Issue 78 Volume 13 Number 6 (December 2018)
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Kore-Eda Event Notes
Family Life with Kore-eda Hirokazu Introduction their application in stories about ‘ordinary’ Japanese Kore-eda Hirokazu (born Tokyo, 1962) is currently the families coping with the move from tradition to leading Japanese director in the international film modernity in contemporary Japan that appears to be world. His last few films have seen his popularity rise Kore-eda’s inspiration. in Japan and his films have been increasingly welcomed at major film festivals. In 2018, his latest Kore-eda has also been linked to directors from film Shoplifters won the Palme d’Or, the top prize at Taiwan such as Hou Hsiao-hsien, Edward Yang and, Cannes Film Festival. Like some of his earlier films, it more controversially, Tsai Ming-liang. These directors opened at No 1 at the Japanese box office in June are part of the ‘Taiwanese New Cinema’ which first 2018 and made around $38 million worldwide. appeared in the 1980s, making a link between the 1950s Japanese masters and Kore-eda. Taiwanese Originally a documentarist working in television, Kore- film has maintained some links to Japanese film eda moved into fiction features with Maborosi in 1995 culture, even though the Japanese colonial and has since made a further 12 cinema features as occupation of Formosa/Taiwan ended in 1945. We’ll director and often writer and film editor as well. He look at a short extract from Hou Hsiao-hsien’s Café has also produced films. Although he has made forays Lumière (2003). Kore-eda has also cited Ken Loach as into several different genres, Kore-eda’s films often an influence. -
Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
Un Affare Di Famiglia Di Kore-Eda Hirokazu
Un affare di famiglia di Kore-eda Hirokazu uscita: 13 settembre 2018 durata: 121 minuti I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com UN AFFARE DI FAMIGLIA CAST ARTISTICO Shibata Osamu Lily Franky Shibata Nobuyo ANDO Sakura Shibata Aki MATSUOKA Mayu Shibata Hatsue KIKI Kilin Shibata Shota JYO Kairi Hojo Juri SASAKI Miyu CAST TECNICO Regia / Sceneggiatura / Montaggio KORE-EDA Hirokazu Musica Originale HOSONO Haruomi (Victor Entertainment) Direttore della Fotografia KONDO Ryuto Luci FUJII Isamu Suono TOMITA Kazuhiko Scenografia MITSUMATSU Keiko Aoi Pro. Inc. Produzione Aoi Pro. Inc. Produttori Esecutivi ISHIHARA Takashi Tom YODA NAKAE Yasuhito Produttori Associati OSAWA Megumi ODAKE Satomi Produttori MATSUZAKI Kaoru YOSE Akihiko TAGUCHI Hijiri 2 UN AFFARE DI FAMIGLIA Sinossi Dopo uno dei loro furti, Osamu e suo figlio si imbattono in una ragazzina in mezzo ad un freddo glaciale. Dapprima riluttante ad accoglierla, la moglie di Osamu acconsente ad occuparsi di lei dopo aver appreso le difficoltà che la aspettano. Benché la famiglia sia così povera da riuscire a malapena a sopravvivere commettendo piccoli reati, sembrano vivere felici insieme finché un incidente imprevisto porta alla luce segreti nascosti che mettono alla prova i legami che li uniscono... 3 UN AFFARE DI FAMIGLIA Intervista a Kore-eda Hirokazu Ha deciso di realizzare questo film dopo aver appreso di casi di famiglie che continuano a percepire illegalmente le pensioni dei genitori deceduti da anni. Il suo intento era quello di rappresentare una famiglia da un punto di vista diverso rispetto ai suoi precedenti film? La prima cosa che mi è venuta in mente è stata la frase: “Solo i crimini ci tenevano uniti”. -
Reverse Breakthrough: the Dutch Connection Hent De Vries
Reverse Breakthrough: The Dutch Connection Hent de Vries SAIS Review of International Affairs, Volume 37, Number 1S, Supplement 2017, pp. S-89-S-103 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/sais.2017.0017 For additional information about this article https://muse.jhu.edu/article/673244 Access provided by JHU Libraries (20 Oct 2017 20:37 GMT) Reverse Breakthrough: The Dutch Connection Hent de Vries Introduction uring and immediately after World War II, the Dutch term doorbraak D(breakthrough) became a spiritual rallying cry for political renewal in the Netherlands.1 It designated the then decidedly progressive idea that religious faith should no longer exclusively, or even primarily, determine one’s political views and affiliations with political parties. Its ambition, first formulated by a group of functionaries who were taken hostage by the German occupation in Sint Michielsgestel, was to convince open-minded Roman Catholic and Protes- tants to join forces with social and liberal democrats and religious socialists to form one broad political party. Such a broad coalition of forces seemed neces- sary during the postwar period of wederopbouw (reconstruction); economic recovery and social consensus was imperative but a multitude of national wounds also required healing. The term doorbraak was used in the concluding lines of a speech by Wil- lem Banning in February 1946, at the founding congress of the Dutch Labor Party (Partij van de Arbeid, PvdA), when it joined the members of several parties that had been dissolved the day before: the Social Democratic Workers’ Party (Sociaal-democratische Arbeiderspartij, SDAP), the Liberal-Democratic Union (Vrijzinnig-Democratische Bond, VDB), and the Christian Democratic Union (Christelijk-Democratische Unie, CDU). -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
SHOPLIFTERS a FILM by KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION Et AOI PRO INC
SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU FUJI TELEVISION NETWORK, GAGA CORPORATION et AOI PRO INC. present LILY FRANKY • ANDO SAKURA • MATSUOKA MAYU • KIKI KILIN SHOPLIFTERS A FILM BY KORE-EDA HIROKAZU 121 MIN. – JAPAN – 2018 – 1.85 – 5.1 INTERNATIONAL PRESS Manlin STERNER Cell : +33 6 63 76 31 13 [email protected] JAPANESE PRESS Naeko YODA Cell: +81 50 3537 6138 (main) – +81 70 3330 2912 (sub) [email protected] Chieko NEMOTO Cell: +81 50 3537 6268 (main) – +81 70 3330 2920 (sub) [email protected] Kenji SASAKI Cell: +81 50 3537 6503 (main) – +81 70 3330 2927 (sub) [email protected] Presskit and stills downloadable from www.wildbunch.biz SYNOPSIS After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them… INTERVIEW WITH KORE-EDA HIROKAZU Director You decided to make this film after learning about incidents of families illegally receiving the pensions of parents who had already died years ago. Was your inten- tion to depict a family from a different angle compared to your previous films? The first thing that came to my mind was the tagline: “Only the crimes tied us together”. In Japan, crimes like pension frauds and parents making their children The later scenes showing the family being split up are heartbreaking. -
UNA PELÍCULA DE Kore-EDA Hirokazu
UMIMACHI DIARY FUJI TELEVISION NETWORK INC., SHOGAKUKAN INC., TOHO CO., LTD. Y GAGA CORPORATION presenta “OUR LITTLE SISTER” UNA pelÍCULA DE KORE-EDA HIROKAZU CON AYASE HARUKA NAGASAWA MasamI KAHO HIROSE SUZU MÚsica KANNO YOKO director de fotografÍA TAKIMOTO MIKIya iluMinaciÓN FUJII NORIKIYO sonido TSURUMAKI YUTAKA diseÑO de producciÓN MITSUMATSU KEIKO producida por FILM, INC. productores ejecutivos jefes ISHIHARA TaKashI TSUDUKI SHINICHIRO ICHIKAWA MINAMI Tom YODA productores ejecutivos OGAWA YasUSHI OMURA MAKOTO UEDA TaICHI ODAKE SATOMI productor asociado NISHIHARA MEGUMI productores MATSUZAKI KaoRU TAGUCHI HIJIRI Basada en la novela grÁfica original "UMIMACHI DIARY" de AKIMI YOSHIda puBlicada por ShogaKUKan INC. escrita, editada Y dirigida por KORE-EDA HIROKAZU ©2015 AKIMI YOSHIDA, SHOGAKUKAN / FUJI TELEVISION NETWORK INC. / SHOGAKUKAN INC. / TOHO CO., LTD. / GAGA CORPORATION www.golem.es/distribucion #NuestraHermanaPequeña UNA PELÍCULA DE KORE-eda HIROKAZU La nueva película del aclamado y premiado director Kore-eda Hirokazu es una adaptación de Umima- chi Diary (de Akimi Yoshida), una novela gráfica considerada como una auténtica obra maestra. La his- toria transcurre en la ciudad de Kamakura y cuenta con gran realismo los vínculos que unen a cuatro hermanas y sus relaciones con sus vecinos. Fue galardonada con el Premio a la Excelencia en el 11º Festival de Artes Mediáticas de Japón y con el Gran Premio del Cómic 2013. El elenco cuenta con Haruka Ayase, Masami Nagasawa y Kaho como las hermanas mayores, y Suzu Hirose encarna a la recién conocida hermana pequeña. El director de fotografía Mikiya Takimoto, conocido por sus anuncios publicitarios, vuelve a unirse a Kore-eda después de la película DE taL PADRE, taL HIJO. -
2016 Film Festival Programme
TAKE THE FORM OF COMMODITIES, VANISHES THEREFORE, SO SOON AS WE COME TO OTHER FORMS OF PRODUCTION THE FORM OF COMMODITIES, VANISHES TAKE SURROUNDS THE PRODUCTS OF LABOUR AS LONG THEY OF COMMODITIES, ALL THE MAGIC AND NECROMANCY THAT THE WHOLE MYSTERY k k belfast Belfast Film Festival film festival 14th-23rd April 2016 16 OUR FUNDERS ACCOMMODATION OFFICIAL MEDIA PARTNER PARTNERS OFFICIAL DRINKS SPONSOR VENUE PARTNERS INTRODUCTION The 16th Belfast Film Festival like any self-loathing teenager – has attitude! It is packed with premieres, guests, documentaries, shorts and much more. This year we present our biggest programme ever, with more than 133 films and events from 30 countries around the world. We welcome as our special guest, a man who is arguably the greatest living British filmmaker, Terence Davies. Belfast Film Festival is delighted to be honouring Terence with our Outstanding Contribution to Cinema award. Programme highlights include Stephen Frears’ hilarious new feature starring Hugh Grant with Meryl Streep as ‘Florence Foster Jenkins’; the Oscar-nominated must-see Turkish film ‘Mustang’; a 6 hour marathon watch with ‘Arabian Nights’, the mastery of Alan Clarke; the brilliant Icelandic tale ‘Virgin Mountain’, and the 2016 Oscar Winner Son of Saul. We have an exciting celebration of the artistry of sound in film in partnership with SARC; films on 1916; discussions; music; fancy dress; film installations, and a plethora of new talent in our short film and NI Independents sections; And perhaps most exciting of all we have a programme of new film showcasing more female directors than ever before. Michele Devlin. -
An Artist's Murder: Critical Reflections on the Relationship Between
Pakistan Journal of Criminology Vol. 9, Issue 2, April 2017 (89-101) An Artist’s Murder: Critical Reflections on the Relationship between Contemporary Art and Muslim Political Sensibility Syed Sami Raza* Abstract In 2004 a young Dutch Muslim murdered a famous Dutch artist and film director, Van Gogh, in Amsterdam, Netherlands. The murder provoked an intense wave of propaganda against Muslims and Islam in Europe, particularly in the Netherland. The outburst of propaganda demonstrated how one single incidence of criminal act by a relatively unknown man of Islamic calling could put the peaceful identity of an entire community of Muslims under threat. This essay endeavors to place Van Gogh’s murder in its temporal and historical context. I engage other similar incidents and the resulting propaganda, and argue that the polemic that these incidents provoke often is not politically disinterested. Moreover, I argue that there is need to understand the troubled relationship between art and religion, especially as the appeal of violence draws a large number of people to its call. Keywords: Theo Van Gogh, Contemporary Art, Blasphemy, Political Sensibility, Terrorism. I: Introduction: The Murder On the morning of November 2, 2004, Mohammed Bouyeri, a young Morracan-Dutch Muslim, stabbed to death the famous Dutch film director Theo Van Gogh. The latter was riding a bicycle to his office. More audaciously Bouyeri stuck a note with a knife on Van Gogh’s chest, which carried a threatening message for his co- producer, and a women rights activist, Hirsi Ali. Ostensibly, one of the major reasons of the attack was the provocative film, Submission, which Van Gogh had directed in collaboration with Hirsi Ali. -
„Islam Does Not Belong to Germany.” a Proxy Debate for an Insecure
UPPSALA UNIVERSITY Department of Theology Master Programme in Religion in Peace and Conflict Master thesis, 15 credits Spring, 2019 Supervisor: Håkan Bengtsson „Islam does not belong to Germany.” A proxy debate for an insecure national identity? An analysis of a controversial German discourse and its underlying reasons. Submitted by Carlotta Mezger Table of Contents I. Introduction………………………………………………………………………...1 II. Method and Theoretical Framework………...……………………………………..5 III. Key Concepts and Previous Research…………...…………………….…………...7 • Belonging…………………………………………………………………..7 • Imagined Community……………………………………………………...9 • Political Islam…………………………………………………………….10 • German Leitkultur and Heimat…………………………………………...11 • Ian Buruma’s “Murder in Amsterdam”…………………………………..12 IV. History of Migration in Germany 1955 to Present……………………………….14 • The Churches……………………………………………………………..17 • The Basic Law…...……………………………………………………….18 • Emergence of Islam as the Problem……………………………………....19 V. Exploration of National Identity Threat Argument……………………………...22 • Herbert Blumer and Perceived Group Threat...……….…………………22 • Charles Taylor on “Modern Social Imaginaries”……………………….24 • The Indecisiveness of German Debate…………..………………...…….25 • Arjun Appadurai and “The Fear of Small Numbers”…………………...27 VI. Exploration of Cultural Citizenship Argument…………………………………29 • Arjan Reijerse et al. and Cultural Citizenship Representations…………30 • The German Leitkultur……………...…………………………………...32 • Samuel Huntington’s “Clash of Civilizations”.……….………………...34 • José Casanova and -
Our Little Sister a Film by Kore-Eda Hirokazu Our Little Sister
OUR LITTLE SISTER A FILM BY KORE-EDA HIROKAZU OUR LITTLE SISTER 128 mN - JAPON - 1.85-5.1 - 2014 FUJI TELEVISION NETWORK INC., SHOGAKUKAN INC., TOHO CO., LTD. AND GAGA CORPORATION PRESENT OUR LITTLE SISTER (UMimachi Diary) a film by Kore-eda Hirokazu starring AYASE HARUKA, NAGASAWA MASAMI, KAHO, HIROSE SUZU 128 mN - JAPON - 1.85-5.1 - 2014 ©2O15 AKIMI YOSHIDA, SHOGAKUKAN / FUJI TELEVISION NETWORK INC. / SHOGAKUKAN INC. / TOHO CO., LTD. / GAGA CORPORATION INTRODUCTION Award-winning internationally acclaimed director Kore-eda Hirokazu delivers a new film adapted from Yoshida Akimi’s best-selling graphic novel masterpiece “Umimachi Diary”. Set in the town of Kamakura, the book portrays with a great sense of realism the bonds interwoven between four sisters, as well as painful yet kindhearted relationships with people living in the town. It received the Excellence Award at the 11 th Japan Media Arts Festival, and the Cartoon Grand Prize 2013. Ayase Haruka plays the eldest, Nagasawa Masami plays the second-born, Kaho plays the third-born, and Hirose Suzu the youngest. Takimoto Mikiya, who has worked at the forefront of TV commercials and commercial photography, works as director of photography. Impressed by his talent, Kore-eda gave Takimoto his first cinematography job on “ Like Father, Like Son ”, and the two have collaborated once again on “ Our Little Sister ”. Important aspects that could not be expressed through dialogue - the pulse, breath and emotional subtleties of the four sisters - were represented musically by celebrated composer Kanno Yoko. The summer ocean sparkling with sunlight, radiant autumn foliage, a tunnel of gorgeous yet impermanent cherry blossom trees, hydrangeas damp from the rainy season, brilliant fireworks heralding the arrival of another summer… Amidst the many and varied colors of Kamakura’s four seasons, four sisters cause each other emotional anguish, but in the process develop a very special bond. -
How the Steel Was Tempered Part 1
NIKOLAI OSTROVSKY How the Steel Was Tempered A NOVEL IN TWO PARTS PART ONE TRANSLATED FROM RUSSIAN BY R. PROKOFIEVA ILLUSTRATIONS BY A. REZNICHENKO DESIGN AND LAYOUT BY J. ANDREWS Published by: COMMUNIST PARTY OF AUSTRALIA SYDNEY, AUSTRALIA AUGUST 2002 This edition has been reproduced from an original published by: FOREIGN LANGUAGES PUBLISHING HOUSE MOSCOW, USSR 1952 CONTENTS 5 Foreward 20 How the Steel Was Tempered – Part 1 225 Key to Principal Characters 226 Notes on the 2004 Edition NIKOLAI OSTROVSKY AND HIS NOVEL ikolai Ostrovsky’s novel, How the Steel Was NTempered, occupies a place of prominence in the history of Soviet literature. The making of the book, as well as the whole of Ostrovsky’s literary work, was a deed of valour crowning the life of a heroic Bolshevik. Ostrovsky was born in 1904, in the village of Viliya, Ostrozhsky District, Rovno Region. His father was a seasonal worker, but earnings were so meagre that his mother and young sisters had to work as agricultural labourers on landed estates. His elder brother was apprenticed to a locksmith who maltreated his workers. The dire poverty and ruthless exploitation which overshadowed the childhood of the future writer sowed the seeds of bitter hatred for his class enemies and wrathful protest against social injustice and human degradation. He was a shepherd boy at nine, and at eleven a kitchen boy in a railway station buffet in the Ukrainian town of Shepetovka, where the family had moved after the outbreak of the world war. To escape the atmosphere of corruption and servility prevailing in the buffet, the young Nikolai spent much of his time with his brother, a mechanic in the railway depot.