Divination and Power: a Multi- Regional View of the Development of Oracle Bone Divination in Early China
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DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
The Adorabyssal Oracle
THE ADORABYSSAL ORACLE The Adorabyssal Oracle is an oracle deck featuring the cutest versions of mythological, supernatural, and cryptozoological creatures from around the world! Thirty-six spooky cuties come with associated elements and themes to help bring some introspection to your day-to-day divinations and meditations. If you’re looking for something a bit more playful, The Adorabyssal Oracle deck doubles as a card game featuring those same cute and spooky creatures. It is meant for 2-4 players and games typically take 5-10 minutes. If you’re interested mainly in the card game rules, you can skip past the next couple of sections. However you choose to use your Adorabyssal Deck, it is my hope that these darkly delightful creatures will bring some fun to your day! WHAT IS AN ORACLE DECK? An Oracle deck is similar to, but different from, a Tarot deck. Where a Tarot deck has specific symbolism, number of cards, and a distinct way of interpreting card meanings, Oracle decks are a bit more free-form and their structures are dependent on their creators. The Adorabyssal Oracle, like many oracle decks, provides general themes accompanying the artwork. The basic and most prominent structure for this deck is the grouping of cards based on elemental associations. My hope is that this deck can provide a simple way to read for new readers and grow in complexity from there. My previous Tarot decks have seen very specific interpretation and symbolism. This Oracle deck opens things up a bit. It can be used for more general or free-form readings, and it makes a delightful addition to your existing decks. -
Of the Chinese Bronze
READ ONLY/NO DOWNLOAD Ar chaeolo gy of the Archaeology of the Chinese Bronze Age is a synthesis of recent Chinese archaeological work on the second millennium BCE—the period Ch associated with China’s first dynasties and East Asia’s first “states.” With a inese focus on early China’s great metropolitan centers in the Central Plains Archaeology and their hinterlands, this work attempts to contextualize them within Br their wider zones of interaction from the Yangtze to the edge of the onze of the Chinese Bronze Age Mongolian steppe, and from the Yellow Sea to the Tibetan plateau and the Gansu corridor. Analyzing the complexity of early Chinese culture Ag From Erlitou to Anyang history, and the variety and development of its urban formations, e Roderick Campbell explores East Asia’s divergent developmental paths and re-examines its deep past to contribute to a more nuanced understanding of China’s Early Bronze Age. Campbell On the front cover: Zun in the shape of a water buffalo, Huadong Tomb 54 ( image courtesy of the Chinese Academy of Social Sciences, Institute for Archaeology). MONOGRAPH 79 COTSEN INSTITUTE OF ARCHAEOLOGY PRESS Roderick B. Campbell READ ONLY/NO DOWNLOAD Archaeology of the Chinese Bronze Age From Erlitou to Anyang Roderick B. Campbell READ ONLY/NO DOWNLOAD Cotsen Institute of Archaeology Press Monographs Contributions in Field Research and Current Issues in Archaeological Method and Theory Monograph 78 Monograph 77 Monograph 76 Visions of Tiwanaku Advances in Titicaca Basin The Dead Tell Tales Alexei Vranich and Charles Archaeology–2 María Cecilia Lozada and Stanish (eds.) Alexei Vranich and Abigail R. -
African Concepts of Energy and Their Manifestations Through Art
AFRICAN CONCEPTS OF ENERGY AND THEIR MANIFESTATIONS THROUGH ART A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Renée B. Waite August, 2016 Thesis written by Renée B. Waite B.A., Ohio University, 2012 M.A., Kent State University, 2016 Approved by ____________________________________________________ Fred Smith, Ph.D., Advisor ____________________________________________________ Michael Loderstedt, M.F.A., Interim Director, School of Art ____________________________________________________ John R. Crawford-Spinelli, D.Ed., Dean, College of the Arts TABLE OF CONTENTS LIST OF FIGURES………………………………………….. iv ACKNOWLEDGMENTS …………………………………… vi CHAPTERS I. Introduction ………………………………………………… 1 II. Terms and Art ……………………………………………... 4 III. Myths of Origin …………………………………………. 11 IV. Social Structure …………………………………………. 20 V. Divination Arts …………………………………………... 30 VI. Women as Vessels of Energy …………………………… 42 VII. Conclusion ……………………………………….…...... 56 VIII. Images ………………………………………………… 60 IX. Bibliography …………………………………………….. 84 X. Further Reading ………………………………………….. 86 iii LIST OF FIGURES Figure 1: Porogun Quarter, Ijebu-Ode, Nigeria, 1992, Photograph by John Pemberton III http://africa.si.edu/exhibits/cosmos/models.html. ……………………………………… 60 Figure 2: Yoruba Ifa Divination Tapper (Iroke Ifa) Nigeria; Ivory. 12in, Baltimore Museum of Art http://www.artbma.org/. ……………………………………………… 61 Figure 3.; Yoruba Opon Ifa (Divination Tray), Nigerian; carved wood 3/4 x 12 7/8 x 16 in. Smith College Museum of Art, http://www.smith.edu/artmuseum/. ………………….. 62 Figure 4. Ifa Divination Vessel; Female Caryatid (Agere Ifa); Ivory, wood or coconut shell inlay. Nigeria, Guinea Coast The Metropolitan Museum of Art, http://www.metmuseum.org. ……………………… 63 Figure 5. Beaded Crown of a Yoruba King. Nigerian; L.15 (crown), L.15 (fringe) in. -
D I V I N a T I O N Culture a N D the H a N D L I N G of The
Originalveröffentlichung in: G. Leick (Hrsg), The Babylonian World, New York/London, 2007, S. 361-372 CHAPTER TWENTY-FIVE DIVINATION CULTURE AND THE HANDLING OF THE FUTURE Stefan M. Maul n omen is a clearly defined perception understood as a sign pointing to future A events whenever it manifests itself under identical circumstances. The classification of a perception as ominous is based on an epistemological development which establishes a normative relationship between the perceived and the future. This classification process is preceded by a period of detailed examination and is thus initially built on empirical knowledge. Omina only cease to be detected empirically when a firm conceptual link has been established between the observed and the future which then allows omina to be construed by the application of regularities. In the Mesopotamian written sources from the first and second millennia BC, omina based on regularities far exceed those based on empirical data. Mesopotamian scholars generally collected data without formally expressing the fundamental principles behind their method. It was the composition of non-empirical omina as such which allowed students to detect the regularities on which they were based without this formulated orally or in writing. Modern attempts at a systematic investigation of such principles however, are still outstanding. It is interesting that there is no Sumerian or Akkadian equivalent for the terms 'oracle' or 'omen'. Assyriologists use the term omen for the sentence construction 'if x then y' which consists of a main clause beginning with summa ('if') describing the ominous occurence, and a second clause which spells out the predicted outcome. -
And Corpse-Divination in the Paris Magical Papyri (Pgm Iv 1928-2144)
necromancy goes underground 255 NECROMANCY GOES UNDERGROUND: THE DISGUISE OF SKULL- AND CORPSE-DIVINATION IN THE PARIS MAGICAL PAPYRI (PGM IV 1928-2144) Christopher A. Faraone The practice of consulting the dead for divinatory purposes is widely practiced cross-culturally and firmly attested in the Greek world.1 Poets, for example, speak of the underworld journeys of heroes, like Odys- seus and Aeneas, to learn crucial information about the past, present or future, and elsewhere we hear about rituals of psychagogia designed to lead souls or ghosts up from the underworld for similar purposes. These are usually performed at the tomb of the dead person, as in the famous scene in Aeschylus’ Persians, or at other places where the Greeks believed there was an entrance to the underworld. Herodotus tells us, for instance, that the Corinthian tyrant Periander visited an “oracle of the dead” (nekromanteion) in Ephyra to consult his dead wife (5.92) and that Croesus, when he performed his famous comparative testing of Greek oracles, sent questions to the tombs of Amphiaraus at Oropus and Trophonius at Lebedeia (1.46.2-3). Since Herodotus is heavily dependent on Delphic informants for most of Croesus’ story, modern readers are apt to forget that there were, in fact, two oracles that correctly answered the Lydian king’s riddle: the oracle of Apollo at Delphi and that of the dead hero Amphiaraus. The popularity of such oracular hero-shrines increased steadily in Hel- lenistic and Roman times, although divination by dreams gradually seems to take center stage.2 It is clear, however, that the more personal and private forms of necromancy—especially consultations at the grave—fell into disfavor, especially with the Romans, whose poets repeatedly depict horrible 1 For a general overview of the Greek practices and discussions of the specific sites mentioned in this paragraph, see A. -
UNIVERSITY of CALIFORNIA Los Angeles Craft Specialization And
UNIVERSITY OF CALIFORNIA Los Angeles Craft Specialization and Animal Products at the Longshan Period Sites of Taosi and Zhoujiazhuang, Shanxi Province, China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Anthropology by Katherine Richards Brunson 2015 ©Copyright by Katherine Richards Brunson 2015 ABSTRACT OF THE DISSERTATION Craft Specialization and Animal Products at the Longshan Period Sites of Taosi and Zhoujiazhuang, Shanxi Province, China by Katherine Richards Brunson Doctor of Philosophy in Anthropology University of California, Los Angeles, 2015 Professor Paul Jeffrey Brantingham, Chair The late third millennium BCE was a period of technological and cultural change in China’s Yellow River valley. Domestic cattle and sheep were introduced into China from West Asia during this period, marking a shift in the zooarchaeological record and the arrival of new methods of animal exploitation. Using zooarchaeological evidence for the exploitation of secondary products and bone working at the Late Neolithic Longshan period sites of Taosi and Zhoujiazhuang in Shanxi Province, I examine the relationship between animal products, craft specialization, and increasing social complexity. My research suggests that non-subsistence uses of cattle and sheep were important factors that contributed to the adoption of herding in the Central Plains region, and that the nature of cattle and sheep exploitation varied between sites depending on local environmental and cultural conditions. Additionally, I use ancient DNA analysis to identify bovine oracle bones from Taosi and Zhoujiazhuang. Both domestic cattle and wild aurochs scapulas were used in divination rituals, raising the possibility that people ii experimented with managing native East Asian wild aurochs alongside domestic cattle. -
The Soteriological Context of a Tibetan Oracle
HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies Volume 39 Number 1 Article 8 July 2019 The Soteriological Context of a Tibetan Oracle Katarina Turpeinen University of California, Berkeley, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/himalaya Recommended Citation Turpeinen, Katarina. 2019. The Soteriological Context of a Tibetan Oracle. HIMALAYA 39(1). Available at: https://digitalcommons.macalester.edu/himalaya/vol39/iss1/8 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Research Article is brought to you for free and open access by the DigitalCommons@Macalester College at DigitalCommons@Macalester College. It has been accepted for inclusion in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. The Soteriological Context of a Tibetan Oracle Acknowledgements The author would like to thank Lhamo Pema Khandro for patiently answering her questions in a series of interviews and allowing her to witness the possession rituals. She is also grateful to the nuns of Tsho Pema, especially Ani Yangtsen Drolma for guiding her in the social dynamics of the village, as well as Prof. Jacob Dalton for offering many helpful suggestions that shaped her writing. This research article is available in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies: https://digitalcommons.macalester.edu/himalaya/vol39/iss1/8 The Soteriological Context of a Tibetan Oracle Katarina Turpeinen This paper contributes to the study of Tibetan which is a practice of a village oracle often oracles by analyzing a distinctive case of a regarded as involving mainly mundane and contemporary Tibetan oracle living in exile pragmatic ends, is conspicuously integrated in India. -
Aspects of Cyclic Myth in Chinese and Western Literature
ASPECTS OF CYCLIC MYTH IN CHINESE AND WESTERN LITERATURE ROBERT SHAN-MU CHEN B.A., Soochow University, 1969 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS in the Programme of Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF. BRITISH COLUMBIA September, 197? Robert Shan-mu Chen, 1977 i In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Robert Shan-mu Chen Department of Comparative Literature The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Datp October 20, 1977- J /ABSTRACT This thesis is a comparative study of the history and literary form of the cyclic myth in Chinese and Western European culture. The cyclic myth is seen as a complex of discrete myths and rituals which tend to identify man with the periodic regeneration of nature and celestial bodies in order to ensure personal duration against the flux of time. By comparing the origins and transformations of the cyclic myth in both cultures the essential distinctions between Chinese and Western literature will be re• vealed as both cosmological and ontological. -
Then Apply the Ancient African IFA Oracle (And Its Subset the I Ching) to Describe History, Including the Future History of Global Finance
Abstract Dan Brown in his 2009 book "The Lost Symbol" said "... The ancients possessed profound scientific wisdom. ... Mankind ... had once grasped the true nature of the universe ... but had let go ... and forgotten. ... Modern physics can help us remember! ... the world need[s] this understanding ... now more than ever. ...", but the rest of his book fails to provide convincing support for that statement, although it does provide a clue: "... The secret hides within the Order Eight Franklin Square ... of the numbers 1 through 64 ...". The purpose of this paper is to support that statement in enough detail to convince a diligent reader that following that clue can show that the statement is true. To follow the clue: begin with the "Order Eight" Clifford Algebra Cl(8) whose 2^8 = 256 dimensions represent the 256 elements of the Ancient African IFA Oracle and the 256 Elementary Cellular Automata, so that the True Lost Symbol is the 8-dimensional HyperCube with 256 vertices as shown on the cover of this paper; then multiply (by tensor product) 8 copies of Cl(8) to produce Cl(64) whose 2^64 dimensions represent the first 10^(-34) seconds of the Zizzi Inflation Phase of our Conscious Universe and an event of Penrose-Hameroff Human Conscious Thought; then analyze the details of the 256 Cellular Automata and the E8 Lattices containing 256-vertex 8-dimensional HyperCubes to construct a realistic unified theoretical model of the Standard Model plus Gravity; then analyze the Fractal Structure of the Ancient African IFA Oracle; then apply the Ancient African IFA Oracle (and its subset the I Ching) to describe History, including the Future History of Global Finance. -
Dough[Tiness]: Introduction and Notes for a Translation of the Ma-Wang-Tui Manuscripts of the Lao Tzu [Old Master]
SINO-PLATONIC PAPERS Number 20 October, 1990 [The] File [on the Cosmic] Track [and Individual] Dough[tiness]: Introduction and Notes for a Translation of the Ma-wang-tui Manuscripts of the Lao Tzu [Old Master] by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. -
Dating the Origin of Chinese Writing: Evidence from Oracle Bone Inscriptions Kuang Yu Chen, Ph.D. Rutgers University ABSTRACT T
Dating the Origin of Chinese Writing: Evidence from Oracle Bone Inscriptions Kuang Yu Chen, Ph.D. Rutgers University ABSTRACT The convergence of a visual sign containing semantic value with an audio symbol signifies the creation of writing. Writing was independently created at least four times in human history, hence, Sumerian, Egyptian, Chinese and Olmec/Mayan are considered the four original or pristine writings. The four pristine writings are all logographic and logosyllabic, containing both visual and phonetic elements. Among them, Chinese remains viable and logographic, the other three died out hundreds or thousands year ago. The dating of the origin of both Sumerian and Egyptian writing to about 3200 BCE is supported by strong archeological evidence. The Mayan writing clearly was derived from the earlier Olmec writing, which could be dated with archaeological evidence to about 600 BCE or earlier. Although Chinese is the only surviving pristine writing, its origin has not been definitively dated. The earliest Chinese writing available today is OBI of late Shang (ca. 1300-1046 BCE), which was already a fully mature writing system. Clearly, the origin of Chinese would have to be much earlier than the time of late Shang. In the absence of definitive archaeological evidence, we propose two alternative approaches for dating the origin of Chinese writing, one based on the structural continuity of Chinese script, from OBI to modern Chinese, and the other based on the pre-Dynastic personal names identified in OBI. The role of taowen (pottery signs) in dating the origin of Chinese is also discussed. 1. DEFINITION OF WRITING SYSTEM In contrast to spoken language, which is temporal and physiological, written language, expressed with scripts, is atemporal and mechanical, and requires material medium and space.