The Corning Museum of Glass Annual Report 2008
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RICE, CARL ROSS. Diocletian's “Great
ABSTRACT RICE, CARL ROSS. Diocletian’s “Great Persecutions”: Minority Religions and the Roman Tetrarchy. (Under the direction of Prof. S. Thomas Parker) In the year 303, the Roman Emperor Diocletian and the other members of the Tetrarchy launched a series of persecutions against Christians that is remembered as the most severe, widespread, and systematic persecution in the Church’s history. Around that time, the Tetrarchy also issued a rescript to the Pronconsul of Africa ordering similar persecutory actions against a religious group known as the Manichaeans. At first glance, the Tetrarchy’s actions appear to be the result of tensions between traditional classical paganism and religious groups that were not part of that system. However, when the status of Jewish populations in the Empire is examined, it becomes apparent that the Tetrarchy only persecuted Christians and Manichaeans. This thesis explores the relationship between the Tetrarchy and each of these three minority groups as it attempts to understand the Tetrarchy’s policies towards minority religions. In doing so, this thesis will discuss the relationship between the Roman state and minority religious groups in the era just before the Empire’s formal conversion to Christianity. It is only around certain moments in the various religions’ relationships with the state that the Tetrarchs order violence. Consequently, I argue that violence towards minority religions was a means by which the Roman state policed boundaries around its conceptions of Roman identity. © Copyright 2016 Carl Ross Rice All Rights Reserved Diocletian’s “Great Persecutions”: Minority Religions and the Roman Tetrarchy by Carl Ross Rice A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the degree of Master of Arts History Raleigh, North Carolina 2016 APPROVED BY: ______________________________ _______________________________ S. -
02-09-2017 06:01:33Pm Esmo.Org Type
08-09-2017 10:00 - 11:30 Type: Special Session Palma Title: Medical oncology as a contributor to global policy: How to improve national cancer Auditorium plans Chair(s): G. Curigliano, IT; L. Stevens, US 10:00 - 10:05 Introduction L. Stevens, Rio De Janeiro, BR 10:05 - 10:20 Overview of NCCP, including forming the multi-disciplinary and multi-sectoral partnership A. Ilbawi, Geneva, CH 10:20 - 10:35 Example from Central Asia Leadership Forum D. Kaidarova, Almaty, KZ 10:35 - 10:50 Example from Central Europe J. Jassem, Gdańsk, PL 10:50 - 11:05 Example from Eastern Europe S. Krasny, Minsk, BY 11:05 - 11:30 Interactive Q&A G. Curigliano, Milan, IT Last update: 02-09-2017 06:01:33pm esmo.org 12:00 - 13:30 Type: Opening session Madrid Auditorium Title: Opening session and Award lectures Chair(s): F. Ciardiello, IT 12:00 - 12:10 ESMO Presidential Address F. Ciardiello, Naples, IT 12:10 - 12:15 EACR Presidential Address A. Berns, Amsterdam, NL 12:15 - 12:20 Welcome to Madrid M. Martin Jimenez, Madrid, ES 12:20 - 12:25 ESMO 2017 Scientific Address A. Sobrero, Genova, IT 12:25 - 12:30 EACR 2017 Scientific Address R. Marais, Manchester, GB 12:30 - 12:32 Presentation of the ESMO Award by C. Zielinski, Vienna, AT 12:32 - 12:47 ESMO Award lecture - Oncology: The importance of teamwork M. Martin Jimenez, Madrid, ES 12:47 - 12:49 Presentation of the ESMO Translational Research Award by C. Zielinski, Vienna, AT 12:49 - 13:04 ESMO Translational Research Award lecture: Monitoring and targeting colorectal cancer evolution A. -
Reflecting Antiquity Explores the Rediscovery of Roman Glass and Its Influence on Modern Glass Production
Reflecting Antiquity explores the rediscovery of Roman glass and its influence on modern glass production. It brings together 112 objects from more than 24 lenders, featuring ancient Roman originals as well as the modern replicas they inspired. Following are some of the highlights on view in the exhibition. Portland Vase Base Disk The Portland Vase is the most important and famous work of cameo glass to have survived from ancient Rome. Modern analysis of the vase, with special attention to the elongation of the bubbles preserved in the lower body, suggest that it was originally shaped as an amphora (storage vessel) with a pointed base. At some point in antiquity, the vessel suffered some damage and acquired this replacement disk. The male figure and the foliage on the disk were not carved by the same Unknown artist that created the mythological frieze on the vase. Wearing a Phrygian cap Portland Vase Base Disk Roman, 25 B.C.–A.D. 25 and pointing to his mouth in a gesture of uncertainty, the young man is Paris, a Glass Object: Diam.: 12.2 cm (4 13/16 in.) prince of Troy who chose Aphrodite over Hera and Athena as the most beautiful British Museum. London, England GR1945.9-27.2 goddess on Mount Olympus. It is clear from the way the image is truncated that VEX.2007.3.1 it was cut from a larger composition, presumably depicting the Judgment of Paris. The Great Tazza A masterpiece of cameo-glass carving, this footed bowl (tazza) consists of five layers of glass: semiopaque green encased in opaque white, green, a second white, and pink. -
The Investigation Into the Development of Glass As an Expressive Medium in China Through Direct Contact with Western Methods of Making, Decoration and Forming
The investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming. By XUE LU (Shelly) MA. BA (Hons) A thesis submitted in partial fulfilment of the requirement of the University of Wolverhampton for the Degree of Doctor of Philosophy 2009 This work or any part thereof has not previously been presented in any form to the University or to any other body whether for the purpose of assessment, publications or for any other purpose (unless previously indicated). Save for any express acknowledgements, references and/or bibliographies cited in the work, I confirm that the intellectual content of the work is the result of my own effects and of no other person. The right of XUE LU to be identified as author of this work is asserted in accordance with ss.77 and 78 of the copyright, Design and Patents Act 1988. At this date copyright is owned by the author. Signature: …………………. Date: ………………………. Abstract 2 Abstract This thesis is an investigation into the development of glass as an expressive medium in China through direct contact with Western methods of making, decoration and forming glass. The investigation proceeds through an analysis of the parallels between glass objects produced from Kangxi (1662-1722) to Qianlong period (1736-96), and contemporary practitioners’ (2000-2009), which is complemented by my own practice. The investigation mainly looks at three aspects and their inter-relationship within these strands. They are: 1) the history of glassmaking from 1696 to 1795 in the Qing dynasty with Western influences; 2) the analysis of Contemporary Chinese studio/academic glass within the imported UK model; 3) the development of my personal glass practice within this matrix. -
GLASS in a NEW LIGHT JUNE 9-11, 2016 Corning2016
Corning2016 GLASS ART SOCIETY’S 45th ANNUAL CONFERENCE CREATING CONTEXT: GLASS IN A NEW LIGHT JUNE 9-11, 2016 Corning2016 THE GLASS ART SOCIETY is a 501c3, non-profit, international organization whose purpose is to encourage excellence, to advance education, to promote the appreciation and development of the glass arts, and to support the worldwide community of artists who work with glass. BOARD OF DIRECTORS 2015-2016 STAFF President Cassandra Straubing Pamela Figenshow Koss, Executive Director Vice President Kim Harty Kristin Galioto, Communications Manager Vice President Natali Rodrigues Shelbey Lang, Executive Assistant Treasurer Roger MacPherson Ted Cotrotsos, Graphic Designer* Secretary Tracy Kirchmann Laurie Streiner, Event Planner* Alex Bernstein Marc Petrovic Anne Beranger Giese, Corning Logo Designer Chris Clarke Charlotte Potter *part-time/contract Kelly Conway Stephen Rolfe Powell Matt Durran Masahiro Nick Sasaki REGISTER BY MARCH 1, 2016 for the lowest BJ Katz Jan Smith conference fee. Register online: www.glassart.org Ed Kirshner David Willis Jeff Lindsay Student Rep Amanda Wilcox GAS 2016 CONFERENCE CO-CHAIRS 6512 23rd Avenue NW, Suite 329 Ellen Corradini Michael Rogers Seattle, Washington 98117 USA Steve Gibbs Chris Sharkey Tel: 206.382.1305 Fax: 206.382.2630 Angus Powers [email protected] www.glassart.org 2 CONTENTS Centerway Square, downtown Corning 02 GAS Board & Staff 15 Students and Schools 04 Welcome to Corning • Education and Professional Resource Center 04 Letter from the Conference Co-Chairs • Poster Presentations -
Celebrating 100 Years
AMERICANa CERAMICting SOCIETY ars Celebr 100 ye bullemerginge ceramicstin & glass technology SEPTEMBER 2021 Laser-driven chemical vapor deposition for high-performance fibers and powders New issue inside: SEPTEMBER 2021 • VOLUME 2 • ISSUE 3 www.ceramics.org/ceramicandglassmanufacturing THE VALUE OF COLLABORATION: PARTNERSHIPS ARE A PATH TO SUCCESS ABET ENSURES QUALITY IN UNIVERSITY ENGINEERING EDUCATION ACerS Awards of 2021 | Coe College glass research | Big science in aerospace When it Comes to Heat, We Sweat the Details! Your firing needs are unique. Our laboratory can run tests to So why use an “off the shelf” help identify your process kiln in your process? boundaries. Through our toll firing facility, we can At Harrop, we get it. help to further define That’s why, for over a the equipment/ century, we’ve been processing putting in the hard work combination that to design and service works best for your custom kilns. Is it harder material. And if you to do things this way? are not ready for a Yes. Is the extra effort new kiln, we can toll worth it? You bet! fire your material to help meet your At Harrop, we don’t production needs. stop there. If you aren’t sure what you Does your current need, we can help. kiln company sweat the details? www.harropusa.com 1.614.231.3621 Harrop Ad Sweat the Details ACerS Full Size w 100 logo.indd 1 5/21/20 9:33 AM contents September 2021 • Vol. 100 No.7 feature articles department Announcing ACerS Awards of 2021 News & Trends . 3 29 The Society will honor members and corporations at the Spotlight . -
British Bespoke Auctions
British Bespoke Auctions The Old Boys' School Antiques, Collectable & Jewellery Sale Gretton Road Winchcombe Gloucestershire Antique & Collectable Sale GL54 5EE United Kingdom Started 28 Sep 2017 10:30 BST Lot Description 1 A Gibson Epiphone Electric Guitar, nr 880 805546. (vgc) 2 An Antique Turned Mahogany Smokers Stand, approx 95 x 32 cms Vintage Cameras, including Ilford Sportsman with a Cassar 1:28/45mm lens, PED Camera, Ilford Sportie Kodak Ritinette, Carl Zeiss 3 jena 8 x 30 Binoculars, Exacta Varex IIa Tessar 2,8/50 lens. An Early 18th Century English Bronze Apothecary Pestle and Mortar, the waist applied with shell and foliate decoration, everted rim, 4 approx 6.2 kg, approx 13 cms h. A Victorian Rosewood Book Slide, marquetry inlay depicting peasants dancing, approx 11 x 33 cms together with a small copper A.P. 5 Rogers Guernsey copper milk can, a copper desk bell and a Cambridge University paperweight. (4) 6 A Victorian Fine Embroidery on Moire Silk, depicting a peacock seated on a branch, framed and glazed, approx 48 x 125 cms. A Good Conduct Medal dated 1913-14, together with two books A Copy of "Donald and his Friends", by Sarah Gibson published by The 7 Religious Tract Society, London, 56 Paternoster Row and 65 St Paul's Churchyard, awarded to Arthur Haywood, 2nd Prize 13 Class, St Judes Sunday School Xmas 1896 and a copy ...[more] 8 Two Beautifully Crocheted Table Cloths, approx 180 cms diameter, 84 cms diameter. 9 A Vintage Majong Set and Stand. 10 A Vintage WWI 'Chocolate and Boiled Sweets' Box, P.F. -
The Influence of Lino Tagliapietra
FOR IMMEDIATE RELEASE CONTEMPORARY GLASS AT INAUGURAL SILICON VALLEY ART FAIR: THE INFLUENCE OF LINO TAGLIAPIETRA Media Inquiries: Thursday, April 10-Sunday, April 13, 2014 at Silicon Valley Contemporary Art Fair Kristin Carlson McEnery Convention Center in San Jose, California | Schantz Galleries Booth #410 Think All Day 505-501-2497 [email protected] SAN JOSE, CA—Schantz Galleries (Stockbridge, Massachusetts) is pleased to present new work by five top contemporary glass artists at the first annual Silicon Valley Contemporary Art Fair, April 10-13, 2014, Booth #410, McEnery Convention Center in San Jose, California. The work of Lino Tagliapietra, Dante Marioni, John Kiley, David Walters, and Giles Bettison demonstrates that the intersection between technology and art precedes the digital age; cutting-edge science and innovative expression have long been synthesized in the discipline of glassmaking. Each of these artists has mastered and pushed the boundaries of traditional techniques, and achieved important advances in this time-honored art form. Italian glass maestro Lino Tagliapietra is acknowledged worldwide as one of the most influential glassmakers of our time; the other four artists in this exhibition have each studied and worked with Tagliapietra, and the broad scope of his influence in the field of glass art is evident in the far-reaching facets of their careers. Lino Tagliapietra, Africa, 2013, blown glass, 10.25 x 19.25 x 19.25.” Photo by Russell Johnson. LINO TAGLIAPIETRA: MAESTRO. Celebrating his 80th birthday this year, Lino Tagliapietra is one of the world’s most accomplished artists working with glass today. Tagliapietra has been an independent glass artist since 1989, exhibiting in museums internationally, receiving countless honors, openly sharing his extensive knowledge of the medium and his skill as one of its finest practitioners, and helping to create a new renaissance in studio glassmaking. -
A Girl Recovering, but Still in Danger
Thanks for the ETC.:New Smithereens album review memories... Sunny and warm today, high -I* in the 60s. Sunny Saturday, VIEWPOINT: Finals and God high of 65. i A VOL. XXI, NO. 133 FRIDAY, APRIL 29, 1988 the independent newspaper serving Notre Dame and Saint Mary's Awards given at SMC convocation By KATIE KEARNEY Mary’s community,” said and MARK MCLAUGHLIN Hickey. !tt lit* Senior Staff Reporters Awards were presented to r •»* '* students and faculty in ,..4, -#*****.*4*.*■_ ..t:.. ... _ — I” ,.*.-*s £ , Awards to graduating ceremonies at O'taughlin 4 4 4 . 1 4 4 1 4 * 4 4 » * * • * 4 f * . * t . « . 4 *fc yi ■*> »♦« • 'tM lili J I * t • • >1 * • » .' «.«. *a1 . * 4 seniors, faculty promotions, Auditorium, including medals . <> 44 1441**44 V -•»«■ • ------------------------- 1 lie k1 H I and a speech by the president to co-valedictorians Joan Bout- -0 - * • " » 14 of the College marked the ton and Gretchen Gilcrest. Honors Convocation held at Students Meghan Rafferty » 4 . <U ! * • i « |t Saint Mary’s Thursday night. and Mary Malina were each presented with National Asso ...» “The Honors Convocation is ciation of Intercollegiate Ath a chance to gather as an aca letics Academic All-American demic community and honor awards. Only 37 of these faculty and students alike,” awards were presented said Saint Mary’s President throughout the country. William Hickey in an address Sister Elena Malits, profes to the convocation audience. sor of religious studies, was “You make all of us proud to be members of the Saint see AWARDS, page 12 Girl recovering, Light up the night The Observer / David Fischer but still in danger The rough rocks of the grotto absorb the dim glow exams signal the year’s end, the grotto remains one of flickering candle flames on a dark night. -
The Corning Museum of Glass Annual Report, 2006
The Corning Museum of Glass Annual Report 2006 Cover: Officers The Fellows of The Corning The Fellows of The Corning Museum of Glass Museum of Glass are among Peacock vase, blown; E. Marie McKee the world’s leading glass col- silver-gilt mount. U.S., President Carole Allaire lectors, scholars, dealers, and Corona, NY, Tiffany Gary E. Baker glassmakers. The objectives Amory Houghton Jr. Studios, 1898–1899. Renée E. Belfer of this organization are (1) Vice President H. 14.1 cm (2006.4.161). Robert A. Belfer to disseminate knowledge James R. Houghton Mike Belkin about the history and art of Vice President William W. Boeschenstein* glassmaking and (2) to sup- port the acquisitions program Alan L. Cameros Denise A. Hauselt of the Museum’s Rakow Secretary Lt. Gen. Christian Clausen, retired Research Library. Admission Thomas P. Dimitroff to the fellowship is intended James B. Flaws Jay R. Doros to recognize accomplishment, Treasurer David Dowler and is by invitation. Robert J. Grassi Max Erlacher Assistant Treasurer Christopher T. G. Fish Barbara U. Giesicke David B. Whitehouse William Gudenrath Executive Director Jirˇí Harcuba+ Douglas Heller Trustees A. C. Hubbard Jr. Roger G. Ackerman* Kenneth L. Jobe + Peter S. Aldridge Dorothy-Lee Jones Thomas S. Buechner Leo Kaplan Van C. Campbell* Helena Koenigsmarková + Dale Chihuly Michael Kovacek Patricia T. Dann Dwight P. Lanmon + Robert Duke Harvey K. Littleton James B. Flaws Louise Luther John P. Fox Jr. Kenneth W. Lyon Polly W. Guth Josef Marcolin Ben W. Heineman* John H. Martin + Amory Houghton Jr.* Gregory A. Merkel Arthur A. Houghton III Barbara H. -
Descendants of Maunsell John Bacon
Descendants of Maunsell John Bacon Descendants of Maunsell John Bacon Maunsell John Bacon {277}, son of John Bacon {78} and Mary Baruh Lousada {69}, was born on 26 Oct 1839 in Woodland St Mary, Berkshire, England, 1 died on 29 Apr 1924 in West Ward, Westmorland, England2 aged 84, and was buried on 2 May 1924 in All Saints, Swallowfield, Berkshire, England. 3 General Notes: 1881 Census: Institution: "Felstead Grammar School" Census Place: Felstead, Essex, England Source: FHL Film 1341437 PRO Ref RG11 Piece 1812 Folio 129 Page 1 Marr Age Sex Birthplace Institution of Delaval Shafto INGRAM Charles Henry ROGERS U 28 M Newmarket, Cambridge, England Rel: Officer Occ: Clerk In Holy Orders Assistant Master Francis Hardwicke MANLEY U 29 M Jubbulpore, East Indies Rel: Officer Occ: Clerk In Holy Orders Assistant Master William Franklen EVANS U 27 M Wick, Glamorgan, Wales Rel: Officer Occ: B A Assistant Master Oakley Elford HIGGENS U 24 M Bengal, East Indies Rel: Officer Occ: M A Assistant Master John Henry FREESE U 29 M Wimbledon, Surrey, England Rel: Officer Occ: M A Assistant Master Charles Hugh PEARSON U 32 M Midhurst, Sussex, England Rel: Officer Occ: M A Assistant Master Edward NOAKS U 24 M Ascension Island Off Of, At Sea Rel: Officer Occ: B A Assistant Master Richard Middeton HILL U 23 M Beaumaris, Anglesey, Wales Rel: Officer Occ: B A Assistant Master Gerald Henry WILLIAMS U 28 M Skelton, Cumberland, England Rel: Officer Occ: M A Assistant Master William Sidney BURTON U 24 M Appleford, Berkshire, England Rel: Officer Occ: Assistant Master -
For Immediate Release
FOR IMMEDIATE RELEASE Contact: Lisa A. Batitto, Public Relations Manager, Newark Museum Phone: 973-596-6638, e-mail: [email protected] Newark Museum Exhibition Celebrates Sparkling Gift of Steuben Glass Unexpected Color: A Journey Through Glass Opens May 1, 2019 Newark, NJ – A sparkling, colorful gift of Steuben glass from The Thomas N. Armstrong III Collection will be on display in an upcoming exhibition at the Newark Museum. Unexpected Color: A Journey Through Glass, opening on May 1, 2019, showcases more than 130 works in glass designed by Frederick Carder for the famed Steuben Glass Works from 1903 to 1933 and used in a variety of settings by the collector. The exhibition presents a jewel box of shimmering glass, organized by Carder’s colors that he created and patented. Carder was fascinated with ancient glass colors and forms, and he worked to recreate the iridescent colors of excavated ancient Greek and Roman glass. He also designed new shapes inspired by Chinese and Venetian glass as well as shapes influenced by Art Nouveau and Art Deco styles, modern at the time. Carder kept detailed notebooks of his color formulas and glass types, revealing the glassblowing chemistry and techniques used to create the variety of functional and decorative glassware in the exhibition, including vases, bowls, candlesticks and stemware. The exhibition will include interactive tablets to connect Carder’s formulas and shapes with the colors and forms on display. Audio recordings of Carder interviews will also heighten the story of the experimentation behind the creation of this colorful glass. “Carder’s work for Steuben is particularly appropriate for Newark’s collection,” said Amy Simon Hopwood, the Museum’s Associate Curator of Decorative Arts.