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Home , Andrew Bergman, Babaloo Mandel, Bandslam, Betty Buckley, David Ives, East West Players

SUMMER THEATRE 2021 UNIVERSITY OF WYOMING COLLEGE OF ARTS & SCIENCES DEPT. OF THEATRE & DANCE

TICKETS 307-766-6666 OR UWYO.EDU/FINEARTS

Jason Banks...... Lighting & Sound Designer / Video Consultant Amanda Biggs...... BCPA Box Office Manager Ben Boyd...... Video Supervisor & Programmer / Master Electrician, Alexander Brown..... Sound Monitor Mixer & Assistant Sound Engineer Cameron Bullard...... Carpenter/Scenic Artist/Electrician/Run Crew Jack Chapman...... Theatre & Dance Office Associate Mary Dyson...... Performer, ALL IN THE TIMING Jenny Foldenauer...... Costume Shop Director / Costumer Designer, Carlee Goyn...... Business Manager Kathy Kirkaldie...... Publicity / Marketing / House Manager Andrew Lia...... Assistant Technical Director / Production Stage Manager Amanda Lydon...... Master Electrician, THE LAST FIVE YEARS / Carpenter / Scenic Artist / Electrician / Run Crew Anne Mason...... Director, ALL IN THE TIMING/ Performer, THE LAST FIVE YEARS DeeLynn Miller...... Performer, ALL IN THE TIMING / THE LAST FIVE YEARS Brianna Perry...... Performer, ALL IN THE TIMING / Costume Designer, THE LAST FIVE YEARS / Costume Assistant Seán Stone...... Director / Music Director / Editor, THE LAST FIVE YEARS, 29: A SONG CYCLE Aubree Tafoya...... Performer, ALL IN THE TIMING Scott Tedmon-Jones...... Artistic Director / Scenic Designer/ Technical Director Don Turner...... Sound Engineer Katarina Tyler...... Performer, ALL IN THE TIMING Margaret Wilson...... Head, UW Department of Theatre & Dance Megan Wilson...... Stage Manager Bryan Wolfe...... Carpenter / Scenic Artist / Electrician / Run Crew Jason Banks, Lighting / Sound/Projection Designer / Video Systems Con- sultant, is entering his fifth year as a lecturer at UW and his fourth season with Snowy Range Summer Theatre. Professional credits include lighting director in concert for SMASH MOUTH and BOYZ II MEN and CANDLEBOX. Live production work includes a wide array of work, such as design for concerts, operas, dance, , and text-based performance. Jason is proud to maintain the tradition of SRST during these challenging times and looks for- ward to a new world of performing arts as we move forward from the past year. Amanda Biggs, BCPA Box Office Manager, originally hails from St. Louis, MO, and moved to Laramie in 2015. She has been working for the Performing Arts Box Office ever since. Amanda received her Bachelor’s degree from the UW and her Master of Fine Arts degree from the University of , Riverside. When she’s not selling tickets, you can find her working on screenplays, per- forming standup comedy, or searching for the best slice of cheesecake in town.

Ben Boyd, Video Supervisor & Programmer / Master Electrician, is working towards a BFA in Design/Technical Management with a focus in pro- jection and lighting design. At UW Ben has worked as both master electrician and carpenter in the Department of Theatre & Dance Scene Shop and on productions such as THE DOLLS OF NEW ALBION: A STEAMPUNK OPERA, where he served as both video editor and cinematographer. Ben looks forward to the new opportunities that have been created by combining live and recorded theatre. Alexander Brown, Sound Monitor Mixer / Assistant Sound Engineer, is a third-year student at UW studying technical theatre with an emphasis in sound design/engineering and projection design. He has worked in the scene shop as a carpenter and electrician and designed several shows. His first sound design was for 29: A SONG CYCLE, where he sourced and recorded sound effects. He then was recruited to be sound designer/engineer for THE DOLLS OF NEW ALBION: A STEAMPUNK OPERA, for which he recorded and edited performers’ vocals. Cameron Bullard, Carpenter / Scenic Artist / Electrician / Run Crew, is a junior at UW working towards a BFA in Design/Technical Management, with which he plans to pursue a career in the scenic design field, either in cinema or the theatre industry. In addition to his for scenic carpentry, he also has ties to the music industry and hopes that he can incorporate his hobby in music production into his career field, be it lighting, stage design, or performance. Cameron is a patron of all the ats—from music and art to theatre and literature, but is now shifting his priorities into thee theatre industry. He will officially make his Theatre Tech debut with the 2021 Snowy Range Summer Theatre. Jack Chapman, Senior Office Associate, has been with UW Theatre & Dance for 21 years. He spent 24 years in the Air Force working in Administration and Person- nel, retiring in 2000. He made his acting debut in fall 2002 as “Bailiff” in the THE SCOPES MONKEY TRIAL, written and directed by William Missouri Downs and played “Neville the Big Dog” in the summer 2004 production of MR. A’S AMAZ- ING MAZE PLAYS. He and wife Sherri have three children, Michael, Gregory, and Nicole, and six granddaughters, Ivy, Ella, Jaycie, Roma, Rosalee, and Rori. Mary Dyson, Performer, ALL IN THETIMING, joins Snowy Range Summer Theatre for the second time after appearing in 2020’s collaborative online pro- duction GOD OF CARNAGE. Next fall, she will be a senior at UW studying Theatre and Dance with a concentration in performance/acting and plans to graduate in Spring 2022! She has been involved with eight main stage produc- tions at UW and studied abroad in in 2020 (which unfortunately only lasted two months). She looks forward to finally working in person with every- one and can’t wait for you to enjoy the show! Jenny Foldenauer, Costume Designer, is an assistant professor in costume de- sign at UW Theatre & Dance. She designed the 2020-2021 academic year’s productions of: ASKING STRANGERS THE MEANING OF LIFE, 29: A SONG CYCLE, and SHE KILL’S MONSTERS: VIRTUAL REALMS. Select professional credits include: (Son of Semele Ensemble) THE LATE WED- DING, OUR CLASS, LOVE AND INFORMATION; (A Noise Within The- ater) ARGONAUTIKA - Winner of 2019 Los Angeles Drama Critics Circle Award for Best Costume Design, THE GLASS MENAGERIE, TALE OF TWO CITIES, ANTIGONE, MACBETH; (The ) CUL- TURE CLASH’S BORDERTOWN NOW; (The Broad Stage presented by The Speakeasy Society) THE WILD PARTY; (Theatre of Note) A BEAUTI- FUL DAY IN NOVEMBER ON THE BANKS OF GREATEST OF GREAT LAKES; (East West Players Theater) THE WHO’S TOMMY. Carlee Goyn, Business Manager, manages the staff center at the Buchanan Center for the Performing Arts, overseeing financial operations and human resources. Carlee holds an MBA from UW as well as an SPHR certification.

Kathy I. Kirkaldie, Publicity / Marketintg / House Management is the Fine Arts Coordinator for UW Fine and Performing Arts, and has worked as a writer/editor, grantwriter, publicist, freelance writer, archivist, and youth leader. Selected acting credits include THE CHILDREN’S HOUR, BURIED CHILD, SHEAR MADNESS, , and , but Kathy’s favorite productions to date have been her daughters, Claire and Grace, and her son, Benjamin. Andrew Lia, Asst. Technical Director / Production Stage Manager, has been active in Los Angeles as a Production Manager, Stage Manager, and Lighting Designer since 2011, working with companies such as Center Theatre Group, The Speakeasy Society, East West Players, Circle X Theatre , Ghost Road Company, and at educational institutions such as Oxy Arts, The Lee Stras- berg Theatre & Film Institute, American Musical & Dramatic Academy, and Kaiser Permanente’s Educational Theatre. He also worked as Project Manager for Tait Towers overseeing installation of automation elements for Shanghai Disneyland’s Fantasmic 2.0!!, and ’s MPK21 Event Space. A native, Andrew holds a BA from Augustana College and an MFA from CalArts. Amanda Lydon, Master Electrician/ Scenic Artist / Carpenter / Run Crew, is from Colorado Springs, CO, and enjoys skiing with her family and reading. In high school, she worked on the technical side of a number of musicals and plays. She is now a junior at UW majoring in Theatre and Dance with a concentration in Design/Technical Management. This year, she was Lighting Designer for THE DOLLS OF NEW ALBION: A STEAMPUNK OPERA and Assistant Stage Man- ager for A MIDSUMMER NIGHT’S DREAM (SOCIALLY DISTANCED). Anne Mason, Performer / Director, is Founder and Producing Artistic Director of Relative Theatrics, where she has acted in, directed, designed, and produced over 35 productions. A Laramie native, Anne holds a BFA in Theatre Perfor- mance from UW and has worked professionally with Capital Stage Company, Sacramento Music Circus, Missoula Children’s Theatre, Snowy Range Summer Theatre, and the University of Wyoming. She was named one of Laramie’s 2016 20-Under-40 Young Professionals, was a Wyoming Governor’s Arts Awards Nom- inee (2019), a Wyoming Women of Influence Nominee in 2020, a 2020/21 Per- forming Arts Fellow with the Wyoming Arts Council, and a 2021 UW Alumni Foundation Rising Alumni recipient. Anne is grateful for the opportunity to perform in THE LAST FIVE YEARS, and over the moon to return to live theatre as director of ALL IN THE TIMING. It’s great to be back! DeeLynn Miller, Performer, ALL IN THE TIMING / THE LAST FIVE YEARS, is a UW student earing his BFA in Musical Theatre Performance. He previously earned an A.A from WWCC. He has worked with several productions at the UW and in the Laramie community, including I AM MY OWN WIFE, PRESENT LAUGHTER, EURYDICE, and MAN UP. He is grateful to have the opportunity to work with an amazing company of and creative team bring- ing this production to life and hopes the Laramie community will enjoy the show. Brianna Perry, Costume Designer, THE LAST FIVE YEARS / Costume As- sistant / Performer, ALL IN THE TIMING, is a junior in Performance / Design who earned an A.A in Theatre from LCCC before coming to UW. She is excited to perform and work as a costume designer/assistant in her first year with Snowy Range Summer Theatre. She has appeared in AS YOU LIKE IT and ASKING STRANGERS THE MEANING OF LIFE and served as assistant costume design- er for 29: A SONG CYCLE and associate costume designer for A MIDSUMMER NIGHT’S DREAM (SOCIALLY DISTANCED). She has enjoyed her time at UW and appreciates her professors and peers for being so welcoming this past year. Seán Stone, Director / Musical Director / Editor, is the creator of the award- winning musicals GOOD MORNING ATHENS and BE LIKE JOE. Other musicals include RAINY DAY PEOPLE and SONG OF THE SEA. When he isn’t writing and composing, Seán also works as an , musical director, pianist, and remixer, and his music has been featured at The Kennedy Center, The , and The Weston Playhouse, among others.

Aubree Tafoya, Performer, ALL IN THE TIMING, is going into her senior year at UW, finishing up her BFA in Musical Theatre Performance. You may have seen her in some recent shows at UW such as AS YOU LIKE IT, 29: A SONG CYCLE, BROTHERS OF THE TIBER, and EURYDICE. This is her first season performing with Snowy Range Summer Theatre, and she is so ex- cited to be making art again! Special thanks to the UW Theatre & Dance faculty for always maximizing the experiences we have in our department. Scott Tedmon-Jones, Artistic Director/Scenic Designer/Technical Director, a 2001 UW alumnus, is finishing his third year as an assistant professor in the Department of Theatre and Dance and is excited to be serving as Artistic Di- rector for Snowy Range Summer Theatre for the second time. Recent designs include A MIDSUMMER’S NIGHT DREAM (SOCALLY DISTANCED), PRESENT LAUGHTER, WONDERLAND: ALICE’S ADVENTURES IN THREE-DIMENSIONAL SPACE, THE ROBBER BRIDEGROOM, RHI- NOCEROS, and THE TENDER LAND. See www.stjdesign.com for more info. Katarina Tyler, Performer, ALL IN THE TIMING, graduates from UW in Spring 2022 with a BFA in Performance. You may remember her from UW pro- ductions such as AS YOU LIKE IT and BROTHERS OF THE TIBER, or as Daisy in Relative Theatrics’s WANDA, DAISY, AND THE GREAT RAPTURE. This is her first season with Snowy Range Summer Theatre and she is ecstatic to be back onstage in person and creating again! Kat would like to extend a special thank you to the faculty in UW Theatre & Dance for their commitment to students and art even in the worst of times, and to her sisters, for teaching her how to be brave. Don Turner, Sound Engineer, Don has been with the Department of Theatre and Dance for 20+ years working as the shop foremen in the scene shop where he builds sets and mentors and trains student carpenters. He has had his hands in almost every Theatre and Dance production during that time. He also enjoys serving as the sound designer on productions or as the live sound engineer for musicals. Margaret Wilson, Department Head, is Professor of Dance at UW. She bal- ances her creative practice and research drawing inspiration from literature and poetry, visual art, biomechanics, somatics and pedagogy – in collaborative artis- tic exploration. She instituted the vertical dance and dance sciences programs at UW, has won numerous teaching, research, and advising awards, serves as an as- sistant director for the Snowy Range Summer Dance Festival on a rotating basis, and actively conducts research in kinesiology, biomechanics, and the interface of art and science in teaching and training dancers. Megan Wilson, Stage Manager, is thrilled to be stage managing her first sea- son at Snowy Range Summer Theatre. She just finished her second year in pursuit of a BFA at UW Theatre & Dance, with a concentration in Design/ Technical Management. Megan has stage managed a handful of shows, including ASKING STRANGERS THE MEANING OF LIFE and A MIDSUMMER NIGHT’S DREAM (SOCIALLY DISTANCED). She is extremely passionate about learning and strives to be dedicated in everything she commits her time to.

Bryan Wolfe, Carpenter / Scenic Artist / Electrician / Run Crew, is a Dance Performance major entering into his senior year at UW. He has worked in technical theatre since he was in high school. He eventually would like to use his knowledge in technical theatre and as a choreographer in dance. He has worked as the media designer for SOCIAL MOTION at Casper Col- lege. He has been an intern under Peter Jakubowski for the Snowy Range Summer Dance Festival, as well as worked with him on multiple shows.

The recording of 29: A SONG CYCLE originally premiered at UW Theatre & Dance April 9 -17, 2021. For the 2021 Snowy Range Summer Theatre reprisal, company information can be found at www.uwyo.edu/thd/29_program.pdf. ACKNOWLEDGMENTS A special thank you to Mel Cox, the Colonel Rogers Fund, and Gary Crum and Western States Bank for their consistent and dedicated support of the Department of Theatre and Dance. Their contributions,as well as the faithful support of all of our patrons and donors, is what allows us to produce the 68th Snowy Range Summer Theatre season and to support programing and educational opportunities throughout the academic year for students and audiences alike. You all are invaluable to the work of the Department of Theatre & Dance and are greatly appreciated. Thank you! Additional thanks to Caleb Hebbert for offering guidance on live audio monitoring and mixing and to Jim Petty in Academic Technology Services.

In Person at the BCPA Thrust Theatre universe inwhichit’s “opposite day,” replays tomonkeyswithtypewriters composingShakespeare toanalternative splitting goodtime.Featuring sixhysterical one-actcomedies,from firstdate This award-winner combineswit,intellect,satire, and romance foraside- JULY 3,2:00 JUNE 24 -26,JUNE30JULY 2,7:30 Play Inc., Service, . ALL IN THE TIMING, SIXONE-ACT PLAYS ispresented byspecialarrangementwithDramatists Inc.,special arrangementwithDramatists Play Service, New York. in November 1993,CaseyChilds,Artistic Director. ALLIN THE TIMING ispresented through THE UNIVERSALLANGUAGE wasfirstproduced by Stages Company in Primary , ed byThe New Hope Commission, Arts New Hope, Pennsylvania Robin Larsen, Executive Director. THE PHILADELPHIA wasfirstproduced atthe1992 New Hope Arts Performing Festival, present- Theatre in New York City, in 1991, Steve Kaplan, Director.January Artistic VARIATIONS ON THE DEATH OF TROTSKY wasfirstproduced atthe Manhattan Punch Line Theatre in New York City, in 1990, Steve Kaplan, Director.January Artistic PHILIP BUYS GLASS ALOAF OFBREADwasfirstproduced atthe Manhattan Punch Line February 1988,Steve Kaplan,Artistic Director. wasfirstproduced atthe Manhattan Punch Line Theatre in New York City,in City, inJanuary 1987,Steve Kaplan,Artistic Director. WORDS, WORDS, WORDS wasfirstproduced atthe Manhattan Punch Line Theatre in New York Six One-Act Plays Directed by

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David Ives ALL IN THE TIMING Anne Mason is just plain fun. isjustplainfun. pm ABOUT THE PLAYWRIGHT (Playwright ALL IN THE TIMING), is perhaps best known for his evening of one-act plays, ALL IN THE TIMING (he has been included in the “Best Short Plays” series seven times), and for his drama , which was nominated for a Tony Award for Best Play. His plays include NEW JERU- SALEM: THE INTERROGATION OF BARUCH DE SPINOZA; THE SCHOOL FOR LIES (adapted from Molière’s ); THE LIAR (adapted from Corneille); TIME FLIES; and IS HE DEAD? (adapt- ed from ). He has also translated Feydeau’s A FLEA IN HER EAR and Yasmina Reza’s A SPANISH PLAY. A former Guggenheim Fellow in play- writing and a graduate of The Yale School of Drama, he lives in New York City. CREATIVE TEAM SCENIC DESIGNER...... Scott Tedmon-Jones COSTUME DESIGNER...... Jenny Foldenauer LIGHTING DESIGNER...... Jason Banks SOUND DESIGNER...... Jason Banks PRODUCTION STAGE MANAGER...... Andrew Lia STAGE MANAGER...... Megan Wilson CAST Sure Thing BILL...... DeeLynn Miller BETTY ...... Katarina Tyler Words, Words, Words SWIFT...... Mary Dyson KAFKA...... Brianna Perry MILTON...... Aubree Tafoya DON...... DeeLynn Miller DAWN ...... Aubree Tafoya YOUNG MAN...... Katarina Tyler Philip Glass Buys a Loaf of Bread PHILIP GLASS...... DeeLynn Miller BAKER...... Mary Dyson WOMAN 1...... Brianna Perry WOMAN 2...... Aubree Tafoya The Philadelphia MARK...... DeeLynn Miller AL ...... Mary Dyson WAITRESS ...... Katarina Tyler Variations on the Death of Trotsky TROTSKY...... Katarina Tyler MRS. TROTSKY...... Brianna Perry RAMON...... Aubree Tafoya PRODUCTION STAFF SOUND ENGINEER...... Don Turner ASSISTANT SOUND ENGINEER...... Alexander Brown COSTUME SHOP DIRECTOR ...... Jenny Foldenauer COSTUME ASSISTANT...... Brianna Perry TECHNICAL DIRECTOR ...... Scott Tedmon-Jones ASSISTANT TECHNICAL DIRECTOR...... Andrew Lia CARPENTERS...... Amanda Lydon, Cameron Bullard, Bryan Wolfe PROPERTIES SHOP DIRECTOR...... Scott Tedmon-Jones CHARGE SCENIC ARTIST...... Scott Tedmon-Jones SCENIC ARTISTS...... Amanda Lydon, Cameron Bullard, Bryan Wolfe MASTER ELECTRICIAN...... Ben Boyd ELECTRICIANS...... Amanda Lydon, Cameron Bullard, Bryan Wolfe MAIN OFFICE...... Carlee Goyn, Jack Chapman, Trish Schumacher BOX OFFICE...... Amanda Biggs PUBLICITY / MARKETING / HOUSE MANAGEMENT..... Kathy Kirkaldie PRODUCTION CREW LIGHTING OPERATOR...... Ben Boyd LIVE SOUND ENGINEER...... Don Turner, Alexander Brown WARDROBE CREW...... Jenny Foldenauer RUN CREW ...... Amanda Lydon, Cameron Bullard, Bryan Wolfe

There are no strangers here, only friends you haven't yet met. Come In Before or After the Show 20 Beers on Tap Including Many Wyo Brews Sandwiches • Burgers • Pizza Pastys • Salads • Steaks Within Walking Distance • Locally Owned The LAST

YEARS Written and composed by directed by SEAN STONE Originally Produced for the New York stage by Arielle Tepper and Marty Bell Originally Produced by Northlight Theatre, Chicago, IL

This musical about love, backwards and forwards, is an ingenious and intensely personal look at the relationship of an ambitious young writer, Jamie, and his struggling actress wife, Cathy. Written by Tony Award- winner Jason Robert Brown, THE LAST FIVE YEARS features lyrics both humorous and heartfelt and is one of the most inventive musicals written in the last 25 years. THE LAST FIVE YEARS is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mitshows.com “...an engaging chamber musical infused with intimate, emotionally perceptive, nonstop songs ...” —Newsday JULY 1 - 3, JULY 8 - 10 Recorded and Streaming On-Demand ABOUT THE PLAYWRIGHT Jason Robert Brown (Writer and Composer THE LAST FIVE YEARS) is the ultimate multi-hyphenate - an equally skilled composer, lyricist, conductor, arranger, orchestrator, di- rector and performer - best known for his dazzling scores to several of the most renowned musicals of our time, including the generation-defining THE LAST FIVE YEARS, his debut song cycle , and the seminal , for which he won the 1999 Tony Award for Best Score. Jason Robert Brown has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since ” (Philadelphia Inquirer), and his “extraordinary, jubilant theater music” () has been heard all over the world, whether in one of the hundreds of productions of his musicals every year or in his own incendiary live performanc- es. refers to Jason as “a leading member of a new generation of compos- ers who embody high hopes for the American musical.” Jason’s score for THE BRIDGES OF MADISON COUNTY, a musical adapted with from the bestselling novel, received two (for Best Score and Orchestrations). , based on Andrew Bergman’s film, opened on Broadway in 2015 following a tri- umphant production at . A film version of his epochal Off-Broadway musical THE LAST FIVE YEARS was released in 2015, starring and Jeremy Jordan and directed by Richard LaGravenese. His major musicals as composer and lyricist include: 13, written with Robert Horn and Dan Elish, which opened on Broadway in 2008 and was subsequently directed by the composer for its West End premiere in 2012; THE LAST FIVE YEARS, which was cited as one of Time Magazine’s 10 Best of 2001 and won Drama Desk Awards for Best Music and Best Lyrics (and was later directed by the composer in its record-breaking Off-Broadway run at Second Stage Theatre in 2013); PARADE, writ- ten with and directed by , which won both the Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, as well as garnering Jason the Tony Award for Original Score; and SONGS FOR A NEW WORLD, a theatrical song cycle directed by Daisy Prince, which has since been seen in hundreds of productions around the world since its 1995 Off-Broadway debut, including a celebrated revival at New York’s City Center in the summer of 2018. PARADE was also the subject of a major revival directed by Rob Ashford, first at London’s and then at the Mark Taper Forum in Los Angeles. Jason conducted his orchestral adaptation of E.B. White’s novel THE TRUMPET OF THE SWAN with the National Symphony Orchestra, and recorded the score for PS Clas- sics. Future projects include a new chamber musical created with Daisy Prince and Jonathan Marc Sherman called THE CONNECTOR; an adaptation of Lilian Lee’s FAREWELL MY CONCUBINE, created with Kenneth Lin and Moisés Kaufman; and a collaboration with , Amanda Green, and on a musical of MR. SAT- URDAY NIGHT. Jason is the winner of the 2018 Louis Auchincloss Prize, the 2002 Kleban Award for Outstanding Lyrics and the 1996 Gilman & Gonzalez-Falla Foundation Award for Musical Theatre. Jason’s songs, including the standard “Stars and the Moon,” have been performed and recorded by Ariana Grande, Audra McDonald, , Billy Porter, Betty Buckley, Renée Fleming, Jon Hendricks and many others, and his song “Some- one To Fall Back On” was featured in the Walden Media film, . As a soloist or with his band The Caucasian Rhythm Kings, Jason has performed concerts around the world. For the past four years (and ongoing), his monthly sold-out performances at New York’s SubCulture have featured many of the music and theater world’s most extraordinary performers. His newest collection, “How We React and How We Recover”, was released in June 2018 on Ghostlight Records. His previous solo album, “Wearing Someone Else’s Clothes”, was named one of .com’s best of 2005, and is available from Sh-K- Boom Records. Jason’s 2012 concert with was broadcast on PBS, and he was the featured soloist for a live episode of FRIDAY NIGHT IS MUSIC NIGHT, broadcast live from the London Palladium and featuring the BBC Concert Orchestra. His collaboration with singer , “Songs of Jason Robert Brown”, is available on PS Classics. Jason is also the composer of the incidental music for the Broadway revival of YOU CAN’T TAKE IT WITH YOU, David Lindsay-Abaire’s KIMBERLY AKIMBO and FUDDY MEERS, and ’s THE WAVERLY GALLERY, and he was a Tony Award nominee for his contributions to the score of THE MUSICAL. He has also contributed music to the hit Nickelodeon television series, THE WONDER PETS as well as SESAME STREET. Jason spent ten years teaching at the USC School of Dramatic Arts, and has also taught at Harvard University, Princeton University and Emerson College. For the musical PRINCE OF BROADWAY, a celebration of the career of his mentor Harold Prince, Jason was the musical supervisor and arranger. Other New York credits as conductor and arranger include URBAN COWBOY THE MUSICAL on Broadway; DI- NAH WAS, off-Broadway and on national tour; WHEN PIGS FLY off-Broadway; Wil- liam Finn’s A NEW BRAIN at Lincoln Center Theater; the 1992 tribute to Stephen Sondheim at (recorded by RCA Victor); Yoko Ono’s NEW YORK ROCK, at the WPA Theatre; and Michael John LaChiusa’s THE PETRIFIED PRINCE at the Public Theatre. Jason orchestrated Andrew Lippa’s JOHN AND JEN, Off-Broadway at Lamb’s Theatre. Additionally, Jason served as the orchestrator and arranger of and ’s score for a proposed musical of . Jason has con- ducted and created arrangements and orchestrations for Liza Minnelli, John Pizzarelli, and Michael Feinstein, among many others. Jason studied composition at the Eastman School of Music in Rochester, N.Y., with Sam- uel Adler, Christopher Rouse, and Joseph Schwantner. He lives with his wife, composer Georgia Stitt, and their daughters in New York City. Jason is a proud member of the Dramatists Guild and the American Federation of Musicians Local 802. Visit him on the web at www.jasonrobertbrown.com.

Music Theatre International (MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 70,000 professional, community and school theatres in the US and in over 60 countries worldwide. MTI is particularly dedicated to educational theatre and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior™ shows are 30- and 60-minute musicals for performance by elementary and middle school- aged performers, while MTI’s School Editions are musicals annotated for performance by high school students.

THE LAST FIVE YEARS Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com Any video and/or audio recording of this production is strictly prohibited. STREAMING IS PRESENTED BY SPECIAL ARRANGMENT WITH MUSIC THEATRE INTERNATIONAL (MTI) NEW YORK, NY. CREATIVE TEAM DIRECTOR...... Seán Stone MUSIC DIRECTOR...... Seán Stone ORCHESTRATIONS & ARRANGEMENTS...... Seán Stone FILM EDITOR ...... Seán Stone SCENIC DESIGNER ...... Scott Tedmon-Jones PROJECTION DESIGNERS ...... Scott Tedmon-Jones, Seán Stone COSTUME DESIGNER ...... Brianna Perry LIGHTING DESIGNER...... Jason Banks PRODUCTION STAGE MANAGER...... Andrew Lia STAGE MANAGER...... Megan Wilson CAST JAMIE WELLERSTEIN...... DeeLynn Miller CATHERINE HIATT...... Anne Mason PRODUCTION STAFF REHEARSAL ACCOMPANIST...... Seán Stone VIDEO CONSULTANT...... Jason Banks VIDEO SUPERVISOR & PROGRAMMER...... Ben Boyd PROJECTION ENGINEERS...... Jason Banks, Ben Boyd SOUND ENGINEER...... Don Turner ASSISTANT SOUND ENGINEER...... Alexander Brown COSTUME SHOP DIRECTOR...... Jenny Foldenauer TECHNICAL DIRECTOR...... Scott Tedmon-Jones ASSISTANT TECHNICAL DIRECTOR...... Andrew Lia CARPENTERS ...... Cameron Bullard, Bryan Wolfe PROPERTIES SHOP DIRECTOR...... Scott Tedmon-Jones CHARGE SCENIC ARTIST...... Scott Tedmon-Jones SCENIC ARTISTS ...... Cameron Bullard, Bryan Wolfe MASTER ELECTRICIAN ...... Amanda Lydon ELECTRICIANS ...... Cameron Bullard, Bryan Wolfe MAIN OFFICE...... Carlee Goyn, Jack Chapman, Trish Schumacher BOX OFFICE...... Amanda Biggs PUBLICITY & MARKETING ...... Kathy Kirkaldie PRODUCTION CREW VIDEO OPERATOR...... Ben Boyd LIGHTING OPERATOR ...... Amanda Lydon LIVE SOUND ENGINEER...... Don Turner LIVE SOUND MONITOR MIXER ...... Alexander Brown WARDROBE CREW...... Brianna Perry, Jenny Foldenauer RUN CREW ...... Cameron Bullard, Bryan Wolfe Music & lyrics by Gaby Alter Book & additional lyrics by Tommy Newman Adapted for the screen, orchestrations & arrangements, music performed & produced, & directed by Seán Stone Choreographed by Cat Kamrath This virtually-produced and recorded original musical about the vagaries of young adulthood features a tapestry of characters who face defining moments in their 20’s, from getting a job and finding a roommate to an unexpected pregnancy to a parent’s illness. As time brings increased separation and loss, the characters struggle to stay connected to each other and to their real selves. Each self-contained story and song illustrates a turning point in the familiar journey from innocence to experience.

August 24 - 28 Recorded and Streaming On-Demand August 27 - 28, 7:30 p.m. Screening In-Person at the Arts and Sciences Auditorium Director's Notes In a lot of ways, it would be easy to describe 29 as the show of “nots.” As in - We did not have a normal process of making this show. We did not plan or rehearse or do any of this in person. We are not a film program. We did not know what we were doing a lot of the time. I didn’t, at least. I still can’t believe we did not do OKLAHOMA, frankly. Did I mention we are not a film program? And for most of the time it took to make this film (one full year), it has felt like the year of nots. Not just for me, for all of us. But at this point in the process, days before this film is to be released, those nots seem less consequential than this im- pending fact: we could and we did, and we did so safely, and we did so together. The “we” I keep speaking for so freely is the “we” who made this film. It took an army (albeit a very small, very socially-distanced army) of artists doing what artists do, which is to make art no matter what. In good times, making art is easy. In bad times, making art is necessary. The bad times supply the friction that an artist rubs against; that friction is what makes the eventual fire that fuels a show—a show made out of necessity, not of ease. As I sit and edit this film together, what I see in the students performing here is the indispensability of their craft; artists make art because we are artists and we have no other choice. It’s just what we do, good times or bad. My gratitude extends to the students in this production who have reminded me of that. Enjoy the show—and here’s to many more. Seán Stone

Choreographer's Notes We will never again take for granted what it means to dance in a studio or on a stage, the laughter that fuels a rehearsal, or the joy of the creative process not feeling like a dodgeball tournament. There were moments in this process that felt like the ship was sinking, but somehow, someway, we made it through our rehearsal and filming process with all 19 dancers + 1 choreographer safe and healthy. After almost a year of planning, rehearsing, filming, and editing, it’s a bit remarkable that we are closing the chapter of "29." I am incredibly grateful to Seán Stone and our creative and production teams. Thank you for journeying into the unknown with me + keeping the ship afloat. To all the dancers, thank you for your giggles, patience, adaptability, and grace. Anytime I was doubting myself, I would look at your smiling faces (or eyes...because masks...) and knew your trust would see me through. I feel immense pride in the completion of this production, but let’s not do it this way again anytime soon. Here’s to being 29 forever! Cat Kamrath Creative Team DIRECTOR...... Seán Stone CHOREOGRAPHER...... Cat Kamrath MUSICAL DIRECTOR...... Seán Stone MUSIC AND LYRICS...... Gaby Alter BOOK AND ADDITIONAL LYRICS...... Tommy Newman ADAPTED FOR THE SCREEN ...... Seán Stone ORCHESTRATIONS AND ARRANGEMENTS...... Seán Stone MUSIC PERFORMED AND PRODUCED...... Seán Stone EDITORS...... Seán Stone, Cat Kamrath, Jason Banks SCENIC AND PROJECTION DESIGNER...... Scott Tedmon-Jones COSTUME DESIGNER...... Jenny Foldenauer HAIR, WIGS AND MAKEUP...... Jenny Foldenauer LIGHTING DESIGNER...... Jason Banks PROPERTIES DESIGNERS...... Abigail Knoshaug, Scott Tedmon-Jones SOUND DESIGNER...... Alexander Brown VIDEO SUPERVISOR...... Jason Banks PRODUCTION MANAGER...... Andrew Lia PRODUCTION STAGE MANAGERS...... Emilygrace Piel (Dance), Jacob Sullivan (Acting) Cast Carson Almand Dee Miller Maddie Blanchard Anna McClow Sariah Durrant Seth Palmquist Elizabeth Garbe Emma Sorensen Hazel Homer-Wambeam Aubree Tafoya Danni Horwitz Joseph Thornton Joshua Luper William Murdock Dance Cast COVER LETTER SOLOIST / DANCE ENSEMBLE...... Jordan Himelrick DEEP IN FEBRUARY SOLOIST / DANCE ENSEMBLE ������Madison Drab I CAN’T LOOK DOWN SOLOIST / DANCE ENSEMBLE...... Grace Wilkins THE ARGUMENT DUET / DANCE ENSEMBLE...... Caleb Daly, Hannah Ellis PRINCESS / CO-OP TRIO / DANCE ENSEMBLE...... Seth Bertagnole, Marisa Dilley, Alie Martin DANCE ENSEMBLE...... Ainsley Carson, Katie Currier, Kit Elder, Rachel Golledge, Lindsey Little, Caitlyn Murray, Claire Rhein, Lauren Schuetz, Kaitlin Soden, Sidney Thomas, Erin White Production Staff REHEARSAL ACCOMPANIST...... Seán Stone ASSISTANT COSTUME DESIGNER...... Brianna Perry ASSOCIATE LIGHTING DESIGNER...... Amanda Lydon SOUND ENGINEER...... Don Turner TECHNICAL DIRECTOR...... Scott Tedmon-Jones ASSISTANT TECHNICAL DIRECTOR...... Andrew Lia SCENE SHOP FOREMAN/MASTER CARPENTER ������������������ Don Turner CARPENTERS...... Ben Boyd, Alexander Brown, Kaitlyn Hettinger, Ty Johnson, Amanda Lydon, Kaitlin Soden PROPERTIES SHOP DIRECTOR...... Scott Tedmon-Jones ASSISTANT PROP STOCK MANAGER...... Abigail Knoshaug PROP ARTISANS...... Abigail Knoshaug, Kaitlyn Hettinger COSTUME SHOP DIRECTOR...... Jenny Foldenauer COSTUME SHOP STAFF...... Brianna Perry, April Sandoval-Eaton, Jocelyn Alvarado FIRST HAND STITCHER...... April Sandoval-Eaton MASTER ELECTRICIAN...... Ben Boyd ELECTRICIANS...... Ty Johnson, Amanda Lydon, Alexander Brown MAIN OFFICE...... Carlee Goyn, Jack Chapman, Trish Schumacher TICKET OFFICE...... Amanda Biggs PUBLICITY & MARKETING...... Kathy Kirkaldie Production Crew ASSISTANT STAGE MANAGERS...... Trid Smith (Dance) Rebeccah Possinger (Actor) LIGHTING PROGRAMMER & OPERATOR...... Amanda Lydon FOLLOW SPOT OPERATORS...... Margaret Wilson, Neil Humphrey, Andrew Lia LIVE SOUND ENGINEER...... Don Turner CAMERA OPERATORS...... Alexander Brown, Lee Cassidy, Kiersten Cussins, Margaret Wilson PROJECTION OPERATORS.....Amanda Lydon, Ben Boyd, Scott Tedmon-Jones WARDROBE CREW...... Scarlett Chavez, Kit Elder, Elyse Cluff

©2020 and 2021. This broadcast was produced by special arrangement with United Talent Agency and Gaby Alter. All rights reserved. This performance is authorized for non- commercial use only. By accepting the video recording, you agree not to authorize or permit the video recording to be copied, distributed, broadcast, telecast or otherwise exploited, in whole or in part, in any media now known or hereafter developed. WARNING: Federal law provides severe civil and criminal penalties for the unauthorized reproduction, distribution or exhibition of copyrighted motion pictures, stage plays, videotapes or videodiscs. Criminal copyright infringement is investigated by the FBI and may constitute a felony with a maximum penalty of up to five years in prison and/or a $250,000.00 fine. SNOWY RANGE SUMMERFESTIVAL DANCE @durret_imagery Photo by Daniel R.Durrett A&S Auditorium July 24, 4:00pm Gala Concert A&S Auditorium FREE July 20, 7:00pm Student Showcase CONCERTS [email protected] 307-766-2199 or766-6122 http://www.uwyo.edu/thd/srsdf for studio teachers Ages 12-adult •Special classes University of Wyoming July 14-24, 2021 Paul Taylor Dance Company Amy Young &Robert Kleinendorst Ballet Tyson AliClark&Chrystyn Fentroy Jackson, &Carol Shuberg Desch, Donovan Helma,Lawrence Tony Coppola, Terrell Davis, Natalie Williams -Dance Theatre of Harlem Keith &Kellye Saunders, Donald Guest Faculty &Performers www.uwyo.edu/finearts TICKETS 307-766-6666 or $12 general/$10 seniors &students

WIDE OPEN STAGES FA2021 PETROUSHKA / LAS PAJARITAS staged reading AFTERNOON OF THE FAUN by Jordan Ramirez Puckett Choreography by in collaboration with the Wyoming Juliana Freude & Cat Kamrath Latina Youth Conference Co-production with the OCTOBER 22 – 23, 2021 University of Wyoming Symphony MARCH 29, 2022 – APRIL 3, 2022 MIDSUMMER NIGHT’S DREAM / FALL DANCE CONCERT Featuring original choreography RELATIVE THEATRICS by Marsha Knight & Cat Kamrath CO-PRODUCTION TBA and a restaging of “Junction” by In collaboration w/the University Paul Taylor of Wyoming Shepard Symposium NOVEMBER 3 – 7, 2021 APRIL 2022

THESE SHINING LIVES KORESH DANCE THEATRE By Melanie Marnich Co-production with UW Presents Directed by Patrick Konesko APRIL 23, 2022 NOVEMBER 18 – 20, 2021

WYOMING STATE NEW WORK THESPIAN FESTIVAL Written & directed by DECEMBER 3 - 5, 2021 William Missouri Downs APRIL 21 – APRIL 23, 2022 WIDE OPEN STAGES SP2022 APRIL 28 – APRIL 30, 2022 BLESS ME, COATLICUE By Robert Con Davis-Undiano FEBRUARY 11 – 12, 2022

TICKETS 307*766*6666 or uwyo.edu/finearts On sale in October 2021