………………..………..…42 Works Cited…………………………………………………………………..………….60 LIST OF FIGURES Figure I: “Yamaima in her Tower” Figure II: “Yamamba’s
    [Show full text]