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Faith Voices Letter
In Support Of Keeping Houses Of Worship Nonpartisan August 16, 2017 Dear Senator: As a leader in my religious community, I am strongly opposed to any effort to repeal or weaken current law that protects houses of worship from becoming centers of partisan politics. Changing the law would threaten the integrity and independence of houses of worship. We must not allow our sacred spaces to be transformed into spaces used to endorse or oppose political candidates. Faith leaders are called to speak truth to power, and we cannot do so if we are merely cogs in partisan political machines. The prophetic role of faith communities necessitates that we retain our independent voice. Current law respects this independence and strikes the right balance: houses of worship that enjoy favored tax-exempt status may engage in advocacy to address moral and political issues, but they cannot tell people who to vote for or against. Nothing in current law, however, prohibits me from endorsing or opposing political candidates in my own personal capacity. Changing the law to repeal or weaken the “Johnson Amendment” – the section of the tax code that prevents tax-exempt nonprofit organizations from endorsing or opposing candidates – would harm houses of worship, which are not identified or divided by partisan lines. Particularly in today’s political climate, engaging in partisan politics and issuing endorsements would be highly divisive and have a detrimental impact on congregational unity and civil discourse. I therefore urge you to oppose any repeal or weakening of the Johnson Amendment, thereby protecting the independence and integrity of houses of worship and other religious organizations in the charitable sector. -
April 5, 2020 Or a Priest, Please Call the Office
RECONCILIATION In the Cathedral Cry Room 12:00-1:00 p.m. Monday through Friday And by appointment. ANOINTING OF THE SICK Call the Parish Office to make an appointment. CATHEDRAL PARISH OFFICE 2305 West Main Street Jefferson City, MO 65109 Phone: 573-635-7991 Fax: 573-635-0842 Email: [email protected] Website: cathedral.diojeffcity.org Cathedral Undercroft 2215 West Main Street Phone: 573-635-4955 CATHEDRAL SCHOOL 2303 West Main Street Office: 573-635-5024 Cafeteria: 573-634-2984 After-School Care: 573-635-2533 Fax: 573-635-5238 Website: www.sjcsmo.org DIOCESE OF JEFFERSON CITY Chancery Offices The Alphonse J. Schwartze Memorial Catholic Center CLERGY 2207 West Main Street His Excellency, The Most Reverend Shawn McKnight | Bishop of Jefferson City Phone: 573-635-9127 His Excellency, The Most Reverend John R. Gaydos | Bishop Emeritus in Residence Fax: 573-635-0386 Very Reverend Louis M. Nelen | Pastor, Rector Email: [email protected] Reverend Monsignor Donald W. Lammers, P.A. | Retired Priest in Residence Website: diojeffcity.org Deacon Christopher Baker | Deacon Alvin J. Brand | Deacon James L. Kliethermes | Deacon Tyler S. McClay | Deacon Dan K. Joyce Deacon John A. Schwartze | Deacon Emeritus Robert J. Rackers, K.S.G. Registering in the Parish Registering in the Cathedral School To join our Parish, please contact the Parish Office at Parents wishing to know more about our grade school 635-7991 Monday-Friday from 8:00 a.m. to 4:00 p.m. are encouraged to call the Cathedral school principal, Mr. Spencer L. Allen, at 635-5024. TO ALL OUR VISITORS Select your parish. -
Quaderni Dell'archivio Storico
FONDAZIONE BANCO NAPOLI QUADERNI DELL’ARCHIVIO STORICO 2 QUADERNI DELL’ARCHIVIO QUADERNI DELL’ARCHIVIO STORICO Nuova serie online 2 ISSN 1722-9669 FONDAZIONE BANCO NAPOLI QUADERNI DELL’ARCHIVIO STORICO 2 - Nuova serie online Primo fascicolo del 2020 Fondazione Banco di Napoli Quaderni dell’Archivio Storico, periodico semestrale fondato da Fausto Nicolini Anno 2020, Fascicolo 1, n. 2 Nuova serie Comitato scientifico: Giancarlo Abbamonte, Napoli Federico II; David Abulafia, Cambridge; Daniela Bifulco, Università Campania − L. Vanvitelli; Gianvito Brindisi, Università Campania − L. Vanvi- telli; Filomena D’Alto, Università Campania − L. Vanvitelli; Francesco Dandolo, Napoli Federico II; Ileana Del Bagno, Salerno; Maurizio Dente, giornalista; Alfredo Guardiano, magistrato; Marianne Pade, Aarhus; Gaetano Sabatini, Roma Tre; Francesco Senatore, Napoli Federico II; Massimo Tita, Università Campania − L. Vanvitelli; Rafael Jesus Val- ladares Ramíres, Escuela Espanola de Historia y Arqueologia en Roma Redazione: Luigi Abetti, Fondazione-Cartastorie; Alessia Esposito, Cartastorie; Gloria Guida, Fondazione; Sabrina Iorio, Cartastorie; Sergio Riolo, Cartastorie; Andrea Zap- pulli, Cartastorie Segretario di redazione: Andrea Manfredonia, Cartastorie Direttore scientifico e responsabile: Orazio Abbamonte, Università Campania – Luigi Vanvi- telli ISSN 1722-9669 Norme per i collaboratori: Si veda la pagina web: https://www.ilcartastorie.it/ojs/index.php/quaderniarchiviostorico/information/au- thors Gli articoli vanno inviati in stesura definitiva al segretario di redazione, Dott. Andrea Manfredonia, Fondazione Banco Napoli, Via dei Tribunali, 214 – 80139 Napoli, o per mail all’indirizzo: [email protected] I Quaderni recensiranno o segnaleranno tutte le pubblicazioni ricevute. Libri e articoli da recensire o da segnalare devono essere inviati al direttore responsabile, prof. Orazio Abbamonte, Fondazione Banco Napoli, Via dei Tribunali, 214 – 80139 Napoli, con l’in- dicazione “Per i Quaderni”. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Journalism Films List (Alphabetical)
The following are films we still are attempting to locate as part of our research for the Image of the Journalist in Popular Culture project. The films are listed first alphabetically and then by year of release. If anyone knows of sources for any of these titles (including video and film sources, as well the availability of copies in archives), please contact Dr. Richard Ness, Associate Director of the IJPC, at [email protected]. Any assistance is greatly appreciated. JOURNALISM FILMS LIST (ALPHABETICAL) Above the Clouds (1933) Acquitted (1916) Advice to the Lovelorn (1981) All Over the Town (1948) Always Audacious (1920) Anybody’s Blonde (1931) Are We Civilized? (1934) Aren’t We Wonderful (1959) Arm of the Law (1932) Arson Gang Busters (1938) Atta Boy! (1926) Bachelor Tom Peeping (1962) Beauty on Parade (1950) Behind Jury Doors (1932) Behind the Evidence (1935) Behind the Mike (1937) Beware the Black Widow (1968) Big Noise, The (1928) Big Town Girl (1937) Bing Bang Boom (1922) Black Circle, The (1919) Black Waters (1929) Bondage (1917) Bowery Cinderella, A (1927) Brilliant Marriage (1936) Broken Barriers (1928) Buckshot John (1915) By Whose Hand? (1932) Caillaux Case, The (1918) Calendar Girl, The (1917) Calling All Cars (1935) Campus Sleuth (1948) Candy Baby (1969) Carter Case, The (1942) Case at Law, A (1917) Catch-As-Catch Can (1927) Caught in the Act (1918) Certain Rich Man, A (1921) Chain Gang (1950) Chains of Evidence (1920) Chasing Through Europe (1929) Cheating Blondes (1933) City News (1983) City of Chance (1940) City of Fear -
St. Andrew Avellino Parish Family Flushing, New York
ST. ANDREW AVELLINO PARISH FAMILY FLUSHING, NEW YORK Sunday Mass Schedule Saturday: 5:00 p.m. (Vigil) Sunday: 7:30 a.m., 9:00 a.m. (Family), 11:00 a.m. (Choir), 12:30 p.m. (Spanish) Weekday Mass Schedule Monday—Saturday 8:30 a.m. Thursday 7:30 p.m. (Spanish) Holy Days 7:00 p.m. (Vigil), 8:30 a.m., 12:00 Noon Baptism Parents must contact the Rectory to make arrangements. Baptisms are scheduled for 2:00 p.m. in the Church on the First Sunday of the month in English and Third Sunday of the month in Spanish. Marriage Couples should call the Rectory for an appointment at least six (6) months prior to the wedding date and before a date is finalized with a reception hall. www.standrewavellinorcchurch.org St. Andrew Avellino Rectory Parish Office Hours 35-60 158th Street Monday to Thursday Flushing, NY 11358 9:00 a.m. to 4:00 p.m. Rectory Phone: 718-359-0417 Fax: 718-539-2830 We ask that you please call before coming so www.standrewavellinorcchurch.org that we can prepare the Mass Cards, Baptismal Certificates, etc. in order to limit your wait time. Rev. Joseph T. Holcomb, Pastor [email protected] When calling please leave a message and we will return your call as soon as possible. Rev. Ambiorix D. Osorio, Parochial Vicar Thank You! [email protected] The office will be closed Deacon Michael B. Fogarty, O.F.S., Permanent Deacon [email protected] Friday, Saturday & Sunday Mr. Joseph V. Dorsa, Director of Finance & Operations Reconciliation (Confession) [email protected] Saturdays 3:30 p.m. -
SW Kansans Make Their Voices Heard at Topeka Rally
The Southwest Kansas Register BISHOP JOHN B. BRUNGARDT February 13, 2011 Page 25 SW Kansans make their voices heard at Topeka rally John Hough/SKR Photos Above: Father Wesley Schawe, far right, stands on the steps of the capitol build- ing with the youth and adults from the Diocese of Dodge City at the pro-life March for Peace rally Jan. 24 in Topeka. Top, right: Bishop-elect John B. Brun- gardt stands with youth from the Diocese of Dodge City. At right: Bishop-elect Brungardt celebrates Mass with Abbot Gregory Polan, O.S.B., at the Topeka Expo Center. Chris Riggs/ Advance Photo Page 26 February 13, 2011 BISHOP JOHN B. BRUNGARDT The Southwest Kansas Register The Coat of Arms of the Most Rev. John Brungardt (Continued from Page 22) the sun in heraldic shape, with a round On either side of the vertical the pro-life movement, as we are called to The vertical bar dividing this section disc surrounded by 16 rays, alternating respect the dignity of the human person, refers to the 100th meridian which runs wavy and straight, on a blue field. This bar are two Indian arrow- from conception to natural death, as we through Dodge City. The bar is again “Sun in Splendor” or “In His Glory” is a heads. They represent the are all made in God’s divine image and divided to indicate that the division of Messianic symbol of our Lord. The sun likeness. The rose rests on an argent (sil- Central and Mountain Time zones which symbolizes the light of God, who lights Native American heritage of ver) field, symbolic of transparency, then also runs through the diocese. -
Lord Jesus Christ, You Are Our Light in the Darkness of The
THIRIETH SUNDAY IN ORDINARY TIME OCTOBER 29TH 2017 LECTORS SATURDAY, October 28th 10/28 4:30 p.m. Pete LeRose 8:30 A.M. + Douglas Taylor 10/29 8:00 a.m. Lori Youssefbaik Req. by his Mother 10/29 10:30 a.m. Julie & Michael Weatherly 4:30 P.M. +William Accurso 10/31 and 11/01 Masses NEED VOLUNTEERS Req. by the Lyons Family 11/04 4:30 p.m. Peter LeRose SUNDAY, October 29th 30th Sunday Ordinary Time 11/05 8:00 a.m. Kathleen Fowler 8:00 A.M. + Anna Naclerio 11/05 10:30 a.m. 4th Grade Parents Req. by Al & Cathy Naclerio 10:30 A.M. People of the Parish EXTRAORDINARY MINISTERS OF EUCHARIST MONDAY, October 30th 8:00 A.M. + Michael Passaic 10/28 4:30 p.m. Ann Gulbrandsen, Peter LeRose, Req. by his Wife Marguerite Violante TUESDAY, October 31st Vigil Mass All Saints Day 10/29 8:00 a.m Ed & Gladys Collins, Cathy Naclerio 5:30 P.M. People of the Parish 10/29 10:30 a.m. Alice Heidecker, Emily Mele, Ed WEDNESDAY, November 1st All Saints Day Provanzana 8:00 A.M. + Carla Aumick 10/31 and 11/01 Masses NEED VOLUNTEERS Req. by her Family 11/04 4:30 p.m. Renna Meyer, Marguerite Violante, Ann 7:00 P.M. + Maxine Cuciti Gulbrandsen Req. by her Husband 11/05 8:00 a.m. Ginny Gravatt, Cathy Naclerio, Janet THURSDAY, November 2nd All Souls Day Betanzos 8:00 A.M. All Souls 11/05 10:30 a.m. -
„Innenansichten“ Von Der „Flüchtlingskirche“ Zur
Josef Pilvousek „Innenansichten“ Von der „Flüchtlingskirche“ zur „katholischen Kirche in der DDR“ Die katholische Kirche auf dem Gebiet der neuen Bundesländer ist seit der Reformation eine Minderheitenkirche gewesen. Erst seit dem Ende des 18. Jahrhunderts wurde sie quantitativ durch verschiedene Zuwanderungen, vor allem aus katholischen Teilen Deutschlands und Europas, bedeutsam. Infolge der Fluchtbewegungen zum Ende des Zweiten Weltkrieges sowie der sich anschließenden politischen Umbrüche änderte sich die Situation für die katholische Kirche in diesem Raum grundsätzlich, ohne daß sie aber den Charakter einer Diasporakirche je verloren hätte. Die Katholikenzahlen stiegen in solchem Ausmaß,daß zahlreichen Neugründungen von Pfarreien und Gottesdienststationen notwendig wurden. Die jurisdiktionellen Verhältnisse waren – abgesehen von den Bistümern Berlin und Dresden – weitgehend ungeklärt und bedurften einer Neuordnung. Die Mobilität der Vertriebenen und die vorerst weiter bestehende Hoffnung auf Rückkehr in die Heimat verhinderten eine schnelle Integration in die Stammgemeinden. Die Mentalität der vertriebenen Volksgruppen prägte zunehmend bestehende Frömmigkeits- formen und somit die Seelsorge. Als politische Entscheidungen der Hoffnung auf Rückkehr der Flüchtlinge ein Ende setzten und die innerdeutsche Grenze errichtet und immer undurchlässiger wurde, mußten von kirchenamtlicher Seite Möglichkeiten gesucht werden, der Kirche in diesem Raum Wege in die Zukunft zu eröffnen. Zunächst nur als Provisorien und Interimslösungen gedacht, entstanden allmählich feste Strukturen und Organisationsformen. Die folgenden Ausführungen wollen die Entwicklung der katholischen Kirche auf dem Gebiet der SBZ/DDR von einer Flüchtlingskirche zu einer Ortskirche, die sich als „Kirche in der DDR“ verstand, aufzeigen. Katholische Kirche 1135 1. Flucht oder Bleiben? Ein traditionelles Problem der DDR-Katholiken1 1.1. Statistische Grundlagen Die nachfolgenden Zahlen sollen Entwicklungen und Tendenzen aufzeigen. -
Complete Film Noir
COMPLETE FILM NOIR (1940 thru 1965) Page 1 of 18 CONSENSUS FILM NOIR (1940 thru 1959) (1960-1965) dThe idea for a COMPLETE FILM NOIR LIST came to me when I realized that I was “wearing out” a then recently purchased copy of the Film Noir Encyclopedia, 3rd edition. My initial plan was to make just a list of the titles listed in this reference so I could better plan my film noir viewing on AMC (American Movie Classics). Realizing that this plan was going to take some keyboard time, I thought of doing a search on the Internet Movie DataBase (here after referred to as the IMDB). By using the extended search with selected criteria, I could produce a list for importing to a text editor. Since that initial list was compiled almost twenty years ago, I have added additional reference sources, marked titles released on NTSC laserdisc and NTSC Region 1 DVD formats. When a close friend complained about the length of the list as it passed 600 titles, the idea of producing a subset list of CONSENSUS FILM NOIR was born. Several years ago, a DVD producer wrote me as follows: “I'd caution you not to put too much faith in the film noir guides, since it's not as if there's some Film Noir Licensing Board that reviews films and hands out Certificates of Authenticity. The authors of those books are just people, limited by their own knowledge of and access to films for review, so guidebooks on noir are naturally weighted towards the more readily available studio pictures, like Double Indemnity or Kiss Me Deadly or The Big Sleep, since the many low-budget B noirs from indie producers or overseas have mostly fallen into obscurity.” There is truth in what the producer says, but if writers of (film noir) guides haven’t seen the films, what chance does an ordinary enthusiast have. -
Catholic Grade and High Schools Excluded in Federal Aid Message
—^ •<••[ mar "^ttP* r THE VOICE 6301 Biscayne Blvd. Miami 38, Fla. Wh- y Discriminate ^VOICE Return Requested Against 6 Million Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida Private Students? VOL. IV, NO. 46 Price $5 a year ... 15 cents a copy FEBRUARY 1, 1963 "The message contains something for everybody — everybody except the children whose parents have elected to send them to private schools." That capsule comment, expressed by a leading spokesman Catholic Grade And High Schools for Catholic schools, best describes the message on education sent to Congress Tuesday by President Kennedy. Msgr. Frederick G. Hochwalt, director of the Education De- Excluded In Federal Aid Message partment, National Catholic Welfare Conference, stated that it was "^deed encouraging" to note that the message acknowledged WASHINGTON (NO — Presi- leges would be eligible to take "grants and graduate fellow- than to public school teachers .thai .Wational opportunities should be extended to all stu- dent Kennedy's 1963 education part in a proposed three-year ships. only as is now the case. dents^'without exception." program follows the pattern of billion dollar loan program for its predecessors on the issue of In addition, the program calls He expressed deep disappointment, however, at the pro- for forgiveness of up to 50 per Both public and private cot- aid to church-related schools: construction of academic facili- gram's proposals for aid to grade and high schools, in which cent of a National Defense Edu- leges would be eligible for Colleges and universities are in, ties. only public schools would share for the most part. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.