2016 ANNUAL REPORT

OPERA QUEENSLAND’S ANNUAL REPORT 2016

1 2016 ANNUAL REPORT

THE COMPANY

One of Australia’s major performing arts companies, Opera CORE GOALS Queensland serves Metropolitan Brisbane and regional/remote Queensland through the development and presentation Stewardship of opera projects that reflect our passion for Excellence, As opera’s custodian we look to the future to ensure the art form Community and Adventure. will flourish.

Three intersecting spheres of engagement are central to Connection to the World achieving our goals: To actively participate in the broader world of ideas. • In a range of theatres and venues across Metropolitan Brisbane we present grand opera of excellence and bold Connection to our Communities creative adventures; To build and maintain strong, meaningful relationships with diverse communities across Queensland. • We tour extensively throughout Regional Queensland, creating unique and innovative opportunities for regional Excellence, Leadership and Innovation artists and audiences to experience opera; and To be recognised for excellence, leadership, artistry and Hayley Sugars, Toby Bennion and Hyeseoung Kwon in OperaQ’s Madama Butterfly. innovation in all areas of our work. Image by Stephen Henry. • OperaQ’s Open Stage program creates inspiring education and community engagement programs for all ages. Powerful Brand and Reputation Located in the heart of Brisbane’s South Bank cultural precinct, To be recognised as Australia’s most adventurous opera company. OperaQ enjoys creative partnerships with multiple arts organisations, festivals and presenters across and beyond Sustainability and Financial Strength Queensland. To ensure we have the people and the resources to realise our ambitious plans. Vision A boundless landscape of opera experiences.

Our Mission To reflect, celebrate and enrich life in our communities.

VALUES

Jason Barry-Smith warming up with the cast of Tumbulgum and the Countdown to Midnight at the First Supper Between Now and Forever. Image by Darcy Grant. Leadership Our work inspires confidence, pride and aspiration. We set the bar high, producing work of the highest quality, benchmarking ourselves against the best in the world, continually challenging ourselves to progress and evolve.

Adventure We are imaginative, adaptive and ambitious. We embrace bold ideas, big and small. We are not afraid to take risks in exploring new pathways and territories. We plan and share creative adventures with like-minded partners.

Relevance For the communities we serve, the experience West End primary school students watching OperaQ’s FiZZ! Image by Stephen Henry. we provide is valued and has impact.

Silvia Colloca in OperaQ’s Snow White. Image by Dylan Evans. 2 3 2016 ANNUAL REPORT MESSAGE FROM THE CHAIR

Project Rossini Gold Coast Community Chorus rehearsal. Image by Paul Williams

I am happy to report, in my first message as Chair of time as Project Rossini associated with the regional tour of the Australia Council for their ongoing and vital support Opera Queensland, that 2016 saw the company undertake The Barber of Seville. Also touring regional centres, as well and all our audience members, Patrons, Partners, Sponsors another year of exciting and varied opera activities across as metropolitan schools, was our primary schools’ touring and supporters whose engagement with the company Queensland. We also saw OperaQ’s presence on the production of FiZZ! in its third and final year, having been makes it possible for OperaQ to undertake the variety of international stage through the Leipzig and San Diego enjoyed by 26,078 primary school children across the State. activities you will read about in this Annual Report. presentations of our Cinderella production from 2013. We are pleased to report a surplus financial result for 2016, on I acknowledge the achievements of my predecessor, Robert Highlights included our mainstage productions of Madama a normalised basis of $112,081 (statutory surplus – $32,443). Hubbard, who retired in August after ten years on the OperaQ Butterfly and The Barber of Seville enjoying a strong audience During 2017 we will be working with Queensland and Federal Board, the last four as Chairman. I thank my Board colleagues response, with many new opera goers taking advantage of Governments as they develop a new funding model for for their commitment and guidance and the entire OperaQ our $25 tickets to experience this wonderful art form, and the company, in response to the recommendations of the team led by Artistic Director, Lindy Hume, and General Manager, our world première collaboration with La Boite Theatre National Opera Review. We will welcome a funding model Russell Mitchell for all they do to ensure as many Queenslanders

and Brisbane Festival with Snow White. The company was that will support an increase in our main stage productions, as possible can have their very own opera experience. Project Rossini Toowoomba Community Chorus rehearsal. Image by Stephanie Do Rozario. delighted that, with the support of the State Government’s and building and maintaining stronger reserves. Sally Pitkin Playing Queensland Fund, we were able to repeat our I thank the Queensland Government, through Arts Chair groundbreaking regional community chorus initiative, this Queensland, and the Australian Government, through

4 5 2016 ANNUAL REPORT 2016: NEW EXPERIENCES FOR EVERYONE

In 2016 OperaQ once more showed opera companies in the digital age. Most vital of all – and off its scope and versatility. probably hardest of all – is the creation of new works that Our audiences enjoyed will build new audiences for opera, so we were thrilled at the more new experiences in enthusiastic response from a predominantly young audience new environments, and our in the Roundhouse Theatre for our new Snow White! core values of Excellence, Collaboration is at the very heart of our ethos, and in 2016 Community and Adventure OperaQ celebrated new creative partnerships with La Boite were animated on our stages Theatre (Snow White), Houston Grand Opera (Madama and behind the scenes. Butterfly), Seattle Opera (The Barber of Seville), the Queensland At the “grand opera” end of Conservatorium Griffith University Music Theatre Course (Kiss the scale, Michael Grandage’s Me, Kate), Palazzo Versace (La Bella Vita) and Musica Viva/ elegant production of Puccini’s Victorian Opera (Voyage to the Moon). And we reinforced our Madama Butterfly in the Lyric Theatre established collaborations with our friends at Brisbane Festival, delighted traditional opera fans and QPAC, shake & stir theatre co, Blue Roo Theatre Company, newcomers alike. At the other extreme, New Zealand Opera and Queensland Symphony Orchestra. the world première of our adults-only Snow It’s exciting that OperaQ’s 2013 production of Cinderella White, a brand new music theatre work created with (La Cenerentola) created in collaboration with New Zealand La Boite and Brisbane Festival was definitely not for the faint Opera was presented in February 2016 by Leipzig Opera and hearted. Dancing a fandango somewhere in between, the in October by San Diego Opera, and our partnership with joyful chaos of Rossini’s The Barber of Seville in the QPAC Seattle Opera and New Zealand Opera on The Barber of Playhouse and eight venues across regional Queensland Seville continues the “brand OperaQ” international reach. showed off the talents of Queensland’s finest singers in our colourful new all-singing, all-dancing production of this These achievements are the result of an incredibly classic comedy. And finally, with a touch of old-fashioned hardworking, talented and committed team, and I showbiz, our semi-staged concert of Cole Porter’s Kiss Me, sincerely thank my colleagues and all the amazing Kate transformed QPAC’s concert platform into a stage for artists who made 2016 a terrific year for OperaQ.

over 110 performers – QSO musicians, the Opera Queensland Lindy Hume chorus, Queensland Conservatorium Griffith University tap Artistic Director dancers and stars of Australian theatre, musicals and opera. OperaQ Enhancing these diverse experiences in 2016 were OperaQ’s increasingly popular special and social events, our Open Stage community and youth workshops (read about these on page 21), schools activity and Project Rossini, OperaQ’s award- winning regional community chorus initiative. Our cross-border collaboration with Arts Northern Rivers and the community of Tumbulgum was a rich and powerful experience for all involved.

While time consuming, the Federal Government’s National Opera Review process provoked an important national conversation, highlighting the need for greater collaboration, innovation and inventiveness in planning the future. As we design our own future, we are confident that OperaQ’s programs and partnerships position us strongly to meet the challenges and opportunities facing Australia’s Brian Lucas and Emily Burke in OperaQ’s The Barber of Seville . Brian Lucas and Emily Burke in OperaQ’s Image by Stephen Henry. Snow White . Image by Dylan Evans. in OperaQ’s as The Mirror Kanen Breen 6 7 2016 ANNUAL REPORT

GIACOMO PUCCINI MADAMA BUTTERFLY INTERNATIONAL PRODUCTION EXCLUSIVE TO BRISBANE

12, 14, 17, 19 MAY LYRIC THEATRE, QPAC

Opera Queensland’s 2016 Season began with Tony Summers brought his formidable stage experience to the Award-winning director Michael Grandage’s acclaimed role of Sharpless, while Hayley Sugars excelled as Suzuki. production from Houston Grand Opera, Grand Théâtre Under Fritzsch’s baton Puccini’s lush score was de Genève and Lyric Opera of Chicago of Puccini’s magnificently played by Queensland Symphony Madama Butterfly, conducted by Johannes Fritzsch. Orchestra while the Opera Queensland Chorus was The production’s first appearance in the Southern described by Limelight Magazine as “equally impressive Hemisphere featured some of the country’s finest artists, with a stunning rendition of the Humming Chorus.” and was reproduced with great skill and care for Brisbane audiences by Louisa Muller. Five performances were shared by sopranos Hyeseoung Kwon and Emily Burke as CREATIVE TEAM Conductor Johannes Fritzsch Cio-Cio-San and tenors Bradley Daley and Virgilio Marino Director Michael Grandage as Pinkerton. Internationally acclaimed baritone Jonathan Revival Director Louisa Muller Set & Costume Designer Christopher Oram Original Lighting Designer Neil Austin Lighting design realised by Philip Alfano Choreographer Rosetta Cook Chorus Master Narelle French

CAST Cio-Cio-San Hyeseoung Kwon, Emily Burke Suzuki Hayley Sugars Pinkerton Bradley Daley, Virgilio Marino Sharpless Jonathan Summers Goro Virgilio Marino, Gregory Massingham Kate Pinkerton Cassandra Seidemann Bonze Andrew Collis Yamadori Shaun Brown Commissioner Brett Holland Sorrow Toby Bennion, Kaio Davies Assistant to the Conductor Natalia Raspopova By kind arrangement with the Queensland Symphony Orchestra Opera Queensland Chorus Jonathan Summers as Sharpless was the whole Queensland Symphony Orchestra operatic package. Not only did he sing splendidly, articulating and expressing each Puccini line near perfectly, but he also conveyed every nuance and characteristic of the professional man having to deal with the problems created by this young callow naval lieutenant.

LIMELIGHT MAGAZINE

As Cio-Cio-San, Hyeseoung Kwon looked perfect and she made her character a real flesh and blood person, touching us, as she should, with her unswerving loyalty. Un bel dì was poignant and heartfelt, bringing a lump to the throat… Madama Butterfly is a co-production of Houston Grand Opera, LIMELIGHT MAGAZINE

Grand Théâtre de Genève and Lyric Opera of Chicago. Bradley Daley and Hyeseoung Kwon. Image by Stephen Henry.

8 9 2016 ANNUAL REPORT

In Lindy Hume’s riotously funny, utterly assured production for Opera Queensland, she has the born-to-play-the-role Brett Carter…Sheer brilliance…show-stopping physical-theatre…unadulterated joy…

THE AUSTRALIAN Emily Burke, Virgilio Marino, Monique Latemore, Andrew Collis, David Hibbard and Brett Carter. Carter. and Brett Collis, David Hibbard Andrew Marino, Monique Latemore, Emily Burke, Virgilio Image by Stephen Henry.

GIOACCHINO ROSSINI Katie Stenzel sharing the role of Rosina, and Virgilio Marino CREATIVE TEAM and Jaewoo Kim as Almaviva, against Rosina’s captors Andrew Conductor Roland Peelman Director Lindy Hume Collis as Bartolo, David Hibbard as Basilio, Emily Burke as Set and Costume Designer Tracy Grant Lord THE BARBER Berta and Brian Lucas as a show-stealing Ambrogio. Lighting Designer Matthew Marshall Chorus Master Narelle French This new production featured several innovations – Assistant Director Jason Barry-Smith Choreography – Act 2 Finale Rafael Bonachela pre-show action front of house, flamenco guitarist Andrew OF SEVILLE (by arrangement with Sydney Dance Company) Veivers playing not only the guitar part in Rossini’s score Movement Assistant/ IL BARBIERE DI SIVIGLIA Rehearsal Choreographer Vanessa Mafe-Keane but also accompaniment for the recitatives, and to ensure Original Surtitles Narelle French A CO-PRODUCTION BETWEEN OPERA QUEENSLAND, a fabulous finale, OperaQ and Sydney Dance Company SEATTLE OPERA AND NEW ZEALAND OPERA (SDC) joined forces to create a dazzling fandango CAST 9 - 23 JULY 2016 choreographed by SDC Artistic Director, Rafael Bonachela. Fiorello Shaun Brown, Matthew Broadbent PLAYHOUSE, QPAC Count Almaviva Virgilio Marino, Jaewoo Kim Following its Brisbane season, The Barber of Seville toured Figaro Brett Carter, Shaun Brown 2016 marked the 200th anniversary of Rossini’s classic regional Queensland where the company performed with Dr Bartolo Andrew Collis Rosina Katie Stenzel, Monique Latemore comedy and in July, OperaQ’s new production of The Barber eight regional choruses as part of Project Rossini, OperaQ’s Berta Emily Burke of Seville opened in the Playhouse to a terrific critical and second state-wide community initiative (see overleaf). Ambrogio Brian Lucas audience response, in a new production by Lindy Hume Don Basilio David Hibbard At the conclusion of the tour in Toowoomba’s iconic Empire Officer Matthew Broadbent with sensational designs by Tracy Grant Lord, lighting Theatre, the set and costumes were packed up, ready for Notary Sean Andrews by Matt Marshall and conducted by Roland Peelman. Flamenco Guitar Andrew Veivers shipping to co-production partners Seattle Opera and New The Opera Queensland Chorus An energetic, charming and vibrant cast was led by Brett Carter Zealand opera for international performances in 2017 and 2019. Queensland Symphony Orchestra and Shaun Brown in the title role with Monique Latemore and

10 11 2016 ANNUAL REPORT

GIOACCHINO ROSSINI

THE BARBER “Thank you for a wonderful opportunity “What a privilege! Lovely people, lovely to perform with a team of consummate voices, fabulous sets and lighting... professionals – both in front of and and so proud of our home grown OF SEVILLE behind the scenes. It was such a pleasure singers. Thanks for sharing Opera IL BARBIERE DI SIVIGLIA being part of Project Rossini!” Queensland with the country people!”

NICKY, COMMUNITY CHORUS, GOLD COAST CHRISSY, COMMUNITY CHORUS, MACKAY QUEENSLAND REGIONAL TOUR ASSOCIATED WITH “Can we do it again??????” “Thank you very much Opera PROJECT Queensland: the artists, crew and staff JANET, COMMUNITY for giving us this amazing experience CHORUS, ROCKHAMPTON ROSSINI of a lifetime.” GOLD COAST, FRASER COAST, ROCKHAMPTON, GLADSTONE, GIOVANNI, COMMUNITY CHORUS, CAIRNS MACKAY, TOWNSVILLE, CAIRNS, TOOWOOMBA

Following the success of Project Puccini in 2014, OperaQ embarked on its second state-wide community initiative in 2016 – Project Rossini – which gave 250 regional Queenslanders the chance to perform in a professional production of The Barber of Seville.

Nearly 450 people registered to audition across the state with successful chorus members receiving professional vocal, performance and language training over an 11-week period to prepare them for their special performance.

Over 5,000 people attended OperaQ’s The Barber of Seville during its four-week tour.

The tour marked a return to Gladstone for OperaQ for the first time in over five years and the unique opportunity to be a part of the grand opening of the new outdoor entertainment space at Munro Martin Parklands in Cairns. His Excellency the Honourable Paul de Jersey AC, Governor of Queensland and Patron of Opera Queensland, officially opened the Parklands before OperaQ performed under the stars to thousands of Cairns locals.

Project Rossini/The Barber of Seville was supported by the Queensland Government through Arts Queensland’s Playing Queensland Fund and by the performing arts centre in each community.

29, 30 JULY THE ARTS CENTRE, GOLD COAST 3 AUGUST BROLGA THEATRE, FRASER COAST 6 AUGUST PILBEAM THEATRE, ROCKHAMPTON 10 AUGUST GLADSTONE ENTERTAINMENT CONVENTION CENTRE, GLADSTONE Project Rossini Toowoomba Community Chorus in rehearsal Community Chorus in rehearsal Rossini Toowoomba Project Jason Barry-Smith. Image by Stephanie Do Rozario. with Assistant Director 13 AUGUST MACKAY ENTERTAINMENT & CONVENTION CENTRE, MACKAY 17 AUGUST TOWNSVILLE CIVIC THEATRE, TOWNSVILLE 19 AUGUST CAIRNS REGIONAL COUNCIL 24 AUGUST EMPIRE THEATRE, TOOWOOMBA

12 13 CREATED AND DEVISED BY LINDY HUME, 2016 ANNUAL REPORT OPENSUZIE MILLER AND ZULYA KAMALOVASTAGE SNOW WHITE WORLD PREMIÈRE      “A terrific cast in an exuberant semi-staged production…”

LIMELIGHT MAGAZINE

“Forget the fluffy fairytale business – think Tarantino if he was into musicals.”

WEEKEND EDITION

MUSIC AND LYRICS BY COLE PORTER, BOOK BY SAMUEL AND BELLA SPEWACK CRITICAL EDITION BY DAVID CHARLES ABELL AND SEANN ALDERKING KISS ME, KATE SEMI-STAGED CONCERT Silvia Colloca and Michael Tuahine. Image by Dylan Evans. Silvia Colloca and Michael Tuahine. and Paul Bishop. Image by Stephen Henry. Peter Coleman-Wright Cheryl Barker,

ORIGINALLY COMMISSIONED AND FIRST PRODUCED CREATIVE TEAM 12 NOVEMBER 2016 CREATIVE TEAM AT THE ROUNDHOUSE THEATRE BY OPERA QUEENSLAND, Director & Co-creator Lindy Hume CONCERT HALL, QPAC Conductor Guy Noble Librettist & Co-creator Suzie Miller Director Kris Stewart LA BOITE THEATRE COMPANY AND BRISBANE FESTIVAL Composer & Co-creator Zulya Kamalova Following the success of Opera Queensland’s semi-staged Set & Costume Designer Josh McIntosh 8 - 24 SEPTEMBER 2016 Dramaturg Glyn Roberts Choreographer Christopher Horsey Choreographers Rosetta Cook production of Bernstein’s Candide in 2015, OperaQ wanted Lighting Designer Jason Glenwright ROUNDHOUSE THEATRE, LA BOITE Gavin Webber to program another work to showcase Queensland Symphony Sound Designer Murray Keidge Set Design Sarah Winter Chorus Master Orchestra playing another of the great Broadway scores. Co-presented by OperaQ, La Boite and Brisbane Festival, this gripping Costume Design Karen Cochet and Musical Preparation Narelle French reimagining of Snow White introduced audiences to an upended retelling Lighting Design Ben Hughes Cole Porter’s Kiss Me, Kate was an obvious contender. Assistant Director Gabriella Flowers Musical Director Steve Russell of the Brothers Grimm classic in all its darkness, brutality and eroticism. Arranger/Orchestrator Thomas Green So OperaQ’s 2016 season concluded on a high with two terrific CAST Equal parts cabaret, concept album and opera, this co-creation by director performances of Kiss Me, Kate, which Kris Stewart deftly Lilli Vanessi/Katharine Cheryl Barker CAST Fred Graham/Petruchio Peter Coleman-Wright Lindy Hume, composer Zulya Kamalova and librettist Suzie Miller offered The Mirror Kanen Breen semi-staged on an ingenious yet simple design by Josh McIntosh. Lois Lane/Bianca Naomi Price a revelatory alternative perspective on the relationship between the The Queen Silvia Colloca Guy Noble was the ideal conductor for Porter’s classic score, Bill Calhoun/Lucentio Jason Barry-Smith Snow White Stephanie Pickett First Gangster Bryan Probets animated by a star-studded cast led by Australia’s opera Queen and her (in this case biological) daughter Snow White, blurring The Huntsman Michael Tuahine Second Gangster Shaun Brown the lines between good and evil, trust and betrayal, killer and prey. royalty and real-life husband and wife, Cheryl Barker and Peter Paul Christopher Horsey MUSICIANS Coleman-Wright as Lilli Vanessi and Fred Graham. Hortensio Bradley McCaw The dynamic cast gave an extraordinary performance in a range of styles Keyboard Steve Russell Gremio Kurt Phelan Cello Kathryn McKee An extraordinary team of actor singers included Jason Barry- Hattie Lizzie Moore spanning opera to rock. Contemporary vocalist and songwriter Stephanie Trombone Mikael Strand Smith, Naomi Price, Lizzie Moore, Bryan Probets, Shaun Brown, Harry Trevor Robert Coleby Pickett made her stage debut in the title role, Kanen Breen gave a bravura Percussion Angus Wilson Harrison Howell Paul Bishop Kurt Phelan, Bradley McCaw, Robert Coleby and Paul Bishop. performance as The Mirror, actor and musician Michael Tuahine blended Ralph Stephen Beck Stage Doorman Chris Cobcroft With sensational dance numbers choreographed by Christopher brute physicality and complex psychology as The Huntsman, and actress, Cab Driver Sean Andrews singer and TV host, Silvia Colloca, both shone and chilled as The Queen. Horsey, Kiss Me, Kate was a feast for the eyes and ears combining Nathaniel Nick Kirkup the musical forces of Queensland Symphony Orchestra, the Gregory Leon Warnock The production was nominated for two Matilda Awards for Best Musical Phillip Daniel Smerdon fabulous Opera Queensland Chorus and students from the Haberdasher Jon Maskell or Cabaret and Best Costume Design. Queensland Conservatorium Music Theatre Program. Opera Queensland Chorus The creative development of Snow White was assisted by the Australian Government Queensland Symphony Orchestra through the Australia Council for the Arts, its arts funding and advisory body. Kiss Me, Kate is presented by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC. Queensland Conservatorium, 560 Lexington Avenue, New York, New York 10022 Griffith University Musical Theatre Ensemble 14 15 2016 ANNUAL REPORT

TUMBULGUM AND THE COUNTDOWN TO MIDNIGHT AT THE FIRST SUPPER BETWEEN NOW AND FOREVER PRESENTED BY ARTS NORTHERN RIVERS IN COLLABORATION WITH OPERA QUEENSLAND Emily Burke, Virgilio Marino, Hayley Sugars and Jason Barry-Smith. Image by Zoltan Szekely. La Bella Vita audience. Image by Zoltan Szekely. CREATIVE DIRECTORS ROD AINSWORTH AND JASON BARRY–SMITH

16 - 17 DECEMBER 2016 CREATIVE TEAM TUMBULGUM HALL Musical Director LA BELLA VITA and Arranger Narelle French 19 MARCH 2016 CAST PALAZZO VERSACE, GOLD COAST Soprano Emily Burke Mezzo Soprano Hayley Sugars OperaQ’s first lifestyle event of Season 2016 took place on Tenor Virgilio Marino Baritone Jason Barry-Smith Saturday 19 March at Palazzo Versace on the Gold Coast. MUSICIANS Opera enthusiasts, music lovers and social butterflies were immersed in a Violin Michael Patterson world of Italian spirit with exquisite cuisine and opera classics performed by Cello Kathryn McKee OperaQ artists Emily Burke, Hayley Sugars, Virgilio Marino and Jason Barry- Piano Narelle French Smith with the spirited accompaniment of violinist Michael Patterson, cellist Kathryn McKee and Musical Director and Arranger, Narelle French on piano.

OPERAQ GALA If These Halls Could Talk was a multi-arts project developed OPERA AT THE MOVIES by Arts Northern Rivers celebrating regional halls and the role 22 OCTOBER 2016 they play in our communities. As part of this project, OperaQ THE MARQUEE, VICTORIA PARK was invited to work with local artists over 6 months to create a new community opera – Tumbulgum and the Countdown to OperaQ’s 2016 Gala was an outstanding success with 270 opera fans,

Midnight at the First Supper Between Now and Forever. Devised, Lysiuk. Soprano, Irena music lovers, arts aficionados and philanthropists coming together at rehearsed and realised by Music Director Jason Barry-Smith and The Marquee, Victoria Park on 22 October to raise much needed funds

Director/Writer Rod Ainsworth, this unique musical journey into Grant. Images by Darcy for the Company’s 2017 artistic, community and education programs. the next world was based on stories from ancient mythology, It was a dazzling evening of music, style and spectacle as we celebrated as well as tales of Tumbulgum Hall and its community. CREATIVE TEAM the role of opera in some of the world’s most iconic cinematic moments. Creative Directors Jason Barry-Smith Guests enjoyed hospitality overlooking the stunning city skyline, Shaped by locals and stories of the Northern Rivers region, and Rod Ainsworth the narrative of the work was brought to life through an Production Coordinator Edward Horne captivating performances by the stars of OperaQ, and silent and live Costume Designer Charlotte Haywood amalgamation of musical and theatrical styles including auctions of memorabilia and money-can’t-buy opera experiences. opera, traditional folk music, sea shanties and original CAST Thanks to the outstanding support of Gala organisers and guests, over Umi Maisy Taylor songs by an extraordinary cast of local artists. Rehearsals The Chanter Ari Ehrlich $45,000 was raised through a grand raffle prize from Xennox Diamonds, and the two live performances of Tumbulgum and the Ferryman Sean O’Hara live auction prizes from Dendy Cinemas and the Art Series Hotel Group Cedar Cutter Jim Spark Countdown to Midnight at the First Supper Between Now and silent auction prizes from a host of local and interstate sponsors. Mother Katie Rutledge and Forever were documented as part of an exhibition to Man #1 Lincoln Jamieson Woman #1 Chelle Wallace be presented at the Tweed Regional Gallery in 2017. CREATIVE TEAM Woman #2 Melanie Smart Musical Director Tumbulgum and the Countdown to Midnight at the First Supper and Piano Narelle French Between Now and Forever was presented as part of If These Halls CHORUS Murwillumbah Philharmonic Choir Could Talk; a multi-arts project developed by Arts Northern Rivers. CAST PERFORMANCE BAND Soprano Natalie Peluso Soprano Irena Lysiuk Watling & Bates Mezzo Soprano Jessica Low POST SHOW BAND Tenor Virgilio Marino

Images by Marc Grimwade. Images by Marc Baritone Jason Barry-Smith The Dairy Sessions 16 17 OPEN STAGE 2016 ANNUAL REPORT

he Open Stage program is at the heart and soul of Opera Queensland’s commitment to opera for all Queenslanders Tproviding hands-on arts experiences for schools and communities. OperaQ’s Open Stage team cultivates dynamic engagement and learning environments that foster improved music and social skills, self-confidence and wellbeing through CHRISTOPH WILLIBALD GLUCK creativity for all ages and levels of skill across the state. Comprising school and community workshops, touring shows, keynote presentations and collaboration with local festivals and events, Open Stage provides Queenslanders from all walks of life the opportunity to experience this great art form. ORPHEUS AND EURYDICE ORFEO ED EURIDICE

NEW MUSICAL VERSION AND TRANSLATION BY JASON BARRY-SMITH AND CHAMBER ORCHESTRA ARRANGEMENT BY NARELLE FRENCH

PRESENTED BY BLUE ROO THEATRE COMPANY, OPERA QUEENSLAND AND THE JUDITH WRIGHT CENTRE FOR CONTEMPORARY ART

1 - 3 DECEMBER 2016 “We absolutely, thoroughly, JUDITH WRIGHT CENTRE OF CONTEMPORARY ARTS overwhelmingly enjoyed this performance. Kids are still buzzing about FIZZ! We think Following nine months of rehearsals, the third and final artistic The three year collaboration allowed the Blue Roo ensemble to we might do all our future collaboration between OperaQ and Blue Roo Theatre Company, explore music and singing in addition to their theatre work and assemblies in opera fashion an adaption of Orpheus and Eurydice opened at the Judith has assisted in profiling the progressive work of the organisation because our littlies did not move Wright Centre for Contemporary Arts on Thursday 1 December. in the disability sector. Following its season of Orpheus and a muscle throughout the whole Eurydice, Blue Roo Theatre Company announced its success as The staging of a traditional opera with the Blue Roo artists performance apart from their a recipient of Arts Queensland Organisational Funding which, performing as chorus members and several featured/ mouths with laughter! Adults for the next four years, will allow the Company to continue to character roles was testament to the incredible progress were pretty enthralled and provide opportunities for people with a disability to become that the group made over the three year partnership entertained throughout the skit.” actively involved and engaged in the performing arts. between OperaQ and Blue Roo Theatre Co. LOWER TULLY STATE SCHOOL Blue Roo Artistic Director, Clark Crystal, worked closely CREATIVE TEAM

Tim Carroll and Irena Lysiuk. Image by Stephen Henry. Lysiuk. Tim and Irena Carroll with OperaQ artists Jason Barry-Smith and Susan Ellis to Co-Artistic Directors Clark Crystal and develop a one-hour version of the iconic love story with Jason Barry-Smith Musical Director Susan Ellis choreographer Brian Lucas and OperaQ singers Louise Choreographer Brian Lucas OPEN STAGE Dorsman (Orpheus), Jessica Low (Eurydice) and Sean Andrews Set & Costume Designer Velvet Pesu OPERAQ IN CREATIVE COLLABORATION WITH (chorus leader) joining the project in the production phase. CAST SHAKE & STIR THEATRE CO Orpheus Louise Dorsman Eurydice Jessica Low Cupid Susan Ellis Chorus Leader Sean Andrews FiZZ! Chorus of shepherds, villagers, Furies BASED ON GAETANO DONIZETTI’S and Blessed Spirits Blue Roo Theatre THE ELIXIR OF LOVE (L’ELISIR D’AMORE) Company Ensemble West End primary school students enjoying FiZZ! West Image by Stephen Henry. NEW MUSICAL VERSION AND TRANSLATION BY JASON BARRY-SMITH AND MUSICAL ARRANGEMENT BY NARELLE FRENCH CREATIVE TEAM JULY - SEPTEMBER 2016 Directors Ross Balbuziente, QUEENSLAND PRIMARY SCHOOLS Nelle Lee, Nick Skubij Musical Director Narelle French Having performed to over 26,000 students over three seasons, OperaQ’s Set & Costume Designer Josh McIntosh primary school touring production FiZZ!, had its final performance in CAST September 2016. FiZZ! is a contemporary adaption of Donizetti’s Adina Irena Lysiuk The Elixir of Love, set in a grocery store, Belcore’s Fine Foods, featuring Nemorino Jonathan Hickey Belcore Tim Carroll three effervescent young opera performers against a dynamic multimedia backdrop and an on-screen cast of some of Australia’s finest singers. ON-SCREEN CAST Giannetta Emily Burke From 2014-2016, 11 OperaQ artists toured to 116 schools from Dr Dulcamara Andrew Collis Normanton in the north, Mount Isa in the west and south to the Newsreader Jason Barry-Smith Image by Stephanie Do Rozario. border. The OperaQ team is very proud of this achievement and we look forward to future collaborations with shake & stir theatre co.

18 19 OPEN STAGE 2016 ANNUAL REPORT OPEN STAGE WORKSHOPS

ADULT WORKSHOPS

In 2016, OperaQ’s popular Open Stage program for adults attracted around 60 participants across the year with two workshops featuring beloved repertoire by Giacomo Puccini and Gioacchino Rossini.

As in 2015, both workshops – Puccini & Friends and Rossini & Friends – were available in intensive and evening programs to allow more aspiring performers and opera enthusiasts the chance to engage with OperaQ. Under the guidance of OperaQ’s Open Stage Team of professional artists and directors, participants honed their vocal, stagecraft and “I would like to thank all of those involved

Louise Dorsman with students at Rochedale South Primary School. Image by Stephanie Do Rozario. language skills learning a combination of chorus and solo repertoire. in organising and leading the workshop. Both workshops culminated in public presentations at Brisbane It was a happy and supportive environment characters and relationships, and explore associated

Powerhouse where participants performed for packed audiences of and challenged me. Thanks everyone!” members. Open Stage Workshop Image by Stephen Henry. complications, solutions and themes before bringing these SING STORY family and friends. learnings together in their own ‘Sing Story’ performance. QUEENSLAND PRIMARY SCHOOLS Over the course of a week OperaQ artist and registered YOUTH WORKSHOPS Sing Story is an important program within OperaQ’s Open Stage teacher, Louise Dorsman, worked with a new class on each “My daughter attended both OperaQ offering and in 2016 thanks to the generous support of the Tim day from Monday to Thursday deconstructing narratives Exciting new additions to OperaQ’s Open Stage Youth Workshops and came home Fairfax Family Foundation, the Company was able to offer the of well-known operas and assisting the students in each program in 2016 were two Youth Workshops for enthusiastic and inspired. She loved week-long residency to 11 schools across South East Queensland. class to collaboratively create their own narrative. On the participants aged 11 - 17. These workshops were every minute of it. Thank you OperaQ!” held during the July and September school holidays Sing Story encourages the use of critical literacy skills, Friday the classes worked with Louise to rehearse their giving over 30 young singers the chance to develop helping students to understand the narrative structure of new opera performance before their ‘world première’ their performance skills under the tutelage of classic operas. Students discuss the elements of setting, showing in the afternoon to peers, teachers and families. OperaQ’s Open Stage Team of professional artists.

Following the 5-day workshop, participants of the July school holidays workshop performed a range of opera and operetta favourites on the set of The Barber of Seville in OPEN STAGE SCHOOL the Playhouse QPAC while participants of the September school holiday workshop presented a semi-staged adaptation of Bizet’s Carmen in the OperaQ Studio. RESIDENCIES performance. Image by Stephanie Do Rozario. Workshop Open Stage Youth QUEENSLAND SECONDARY SCHOOLS 2016 OPEN STAGE TEAM Jason Barry-Smith, Narelle French, Sean Andrews, Zara Barrett, Shaun Brown, Susan Ellis, Clarissa Foulcher, The Open Stage Team returned to schools Jessica Low, Rachael Edwards, Trevor Green, Irena Lysiuk, Brendan Murtagh, Angela Chaplin. throughout South East Queensland in 2016 inspiring confidence and self-expression through OperaQ’s popular School Residency program.

Open Stage school residencies allow up to 35 students CHILDERS FESTIVAL 2016 CREATIVE TEAM to work with a variety of highly skilled artists from Director Danielle Carney In July, Opera Queensland and the Bundaberg Musical Director Stewart Kelly OperaQ focusing on vocal skills, stage craft and Regional Council again joined forces to musicality. At the end of each residency, students and CAST bring free creative singing workshops to their workshop team take to the stage to showcase new Clarissa Foulcher local schools and community groups as part Nick Kirkup skills to their peers, families and local communities. Jonathan Hickey of the annual Childers Festival. Six OperaQ Irena Lysiuk artists performed alongside students from Tim Carroll schools in both Bundaberg and Childers at Opera by the Lake as a highlight of

Clarissa Foulcher with students from Citipointe Christian College. Clarissa Foulcher with students from Image by Stephanie Do Rozario. this growing regional arts festival.

20 21 OPEN STAGE 2016 ANNUAL REPORT OPENING NIGHT DINNERS AND COCKTAIL EVENTS Images by Grimwade.

David Hobson and Katie Stenzel at Opera at the Vineyard. Image by Mark Taylor.

MADAMA BUTTERFLY OPENING NIGHT DINNER In 2016, over 370 people attended OperaQ’s opening night 12 MAY 2016 dinners and cocktail parties to experience the ultimate HIGH NOTES RIVER LOUNGE, GALLERY OF MODERN ART (QAGOMA) evening at the opera. 2016 HIGH NOTES ARTISTS MADAMA BUTTERFLY CHERRY BLOSSOM GARDEN PARTY Overlooking the twinkling Brisbane River and Kurilpa Bridge, Emily Burke, Sarah Crane, Susan Ellis, Narelle French, Heru 19 MAY 2016 guests of the Madama Butterfly Opening Night dinner Pinkasova, Katie Stenzel, Monique Latemore, Jessica Low, ROOFTOP TERRACE, QPAC experienced GOMA’s premium hospitality and the opportunity Irena Lysiuk, Katherine McKee, Natalie Peluso, Sean to hear behind-the-scenes insights from Rehearsal Director, THE BARBER OF SEVILLE OPENING NIGHT DINNER Andrews, Jason Barry-Smith, Shaun Brown, Bradley Daley, Louisa Muller and OperaQ Artistic Director, Lindy Hume. 8 JULY 2016 David Hobson, Jaewoo Kim, Mitchell Leigh, John Woods. The following week, amid cherry blossoms and glowing WATERMALL, QUEENSLAND ART GALLERY lanterns, guests of the Cherry Blossom Garden Party enjoyed 2016 marked another successful year for OperaQ’s High THE BARBER OF SEVILLE ROOFTOP FIESTA oriental-inspired cuisine and premium beverages as well as a Notes offering which provides performers and tailored 14 JULY 2016 behind-the-scenes account from celebrated baritone Shaun programming for events and concerts on a commercial basis. ROOFTOP TERRACE, QPAC Brown on his experience performing the role of Yamadori in Highlights included performances at Opera in the Vineyard, this acclaimed international production. dinner. Katie Stenzel performing at the Royal College of Surgeons the Royal Australasian College of Surgeons dinner, the Guests literally walked on water to attend The Barber of Australian Institute of Architects dinner, Ambassadors Seville Opening Night dinner at Queensland Art Gallery’s Circle Mayoral Awards – Gold Coast and Palazzo Versace stunning Watermall. By the shimmering water feature and – Gold Coast 16th birthday celebrations. Palazzo Versace QAG’s stunning artworks, guests experienced a premium and OperaQ extended their partnership in 2016 to dining and beverage package along with behind the scenes create Música Palazzo, a program exclusively featuring commentary from Director Lindy Hume and Costume Designer OperaQ artists in performances across the year. Tracy Grant Lord. Concluding OperaQ’s mainstage events for 2016, the Rooftop Fiesta saw guests enjoy Spanish tapas and drinks against the stunning Brisbane City skyline complete with hilarious production insights from The Barber of Seville

Assistant Director, Jason Barry-Smith. Jaewoo Kim performing at the Royal College dinner. of Surgeons

22 23 2016 ANNUAL REPORT

BOARD AND GOVERNANCE OPERAQ CORPORATE GOVERNANCE STATEMENT Opera Queensland recognises that There is a clear division of investment and financial reporting 7. The Board recognises effective governance is essential to responsibility between the role of the matters. Additional meetings are also and manages risk Patron The Governor of Queensland, His Excellency the Honourable Paul de Jersey AC ensuring the realisation of Opera Board and the role of management. held to discuss matters of financial The Board and Executive Queensland’s vision, the execution The Nominations Committee assists impact on the company. A detailed Management of Opera Queensland of our mission and the achievement finance report is provided to, and Chair Treasurer Jane Edwards Group. He has a particular and advises the Board on matters recognize that a sound risk of our five core goals, as outlined relating to the composition, structure discussed at, each Board meeting. management framework is critical Sally Pitkin Kim Challenor AM ONM (Fr), BA, FAICD, FAIM interest in brand management in our Strategic Plan 2012-2017. and operation of the Board, the The company’s annual financial to effective management of LL.B, LL.M, PhD, FAICD BComm, BA CA Director since 1992 and marketing strategy, and has Opera Queensland recognises that selection and performance of senior statements are audited by an the company. An effective risk Appointed Chair August 2016 Appointed Treasurer June 2012 Retired May 2016 worked on major government an effective governance framework executives, and other matters as independent external auditor management system identifies Chair of the Nominations Chair of the Audit & Risk projects in Transport, Families encourages and supports the efficient requested by the Board. The role appointed by the Board. The auditor and manages potential risks in a Lady Jane (Brumfield) Edwards use of the company’s resources of the Audit and Risk Committee meets annually with the Audit and continuous, proactive and systematic Committee Committee and Health Departments as well is a businesswoman and and requires accountability from is described in Section 5. Risk Committee independently way through an integrated application Director since April 2012 Director since 2012 and private and commercial communications strategist, every person in the company for the 3. Promote ethical and of management. The auditor’s of risk management processes Dr Sally Pitkin is a Company Ms Kim Challenor is an with a distinguished career ventures. stewardship of those resources. The responsible decision making independence, competence and across all facets of our operations Board of Opera Queensland accepts capability is reviewed by the Board. by all levels of management. Director and Lawyer with thirty accountant who has worked in spanning more than 35 years. that it has ultimate accountability Opera Queensland has in place a The General Manager and the years corporate experience. both Australia and the United A former Canberra journalist, Robert Hubbard company-wide Code of Conduct The Audit and Risk Committee assists for the company’s actions and Business Manager provide written the Board with oversight of the risk Sally holds board roles in the Kingdom over the past 19 Jane is a specialist in issues BA (Hons), FCA outcomes, and understands that that includes a set of values to be declarations to the Board that the embodied by company members and management framework. The Board years. Promoted to Partner at and reputation management. Chair April 2012 to August 2016 effective governance requires company’s financial statements listed, public and non-profit collaborators. Compliance with the accepts ultimate responsibility for risk sectors. She is the President Pricewaterhouse Coopers in She advises senior executives Member of the Audit & Risk a healthy organisational culture have been prepared in conformity management within the company. supported by clear and transparent Code of Conduct is a requirement for with generally accepted accounting of the Queensland Division 2011, she provides audit services and community leaders around Committee all directors, employees, contractors The company is working towards policies and practices. principles, and that they give a true an enhanced risk management of the Australian Institute and accounting advice to a Australia on personal profiling Director since 2006 and collaborators. The Code of In developing our governance and fair view of the state of affairs framework that will be informed by of Company Directors, and variety of clients and industries, and business-critical issues in Retired 24 August 2016 Conduct is published on the of the company. The declarations practices, Opera Queensland has company’s website at http://operaq. a risk appetite statement, further member of the National including companies listed on the public arena. Jane founded Mr Robert Hubbard had regard to applicable legislation also state that the risk management integrate risk management into com.au/about/governance and internal compliance and Board. Her skills in corporate the ASX, private and not-for- and owns the national BBS was a partner at and recognised standards. The key processes, including risk based Included in the Code of Conduct control systems operated effectively governance, risk management, profit organisations. An avid Communications Group, is PricewaterhouseCoopers for Board of Opera Queensland decisions in strategy and business maintains its continued commitment is a mechanism for identifying and in all material respects. planning, and incorporate a formal 22 years until his retirement in strategy and business planning, enthusiast for the arts, Kim has an Adjunct Professor at the to essential governance practices managing conflicts of interest of 6. The Board recognises process for ongoing review and organisational culture and welcomed this opportunity to University of Queensland’s March 2013. Since then Robert as recommended in the Australia Board members and employees. the legitimate interests improvement. Further work on stakeholder engagement have be involved with such a valuable school of Journalism and has pursued a career as a non- Council for the Arts’ Essential There is a process of induction of stakeholders the risk management framework been developed from her legal organisation. Having grown up Communications, and is executive director from his home governance practices for arts for all new Board members and The Board acknowledges the is being informed by relevant organisations document. employees so company policies regulations and the Australian / career as a corporate lawyer, in regional North Queensland, appointed to numerous on the Sunshine Coast. Robert company’s legal obligations and processes can be explained. New Zealand standard AS/NZ experience as a non-executive the education and touring government and business believes passionately in the 1. Lay solid foundations for to our stakeholders, including management and oversight 4. Promote diversity government and our employees, ISO 31000:2009 Risk management director and board member and component of the company boards. broader roles that commerce – Principles and guidelines. Opera Queensland has established Opera Queensland is committed to partners, members and patrons. doctoral studies in governance. have really resonated with her should play in the community a Board Charter setting out the promoting inclusive practices and Our member engagement includes The company has a Risk Management passions. Colin Furnival and divides his time between roles, responsibilities, structure and understanding. The company has a our Annual General Meeting, Plan and a Risk Management Register Deputy Chair PhD, FRCS, FRACS, GAICD listed commercial entities and processes of the Board of Opera Diversity Policy, which is published performances and events, annual (Appendix B). The Risk Management Register will be reviewed six David Siddle Teresa Dyson Chair of the community based enterprises. Queensland, that is complementary on the company’s website at http:// report, website, season launch, and monthly by management, and BA (Hons), PhD, FASSA LL.B (Hons), BA, MTax, MAppFin Opera Queensland Foundation Robert is also a a member of the to and consistent with Opera operaq.com.au/about/governance. ongoing communication through Queensland’s Constitution. The This policy has been approved print and digital channels. reports provided to the Board. An Appointed Deputy Chair Member of the Member of the Council of the University of the attestation is provided by the General Board Charter and the Constitution by the Board and communicated Our engagement with government is August 2016 Audit & Risk Committee Nominations Committee Sunshine Coast. Manager that material risks are being are published on the company’s throughout the company. The policy through formal reporting under our Member of the Director since August 2016 Director since December 2009 website at http://operaq.com. recognises that workplace diversity managed effectively, in addition to funding arrangements and through the attestation from management Audit & Risk Committee David Janetzki au/about/governance is an integral part of how we operate other channels. The Board approves Ms Teresa Dyson has a broad Dr Colin Furnival is a former and is imperative in relation to the company’s Director since September 2014 BEcon, LL.B (Hons), There is a formal statement of reports made by the company to legal practice across social surgeon and academic who has to our success. The company Code financial statements and internal A.Mus.A (piano) delegated authority to management. the government funding agencies, controls as described in section 5. As an academic psychologist, infrastructure, charities, extensive experience in a broad of Conduct recognises the need to and receives regular reports from Member of the Audit & Risk The Opera Queensland Board Professor David Siddle worked taxation law and structuring, range of professional issues, respect individual differences and the General Manager on compliance 8. The Board remunerates reviews and monitors the strategic strive for a truly inclusive workplace in universities in England, as a Consultant at McCullough interfacing with governments Committee with our obligations. The Chair fairly and responsibly direction of Opera Queensland as set where every person can contribute Canada and Australia. He served Robertson. Teresa was named and other agencies. He has had Director since 2014 out in our Strategic Plan 2012-2017. and Executive Management of The company’s approach to to the endeavours of the company. Opera Queensland have regular remuneration is framed by the Woman Lawyer of the Year in a strong interest in opera for Retired May 2016 as Deputy Vice-Chancellor The Board holds at least eight formal 5. The Board safeguards integrity contact with Government regarding strategic direction and operational (Research) at the University 2011 by the Women Lawyers many years and is committed to Mr David Janetzki has over meetings each year, with additional in financial reporting the operations and strategic demands of the organization, and of Queensland from 2001 to Association of Queensland. She Opera Queensland’s strategy 15 year experience in senior meetings held with executive direction of the company. high standards of governance. management to consider matters of The Audit and Risk Committee is a 2009 where he was responsible is the Deputy Chair of the Gold of presenting opera in all its operations, legal, governance strategic and operational importance. standing committee of the Board The company’s supporters are A number of principles underpin our for the development and Coast Hospital & Health Board, forms. His perspective of opera and human resource leadership with responsibility for oversight of acknowledged throughout the approach to remuneration; namely, 2. Structure the Board to add value implementation of policy a Director of Energy Qld Ltd productions is built on his roles for Heritage Bank, the the company’s budgets, financial year at company performances • Attract and retain capable The Opera Queensland Board statements, and other financial and events and in our print experience of performances Manpower Group in London, and committed people; designed to enhance the and Chair of the Law Council of comprises seven independent information provided to government, and digital publications. university’s performance in Australia, Business Law Section. given by 30 opera companies in and law firm Corrs Chambers non-executive directors who financial institutions, members and • Support the execution of the The company’s strategic plan company’s strategic plan; and research and research training. Teresa is also a Director of UN 12 countries. Westgarth. David has been provide their time and services on the community. The Committee also recognizes the company’s place in He has served as a Board Women National Committee Chairman of the Southern a voluntary basis. Together with oversees the company’s systems of the Queensland community, and • Remunerate fairly and consistently. the General Manager and Artistic internal control, and the appointment member for many Cooperative Australia and a member of the Ieuan Hyde Downs Regional Council we continually seek to broaden The company has a formal process for Director, who attend the Board of auditors and the audit process. Research Centres and from 2011 Audit and Risk Committee of BA Audit and Risk Management and deepen our engagement employee performance evaluations meetings in an ex officio capacity, The Committee operates under with the community. and remuneration reviews. to 2014 served as a member of Lifeline Australia. Teresa has Director since June 2013 Committee and a director of a there is an appropriate balance of a charter, which is published on the Higher Education Standards previously been Chair of the range of companies, including skills, experience and expertise. the company’s website at http:// Members of the Board are Mr Ieuan Hyde has significant not remunerated. Panel. He is currently Chair of Board of Taxation. social enterprise initiatives. The Board is supported by two operaq.com.au/about/governance experience in marketing and The Board of Opera Queensland Brisbane Diamantina Health Married to an opera singer who standing committees; namely, the Each member of the Audit and Risk business development across Audit and Risk Committee and the Committee is financially literate provides oversight of the Partners. inspired his love of classical government, not-for-profit Nominations Committee. Each and the Committee is chaired by a company’s remuneration and and commercial ventures and singing, David grew up in rural committee has a charter which board member who is a chartered performance management frameworks. No member of is currently Group Director of Queensland and was elected is published on the company’s accountant and auditor. The to the Queensland Parliament website at http://operaq.com. committee holds at least seven management makes decisions Strategy, Business Development about their own remuneration. as the member for Toowoomba au/about/governance formal meetings per annum to review, and Marketing Officer at Mater monitor and advise on budget, audit, South in July 2016. 24 25 2016 ANNUAL REPORT OPERAQ STAFF OUR PATRONS’ SUPPORT REACHES FAR BEYOND THE THEATRE

EXECUTIVE TEAM MANAGEMENT Manager – Open Stage Production Administrator Artistic Director Business Manager Mark Taylor Annette Kerwitz OperaQ’s artistic and community ambitions, including bold initiatives like Open Stage and OperaQ Lindy Hume Valerie Cole Marketing Manager Assistant Accountant Studio programs, are made possible through the generosity of our enthusiastic supporters. General Manager Production Manager Sue Thomson Holly Satterthwaite Russell Mitchell Murray Free Office Coordinator FOUNDATION PATRONS Annett Cummings and Robin Dr Ben Steinberg† and Dr Michael Martin†, Head of Music TEAM Louise Simmons $15,000 AND ABOVE: Hazeldine, Hon H G Fryberg Mrs Janette Steinberg, Douglas and Janine Ritchie, Narelle French Head of Wardrobe Partnerships Executive Mr Philip J Bacon AM, QC§ and Mrs Jeraldene Hon Justice David Thomas§ Mrs Karon and Colin Roberts, Creative Producer Karen Cochet Nickie Warton Emeritus Prof Christa Critchley Fryberg, Drs C M† and I G and Mrs Jane Thomas, Dr Mark Ms Rose Scheimann, Dr Terry Erica Fryberg Marketing Coordinator and Emeritus Prof David Furnival†, Prof Ian R Gough AM Walker†, Jeff Weed, I S and Sheahan† and Mrs Geraldine Stephanie Do Rozario Siddle, Prof Ian Frazer AC† and and Dr Ruth Gough†, Andrea H Wilkey†, Dr Donna Williams† Sheahan, Mr William Sinclair Mrs Caroline Frazer, Leanne and Malcolm Hall-Brown, and Mr Ed Williams, and Mr Mark Taylor, Mr John Muller and Robert Hubbard Lindy Hume, Dr M Jameson†, Mr Rodney Wylie, Nicholas and Mrs Diane Tinkler, Mr Dr Joan M Lawrence AM, and Paula Zappulla, Greg Vickery AM§ and Dr HONORARY LIFE MEMBERS GOLD PATRONS Mr Andrew and Mrs Kate Anonymous 3 ESally Vickery†, Mr Robert and $5,000 - $9,999: Lister, Hon Justice Philip Mrs Patricia Wilson, James Christiansen OAM | Lady Jane Edwards AM | Hon. Sir Leo Hielscher AC | Ray Jeppesen Dr John Gough and McMurdo§ and Hon Justice BRONZE PATRONS Anonymous 3 Martin Kriewaldt | David Macfarlane OAM | Marilyn Richardson | Dr Nancy Underhill Ms Ann Page, Trevor and Margaret McMurdo§, Russell $500 - $999: Judith St Baker, Mr John Story Mitchell, The Oxenford Family David and Margaret Crombie, AO and Mrs Georgina Story (In loving memory of Brenda Mr Rob Cumming§, Megan Oxenford), Mr Ian Paterson, Gore-Jones, Mr Bill Heck OAM COMPANY MEMBERS SILVER PATRONS Dr Sally A Pitkin§, Mr Ray Poon, and Mrs Patricia Heck, Sir Leo $1,000 - $4,999: Mr Douglas & Dr Janet Porter, Hielscher AC and Lady Mary Dr Philip Aitken† & Dr Susan Dr John Quinn AM† and Hielscher, Marie Isackson, OPERA QUEENSLAND LIMITED § The Legal Chapter Urquhart†, Julieanne Alroe, Mrs Deborah Quinn, Dr Marie Mrs Jennette Johnstone, † The Medical Chapter REGISTER OF ORDINARY MEMBERS 2016 Dr Glenise Berry† & Siganto AM, Catherine Sinclair, Anne Abbott Loretta de Plevitz Michael Kearney Pamela Priest Assoc Prof Damien Thomson†, Mr Geoff Sinclair§ and Philip Aitken Lesa Delaere Diana Khursandi Gavin Quinn Kim and Luke Challenor, Mrs Kristen Sinclair, Allen Smith Harvard Barclay Noela Dillon R Adam Kilvert Michael Reveleigh Ms Judith Cavanagh, Prof and Mitzi Smith, Mrs Suzy and Errol Bartle Ralph Doherty Val Klenowski Sven Roehrs Frank Clarke, Mr Roger Cragg, Mr Henry Smerdon AM, Davi Bennion Teresa Dyson Danuta Krynski Lynn Sharpe David Bennion Jane Edwards Andrew Krynski Terry Sheahan Mads Bladt William Fellowes Joan Lawrence AM David Siddle Ian Bunzli Ian Frazer Christina Lee Andrew Smailes Donna Capararo Bertram Frost Bruce Lister Jan Stenton OPERA CLUB Renato Castillo Erica Frost David Mackie Graham Stenton Charles Cauchi Colin Furnival Lawrence Marshall Margaret Straubinger Clare Cauchi Lindsay Gaskell Edward McArdle Shane Sullivan David and Anne Abbott, Gregory Lay, Harry Leary, Kim Challenor Nicholas Gaskell Lachlan McDougall Elizabeth Surrey David and Judith Beal, David Carol Lloyd, Christine Ross Claxton Ruth Gough Desmond Misso Ailsa Sutton and Davi Bennion, Fabian Lindeman and Judith Vicki Clifford Ian Gough AM Diana Morris Harry Thompson and Wendy Bryant, Judith Pembleton, Bettina McGrath, Michael Colwell Ian Graham Elfriede Muellner Kay Trowbridge Carrey, Roger Cragg, I and C Desmond B Misso Esq, Roger Cragg Elizabeth Harmsworth Lex Nason Susan Urquhart Frazer AC, BS and EJ Frost, Lynda Rogers, Jennifer and Christa Critchley Lee Hemming Jon Parker Betty Ann Van Heeswijck John Gough and Ann Page, David Rumsey, Alan and Robert Cumming Robert Hubbard Sally Pitkin Lynda Werda G and C Hall, Sandra Harris, Mitzi Smith, Edward and Christine Dagworthy Ieuan Hyde Blayne Pitts Angela Zivkovich Robert Dagworthy David Janetzki Ray Poon Marie Isackson, Peter and Kay Donna Williams, Bob and Donna Davis David Jones-Davis Douglas Porter Jaunais, Gloria Kahlert, Patricia Wilson, Angela F.L. Davison Brooke Katsanevas Janet Porter Jillian King and Pat King, Zivkovich, Anonymous 2

26 27

2016 ANNUAL REPORT FINANCIAL REPORT

OPERA QUEENSLAND LIMITED OPERA QUEENSLAND LIMITED BALANCE OPERA QUEENSLAND LIMITED STATEMENT OF CASH STATEMENT OF COMPREHENSIVE INCOME INCOME SHEETAS AT 31 DECEMBER 2016 FLOWS FOR THE YEAR ENDED 31 DECEMBER 2016 FOR THE YEAR ENDED 31 DECEMBER 2016 NOTES 2016 2015 6% NOTES 2016 2015 5% NOTES 2016 2015 1% $ $ $ $ 5% 28% CURRENT ASSETS CASH FLOW FROM 10% OPERATING ACTIVITIES INCOME $ $ Cash and cash equivalents 11 691,219 76,831 Event Income 1,839,820 1,142,214 Cash receipts from Term deposit - 400,000 6,250,607 4,836,680 customers and grantors Sponsorships & Donations 8 677,952 486,236 46% Trade receivables 12 134,583 359,012 Cash paid to suppliers Other Income 376,414 266,179 and other assets (6,045,294) (5,075,774) and employees Government Income TOTAL CURRENT ASSETS 825,802 835,843 Interest Received 12,626 14,870 Queensland government Net cash from  Box Office 1,839,820 28% 21 217,939 (224,224) Operational grant 2,531,873 2,492,001 NON-CURRENT ASSETS operating activities Project funding 391,707 213,983  QLD Government 3,077,951 46% Property, plant and 13 671,890 697,121  Federal Government 650,370 10% equipment Arts Leverage Fund - 157,229 CASH FLOW FROM Other grants 100,000 100,000  Local Government 40,000 1% Other non-current assets 14 63,164 - INVESTING ACTIVITIES Opera Conference funding 6 54,371 53,515  Philanthropy and 348,064 5% TOTAL NON- 735,054 697,121 Disposal / (acquisition) 400,000 (400,000) CURRENT ASSETS of term deposit Federal government Foundations  Sponsorships 329,888 5% Disposal / (acquisition) Operational grant 422,909 416,249 (3,551) - of plant and equipment Project funding - 39,791  Other Income 376,414 6% TOTAL ASSETS 1,560,856 1,532,964 Net cash from 6,662,507 396,449 (400,000) Opera Conference funding 6 227,461 223,879 investing activities Local government 40,000 40,000 CURRENT LIABILITIES Trade and other payables 15 139,002 89,936 TOTAL INCOME 6,662,507 5,631,275 NET INCREASE/ EXPENDITURE Employee benefits 16 228,667 205,693 (DECREASE) IN CASH & 614,388 (624,224) CASH EQUIVALENTS EXPENDITURE Other current liabilities 17 835,580 912,171 6% Cash and cash Productions & Touring 9 4,623,260 3,241,432 2% 8% 20% TOTAL CURRENT LIABILITIES 1,203,249 1,207,800 76,831 701,055 equivalents at 1st January Community Programs & Education 152,384 167,650 Marketing & Business Development 818,025 740,204 TOTAL LIABILITIES 1,203,249 1,207,800 CASH AND CASH Infrastructure & Administration 1,036,395 1,061,952 29% 21% EQUIVALENTS AT 11 691,219 76,831 TOTAL EXPENDITURE 10 6,630,064 5,211,239 NET ASSETS 357,607 325,164 31ST DECEMBER 14% This is an extract from the 2016 audited Financial Statements. Net surplus/(deficit) 32,443 420,037 Represented by: The full version of the Financial Statements can be found on the OperaQ website. The Statement of Cash Flows is to be read Other comprehensive income - - ACCUMULATED FUNDS in conjunction with the Notes to the Financial Statements. attributable to members  Fees & Labour – 1,319,684 20% Subordinated loan 18 200,000 200,000 of the company Performers and Creative Accumulated surplus/(deficit) 19 157,607 125,164 TOTAL COMPREHENSIVE 32,443 420,037  Fees & Labour 1,395,396 21% INCOME ATTRIBUTABLE TO – Technical and TOTAL ACCUMULATED 357,607 325,164 MEMBERS OF THE COMPANY Production Support FUNDS  Fees & Labour – Other 922,476 14% The result of the Company for the year was a surplus of $32,443. This is an extract from the 2016 audited Financial Statements. This surplus includes the write-off of certain costume and creative  Productions and Touring 1,908,181 29% The full version of the Financial Statements can be found on the OperaQ website. The Balance Sheet is to be read in design associated with a production that has been deferred until  Community Programs 152,384 2% conjunction with the Notes to the Financial Statement. the Company considers the production within its funding ability. As & Education the timing of this production is currently unknown, the Company has decided to expense $79,638 that had previously been recorded as an  Marketing and Business 508,004 8% asset. The Surplus excluding this non-cash write off was $112,081. Development  Infrastructure and 423,939 6% This is an extract from the 2016 audited Financial Statements. The Administration full version of the Financial Statements can be found on the OperaQ website. The Statement of Comprehensive Income is to be read 6,630,064 in conjunction with the Notes to the Financial Statements.

28 29 2016 ANNUAL REPORT ACCESS DATA

DATE EVENT PERFORMANCES AUDIENCE AUDIENCE WORKSHOPS PARTICIPANTS TOTAL DATE EVENT PERFORMANCES AUDIENCE AUDIENCE WORKSHOPS PARTICIPANTS TOTAL – PAID – FREE/ REACH – PAID – FREE/ REACH PROMOTIONAL PROMOTIONAL MAIN STAGE COMMUNITY 12, 14 (mat.), 14, Madama Butterfly 5 7,310 983 - - 8,293 May Open Stage Community 1 - 133 2 34 167 17, 19 May Workshop 9, 12, 14, 19, 20, 21, The Barber of Seville 8 4,791 664 - - 5,455 July Open Stage Youth 1 - 107 1 20 127 23 (mat.), 23 July Community Workshop 13 12,101 1,647 - - 13,748 30 & 31 July Childers Festival 2 250 300 2 12 562 OTHER September Open Stage Youth 1 - 70 1 16 86 PERFORMANCES Community Workshop 19 March La Bella Vita 2 194 - - - 194 September Open Stage Community 1 - 66 2 33 99 Workshop 7, 8, 9, 10, 13, 14, 15, Snow White 16 4,051 585 - - 4,636 16, 17 (mat.), 17, 20, 1 - 3 December The Orpheus Project 3 459 114 - - 573 21, 22, 23, 24 (mat.), (Blue Roo Theatre 24 September Company) 12 November Kiss Me, Kate 2 2,183 258 - - 2,441 9 709 790 8 115 1,041 20 6,428 843 - - 7,271 OTHER EVENTS (INCLUDING HIGH NOTES) REGIONAL 1 May Opera in the Vineyard 1 680 - - - 680 The Barber of Seville 5 May RACS Annual Scientific 1 - 630 - - 630 Congress 2016 - 29 & 30 July Gold Coast 2 981 38 1 30 1,049 Annual Dinner 2 August Brolga Theatre – Stage 1 - 433 - - 433 30 August BCC Lunchtime Concert 1 - 850 - - 850 – schools perfromance 23 November Ambassadors Circle 1 - 200 - - 200 3 August Fraser Coast 1 425 32 1 29 486 Mayoral Awards (Maryborough) Cocktail Party 6 August Rockhampton 1 440 41 1 29 510 10 December IGA Carols Concert 1 - 121,000 - - 121,000 10 August Gladstone 1 293 61 1 28 382 Performance + Broadcast 13 August Mackay 1 349 28 1 29 406 16 & 17 December If these Halls CouldTalk 2 320 - 1 35 320 17 August Townsville 1 496 28 1 25 549 October - December Palazzo Versace 8 - 700 - - 700 19 August Cairns 1 - 1,400 1 31 1,431 Entertainment – Oct - Dec 2016 24 August Toowoomba 1 718 130 1 30 878 Various Other High Notes Events 8 - 1,356 - - 1,356 10 3,702 2,191 8 231 6,124 23 1,000 124,736 1 35 125,736 EDUCATION February Open Stage School 2 - 190 2 46 236 Residencies TOTAL REACH 121 27,754 131,545 31 1,292 159,983 26 April QCGU Partner Event: - - - 1 75 75 Vocal Masterclass – Jonathan Summers June to November Sing Story 4 - 900 11 790 1,690 July to October FiZZ! 40 3,814 248 - - 4,062 46 3,814 1,338 14 911 6,063

30 31 2016 ANNUAL REPORT SPONSORS AND PARTNERS

PRINCIPAL PARTNERS

“Emotionally, both musically and dramatically, one of the best productions of Butterfly I’ve experienced… and I’ve seen and heard many! Congratulations to the cast, conductor, director, Queensland Symphony Orchestra & The Opera Queensland MAJOR PARTNERS Chorus for continued very high standards.”

AUDIENCE MEMBER, MADAMA BUTTERFLY Image by Stephen Henry.

PERFORMING PARTNERS Image by Stephanie Do Rosario.

“My daughter attended both OperaQ Youth Workshops in 2016 and came home enthusiastic and inspired. She loved every minute of it. Thank you OperaQ!” “It was fantastic! The best Barber of Seville I have ever seen. SUPPORTING PARTNERS I’ve never laughed so much at an opera! Lindy Hume is a genius PARENT OF for her arrangement and the cast was magnificent (adored YOUTH WORKSHOP PARTICIPANT Figaro, Rosina and of course Emily Burke as Berta). I took three friends as well as my husband and they all thought it was great. Please keep up the wonderful quality productions.”

AUDIENCE MEMBER, THE BARBER OF SEVILLE Image by Stephen Henry.

“I fell in love with opera last night. Don’t tell my mum!”

AUDIENCE MEMBER, THE BARBER OF SEVILLE, MACKAY Image by Darcy Grant. Image by Darcy 32 33 Opera Queensland Ltd ABN 83 010 258 750 Queensland Conservatorium Building, 140 Grey Street, South Bank PO Box 5792 West End QLD 4101 T 61 7 3735 3030 E [email protected] W operaq.com.au

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