The Wonicaeducator

Total Page:16

File Type:pdf, Size:1020Kb

The Wonicaeducator THEWONICAEDUCATOR @2006 EXPANDS PROWDES T.H.E KNOWLEDGE OF IN-DEPTH INFORMATION HARMONICA ON A WIDE RANGE OF TEACHING AND MUSICAL AND IIARMONICA PL.4YING REL/ITED TOPICS Volume 13 lssue 2 Internatìonal Publication Dedìcated to the Advancemenf of Harmonica Education Summer 2006 Sincethe 1980s,Nick Dallett has been active in the acousticmusic scenein the Pacific Northwest, and has composedand performed a wide Interpretation: Finding Your Style I variely of music, from conlemporaty classical chamber music to hard rock. In addition to creating music, Nick has been active since 1990 in The Construction of Diatonic and Echo 8 Pipe Harmonicas promoting regional musicians of the Pacific l'{orthwest. This has been "A Using PayPal for Subscriptions,Pur- t0 through his radio progranx Portable Stage" on KSER (90.7, Everett, chasingHarmonica Books, and Ads Washington),through his record label, BAF, through his work in cata- loguing the Folklife Festival tape archives, and through the Olympic AcousticGuitar Association,an organization he co-foundedin 1991. From The Editor "The Traditional Irish Music and the Nick Dallett wroÍe a book called, Musical Experience,"which is Diatonic Harmonica published by Acoustic Confusion Music (@ 1991 Nick Dallett/Acoustic Beginning and Intermediate Level ConfusionMusic). Mr. Dallett has given his kind permission to reprint Harmonica Players sorne articles his book. The follou,ing reprint is called Beginning & Intermediate Level Bass "Interpretation: from Finding Your Style." Many of the ideas in this article will Harmonica Players be of valueto harntonicasoloists and ensembleplayers. Beginning,Intermediate, and Advanced level Chromatic and Bass Interpretation: Finding Your Style Harmonica Players (Reprintedfrom the Winter 1997 Issue) Scales,Intervals, Rhythms, Arpeggios, and Exercises for Chromatic and BassHarmonicas By Nick Dallett (Reprintedwith permissionof AcousticConfusion Music) Duets, Trios, and Quartets for Harmonica Ensembles EXERCISE - Comparing The 48-Chord Harmonica I) Find two recordingsof a classicalcomposition. Try to makethem as The Chord Harmonica: Musícianship dissimilaras possible- say,two recordingsof the samepiece made fifty and Performance Skílls yearsapart. Aside from record stores,some possible sources are friends' Golden Oldies for Har. Ensembles 35 recordcollections, the public library, or a local radio station. The SelectedMusic of Stephen 31 Foster for Harmonica Ensembles Play both recordings and note the differences.First, think about the The SongsofEngland, Ireland, Scotland, 39 recordings,environment. Is one recordings,made in an empty hall, with and Wales for Harmonica Ensembles lots of reverberation?Is the tone dark on one record and brieht on the The Music of Italy for Har. Ensembles 4l other?Identifu as many of thesevariables as possible. The Music of Brazil, Cuba, Mexico, 43 Spain,and Uruguay for Har. Ens. Tum your attentionto u'ays in which the actual performanceis differ- Hymns for Harmonica Ensembles 49 tempo compare?Is one performance faster than the ent. How does the Light Classicsfor Harmonica Ens. 5l other?Does one seemprecise and angular,while the otheris more rounded World Of Jazz 57 and comfortable?Pay attention to any omamentationthat may be present The Article About DouglasTate 59 (Continued on Page 4) In The Spotlight 62 News From The Suzuki Corporation 64 Advertising Section 68 TFMI{ARMONICA EDUCATOR Summer 2006 Page67 REVIEWS OF COMPACT DISKS *Music Reviewof new CD by Willi Burger called, from Spain and South Americar" Willi Burger (EuropeanClassic Editions ECO1) By PatMissin Italian-bornWilli Burger has been a prominent name on the Europeanharmonica scene for many years, sincewinning the 1955 contest run by the FederationInternational de l'Harmonica and drawing praise from such luminaries as Larry Adler and Tommy Reilly. Listening to any of Burger's recordings, it is easy to see why they were so impressed. As the title says, this CD focuses on works by composersfrom Spain, Argentina and Brazll. including Manuel de Falla, Pablo de Sarasate,Heitor Villa-Lobos and tango legendAstor Piazzolla,as well as the French composerJacques Ibert. None of thesepieces were written expresslyfor harmonica,but Burger's transcriptions make them sound so natural for his instrument, exploiting the wide range of possibilities that the harmonica of- fers - trills, double stops,expressive dynamics and punchy staccatophrasing contrasted with smooth legatopas- sages. The accompanimenton this album is of an equally high standard,with sensitive piano playing from Marcello Parolini and somepassionate guitar work by Venezuelanguitarist JesusEduardo Alvarez. Most of the tracksare quite short,making the CD very accessibleeven for thosewho are not seasonedfans of classicalmu- "Carmen sic. The longest track is a i3-minute reading of Pablo de Sarasate's Fantasie", a piece based upon "Carmen". themesfrom Bizet's opera This is my favorite piece on the entire CD, at times playful, at other times introspective,but always thoroughly engaging,with Burger's love of the music shining though every note. This "must track alonemakes this a have" CD for all fans of the chromaticharmonica. Thosewith internetaccess can find more detailsand someaudio samplesat: www.harmonica.it The CD can be orderedfrom: EUCLED S.r.l CP 29 FE Centro 44100Ferrara Italy Email: [email protected] "Transcriptions Those who enjoy this CD would also be advised to seek out Burger's earlier album for ChromaticHarmonica (French Transcriptions)"on the Agora label, featuring works by Debussy, Ravel, Satie and Faure. Editor's note: See thefull-page Adfor Willi Burger's new CD, on page 69..
Recommended publications
  • Carmen Fantasie Brillante Sheet Music
    Carmen Fantasie Brillante Sheet Music Download carmen fantasie brillante sheet music pdf now available in our library. We give you 6 pages partial preview of carmen fantasie brillante sheet music that you can try for free. This music notes has been read 4588 times and last read at 2021-09-23 12:20:09. In order to continue read the entire sheet music of carmen fantasie brillante you need to signup, download music sheet notes in pdf format also available for offline reading. Ensemble: Concert Band Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Fantaisie Brillante Sur Des Thmes De Carmen For Alto Saxophone And Concert Band Percussion 2 Part Fantaisie Brillante Sur Des Thmes De Carmen For Alto Saxophone And Concert Band Percussion 2 Part sheet music has been read 3510 times. Fantaisie brillante sur des thmes de carmen for alto saxophone and concert band percussion 2 part arrangement is for Advanced level. The music notes has 2 preview and last read at 2021-09-23 11:25:19. [ Read More ] Fantaisie Brillante Sur Des Thmes De Carmen For Alto Saxophone And Concert Band Bb Trumpet 1 Part Fantaisie Brillante Sur Des Thmes De Carmen For Alto Saxophone And Concert Band Bb Trumpet 1 Part sheet music has been read 3477 times. Fantaisie brillante sur des thmes de carmen for alto saxophone and concert band bb trumpet 1 part arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-23 16:14:29. [ Read More ] Fantaisie Brillante Sur Des Thmes De Carmen For Alto Saxophone And Concert Band Bassoon 2 Partt Fantaisie Brillante Sur Des Thmes De Carmen For Alto Saxophone And Concert Band Bassoon 2 Partt sheet music has been read 3224 times.
    [Show full text]
  • Carmen Fantasy Sheet Music
    Carmen Fantasy Sheet Music Download carmen fantasy sheet music pdf now available in our library. We give you 6 pages partial preview of carmen fantasy sheet music that you can try for free. This music notes has been read 7063 times and last read at 2021-09-27 16:08:14. In order to continue read the entire sheet music of carmen fantasy you need to signup, download music sheet notes in pdf format also available for offline reading. Ensemble: Woodwind Quintet Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Carmen Fantasy For Flute And Band Carmen Fantasy For Flute And Band sheet music has been read 3103 times. Carmen fantasy for flute and band arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-26 06:16:39. [ Read More ] Carmen Fantasy For Duet 2 Violins Carmen Fantasy For Duet 2 Violins sheet music has been read 10055 times. Carmen fantasy for duet 2 violins arrangement is for Early Intermediate level. The music notes has 5 preview and last read at 2021-09-27 09:22:47. [ Read More ] Carmen Concert Fantasy Habanera Carmen Concert Fantasy Habanera sheet music has been read 2619 times. Carmen concert fantasy habanera arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-26 04:16:13. [ Read More ] Habanera From Carmen Concert Fantasy Op 25 Arranged For Piano Trio Habanera From Carmen Concert Fantasy Op 25 Arranged For Piano Trio sheet music has been read 8229 times. Habanera from carmen concert fantasy op 25 arranged for piano trio arrangement is for Advanced level.
    [Show full text]
  • 2019-2020 Philharmonia No. 3
    Lynn Philharmonia No. 3 Featuring the winners of the 2019 Lynn Concerto Competition. Saturday, Nov. 9, 2019 Sunday, Nov. 10, 2019 2019-2020 Season Lynn Philharmonia Roster VIOLIN CELLO FRENCH HORN Carlos Avendano Georgiy Khokhlov Chase DeCarlo Alexander Babin Devin LaMarr Alexander Hofmann Zulfiya Bashirova Michael Puryear Ting-An Lee David Brill Clarissa Viera Sarah Rodnick Kayla Bryan Davron Ziyodjonov Christa Rotolo Mingyue Fei Daniel Guevara DOUBLE BASS TRUMPET Benjamin Kremer Luis Gutierrez Diana Lopez Ricardo Lemus Austin King Oscar Mason Shiyu Liu Peter Savage Abigail Rowland Jenna Mangum Benjamin Shaposhnikov Gerson Medina FLUTE Karla Mejias Naomi Franklin TROMBONE David Mersereau Seung Jeon Aaron Chan Moises Molina Scott Quirk Tyler Coffman Nalin Myoung Lydia Roth Mario Rivieccio Sol Ochoa Castro Aaron Small Sebastian Orellana OBOE Francesca Puro Garrett Arosemena Ott Melanie Riordan Jin Cai PERCUSSION Askar Salimdjanov Amy Han Seth Burkhart Mengyu Shen Kari Jenks Justin Ochoa Shuyi Wang Blaise Rothwell Jonathon Winter CLARINET Miranda Smith Yu Xie Dunia Andreu Benitez Mario Zelaya Kelsey Castellanos HARP Taylor Overholt Yana Lyashko VIOLA Abby Dreher BASSOON Ellen Galentas Fabiola Hoyo Gabriel Galley Dennis Pearson Hyemin Lee Meng-Hsin Shih Marina Monclova Lopez Guillermo Yalanda Daniel Moore Vishnu Ramankutty Mario Rivera Jovani Williams Thomas Wong Lynn Philharmonia No. 3 Guillermo Figueroa, music director and conductor Saturday, Nov. 9 – 7:30 p.m. Sunday, Nov. 10 – 4 p.m. Keith C. and Elaine Johnson Wold Performing Arts Center On October 4, 5 and 6, thirty-seven students performed before guest judges Sarah Johnson, violin (Converse College), David Jackson, trombone (University of Michigan), and Baruch Meir, piano (Arizona State University & President of the Bosendorfer/Yamaha USASU International Piano Competition).
    [Show full text]
  • Annelle K. Gregory – Repertoire List
    Annelle K. Gregory – Repertoire List Violin and Orchestra J. S. Bach Concerto No. 1 S. Barber Concerto in G major M. Bruch Concerto No. 1 M. Bruch Scottish Fantasy A. Dvorak Concerto in A minor A. Glazunov Concerto in A minor J. Haydn Concerto No. 2 E. Korngold Concerto in D major F. Mendelssohn Concerto in E minor W. A. Mozart Concerto Nos. 3, 4, & 5 N. Paganini Concerto Nos. 1 & 2 A. Piazzolla The Four Seasons of Buenos Aires C. Saint-Saens Introduction and Rondo Capriccioso J. Sibelius Concerto in D minor D. Shostakovich Concerto No. 1 N. Rimsky-Korsakov Concert Fantasy on Russian Themes N. Rimsky-Korsakov Mazurka on Polish Themes S. Taneyev Concert Suite P. Tchaikovsky Concerto in D major H. Vieuxtemps Concerto No. 5 A. Vivaldi The Four Seasons F. Waxman Carmen Fantasie H. Wieniawski Concerto No. 2 Violin and Piano L. van Beethoven Sonata Nos. 1, 7, & 9 for violin & piano J. Brahms Sonata Nos. 1 & 3 for violin & piano S. Coleridge-Taylor Deep River C. Franck Sonata for violin & piano E. Grieg Sonata No. 3 for violin & piano W. A. Mozart Sonatas K. 301 & 454 for violin & piano S. Prokofiev Sonata No. 2 for violin & piano S. Rachmaninoff Complete works (20) for violin & piano N. Rimsky-Korsakov Concert Fantasy on Russian Themes (original & arr. Kreisler) N. Rimsky-Korsakov Mazurka on Polish Themes C. Saint-Saens Danse Macabre C. Saint-Saens Introduction and Rondo Capriccioso P. de Sarasate Habanera Annelle K. Gregory November 2017 P. de Sarasate Introduction and Tarantella F. Schubert The Bee W.
    [Show full text]
  • Paganini: Violin Concerto No. 1 / Saint-Saens: Havanaise / Waxman: Carmen Fantasie
    Paganini: Violin Concerto No. 1 / Saint-Saens: Havanaise / Waxman: Carmen Fantasie How's that for the actual ideal tracking within the Paganini Concerto. Concerning read lots of artists, for example Perlman, Kayler, along with Alter, and now have never ever been wholly happy with the way that they act. Perlman works the idea far too slowly and gradually. Kayler flubs the last circulation except for her excellent man made harmonics, together with Modifi is only mundane. Belief Vengerov gives these types of inspiration to the portion. It really is almost as in the event that Paganini recognized Vengerov might be delivered in order to champion her concertos. The cadenza your dog chose would be a piece better than almost all. He / she put together the two of Emile Sauret's cadenzas. It had become strange, nonetheless beneficial. Cost-free action was only phenomenal. With me, it appears as though Paganini devised even folk there. The last circulation is fantastic. The substitute harmonics are nearly many presently there, anf the husband requires a pleasant fairly fast groove. Overall, a triumphant realization to just one of definitely the concertos. The particular Guide together with Rondo Capriccioso is actually a actually wonderful a thing of beauty. St : Saens was really a master. The piece had been written for my favorite violinist ( blank ) Pablo delaware Sarasate. This unique introduced St . , Saens to be able to international acceptance. The piece wedding rings using Real spanish taste, as well as Vengerov catches it totally. They're in addition one of the simply entertainers We have heard that do a artifcial harmonics following quick size.
    [Show full text]
  • Bizet, Carmen Suite
    Georges BIZET Carmen Suites Georges Bizet (25 October 1838 – 3 June 1875), was a French, romantic era composer. Although his name is now popular in the opera world, Bizet achieved Few successes beFore his Final work, Carmen. He excelled as a student during his time at the Conservatoire de Paris, being recognized as an outstanding pianist and winning the prestigious Prix de Rome in 1857. Bizet chose not to pursue a career as a pianist, and was Faced with rejection as an opera composer, as the Parisian opera houses preFerred the classical repertoire over new works. During the 1860s, Bizet earned his living largely by arranging and transcribing the music oF others as his two operas which reached the stage during this time — Les pêcheurs de perles (1863) and La jolie fille de Perth (1867) —were both not immediately successFul. After serving in the National Guard during the Franco-Prussian War oF 1870–1871, Bizet had Finally Found some success through an orchestral suite derived From his incidental music to Alphonse Daudet's play L'Arlésienne (1872). Bizet’s Final opera, Carmen, premiered in 1875 after delayed production due to fears that its themes of betrayal and murder would ofFend audiences. Sadly, Bizet died oF a heart attack only three months later, convinced that the work was a Failure, and unable to witness his own rise to stardom as the work entered the operatic canon as an all-time Favourite among audiences worldwide. After a career cut short by an early death, Bizet’s contribution to music, other than his composition of Carmen, was neglected for years.
    [Show full text]
  • Rezension Für: Thomas Schippers Michael Rabin Plays
    Rezension für: Thomas Schippers Michael Rabin plays Bruch's Violin Concerto and Virtuoso Pieces for Violin and Piano Max Bruch | Henryk Wieniawski | Pyotr Ilyich Tchaikovsky | Pablo de Sarasate | Camille Saint-Saëns CD aud 95.607 Fono Forum Juli 2010 (Norbert Hornig - 2010.06.16) Lichtstrahl im Archiv Viele Veröffentlichungen historischer Aufnahmen stammen mittlerweile aus Rundfunkarchiven. Meist handelt es sich dabei um Live-Mitschnitte, auch die Geiger sind gut vertreten. Und immer wieder gibt es dabei Entdeckungen zu machen... Posthum zu spätem Ruhm – auf diese einfache Formel könnte man die Wiederentdeckung des Geigers Gerhard Taschner bringen. Die systematische Veröffentlichung seiner Rundfunkaufnahmen auf mehreren Labels erwies sich als ein diskographischer Glücksfall; sie war auch ein besonders deutlicher Hinweis darauf, welche Schätze in den Archiven noch schlummern. Taschners maskulines, elektrisierendes Geigenspiel wirkt aufregend und anziehend in seiner unverwechselbaren Individualität. Wie konnte ein Geiger dieses Kalibers nur so lange vergessen bleiben, fragt man sich. In den fünfziger Jahren avancierte er zum führenden deutschen Geiger, der jedoch nie längerfristig bei einem großen Plattenlabel unter Vertrag war. Sein Nachruhm basiert fast völlig auf Rundfunkaufnahmen. Tragischerweise wurden viele Bänder gelöscht. Bahnbrechend für die Renaissance des Geigers war 1997 die EMI-Veröffentlichung „Gerhard Taschner - Porträt eines legendären Geigers“, eine Doppel-CD unter anderem mit Aufnahmen der Violinkonzerte von Fortner, Pfitzner
    [Show full text]
  • Pablo De Sarasate’S Personal Style of Violin Playing and His Own Spanish-Styled Compositions
    ABSTRACT Title of Document: SPANISH DANCES FOR VIOLIN: THEIR ORIGIN AND INFLUENCES Tao-Chang Yu, Doctor of Musical Arts, 2006 Directed By: Professor of Violin and Chair of the String Division, Gerald Fischbach, School of Music Many of the Spanish-styled violin virtuoso pieces from the mid-18th century to the twentieth century were dedicated to, or inspired by Pablo de Sarasate’s personal style of violin playing and his own Spanish-styled compositions. As both violinist and composer, Sarasate tailored these compositions to his technical flair and unique personality. Among Sarasate’s enormous output – total of sixty-one original compositions – the four volumes of Spanish Dances were the most popular and influential. Sarasate successfully translated many of his native folk dances and melodies in these dances, and introduced them to the European musical community with his amazing performances. In my written dissertation, I have discussed and illustrated in detail Sarasate’s four volumes of Spanish Dances, the origin of the Spanish-styled pieces, and the influenced works including Saint-Saëns’s Introduction and Rondo Capriccioso, Op. 28, Édouard Lalo’s Symphonie espagnole, Op. 21, Kreisler’s transcriptions of Granados’ Spanish Dance in E minor and Albeníz’s Tango, and Waxman’s Carmen Fantasie. In the performance part of the dissertation, assisted by pianist Kuei-I Wu, I have played all of the mentioned works in their entirety, which is rare in modern concert programming. Through this project, I have gained deeper understanding of the Spanish
    [Show full text]
  • Carmen Fantasy Sheet Music
    Carmen Fantasy Sheet Music Download carmen fantasy sheet music pdf now available in our library. We give you 6 pages partial preview of carmen fantasy sheet music that you can try for free. This music notes has been read 12694 times and last read at 2021-09-23 18:00:57. In order to continue read the entire sheet music of carmen fantasy you need to signup, download music sheet notes in pdf format also available for offline reading. Ensemble: Woodwind Quintet Level: Advanced [ Read Sheet Music ] Other Sheet Music Carmen Fantasy For Flute And Band Carmen Fantasy For Flute And Band sheet music has been read 15181 times. Carmen fantasy for flute and band arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-26 18:48:07. [ Read More ] Carmen Fantasy For Duet 2 Violins Carmen Fantasy For Duet 2 Violins sheet music has been read 19216 times. Carmen fantasy for duet 2 violins arrangement is for Early Intermediate level. The music notes has 5 preview and last read at 2021-09-25 16:23:03. [ Read More ] Carmen Concert Fantasy Habanera Carmen Concert Fantasy Habanera sheet music has been read 9038 times. Carmen concert fantasy habanera arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-24 08:23:36. [ Read More ] Habanera From Carmen Concert Fantasy Op 25 Arranged For Piano Trio Habanera From Carmen Concert Fantasy Op 25 Arranged For Piano Trio sheet music has been read 14783 times. Habanera from carmen concert fantasy op 25 arranged for piano trio arrangement is for Advanced level.
    [Show full text]
  • Ronald Foster, Conductor Orchestral Repertoire Examples
    Ronald Foster, Conductor Orchestral Repertoire Examples Adams, J. Short Ride in a Fast Machine Arensky, A. Variations on a Theme by Tchaikovsky Bach, J. S. Brandenburg Concerto No. 4, G major, BWV 1049 Concerto for Two Pianos, C minor, BWV 1062 Concerto for Violin, No. 1, A minor, BWV 1065 Jesu, Joy of Man's Desiring (arr. Luck) Toccata and Fugue (arr. Stowkowski) Barber, S. Concerto for Violin Overture to The School for Scandal Beethoven, L. Concerto for Piano, No. 1, C major Egmont: Overture Fantasia for Piano, Chorus, & Orchestra Ruins of Athens: Overture Symphony No. 1, C major Symphony No. 2, D major Symphony No. 5, C minor Symphony No. 6, F major: Movement 2 Symphony No. 8, F major Berlioz, H. Le Carnaval Romain: Overture L'enfance du Christ, Pt. 2 L'enfance du Christ, Pt. 2 The Damnation of Faust: Rakoczy March Bernstein, L. Candide: Overture On the Town: Three Dance Episodes West Side Story: Overture Bizet, G. L'Arlesienne: Suite No. 2 (Farandole) Carmen: Suite No. 2 (Les Toreadors) Carmen: Suite No. 2 (Les Toreadors) Bliss, A. Things to Come (film score) Borodin, A. Prince Igor: Polovtsian Dances Brahms, J. Academic Festival Overture German Requiem Symphony No. 1, C minor Symphony No. 3, F major Tragic Overture Britten, B. Peter Grimes: Four Sea Interludes Peter Grimes: Passacaglia Chabrier, E. Espana Suite Pastorale: Scherzo Chavez, C. Symphony No. 2 (Sinfonia India) Toccata for Percussion Chopin, F. Andante Spianato and Grand Polonaise Copland, A. Appalachian Spring: Suite Eight poems of Emily Dickenson Fanfare for the Common Man Lincoln Portrait Old American Songs (First Set): Simple Gifts An Outdoor Overture Quiet City Rodeo: Four Dance Episodes Symphony No.
    [Show full text]
  • Aziel Verner - Violin Ge Xiaozhe - Piano
    Senior Recit al Aziel Verner - Violin Ge Xiaozhe - Piano Yong Siew Toh Conser vat or y of Music Concer t Hal l 27t h Apr il 2pm Car m en Fantasy by Pablo de Sar asate Leo? Janá?ek Violin Sonata I nterm ission Car m en Fantasie by Jenö H ubay Car m en Fantasie by Fr anz W axm an 27 April | SATURDAY Aziel Verner Violin Recital Ge Xiaozhe, ​piano PABLO DE SARASATE Carmen Fantasy​ Op. 25 LEOŠ JANÁČEK Violin Sonata I.​ Com​ moto II.​ Ballada​ III.​ Allegretto​ IV. Adagio INTERMISSION (5 minutes) JENÖ HUBAY Carmen Fantasie Brillante ​Op. 3 FRANZ WAXMAN Carmen Fantasie About The Performer Aziel Verner began his musical studies in Wellington, New Zealand. He is currently in his 4th year studying under Prof Qian Zhou at the Yong Siew Toh Conservatory of Music in Singapore. Aziel has been a prize winner at numerous competitions, recently winning prizes at the Gisborne International Music Competition, Chengdu Guangya International Violin Competition and the YSTCM Concerto Competition. In 2018, he performed a concert with virtuosos violinist Aleksey Igudesman and pianist Hyung-Ki Joo and as guest 1st violin with the Juilliard String Quartet. Verner has been a member of the YSTCM Orchestra as concertmaster, NZSO National Youth Orchestra, Wellington Youth Orchestra, and concertmaster for the North Sydney Youth Symphony. Aziel previously attended the Singapore Violin Festival and The Keshet Eilon Summer Mastercourse, studying with world renown teachers such as Shlomo Mintz, Victor Danchenko, Takashi Shimizu, Boris Kuschnir, Shmuel Ashkenasi, and Midori Goto. Aziel plays on a 1778 JB Guadagnini generously loaned by The Rin Collection.
    [Show full text]
  • Junior Competitors
    The Competition Junior Section Under 16 years of age Junior Competitors First Round )8*&/*"84,* Etude-Caprice Op.18, No.4 4JO:JOH"OHFMB$IBO (SBDF$MJGGPSE "OOB-JTB%B4JMWB$IFO )8*&/*"84,* Etude-Caprice Op.18, No.5 .POEBZ"QSJM )8*&/*"84,* Etude-Caprice Op.18, No.6 %BUFPG#JSUI 20 January 1997 %BUFPG#JSUI 21 August 1998 %BUFPG#JSUI 5 August 1996 10:00 – 17:10, Part 1 /BUJPOBMJUZ Chinese /BUJPOBMJUZ Australian /BUJPOBMJUZ Australian 3. Freestyle Improvisation: Candidates will Central Conservatory of Music, Concert Hall Chan Sin Ying, known Grace Clifford began Anna Lisa Da Silva be given a 4-8 bar phrase as the basis for a as Angela, began learning the violin Chen is a scholarship 5VFTEBZ"QSJM three-minute freestyle improvisation learning violin at the aged four-and-a-half student in the Rising 10:00 – 16:20, Part 2 age of three, taught and completed all the Stars programme at the 4. One of the following: Central Conservatory of Music, Concert Hall by her mother. From Suzuki levels by the Sydney Conservatori- 8".0;"35 Sonata in G major K.301 2002 to 2009, Angela age of 10 when she um of Music, studying Finals '4$)6#&35 from Sonatina in D major joined the Junior Music commenced lessons under Robin Wilson. Op.137 Andante & Allegro Vivace Programme of The Hong Kong Academy with Robin Wilson at the Sydney Con- Anna has performed as a soloist with 'SJEBZ"QSJM for Performing Arts (HKAPA) where she servatorium of Music in the Rising Stars the Tasmania Symphony Orchestra, the '4$)6#&35 from Sonatina in G minor learned violin from Professor Michael Ma.
    [Show full text]