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New and Lesser Known Works for Saxophone Quartet: a Recording
New and Lesser Known Works for Saxophone Quartet: A Recording, Performance Guide, and Composer Interviews by Woodrow Chenoweth A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2019 by the Graduate Supervisory Committee: Christopher Creviston, Chair Joshua Gardner Michael Kocour Ted Solis ARIZONA STATE UNIVERSITY May 2019 ABSTRACT This project includes composer biographies, program notes, performance guides, composer questionnaires, and recordings of five new and lesser known works for saxophone quartet. Three of the compositions are new pieces commissioned by Woody Chenoweth for the Midwest-based saxophone quartet, The Shredtet. The other two pieces include a newer work for saxophone quartet never recorded in its final version, as well as an unpublished arrangement of a progressive rock masterpiece. The members of The Shredtet include saxophonists Woody Chenoweth, Jonathan Brink, Samuel Lana, and Austin Atkinson. The principal component of this project is a recording of each work, featuring the author and The Shredtet. The first piece, Sax Quartet No. 2 (2018), was commissioned for The Shredtet and written by Frank Nawrot (b. 1989). The second piece, also commissioned for The Shredtet, was written by Dan Puccio (b. 1980) and titled, Scherzos for Saxophone Quartet (2018). The third original work for The Shredtet, Rhythm and Tone Study No. 3 (2018), was composed by Josh Bennett (b. 1982). The fourth piece, Fragments of a Narrative , was written by Ben Stevenson (b. 1979) in 2014 and revised in 2016, and was selected as runner-up in the Donald Sinta Quartet’s 2016 National Composition Competition. -
Radio 3 Listings for 28 December 2019 – 3 January 2020 Page 1 of 16
Radio 3 Listings for 28 December 2019 – 3 January 2020 Page 1 of 16 SATURDAY 28 DECEMBER 2019 (conductor) BBC National Orchestra of Wales Jac van Steen (conductor) SAT 01:00 Through the Night (m000cpsr) 05:01 AM BIS BIS2408 (Hybrid SACD) - Released 3rd January 2020 Regensburger Domspatzen at Tage Alter Musik Judith Weir (1954-) String quartet Ravel: Jeux de Miroirs Leopold Mozart shows himself to be a serious composer at the Silesian Quartet Javier Perianes (piano) height of his powers with his Symphony in G and Missa Orchestre de Paris Solemnis. They are performed at the Tage Alter Musik festival 05:13 AM Josep Pons (conductor) in Regensburg, Germany, by the Regensburger Domspatzen and Franz Schubert (1797-1828) Harmonia Mundi HMM902326 the Hofkapelle Munich. Catriona Young presents. 4 Impromptus for piano, D 899 (No 4 in A flat) http://www.harmoniamundi.com/#!/albums/2571 Arthur Schnabel (piano) 01:01 AM 9.30am Building a Library Leopold Mozart (1719-1787) 05:21 AM Symphony in G 'Neue Lambacher', for strings Johann Philipp Kirnberger (1721-1783) Laura Tunbridge discusses a wide range of approaches to Hofkapelle Munchen, Rudiger Lotter (conductor) Cantata, 'An den Flussen Babylons' Schumann's searing Heine cycle and recommends the key Johannes Happel (bass), Balthasar-Neumann-Chor, Balthasar- recording to keep for posterity. 01:18 AM Neumann-Ensemble, Detlef Bratschke (conductor) Leopold Mozart (1719-1787) 10.20am New Releases Missa Solemnis in C 05:33 AM Katja Stuber (soprano), Dorothee Rabsch (contralto), Robert Joaquín Turina (1882-1949) -
Jazzflits.Nl
1 12de JAARGANG, NR. 227 24 NOVEMBER 2014 IN DIT NUMMER: 1 NIEUWS 4 JAZZ OP PAPIER 5 JAZZ OP DE PLAAT Kim Versteynen, Pieter Bast, Rick Kostelijk, Ivo Perelman, Branford Marsalis, Wadada Leo Smith e.a. 15 JAZZ OP DE PLANKEN Medeski, Scofield, Martin & Wood, November Music, JIR 2014 e.a. EN VERDER ONDER MEER: 21 New York Calling (Roos Plaatsman) 22 JF in Belgrado (Schot, Huguenin) 26 JF in Boston (Bart Hollebrandse) JAZZ FLITS 228 staat 8 DECEMBER op http://www.jazzflits.nl JAZZFLITSEN ONAFHANKELIJK JAZZMAGAZINE SINDS 2003 EDISON NATIONAAL VOOR SEBASTIAAN VAN BAVEL Pianist Sebastiaan van Bavel krijgt Monk Competition-winnaar Marquis Hill. (Persfoto) voor zijn album ‘As The Journey Begins’ de Edison Jazz Nationaal MARQUIS HILL WINT THELONIOUS MONK 2014. De onderscheiding wordt op 27 november in Eindhoven uitge- INTERNATIONAL JAZZ TRUMPET COMPETITION reikt. De Amerikaanse trompettist Marquis Hill is 9 november in Brad Mehldau & Mark Guiliana ontvan- Los Angeles uitgeroepen tot de winnaar van de Thelonious Monk International Jazz Trumpet Competition gen de Edison Jazz Internationaal voor 2014. De Thelonious Monk Jazz Competition is een zeer hun cd ‘Mehliana: Taming The Dragon’. prestigieuze wedstrijd. De winnaar doet in de regel nog Miles Davis’ album ‘The Original Mono van zich spreken. Recordings’ is volgens de Edison-jury de beste historische uitgave. De categorie Marquis Hill (27) komt uit Chicago. Hij geeft daar les op de Jazz Vocaal heeft nog geen winnaar. Die University of Illinois en speelt in het Chicago Jazz Orchestra. wordt later bekendgemaakt. Hill maakte enige albums voor onafhankelijke labels. Als winnaar In de Edison-jury zaten dit jaar Cor Bak- van de Monk Competition mag hij nu een cd voor Concord ker, Michelle Kuypers, Mijke van Wijk, Records maken. -
Émergence Des Auto-Oscillations Dans Un Instrument De Musique À Anche Simple
Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple Fabrice Silva sous la direction de J. Kergomard, Ch. Vergez et Ph. Guillemain Laboratoire de Mécanique et d’Acoustique & Université de Provence Projet ANR Consonnes 7 décembre 2009 Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 1 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Plan 1 Contexte et motivations Des instruments à anche simple. aux manifestations de l’anche. 2 Simulation temporelle des auto-oscillations Décomposition modale d’un résonateur acoustique augmenté MOREESC 3 Seuils d’oscillation des instruments à anche simple Étude théorique Expérimentations 4 Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 2 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives Plan 1 Contexte et motivations Des instruments à anche simple. aux manifestations de l’anche. 2 Simulation temporelle des auto-oscillations Décomposition modale d’un résonateur acoustique augmenté MOREESC 3 Seuils d’oscillation des instruments à anche simple Étude théorique Expérimentations 4 Conclusion et perspectives Émergence des auto-oscillations dans un instrument de musique à anche simple – Fabrice Silva – LMA & UP 3 / 35 Introduction Simulation Temporelle Seuils d’oscillation Conclusion et perspectives -
The Clarinet Choir Music of Russell S
Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation. -
Prokofiev Clarinet Sonatas Overture on Hebrew Themes
Weinberg — Prokofiev Clarinet Sonatas Overture on Hebrew Themes Annelien Van Wauwe, Clarinet Lucas Blondeel, Piano Weinberg — Prokofiev Annelien Van Wauwe, Clarinet Lucas Blondeel, Piano Sergei Prokofiev (1891–1953) Violin Sonata No. 2 in D major, Op. 94bis (1943), transcription for clarinet by Kent Kennan 01 I. Moderato ........................................... [08'18] 02 II. Scherzo ............................................ [06'14] 03 III. Andante .......................................... [03'39] 04 IV. Allegro con brio ................................... [07'51] Mieczysław Weinberg (1919–1996) Sonata for Clarinet and Piano, Op. 28 (1945) 05 I. Allegro ............................................. [05'32] 06 II. Allegretto .......................................... [07'00] 07 III. Adagio ............................................ [06'23] Sergei Prokofiev 08 Overture on Hebrew Themes in C minor, Op. 34, for clarinet, string quartet and piano (1919) .... [09'25] Shirly Laub, violin Samuel Nemtanu, violin Marc Sabbah, viola Bruno Philippe, cello Total Time ....................................................... [54'30] About the works Sergei Prokofiev Violin Sonata No. 2 in D major, Op. 94bis (1943) Sergei Prokofiev returned to the Soviet Union in 1936 after 18 years in exile, hoping to become the country’s most important composer following the condemnation of Dmitri Shostakovich by Joseph Stalin’s regime. However, things did not turn out that way. Both the Bolshoi and the Kirov refused to stage Romeo and Juliet, which he had composed in Paris during the summer of 1935. It was finally premiered in 1938 in the Moravian city of Brno. During the war Prokofiev’s situation improved, but the Soviet regime never really pardoned its “prodigal son”. After 1945, the composer, plagued by poor health, was sub- jected to official condemnations and financial difficulties for the rest of his life. -
BW Programme Saxcess.Indd
PROGRAMME Pieces for today’s programme will be selected from: Bolero Ravel arr N. Wood. From Anna Magdelena’s Notebook Elena Kats Chenin Sonata Boismortier arr D. Rawson Canzona Frescobaldi arr R.O’Brian TAURANGA MUSICA Arrival of the Queen of Sheba G.F. Handel arr J. Brown Go down Moses Trad arr D. Rawson 2019 CONCERT SERIES Nitwits Richard Percival (NZ) Uretiti [world Premier] Peter Liley (NZ) When I’m 64 Lennon/Mcartney arr Ricker Saxcess Pequeña Czarda Sunday 10 March Pedro Iturralde 7.00PM Interval X SPACE, BAYCOURT, TAURANGA Viglid for Xaphoon and saxophone trio Ross Harris (NZ) Zakh -‘Thing’ Ross Harris (NZ) Chanson D’Autre fois Pierne arr Mule Balcony Song and Cha Cha from West Side Story Bernstein arr J. Boatman Tango Un Verano de Passion Gareth Farr (NZ) Hine Hine Trad arr A.Withington (NZ) Klezmer Wedding Mike Curtis With thanks to our sponsors: Proudly presented by Support Tauranga Musica by subscribing to our exciting Concert Series 07 579 5543 or www.tgamusica.co.nz Michael Jamieson is one of New Zealand’s foremost Saxcess saxophonists. After completing his studies at Victoria and Massey Universities with Debbie Rawson, he In 1992 Saxcess made its debut in the Sydney Opera received a Massey University Cultural Award, a grant House at a concert staged by the Royal Australian Air from Creative NZ, and the prestigious Patricia Pratt Force to commemorate the battle of the Coral Sea. In Music Scholarship, enabling him to undertake Masters 1994 the group travelled to Belgium for a three week study with Johan van der Linden at the Messiaen tour in conjunction with the 100th anniversary of the Academie in the Netherlands and in France with several death of the founder of the saxophone, Adolphe Sax. -
Of Haydn, Beethoven, and Schubert
34th SEASON Quartets of Haydn, Beethoven, and Schubert Chiaroscuro String Quartet 9 March 2019 Alix Goolden Hall UpcomingConcerts Victoria’s Requiem and Penitential Motets 23 March 2019 Saturday 8pm Christ Church Cathedral Choir of Clare College Cambridge (UK) co-presented by Gate to the East 6 April 2019 Saturday 8pm Alix Goolden Hall Marco Beasley tenor (ITALY) Constantinople (MONTREAL) Kiya Tabassian setar and direction Quartets of Haydn, Beethoven, and Schubert String Quartet in Eb major, Opus 33, No. 2 ‘The Joke’ Franz Joseph Haydn (1732 – 1809) Allegro moderato Scherzo: Allegro Largo Presto String Quartet in B flat major Op. 18 No. 6 Ludwig Van Beethoven (1770 – 1827) Allegro con brio Adagio ma non troppo Scherzo: Allegro La Malinconia: Adagio-Allegretto quasi Allegro INTERMISSION String Quartet No. 14 in D minor D.810 ‘Death and the Maiden’ (Der Tod und das Mädchen) Franz Schubert (1797 – 1828) Allegro Andante con moto Scherzo Allegro molto Presto The Artists Chiaroscuro Quartet Records features Schubert's ‘Death and the Maiden’ and Formed in 2005, Chiaroscuro Quartet comprises String Quartet No.9 in G minor, D.173 was released in violinists Alina Ibragimova (Russia) and Pablo Hernán November 2018. Benedí (Spain), the Swedish violist Emilie Hörnlund and Since 2009, Chiaroscuro Quartet has been artist-in- cellist Claire Thirion from France. Dubbed ‘a trailblazer residence in Port-Royal-des-Champs giving a concert for the authentic performance of High Classical chamber series dedicated to Mozart’s string quartets. music’ in Gramophone, this international ensemble Chiaroscuro Quartet are grateful to Jumpstart Jr performs music of the Classical and early Romantic periods Foundation for the kind loan of the 1570 Andrea on gut strings and with historical bows. -
5 October 2018 Page 1 of 11 SATURDAY 29 SEPTEMBER 2018 Paulo Bellinati (B.1950) Ravel's L'enfant Et Les Sortilèges and Makes a Recommendation
Radio 3 Listings for 29 September – 5 October 2018 Page 1 of 11 SATURDAY 29 SEPTEMBER 2018 Paulo Bellinati (b.1950) Ravel's L'enfant et les sortilèges and makes a recommendation. Jongo SAT 01:00 Through the Night (m0000hy6) Tornado Guitar Duo Maurice Ravel's 1925 one act L'enfant et les sortilèges - The Matthias Pintscher conducts Beethoven Child and the Spells - portrays a spoiled, violent and surly child Music by Beethoven and Bernd Alois Zimmermann from a 05:01 AM who gets his comeuppance from all the things he's abused, Finnish Radio concert. John Shea presents. Anatoly Konstantinovich Lyadov (1855-1914) destroyed and killed. In a stream of surreal set-pieces, The Enchanted Lake (Op.62) inanimate objects (including an armchair, teapot, wallpaper and 01:01 AM Bergen Philharmonic Orchestra, Dmitri Kitaenko (Conductor) a clock) and animals (among them a bat, cats, a squirrel, a frog Bernd Alois Zimmermann (1918-1970) and a dragonfly) lead the child to a genuine sense of remorse Photoptosis - prelude for orchestra 05:09 AM and empathy. At once funny and moving, Freudian allusion rubs Finnish Radio Symphony Orchestra, Matthias Pintscher Gabriel Fauré (1845-1924) shoulders with Ravel's take on American musical comedy, and (Conductor) Nocturne for piano no 6 in D flat major, Op 63 the opera demands a top-flight orchestra, conductor and cast for Jean-Yves Thibaudet (Piano) it to take wing. 01:15 AM Ludwig van Beethoven (1770-1827) 05:18 AM 10.20am New Releases Piano Concerto no 3 in C minor, Op 37 Edward Elgar Javier Perianes (Piano), Finnish -
Orchestra Sex Disparity: Experimental Evidence from Audience Members
Orchestra Sex Disparity: Experimental Evidence from Audience Members Richard Gong* UC Berkeley This paper presents a novel experiment that recruits 191 experimental subjects on Ama- zon Mechanical Turk (MTurk). Experimental subjects listen to and judge musicians who per- form audio recordings of classical music. Subjects also guess what instruments various mu- sicians play given just their names. Experimental subjects recognize that some instruments are more commonly played by female musicians and others by male musicians. Yet, no sex discrimination is detected in musician performance ratings. 1 Introduction In classical music, the sound a musician produces when playing an instrument has paramount importance. Professional musicians and novice audience members largely believe the quality of a performance should be judged by sound (Tsay 2013; Mehr & Scannell & Winner 2018). Yet, orchestras, which have been historically male dominated, have not been welcoming to all musicians of strong ability. In 1982, Sabine Meyer toured the United States as the Berlin Philharmonic’s first female clarinetist. Despite a strong endorsement from orchestra’s principal conductor, Herbert von Karajan, orchestra members voted, 73 to 4, against offering Meyer a permanent position. Having won an audition, Ann Hobson Pilot joined the Boston Symphony Orchestra (BSO) as a harpist in *e-mail: ([email protected]) Many thanks to Sydnee Caldwell for advising me through this senior thesis. 1 1969. On her first day on the job, an older member of the orchestra charged up to her and mocked, “You must fry some mean chicken.” Pilot was the orchestra’s first black musician. In the 1970’s and 1980’s, many U.S. -
Currently –Year 2009– We Still Are Sailing "Our" Black Oceans, Id Est, We Surf Blindly the Waters of the Web, by A
The black oceans of the deep web, and the crystal clear databases by Alejandro Ochoa G. Guadalajara, State of Jalisco, Mexico Wednesday, June 24, 2009 The web is opaque. Currently –June, 2009– we are still sailing "our" black oceans. Or, we are surfing somewhat blindly the waters of the web. We accept and rely on what search engines like yahoo.com, bing.com, ask.com, google.com, kosmix.com, hakia.com, lexxe.com, answers.com/bb, wolframalpha.com, cuil.com, deeppeep.org, clusty.com, http://blindsearch.fejus.com, duckduckgo.com, yauba, hunch.com, oneriot, scoopler, powerset, et cetera, retrieve from the internet by using their web crawlers, bots or robots, ants, automatic indexers, worms, spiders, or Web scutters, and then delivering the results of their searches to us through the links their software creates. I think the time has come for someone to tell the Internet Corporation for Assigned Names and Numbers (ICANN) that soon there will be a need to create at least three new top-level domains (TLDs): .odb, .sdb, and .fdb (open databases, shareable databases, and free databases). There are several well-known TLDs: .aero, .asia, .biz, .cat, .com, .coop, .gov, .gob [in Spanish], .info, .int, .jobs, .mil, .mobi, .museum, .name, .net, .org, .pro, .tel, .travel, .tv, et cetera. I believe it would be ideal, “perfect” or good for many of us internet surfers to stop being surfers, and become internet divers or crew members of a submarine or a bathyscaphe. We would be better if we could leave the surfboard or the clipper or the yacht, and enter a submarine or a bathyscaphe in order to see directly what the deep oceans of the web conceal. -
Ein Neuer Klarinettistischer Atem
Ein neuer klarinettistischer Atem Die belgische Klarinettistin Annelien Van Wauwe ist soeben als „Nachwuchskünstlerin des Jahres“ mit dem OPUS Klassik 2020 ausgezeichnet worden. Die herausragende Virtuosin beschäftigt sich seit vielen Jahren auch intensiv mit Yoga und hat diese philosophische Praxis in ihrem musikalischen Alltag mit seinen besonderen mentalen wie physischen Herausforderungen schätzen gelernt. 2022 wird sie „Sutra“ von Wim Henderickx, das erste auf Atem und Meditation basierende Klarinettenkonzert der Musikgeschichte, zur Uraufführung bringen. „Ich atme ein und komme zur Ruhe. Ich atme aus und lächle. Heimgekehrt in das Jetzt wird dieser Moment ein Wunder.“ Diese Worte des berühmten buddhistischen Zen-Meisters Thích Nhất Hạnh könnten fast so etwas wie die Arbeitsbeschreibung der belgischen Klarinettistin und Yoga-Lehrerin Annelien Van Wauwe sein. „Seit Jahren beschäftige ich mich intensiv mit Yoga und habe seine positiven Einflüsse auf mein Klarinettenspiel und meinen Alltag als Solistin, Kammermusikerin und Klarinettendozentin umgesetzt.“ Dass dies regelmäßig in ganz außergewöhnlichen künstlerischen Resultaten mündet, zeigt schon die beeindruckende Historie ihrer in den letzten Jahren erspielten Auszeichnungen u.a. beim ARD Musikwettbewerb, des Borletti Buitoni Trust Award oder des „Klara“-Preises beim Flämischen Radio. Mit der Verleihung des OPUS Klassik 2020 als „Nachwuchskünstlerin des Jahres“ ist sie als ehemaliger BBC New Generation Artist nunmehr in die vorderste Reihe der europäischen Virtuosenszene gerückt. Die Juryentscheidung fußte auf Van Wauwes Debütalbum „Belle époque“ (2019), das grenzüberschreitend Begeisterung in Kritikerkreisen auslöste („... diese CD eröffnet uns eine hervorragende Sicht auf ihre technischen Fähigkeiten, ihre Musikalität und ihren schönen Ton, auch im Altissimo-Register“, schrieb etwa das BBC Music Magazine): „Als junge Belgierin, von Natur aus fasziniert von Schönheit und mit einem Auge für Details in Kunst und Kultur, bin ich in einem Land voller architektonischer Juwelen aus dem Jugendstil aufgewachsen.