Dossier De Presse Le Mot Du Président
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rewrite Her Story 5
THE STATE OF THE WORLD’S GIRLS 2019 Rewrite HerStory How film and media stereotypes affect the lives and leadership ambitions of girls and young women COUNTRIES FEATURED IN THIS RESEARCH SWEDEN FINLAND DENMARK CANADA NETHERLANDS germany UNITED STATES JAPAN VIETNAM DOMINICAN REPUBLIC INDIA HONDURAS SENEGAL BENIN PHILIPPINES SIERRA LEONE SOUTH SUDAN UGANDA PERU ZIMBABWE THE STATE OF THE WORLD’S GIRLS REPORTS Plan International first published The State of the Rewrite World’s Girls Report in 2007. The 2019 report on girls’ Contents representation in the media is the second in a new Her series that each year will examine the behaviours, attitudes and beliefs that limit girls’ freedom and Story opportunities in specific environments or sectors. Foreword .................................................. 5 Introduction .............................................. 6 Setting the scene ..................................... 9 Media, gender and leadership What girls see ........................................ 13 Content and analysis of box office hits Seeing and being the change ............... 18 Female filmmakers from around the world What girls say ........................................ 20 Reflections on the stories being told SWEDEN FINLAND DENMARK CANADA Films I dream about making ................. 29 NETHERLANDS germany Special feature by Egyptian filmmaker Mayye Zayed UNITED STATES The way forward .................................... 30 JAPAN What girls want to see VIETNAM Conclusions and recommendations .... 32 DOMINICAN REPUBLIC INDIA -
In India, Gods Rule the 'Toon' Universe
In India, Gods Rule The 'Toon' Universe http://www.washingtonpost.com/wp-dyn/content/article/2008/01/08/AR... In India, Gods Rule The 'Toon' Universe Hindu Myth a Fount of Superheroes By Rama Lakshmi Washington Post Foreign Service Wednesday, January 9, 2008; A11 NEW DELHI -- Eight-year-old Tejas Vohra is used to spending most of his after-school hours watching "Power Rangers," "Transformers" and "Looney Tunes." But these days, one of his favorite superheroes is a cool cartoon version of Hanuman, the monkey-headed Hindu god. For thousands of years, Hindus have prayed to Hanuman in times of trouble, beseeching him to perform miraculous feats in their lives. Last week, the god was revealed to Tejas in a movie theater. In "The Return of Hanuman," the adored deity is reborn as a boy who goes to school in khaki shorts, uses a computer, combats pollution and, most important, smashes the bad guys to pulp. "I loved the film because Hanuman is a boy like me and saves planet Earth," said Tejas, a tall, wide-eyed second-grader. "It was awesome to see the gods laughing, singing and flying planes. The fights were really good, and in the end Hanuman sets everything right." A number of haloed Hindu gods and goddesses have debuted in the frenetic world of animation over the past five years. Their appearance marks a shift from a decades-long period in which Indian children grew up almost exclusively on American TV and movie characters, including Mickey Mouse, Tom and Jerry, and Spider-Man. To many parents, though, the "mytho-cartoons" are more than a novelty; they are a way to introduce the ancient tales to a generation that seems to be losing touch with its 5,000-year heritage. -
Download Guidelines and Role Descriptions For
Book of Projects 2012 ProectsBook12ofScript&Pitch Audience Design Writer’s Room The Pixel Lab FrameWork AdaptLab 1 Book of Projects 2012 ProectsBook12ofScript&Pitch Audience Design Writer’s Room The Pixel Lab FrameWork AdaptLab TorinoFilmLab has reached its fifth edition this year, Now that we are 5 years old, I must think of and it is a pleasure to celebrate together with those what I hope we can achieve for our 10th birthday. who have supported us since the very beginning: TorinoFilmLab is on the map now, but what is most Regione Piemonte, Comune di Torino and Ministero important is that we become, more and more, a per i Beni e le Attività culturali. community of filmmakers from all around the world, sharing experiences, knowledge, successes, failures, In these years, TorinoFilmLab has grown steadily, friendships, collaborations, projects, ideas…. adding programmes, activities and partners from all TorinoFilmLab works to offer opportunities, to create over Europe and the world. What in 2008 started a space were professionals in the cinema and media with 2 training activities, a co-production market and world can - if not find all they need, at least find a production fund, now runs 6 training activities that useful directions. We have worked hard and will try still all come together (except Interchange, that finds even harder in the next years. I say we, not because I a dedicated platform at the DFC during the Dubai deserve pluralis maiestatis, but because TorinoFilmLab International Film Festival) for the TFL Meeting Event is already a community, where staff, tutors and in Torino, during the Torino Film Festival. -
Anurag Kashyap, Guneet Monga, Nawazuddin Siddiqui, Richa Chadda, Vikramaditya Motwane
[LISTED] THE UNDERDOG TURNED SUPERSTAR ANURAG KASHYAP, GUNEET MONGA, NAWAZUDDIN SIDDIQUI, RICHA CHADDA, VIKRAMADITYA MOTWANE Text Shahnaz Siganporia Photography Ishika Mohan Motwane N THE INDIAN FILM INDUSTRY, there are good and bad words. ‘Un- derdog’, ‘struggler’, ‘starlet’ are clubbed into the ‘bad’ category while I words such as ‘Superstar’, ‘100 Crore Club’, ‘legacy’ fall into the ‘good’ category. However, sometimes the two combine to form a heady cocktail. The starlet bags a 100 crore film and the underdog becomes the superstar. The latter is a tricky balance—there’s the formulaic superstar and then there’s the superstar who paves his or her own way and creates cinema that goes way beyond the norm. Over the last few years, the tides have been busy changing, contorting and transforming our home-grown film industry. And let’s face it, in an industry raking in the moolah, thanks to wish-fulfilment and feel- good stories, we’re suckers for the runt who becomes the alpha. In the 100th year of Indian cinema, Platform celebrates the erstwhile underdogs who have gone on to carve out a space for themselves and have begun their ascent to stardom. NOV/DEC 2013 · PLATFORM · CREATIVE LIFESTYLE · 031 [LISTED] Anurag Kashyap FROM BANNED TO LAUDED THE BEGINNING I don’t know why I wanted to make films. It’s like asking yourself why you love someone. How do you explain that? You just do, you know? I just knew that filmmaking is what I wanted to do. I was studying to be a scientist and something just snapped—I knew that I should have- been making films. -
5Th Annual Chicago South Asian Film Festival, Presented by Zee Cinema, Brings Together the Best of Talent and Filmgoers to Chica
FOR IMMEDIATE RELEASE – Archana M Jain 718.451.6202 [email protected] http://www.csaff.org 5th Annual Chicago South Asian Film Festival, Presented by Zee Cinema, Brings Together the Best of Talent and Filmgoers to Chicago Four-Day Festival of Dynamic Film Selections, Intimate Film Discussions and Events launches SAFA Awards and Brings Art, Culture, and Entertainment to Chicago and Evanston Chicago, IL – September 22, 2014 – The 2014 Chicago South Asian Film Festival, presented by Zee Cinema, treated film enthusiasts and artists alike to a weekend of art, culture and entertainment at the Showplace ICON Theater in South Loop and the Evanston Public Library. The fifth annual festival kicked off the four-day event with opening night on Thursday, September 18th. Over the next three days, the Festival showcased over 30 carefully curated shorts, documentaries and feature independent films, red carpet events, after parties, VIP dinners and the especially enjoyable post film discussions with the actors, directors and producers of films like Liar’s Dice, Monsoon Shootout, Brahmin Bulls, Algorithms, M Cream and Ankhon Dekhi. On the heels of a successful four-day event, the Festival proudly shared the news of it’s opening night film and the film that it premiered in Chicago, Liar’s Dice, as India’s official submission to the Academy of Motion Picture Arts and Sciences for the Oscar’s foreign language category. Algorithms, another audience favorite, has been nominated for the Grierson Award, the most prestigious documentary awards in the UK, for Best Newcomer Documentary. Several notable filmmakers and actors were in attendance throughout the weekend to support the best of multicultural cinema. -
Jewels in India's Crown
FEATURE SCREENINGS, PAGE 38 Miss Lovely fter years of agonising about its lack of pres- Anand Gandhi’s philosophical drama The Ship Of ence at the world’s most prestigious fi lm fes- Theseus; Ashish Shukla’s cross-cultural thriller Atival, India had an embarrassment of riches Prague; and Aditya Bhattacharya’s crime thriller Jewels in to offer Cannes this year. And while three films Bombay’s Most Wanted, which features The have been selected for various sections of the festi- Sopranos’ John Ventimiglia in its cast. val, there are other hotly anticipated titles from Another highly anticipated title, Dibakar Baner- India that are likely to pop up at major festivals jee’s Shanghai, a political thriller about power- India’s later in the year. mongering in small-town India, will receive its In Cannes selection are Ashim Ahluwalia’s Miss world premiere on June 7 at the Videocon IIFA Lovely, a drama set against India’s sleazy C-grade Weekend in Singapore, one day ahead of its release film industry in the 1980s, which screens in Un in India and diaspora territories through PVR Pic- Certain Regard; Vasan Bala’s Peddlers, following tures. crown three characters in Mumbai, screening in Critics’ In contrast to a few years ago, when Indian fi lms Week; and Anurag Kashyap’s two-part Gangs Of struggled to make a connection to the global mar- With three films selected for Cannes and a flood of Wasseypur, set in the mafi a badlands of ketplace, many of these fi lms have international festival-worthy titles on the horizon, India’s coal-mining industry, screen- sales agents attached — Fortissimo Films has ing in Directors’ Fortnight. -
April GA Quiz 13.Pdf
www.smartkeeda.com | https://testzone.smartkeeda.com/# SBI | RBI | IBPS |RRB | SSC | NIACL | EPFO | UGC NET | LIC | Railways | CLAT | RJS Join us Current Affairs Questions for CGL Tier 1, IBPS RRB, IBPS Clerk, IBPS PO, LIC AAO, LIC Assistant, RBI Assistant, RBI Grade-B, SBI Clerk and SBI PO Exams April GA Quiz 13 Directions: Study the following questions carefully and answers the questions given below: 1. Which movie has emerged as the top winner at the BAFTA Film Awards 2021 by bagging four major awards, including the best film? A. Another Round B. Sound of Metal C. Minari D. Nomadland E. None of these 2. Which insurance company has announced the appointment of Kalpana Sampat its managing director and CEO, effective April 9? A. Max Life Insurance B. PNB MetLife India Insurance C. Pramerica Life Insurance D. HDFC Life Insurance E. None of these 3. Who among the following has been appointed as Brand Ambassador of SportzXchange? A. Prithvi Shaw B. Mayank Agarwal C. Sanju Samson D. Shubman Gill E. None of these 4. Which of the following countries has recently unveiled 3,000-year-old 'lost' city near Luxor? A. Egypt B. Saudi Arabia C. Turkey D. Ethiopia E. None of these 5. Satish Kaul passed away recently, was a/an ______________ . A. Writer B. Actor C. Businessman D. Sports person E. None of these www.smartkeeda.com | https://testzone.smartkeeda.com/# SBI | RBI | IBPS |RRB | SSC | NIACL | EPFO | UGC NET | LIC | Railways | CLAT | RJS Join us 6. The 2021 International Day of Human Space Flight was observed which date? A. -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
Download Vol 3 Issue 1
I’m a Drama Queen…But I’m the Star you Love to See! Soap Operas, Melodrama and the Televisual Construction of Female Stardom Ritika Pant Abstract The relationship between the silver screen and stardom has been the focus of academic work for several decades. Despite the post-globalization expansion in the Indian mediascape, a rapid increase in the number of television channels, an exponential increase in television programming, and a never-ending production of television stars, small-screen stardom, however, has still not received the same kind of academic attention. With the arrival of Ekta Kapoor’s Balaji telefilms in the early 2000s, the soap-opera genre on Indian Television introduced the audiences to melodramatic tales in the form of saas-bahu sagas. Kapoor’s soaps gave birth to iconic characters like Tulsi, Parvati, Prerna and Jassi whom an average Indian woman adored, identified with and often held on a pedestal higher than that of film stars. Thus, the phenomenon of stardom, once associated with film actors, slowly found its manifestation in television actors. This paper aims to understand the discourse of the star-text that emerges in relation to the small- screen through the ‘leading ladies’ of the soap opera genre. The paper will explore Volume 3. Issue 1. 2015 1 URL: http://subversions.tiss.edu/ how ‘female stardom’ is constructed on the small-screen through the melodramatic form and televisual techniques adopted in the soap opera genre. Establishing an association between television melodrama and television stardom, I will analyze how the two complement each other and prioritize the female protagonist through narrative, music, costumes and other televisual techniques, thus conferring to her a ‘star-status’. -
P9 Bank Dazzles Visitors Welcomed a Number P20 with Its Huge of Year 10 Doha Spread and Grand College Students to Its Bazaar of Traditional Plaza Branch Recently
Community Community The The Ramadan Commercial tent at W Doha P9 Bank dazzles visitors welcomed a number P20 with its huge of Year 10 Doha spread and grand College students to its bazaar of traditional Plaza Branch recently. Turkish artefacts. Monday, June 20, 2016 Ramadan 15, 1437 AH DOHA 34°C—44°C TODAY PUZZLES 14 & 15 LIFESTYLE/HOROSCOPE 16 Bejewelled Perihan Mohammed, a Qatari resident of Egyptian origin, is a COVER STORY ‘gem’ of a person with passion for jewellery-making. P4-5 MISSION STATEMENT: ‘To make every woman wearing my designs feel precious, special and beautiful'. Photo by Jayan Orma 2 GULF TIMES Monday, June 20, 2016 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.14am Shorooq (sunrise) 4.44am Zuhr (noon) 11.35am Asr (afternoon) 2.58pm Maghreb (sunset) 6.30pm Isha (night) 8.00pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Now You See Me 2 and taking them around the globe. One year after outwitting Local Directory 180 GENRE: Action, Comedy, Drama the FBI and winning the public’s adulation with their Robin International Calls Enquires 150 CAST: Jesse Eisenberg, Mark Ruff alo, Woody Harrelson Hood-style magic spectacles, the illusionists resurface for a Hamad International Airport 40106666 DIRECTION: Jon M. Chu comeback performance in hopes of exposing the unethical Labor Department 44508111, 44406537 SYNOPSIS: Jesse Eisenberg, Woody Harrelson, Dave practices of a tech magnate. Mowasalat Taxi 44588888 Franco, Lizzy Caplan return for a second mind-bending Qatar Airways 44496000 -
Sydney Film Festival Announces 2016 Official Competition Jury
MEDIA RELEASE SYDNEY FILM FESTIVAL ANNOUNCES 2016 OFFICIAL COMPETITION JURY Sydney Film Festival announces the 2016 Official Competition jury, who will judge the 12 titles in the Official Competition and award the Sydney Film Prize and $60,000 cash to the winner. The 2016 Official Competition jury members are: Jury President, international programmer and producer Simon Field (UK), prolific writer, director and producer Robert Connolly (Australia), Dublin International Film Festival’s Director Grainne Humphreys (Ireland), acclaimed producer Bridget Ikin (Australia), and innovative documentarian Kazuhiro Soda (Japan). The internationally recognised Official Competition, now in its ninth year, recognises courageous, audacious and cutting-edge film. The winner of the Sydney Film Prize is announced at the Festival’s Closing Night ceremony at the State Theatre on Sunday 19 June. “The 2016 jury is made up of five Australian and international film professionals of exceptional talent and vision, led by Simon Field,” says Sydney Film Festival Director Nashen Moodley. “The Official Competition features some of the most exciting films and filmmakers in the world right now, so the jury is in for some tough decisions.” “I'm honoured and very happy to have been invited to lead this Sydney Film Festival jury,” said Simon Field. “It's a delightful and very intriguing group and I'm sure we are going to have a very rewarding and enjoyable experience stimulated by a strong selection of films and the challenge of making a choice.” The jury members for the 2016 Sydney Film Festival Official Competition: The 2016 Jury President Simon Field (UK) began his career as a lecturer, writer and film programmer. -
'Beep'- the Sound of Erasure
‘Beep’- the Sound of Erasure: The Censored Text as an Aesthetic Device Ishani Dey Abstract This paper is invested in exploring the sensory affect that is created through censorship. It is invested in unravelling the complex interaction between the films of Anurag Kashyap and the institution of censorship, the sensibilities of which are capitalized and appropriated into the aesthetic effect of the film. It also looks at how such a deployment constructs the cult of a transgressive auteur. I argue that the deafening ‘beep’ that screams of the otherwise silencing practices of censorship is what guides the way to unraveling the subversion of censorship in the filmic text. Taking cue from Žižek’s Pervert’s Guide to Cinema (2006) which looks at cinema as the ultimate pervert art, telling us how to desire, this paper asserts that censorship doesn’t erase the profane, instead it points to its very utterance. I argue how Kashyap’s films’ profilmic text becomes the site of censorship standing out as material evidence to its very censoring. The ‘beeped’ or censored word becomes a provocation focusing attention onto itself by mobilizing its unspeakability through marketing the product as “controversial”. I posit that Anurag Kashyap capitalizes on this recognition. I look at the force of publicity that is created by censorship in Kashyap’s public discourse on censorship, 87 Volume 3. Issue 1. 2015 URL: http://subversions.tiss.edu/ in his negotiations with the CBFC (Central Board of Film Certification) from before the planned commercial release of his first directorial venture Paanch to his ongoing battle with the CBFC over refusing to use the court mandated no smoking warning in ‘Ugly’ (2014)1.