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Gangnam Style’
POLITICS, PARODIES, AND THE PARADOX OF PSY’S ‘GANGNAM STYLE’ KEITH HOWARD∗ ABSTRACT In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. Today, Psy, the singer of ‘Gangnam Style’, is regularly talked about as having brought K-pop to the world beyond East and Southeast Asia, and Korean tourism chiefs are actively planning a Korean Wave street in Gangnam, the district of Seoul lampooned by the song. But, ‘Gangnam Style’ has proved challenging to K-pop fans, who have resisted its gender stereotyping, its comic framing, and its simple dance moves that subsume the aesthetics of movement under a sequence of locations and action vignettes. At the same time, foreign success has given the song, and its singer, legitimacy in Korea so much so that, despite lyrics and video images that critique modern urban life and caricature the misogynistic failures of its protagonist, Psy headlined the inauguration celebrations of Korea’s incoming president, Park Geun-hye, in February 2013. This paper explores the song, its reception and critique by fans and others, and notes how, in an ultimate paradox that reflects the age of social media and the individualization of consumerism, the parodies the song spawned across the globe enabled Koreans to celebrate its success while ignoring its message. Keywords: Korean Wave, K-pop, popular music, parody, mimesis, consumerism, social media, Gangnam Style, Psy. INTRODUCTION In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Romancing race and gender : intermarriage and the making of a 'modern subjectivity' in colonial Korea, 1910-1945 Permalink https://escholarship.org/uc/item/9qf7j1gq Author Kim, Su Yun Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Romancing Race and Gender: Intermarriage and the Making of a ‘Modern Subjectivity’ in Colonial Korea, 1910-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Su Yun Kim Committee in charge: Professor Lisa Yoneyama, Chair Professor Takashi Fujitani Professor Jin-kyung Lee Professor Lisa Lowe Professor Yingjin Zhang 2009 Copyright Su Yun Kim, 2009 All rights reserved The Dissertation of Su Yun Kim is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2009 iii TABLE OF CONTENTS Signature Page…………………………………………………………………...……… iii Table of Contents………………………………………………………………………... iv List of Figures ……………………………………………….……………………...……. v List of Tables …………………………………….……………….………………...…... vi Preface …………………………………………….…………………………..……….. vii Acknowledgements …………………………….……………………………..………. viii Vita ………………………………………..……………………………………….……. xi Abstract…………………………………………………………………………………. xii INTRODUCTION: Coupling Colonizer and Colonized……………….………….…….. 1 CHAPTER 1: Promotion of -
The Rise and Fall of the Taiwan Independence Policy: Power Shift, Domestic Constraints, and Sovereignty Assertiveness (1988-2010)
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 The Rise and Fall of the Taiwan independence Policy: Power Shift, Domestic Constraints, and Sovereignty Assertiveness (1988-2010) Dalei Jie University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Political Science Commons Recommended Citation Jie, Dalei, "The Rise and Fall of the Taiwan independence Policy: Power Shift, Domestic Constraints, and Sovereignty Assertiveness (1988-2010)" (2012). Publicly Accessible Penn Dissertations. 524. https://repository.upenn.edu/edissertations/524 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/524 For more information, please contact [email protected]. The Rise and Fall of the Taiwan independence Policy: Power Shift, Domestic Constraints, and Sovereignty Assertiveness (1988-2010) Abstract How to explain the rise and fall of the Taiwan independence policy? As the Taiwan Strait is still the only conceivable scenario where a major power war can break out and Taiwan's words and deeds can significantly affect the prospect of a cross-strait military conflict, ot answer this question is not just a scholarly inquiry. I define the aiwanT independence policy as internal political moves by the Taiwanese government to establish Taiwan as a separate and sovereign political entity on the world stage. Although two existing prevailing explanations--electoral politics and shifting identity--have some merits, they are inadequate to explain policy change over the past twenty years. Instead, I argue that there is strategic rationale for Taiwan to assert a separate sovereignty. Sovereignty assertions are attempts to substitute normative power--the international consensus on the sanctity of sovereignty--for a shortfall in military- economic-diplomatic assets. -
Strategies for Parenting Children with Difficult Temperament
Strategies for Parenting Children with Difficult Temperament by Karen Stephens Children are born with an inborn temperament, a preferred style of relating to people and events. Temperament is indicated by behavior that clusters into three categories: easy, slow-to-warm up, and difficult. No category makes a child good or bad. They merely describe a child’s response patterns. Some children (approximately 10-20%) are born with “difficult temperament.” Traits include: high, often impulsive activity level; extra sensitive to sensory stimulation; overwhelmed by change in routines and new experiences; intense, inflexible reactions; easily distracted or incredibly focused; adapt slowly to change, not able to calm themselves well; irregular biological rhythms, such as hunger/sleep schedules; rapid, intense, mood swings resulting in acting out or withdrawing completely. Your discipline interactions can clue you into your child’s temperament. Parents struggling with difficult temperament say they continually remind and nag; name-call, yell, bribe, plead, make empty threats; give into power-struggles; feel as if their child “calls all the shots”or “rules the roost”; over-react; argue with co-parent over discipline; or give up trying to discipline at all. None of those characteristics make life easy, for kids or parents. But children with difficult temperament can learn to cope with their sensitivities. If they don’t learn, Your they can become confused, frustrated, and hopeless. In addition, they will most likely have to endure constant negative feedback which creates a vicious cycle of discouragement. discipline Children with difficult temperament do require extra time, guidance, and patience. But all children can be raised to be well-adjusted people with positive self esteem. -
Bab Ii Tinjauan Pustaka
BAB II TINJAUAN PUSTAKA A. DESKRIPSI SUBYEK PENELITIAN 1. SISTAR Sistar merupakan girlband yang berada di bawah naungan Starship Entertainment. Girlband yang debut pada tanggal 3 Juni 2010 ini beranggotakan Hyorin, Soyu, Bora, dan Dasom. Teaser debut Sistar yang berjudul Push Push rilis pada tanggal 1 Juni 2010, dan melakukan debut stage pertama kali di acara Music Bank (salah satu acara musik Korea Selatan) tanggal 4 Juni 2010 (http://www.starship- ent.com/index.php?mid=sistaralbum&page=2&document_srl=373, diakses pada 26 oktober 2017 pukul 11.30 WIB). Gambar 2.1 Foto teaser debut Sistar berjudul Push Push Di tahun yang sama, tepatnya tanggal 25 Agustus, Sistar kembali mempromosikan single debut berjudul Shady Girl. Single ini semakin membuat nama Sistar dikenal oleh khalayak, dan menempati chart tinggi dibeberapa situs musik Korea Selatan. Tanggal 23 13 14 November, Sistar merilis Teaser MV untuk single baru berjudul How Dare You. Namun karena permasalahan perebutan perbatasan antara Korea Utara dan Korea Selatan, membuat MV untuk Single How Dare You sedikit terlambat dipublikasikan. Tepat seminggu, akhirnya pada tanggal 2 Desember MV tersebut rilis dan berhasil menempati urutan teratas di beberapa chart music seperti Melon, Mnet, Soribada, Bugs, Monkey3, dan Daum Musik. Dalam Melon Chart bulan Desember tahun 2010, Sistar menempati urutan ke empat dalam Top 100 (http://www.melon.com/chart/search/index.htm, diakses pada 26 oktober 2017 pukul 12.25 WIB). Sistar - Single How Dare You Gambar 2.2 Melon Chart Desember 2010 Untuk tahun 2011, Sistar kembali melebarkan sayapnya di dunia musik dengan membentuk sub-unit yang beranggotakan Hyorin dan Bora. -
Lanco Celebrate Romance, Bar Band Roots at Nashville Homecoming Concert
(12.9.18) - https://www.rollingstone.com/music/music-country/lanco-hallelujah-nights-tour-review-766686/ Lanco Celebrate Romance, Bar Band Roots at Nashville Homecoming Concert Brandon Lancaster and his group mix covers with hits like “Greatest Love Story” on Hallelujah Nights Tour “Greatest Love Story” hitmakers Lanco capped the opening leg of their first headlining tour at Nashville’s Cannery Ballroom Friday night, bringing a combustible mix of romance and live-for-the-moment joy to a sold- out crowd of about 1,000 hometown fans. Having spent the summer on Dierks Bentley’s Mountain High Tour and then their own Hallelujah Nights run, the five-piece band — made up of frontman Brandon Lancaster, guitarist Eric Steedly, drummer Tripp Howell, bassist Chandler Baldwin and multi-instrumentalist Jared Hampton — showed why they’ve been earning a reputation as one of country’s most potent live acts. Lanco broke out in 2017 with the Double Platinum single “Greatest Love Story,” a freewheeling epic inspired by Lancaster’s own youth in nearby Smyrna, Tennessee, and followed up in 2018 with the propulsive heartbeat of “Born to Love You” — plus a CMA Awards nod for Vocal Group of the Year. Just before Friday night’s show, Steedly shared that the band will spend this week tracking their second LP with producer Jay Joyce (Eric Church, Brothers Osborne). But at the Cannery, Lanco — one of the 2019 CRS “New Faces” class — were focused on soaking up their journey so far, not looking ahead. “The last time we played in this building, it was a few floors up, to about 15 people,” Lancaster said toward the end of their hour-long set, referencing the cozy High Watt stage on the complex’s top floor. -
K-Pop Fandom in Lima,Perú
Wesleyan ♦ University K-POP FANDOM IN LIMA, PERÚ: VIRTUAL AND LIVE CIRCULATION PATTERNS By Stephanie Ho Faculty Advisor: Dr. Mark Slobin A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts. Middletown, Connecticut MAY 2015 i Acknowledgements I would like to thank my advisor, Dr. Mark Slobin, for his invaluable guidance and insights during the process of writing this thesis. I am also immensely grateful to Dr. Su Zheng and Dr. Matthew Tremé for acting as members of my thesis committee and for their considered thoughts and comments on my early draft, which contributed greatly to the improvement of my work. I would also like to thank Gabrielle Misiewicz for her help with editing this thesis in its final stages, and most importantly for supporting me throughout our time together as classmates and friends. I thank the Peruvian fans that took the time to help me with my research, as well as Virginia and Violeta Chonn, who accompanied me on fieldwork visits and took the time to share their opinions with me regarding the Limeñan fandom. Thanks to my friends and colleagues at Wesleyan – especially Nicole Arulanantham, Gen Conte, Maho Ishiguro, Ellen Lueck, Joy Lu, and Ender Terwilliger – as well as Deb Shore from the Music Department, and Prof. Ann Wightman of the Latin American Studies Department. From my pre-Wesleyan life, I would like to acknowledge Francesca Zaccone, who introduced me to K-pop in 2009, and has always been up for discussing the K-pop world with me, be it for fun or for the purpose of helping me further my analyses. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
Old and New Version of Aim for Mac
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URL 100% (Korea)
アーティスト 商品名 オーダー品番 フォーマッ ジャンル名 定価（税抜） URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)（KOR） 1072528598 CD K-POP 1,603 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)（KOR） 1072528759 CD K-POP 1,603 https://tower.jp/item/4875653 100% (Korea) 28℃ ＜通常盤C＞ OKCK05028 Single K-POP 907 https://tower.jp/item/4825257 100% (Korea) 28℃ ＜通常盤B＞ OKCK05027 Single K-POP 907 https://tower.jp/item/4825256 100% (Korea) Summer Night ＜通常盤C＞ OKCK5022 Single K-POP 602 https://tower.jp/item/4732096 100% (Korea) Summer Night ＜通常盤B＞ OKCK5021 Single K-POP 602 https://tower.jp/item/4732095 100% (Korea) Song for you メンバー別ジャケット盤 (チャンヨン)（LTD） OKCK5017 Single K-POP 301 https://tower.jp/item/4655033 100% (Korea) Summer Night ＜通常盤A＞ OKCK5020 Single K-POP 602 https://tower.jp/item/4732093 100% (Korea) 28℃ ＜ユニット別ジャケット盤A＞ OKCK05029 Single K-POP 454 https://tower.jp/item/4825259 100% (Korea) 28℃ ＜ユニット別ジャケット盤B＞ OKCK05030 Single K-POP 454 https://tower.jp/item/4825260 100% (Korea) Song for you メンバー別ジャケット盤 (ジョンファン)（LTD） OKCK5016 Single K-POP 301 https://tower.jp/item/4655032 100% (Korea) Song for you メンバー別ジャケット盤 (ヒョクジン)（LTD） OKCK5018 Single K-POP 301 https://tower.jp/item/4655034 100% (Korea) How to cry (Type-A) ＜通常盤＞ TS1P5002 Single K-POP 843 https://tower.jp/item/4415939 100% (Korea) How to cry (ヒョクジン盤) ＜初回限定盤＞（LTD） TS1P5009 Single K-POP 421 https://tower.jp/item/4415976 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)（LTD） OKCK5015 Single K-POP 301 https://tower.jp/item/4655029 100% (Korea) How to cry (Type-B) ＜通常盤＞ TS1P5003 Single K-POP 843 https://tower.jp/item/4415954 -
Three Talks on Minjung Theology
THREE TALKS ON MINJUNG THEOLOGY HYUN Younghak The three talks on Minjung Theology that follow below were submitted to INTER-RELIGIO for publication by Paul Sye, former Director of the Institute for the Study of Religion and Theology in Seoul (see NEWS AND COMMUNICATIONS), and are reproduced here with the author’s permission. They were originally delivered on April 13, April 20, and November 4, 1982, at the James Memorial Chapel of the Union Theological Seminary in New York. After several frustrating attempts to edit the pieces independently of consultation with the author, it was decided to print them here just as they appeared in the original text. We think you will agree that the unpolished edge of Dr. Hyun’s language reflects the sense of immediacy as well as the sense of distance that minjung theologians feel in attempting to reach a western audience. Although the context is clearly Christian and missionary, the problems it raises suggest an altogether different base for interreligious dialogue with the Korean minjung than the ones traditionally generated from within academic circles. Lecture 1: MINJUNG: THE SUFFERING SERVANT AND HOPE PROLOGUE As I was preparing the lectures to be delivered at Union Theological Seminary as a Henry W. Luce Visiting Professor of World Christianity, and now as I stand in my Sunday best in from of you to deliver one of the lectures, I am overwhelmed by a feeling of myself being ridiculous and also looking ridiculous. There are three reasons for this: 1. The chair of this particular professorship appears so big and high that I have a feeling that my feet are dangling over the seat. -
Exposing Eddie Cantor, Trouble -Maker Why Frank Munn Sings to a Lost Love
THE LARGEST CIRCULATION OF ANY RADIO MAGAZINE FRED ALLEN AND PORTLAND HOFFA EXPOSING EDDIE CANTOR, TROUBLE -MAKER WHY FRANK MUNN SINGS TO A LOST LOVE . www.americanradiohistory.com New Kind of Dry Rouge aCt y Ataiz.0 on ag cz'ary. ALL NIGMT f , ,d,u.,.,g,r.,,,, ,1,1 de, ,,,h, , . ra :°;'.r,;, NAIL 1,1_ How often you have noticed that most dry rouge seems to lose the i uiry of its color within an hour or so of its application. That is beeatse the sr.droucc particles are so coarse ve n texture, , that they simply, fall areuy from your skin. SAVAGE Rouge, as Your ,nse of touch will instantly tell you, is a great ,lead finer in restore and :miter thin ordinary rouge. Its particles being so infinitely line. adhere much more closely to the skin than rouge has ever clung before. In leer, SAVAGE Rouge, for this reason, clings so insistently, it seems to bee a part of the skin itself ... refusing to y eld, even to the savage caresses its tempting smoorhirers and poise- quickening color might easily invite. The price its ?Cc and the shades, to keep sour lips and cheeks in thrilling harmony, match perfects' drove of SAVAGE LIPSTICK . known as the o transparent-colored indelible lipstick that aer1.1,11y keeps lips seductively soft instead Of drain.e them as indelible lipstick usually does. Apply it rub it in, and delight i ,hiding your lips lusciously, lastingly tinted, yet utterly grease- less. Only :Cc .rid each or the tout hues is as vibrantly alluring, as completely intoxicating as a ¡oriole niche Everyone has found them so.