Inventory Acc.13236 John Murray Archive
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The Rhinehart Collection Rhinehart The
The The Rhinehart Collection Spine width: 0.297 inches Adjust as needed The Rhinehart Collection at appalachian state university at appalachian state university appalachian state at An Annotated Bibliography Volume II John higby Vol. II boone, north carolina John John h igby The Rhinehart Collection i Bill and Maureen Rhinehart in their library at home. ii The Rhinehart Collection at appalachian state university An Annotated Bibliography Volume II John Higby Carol Grotnes Belk Library Appalachian State University Boone, North Carolina 2011 iii International Standard Book Number: 0-000-00000-0 Library of Congress Catalog Number: 0-00000 Carol Grotnes Belk Library, Appalachian State University, Boone, North Carolina 28608 © 2011 by Appalachian State University. All rights reserved. First Edition published 2011 Designed and typeset by Ed Gaither, Office of Printing and Publications. The text face and ornaments are Adobe Caslon, a revival by designer Carol Twombly of typefaces created by English printer William Caslon in the 18th century. The decorative initials are Zallman Caps. The paper is Carnival Smooth from Smart Papers. It is of archival quality, acid-free and pH neutral. printed in the united states of america iv Foreword he books annotated in this catalogue might be regarded as forming an entity called Rhinehart II, a further gift of material embodying British T history, literature, and culture that the Rhineharts have chosen to add to the collection already sheltered in Belk Library. The books of present concern, diverse in their -
1 a Lincolnshire Boyhood 2 Cambridge
Notes 1 A LINCOLNSHIRE BOYHOOD 1. J. 0. Hoge, ed., 'Emily Tennyson's Narrative for her Sons', Texas Studies in Literature and Language XIV (1972), 96. 2. H. D. Rawnsley, Memories of the Tennysons (1900), p. 225. 3. See C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', Tennyson Research Bulletin II, iii (1974), 121-3 [hereafter TRB]. 4. A. Pollard, 'Three Horace Translations by Tennyson', TRB IV, i (1982), 16. 5. H. D. Paden, Tennyson in Egypt (1942), p. 103. 6. C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', p. 121. 7. This painting is still at Farringford. I am grateful to Dr Christopher Brown, Chief Curator of the National Gallery, for the attribution. 8. A. G. Weld, Glimpses of Tennyson (1903), p. 12. 9. J. Kolb, ed., The Letters of A. H. Hallam (1981), p. 457. 10. R. B. Martin, Tennyson: The Unquiet Heart (1980), p. 48. 11. E. A. Knies, ed., Tennyson at Aldworth: The Diary off. H. Mangles, (1984), p. 122. 2 CAMBRIDGE 1. C. Tennyson, Alfred Tennyson (1949), p. 55. 2. E. A. Knies, ed., Tennyson at Aldworth: The Diary of f. H. Mangles, p. 97. 3. S. T. Coleridge, Aids to Reflection, ed. D. Coleridge (7th edn, London, 1854), p. 155. 4. Arthur Hallam visited Coleridge at Highgate, but Tennyson, although invited, never went. Coleridge's rude remarks on Tennyson's han dling of metre would not have encouraged him. 5. Shelley's Adonais: A Critical Edition, ed. A. D. Knerr (New York, 1984), pp. 445-6. 6. H. B. Bryant, 'The African Genesis of Tennyson's "Timbuctoo"', TRB, III v (1981), 200. -
Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art
Volume 9, Issue 1 (Winter 2017) Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art Esmée Quodbach [email protected] Recommended Citation: Esmée Quodbach, “Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art,” JHNA 9:1 (Winter 2017), DOI: 10.5092/jhna.2017.9.1.2 Available at https://jhna.org/articles/collecting-old-masters-new-york-henry-gurdon-mar- quand-metropolitan-museum-of-art/ Published by Historians of Netherlandish Art: https://hnanews.org/ Republication Guidelines: https://jhna.org/republication-guidelines/ Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 7:2 (Summer 2015) 1 COLLECTING OLD MASTERS FOR NEW YORK: HENRY GURDON MARQUAND AND THE METROPOLITAN MUSEUM OF ART Esmée Quodbach The subject of this article is the collector Henry Gurdon Marquand (1819–1902), banker and railroad financier, and a noted member of the burgeoning class of newly prosperous business magnates of Gilded Age New York. An exception- ally civic-minded patron, Marquand set out in the early 1880s to assemble a group of first-class Old Master paintings for the Metropolitan Museum of Art. This paper explores Marquand’s acquisitions, especially the Flemish and Dutch paintings he bought. Focusing on Marquand’s 1889 gift of thirty-seven Old Masters to the museum—the first gift of its kind—this paper also considers Marquand’s aspirations, not only as a major private collector but especially as a leading donor to the institution, whose second president he became in 1889. -
John Murray III, 1808-1892, a Brief Memoir
rrr: JOHN MURRAY III 1808-1892 A BRIEF MEMOIR BY JOHN MURRAY IV WITH PORTRAIT AND ILLUSTRATION LONDON JOHN MURRAY, ALBEMARLE STREET, W. 1919 PREFACE I HAVE long cherished the desire to attempt the writing of a biography of my Father. The materials for such a work are superabundant, as they were in the case of my Grandfather's life. For over ten years I was engaged in collecting and arranging the correspondence before handing it over to Dr Smiles, but this had to be done in leisure hours, and for many years past such leisure hours have been denied me. With a view to keeping my Father's memory alive before the generation which knew him passes away, I wrote an article which Dr Prothero kindly accepted and published in the 'Quarterly Review.' It has brought me such a large number of gratifying letters, both from friends and strangers ; from those who knew him and those who did not, that I have been persuaded to re- publish it in the somewhat more permanent form of this small volume. I have included several passages which, owing to limits of space, had to be omitted from the ' Quarterly,' and have added my Father's own account of the origin of the Handbooks, and a few extracts from his letters home from 1830 vi PREFACE to 1884, as they will give the reader some idea of the zeal and intelligence which he imported into his travels, and which enabled him to become the Pioneer of Guide Book writers. I have to thank my brother Hallam and my sisters for their assistance in furnishing me with various details and copies of letters. -
Mundella Papers Scope
University of Sheffield Library. Special Collections and Archives Ref: MS 6 - 9, MS 22 Title: Mundella Papers Scope: The correspondence and other papers of Anthony John Mundella, Liberal M.P. for Sheffield, including other related correspondence, 1861 to 1932. Dates: 1861-1932 (also Leader Family correspondence 1848-1890) Level: Fonds Extent: 23 boxes Name of creator: Anthony John Mundella Administrative / biographical history: The content of the papers is mainly political, and consists largely of the correspondence of Mundella, a prominent Liberal M.P. of the later 19th century who attained Cabinet rank. Also included in the collection are letters, not involving Mundella, of the family of Robert Leader, acquired by Mundella’s daughter Maria Theresa who intended to write a biography of her father, and transcriptions by Maria Theresa of correspondence between Mundella and Robert Leader, John Daniel Leader and another Sheffield Liberal M.P., Henry Joseph Wilson. The collection does not include any of the business archives of Hine and Mundella. Anthony John Mundella (1825-1897) was born in Leicester of an Italian father and an English mother. After education at a National School he entered the hosiery trade, ultimately becoming a partner in the firm of Hine and Mundella of Nottingham. He became active in the political life of Nottingham, and after giving a series of public lectures in Sheffield was invited to contest the seat in the General Election of 1868. Mundella was Liberal M.P. for Sheffield from 1868 to 1885, and for the Brightside division of the Borough from November 1885 to his death in 1897. -
La Rinascita Dell'arte Musiva in Epoca Moderna
La rinascita dell’arte musiva in epoca moderna in Europa. La tradizione del mosaico in Italia, in Spagna e in Inghilterra Ottobrina Voccoli ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
S. N. S. College, Jehanabad
S. N. S. COLLEGE, JEHANABAD (A Constituent unit of Magadh University, Bodh Gaya) DEPARTMENT OF HISTORY KEY-NOTES JAMES-I (1603-1625) FOR B.A. PART – I BY KRITI SINGH ANAND, ASSISTANT PROFESSOR, DEPTT. OF HISTORY, S.N. SINHA COLLEGE, JEHANABAD 1 James I (1603 - 1625) James VI King of Scotland was the great grandson of Margaret, the daughter of HenryVIII of England. The accession of James Stuart to the English throne as James I, on the death of Elizabeth in 1603, brought about the peaceful union of the rival monarchies of England and Scotland. He tried to make the union of two very different lands complete by assuming the title of King of Great Britain. There was peace in England and people did not fear any danger from a disputed succession inside the country or from external aggression. So strong monarchy was not considered essential for the welfare of the people. Even towards the end of the reign of Queen Elizabeth, Parliament began to oppose the royal will. The attempts of the new king to make the two lands to have one parliament, one church and one law failed miserably, because the Scots were not interested in the union and the English Parliament did not co- operate with him for it did not trust him. James I had experience as the King of Scotland and he knew very well the history of the absolute rule of the Tudor monarchs in England. So he was determined to rule with absolute powers. He believed in the theory of Divine Right Kingship and his own accession to the English throne was sanctioned by this theory. -
'A Chief Standard Work': the Rise and Fall of David Hume's' History of England'. 1754-C. 1900
’A CHIEF STANDARD WORK’: THE RISE AND FALL OF DAVID HUME’S HISTORY OF ENGLAND. 1754-C.1900. UNIVERSITY OF LONDON PhD THESIS JAMES ANDREW GEORGE BAVERSTOCK UNIVERSITY COLLEGE [LONOIK. ProQuest Number: 10018558 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10018558 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract. This thesis examines the influence of David Hume’s History of England during the century of its greatest popularity. It explores how far the long-term fortunes of Hume’s text matched his original aims for the work. Hume’s success in creating a classic popular narrative is demonstrated, but is contrasted with the History's failure to promote the polite ’coalition of parties’ he wished for. Whilst showing that Hume’s popularity contributed to tempering some of the teleological excesses of the ’whig version’ of English history, it is stressed that his work signally failed in dampening ’Whig’/ ’Tory’ conflict. Rather than provide a new frame of reference for British politics, as Hume had intended, the History was absorbed into national political culture as a ’Tory’ text - with important consequences for Hume’s general reputation as a thinker. -
Hogg, Byron, Scott, and John Murray of Albemarle Street Douglas S
Studies in Scottish Literature Volume 35 | Issue 1 Article 23 2007 Hogg, Byron, Scott, and John Murray of Albemarle Street Douglas S. Mack University of Stirling, Emeritus Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Mack, Douglas S. (2007) "Hogg, Byron, Scott, and John Murray of Albemarle Street," Studies in Scottish Literature: Vol. 35: Iss. 1, 307–325. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/23 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Douglas S. Mack Hogg, Byron, Scott, and John Murray of Albemarle Street For a' that, and a' that, Its comin yet for a' that, That Man to Man the warld o'er, Shall brothers be for a' that. Robert Burns Towards the end of January 1813 the young Edinburgh publisher George Goldie brought out a new book-length poem, The Queen's Wake. Somewhat unpromisingly, the book was by a little-known and impecunious former shep herd called James Hogg, whose recent attempts to launch a career, first as a farmer and later as a journalist, had ended in failure. Unexpectedly, the poem was very well received by reviewers and by the reading public, and by the au tumn of 1814 both fame and fortune appeared to be within the grasp of the author of The Queen's Wake. -
1 Mathew and Henry Carey, Archibald Constable, and the Discourse
1 Mathew and Henry Carey, Archibald Constable, and the Discourse of Materiality in the Anglophone Periphery Joseph Rezek, Boston University A Paper Submitted to “Ireland, America, and the Worlds of Mathew Carey” Co-Sponsored by: The McNeil Center for Early American Studies The Program in Early American Economy and Society The Library Company of Philadelphia, The University of Pennsylvania Libraries Philadelphia, PA October 27-29, 2011 *Please do not cite without permission of the author 2 British and American literary publishing were not separate affairs in the early nineteenth century. The transnational circulation of texts, fueled by readerly demand on both sides of the Atlantic; a reprint trade unregulated by copyright law and active, also, on both sides of the Atlantic; and transatlantic publishing agreements at the highest level of literary production all suggest that, despite obvious national differences in culture and circumstance, authors and booksellers in Britain and the United States participated in a single literary field. This literary field cohered through linked publishing practices and a shared English-language literary heritage, although it was also marked by internal division and cultural inequalities. Recent scholarship in the history of books, reading, and the dissemination of texts has suggested that literary producers in Ireland, Scotland, and the United States occupied analogous positions as they nursed long- standing rivalries with England and depended on English publishers and readers for cultural legitimation. Nowhere is such rivalry and dependence more evident than in the career of the most popular author in the period, Walter Scott, whose books were printed in Edinburgh but distributed mostly in London, where they reached their largest and most lucrative audience. -
Hobbes's Contribution to International Thought, and the Contribution of International Thought to Hobbes
History of European Ideas ISSN: 0191-6599 (Print) 1873-541X (Online) Journal homepage: http://www.tandfonline.com/loi/rhei20 Hobbes's Contribution to International Thought, and the Contribution of International Thought to Hobbes David Boucher To cite this article: David Boucher (2015) Hobbes's Contribution to International Thought, and the Contribution of International Thought to Hobbes, History of European Ideas, 41:1, 29-48, DOI: 10.1080/01916599.2014.948289 To link to this article: http://dx.doi.org/10.1080/01916599.2014.948289 Published online: 22 Sep 2014. Submit your article to this journal Article views: 146 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rhei20 Download by: [University of Cambridge] Date: 11 November 2015, At: 02:41 History of European Ideas, 2015 Vol. 41, No. 1, 29–48, http://dx.doi.org/10.1080/01916599.2014.948289 Hobbes’s Contribution to International Thought, and the Contribution of International Thought to Hobbes DAVID BOUCHER* Department of Politics and International Relations, Cardiff University, UK and Department of Politics, University of Johannesburg, South Africa Summary The aim of this article is to explore in what respects Thomas Hobbes may be regarded as foundational in international thought. It is evident that in contemporary international relations theory he has become emblematic of a realist tradition, but as David Armitage suggests this was not always the case. I want to suggest that it is only in a very limited sense that he may be regarded as a foundational thinker in international relations, and for reasons very different from those for which he has become infamous. -
UCLA Historical Journal
Issue of British Recognition of the Confederate States of America 1 The Roebuck Motion and the Issue of British Recognition of the Confederate States of America Lindsay Frederick Braun ^^7 j^ \ ith the secession of the southern states from the Union and the i U I outbreak of the American Civil War in 1861, British poHcymak- \^\^ ers and financiers had to contend with the novel diplomatic and economic difficulties of relations with two Americas locked in battle. Faced with an uncertain contest abroad and divided affinities at home, the govern- ment of Lord Palmerston chose to steer a middle course of neutrality. This did not, however, prevent advocates and detractors of both sides from orga- nizing opinion and advancing agendas across the country and even into Parliament. Debate on the situation within the warring states and sugges- tions that Britain might do weU to extend formal diplomatic recognition to the Confederate States of America as a sovereign nation, or to intervene in the conflict, appeared regularly in Parliament during the course of the war. The ill-fated Parliamentary motion towards recognition introduced in sum- mer of 1863 by John Arthur Roebuck, Member of Parliament for Sheffield, was the last of the serious attempts to secure recognition. It was, perhaps, the most telling effort of the entire war period in terms of the European diplo- matic landscape and Europe's relations to events in North America. Between the inception of Roebuck's motion in May 1863 and its with- drawal on 13 July 1863, its sponsor engaged in amateur diplomacy with the French, serious breaches of protocol, and eventually witnessed not only the obloquy of pro-Union and anti-interventionist speakers but also the desertion of other pro-Confederate members of Parliament.