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2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
HOTCHKISS in the WORLD 2019-20 Travel, Service, Language, and Adventure Programs
HOTCHKISS IN THE WORLD 2019-20 Travel, Service, Language, and Adventure Programs V191030 TABLE OF CONTENTS Winter Term Hotchkiss in Québec (300-level French Students).............. 4 March Break Hotchkiss in Italy (Classics) ............................................. 5 Marine Biological Laboratories, Falmouth, MA ................. 6 Hotchkiss in Poland .......................................................... 7 Fourth Marking Period and Summer Exchanges to RS and other partner schools ........................ 8 Summer Break Hotchkiss Arts in Florence (Art, Music, Writing), Hotchkiss Piano in Spain ................................................................ 9 Hotchkiss in Japan (Girls Lacrosse) ................................ 10 Hotchkiss in Montana .................................................. 11 Hotchkiss in Panamá (Spanish) .................................... 12 Hotchkiss in Zambia ...................................................... 13 LEARN MORE AT: hotchkiss.org/academics/travel-programs Dear Students and Families, This school year we have a number of exciting travel opportunities that are designed to help students learn in ways that are not possible in Lakeville. Although these sojourns abroad – whether in the U.S. or to other countries – take us far from campus, they are rooted in the Hotchkiss academic and co-curricular programs. In addition to Hotchkiss-run programs, our membership in Round Square also offers students the chance to participate in the annual regional and global Round Square conferences as well -
Danny Daniels: a Life of Dance and Choreography
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2003 Danny Daniels: A life of dance and choreography Louis Eric Fossum Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Dance Commons Recommended Citation Fossum, Louis Eric, "Danny Daniels: A life of dance and choreography" (2003). Theses Digitization Project. 2357. https://scholarworks.lib.csusb.edu/etd-project/2357 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. DANNY DANIELS: A LIFE OF DANCE AND CHOREOGRAPHY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies: Theatre 'Arts and Communication Studies by Louis Eric Fossum June 2003 DANNY DANIELS: A LIFE OF DANCE AND CHOREOGRAPHY A Thesis Presented to the Faculty of California State University, San Bernardino by Louis Eric Fossum June 2003 Approved by: Processor Kathryn Ervin, Advisor Department of Thea/fer Arts Department of Theater Arts Dr. Robin Larsen Department of Communications Studies ABSTRACT The career of Danny Daniels was significant for its contribution to dance choreography for the stage and screen, and his development of concept choreography. Danny' s dedication to the art of dance, and the integrity of the artistic process was matched by his support and love for the dancers who performed his choreographic works. -
Lucy Kroll Papers [Finding Aid]. Library of Congress
Lucy Kroll Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2002 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms006016 LC Online Catalog record: http://lccn.loc.gov/mm82078576 Prepared by Donna Ellis with the assistance of Loren Bledsoe, Joseph K. Brooks, Joanna C. Dubus, Melinda K. Friend, Alys Glaze, Harry G. Heiss, Laura J. Kells, Sherralyn McCoy, Brian McGuire, John R. Monagle, Daniel Oleksiw, Kathryn M. Sukites, Lena H. Wiley, and Chanté R. Wilson Collection Summary Title: Lucy Kroll Papers Span Dates: 1908-1998 Bulk Dates: (bulk 1950-1990) ID No.: MSS78576 Creator: Kroll, Lucy Extent: 308,350 items ; 881 containers plus 15 oversize ; 356 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Literary and talent agent. Contracts, correspondence, financial records, notes, photographs, printed matter, and scripts relating to the Lucy Kroll Agency which managed the careers of numerous clients in the literary and entertainment fields. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Braithwaite, E. R. (Edward Ricardo) Davis, Ossie. Dee, Ruby. Donehue, Vincent J., -1966. Fields, Dorothy, 1905-1974. Foote, Horton. Gish, Lillian, 1893-1993. Glass, Joanna M. Graham, Martha. Hagen, Uta, 1919-2004. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
Convert Finding Aid To
Joseph Abeles: A Preliminary Inventory of His Studio Collection in the Performing Arts Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Abeles, Joseph, circa 1908-1991 Title: Joseph Abeles Studio Collection Inclusive Dates: 1935-1975 Extent: 80 document boxes (33.6 linear feet) Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. Please contact the Center before requesting this material: [email protected] Administrative Information Acquisition: Purchase, 1978 (R8022) Processed by: Jennifer Hecker, 2001; Martha Estrada and Steven Reyna, 2008; Daniela Lozano, 2012 Repository: Harry Ransom Humanities Research Center, The University of Texas at Austin Abeles, Joseph, circa 1908-1991 Scope and Contents Joseph Abeles (circa 1908-1991), New York theater photographer, established his Talbot Studio in 1935 and formed the Friedman-Abeles Studio with Leo and Sy Friedman in 1957. They were photographers of stage productions and personalities, as well as magazine photo stories about theatrical subjects. This collection of photographic files from Abeles' studio consists predominantly of publicity photographs (some with manuscript notes) for individuals in the performing arts, 1935-1975 (bulk 1950-1970). The collection is arranged in two series, I. Prints (subdivided into A. Portraits and B. Publicity), and II. Negatives (arranged and subdivided to parallel the prints). Approximately 1800 subjects are represented. There are about 11,850 photographic prints (including 8 x 10's, 5 x 7's, proofs, and contact sheets) and 18,500 negatives. -
Program Note for Retrospective on George A. Romero January 11-26, 2003
Program note for retrospective on George A. Romero January 11-26, 2003 BRUISER 2000, 99 mins. 35mm print source: George A. Romero. Courtesy Lions Gate Films. Written and directed by George A. Romero. Produced by Ben Barenholtz and Peter Grunwald. Executive Produced by Allen M. Shore. Original music by Donald Rubinstein. Photographed by Adam Swica. Edited by Miume Jan Eramo. Production design by Sandra Kybartas. Art direction by Mario Mercuri. Set decoration by Enrico Campana. Principal cast: Jason Flemyng (as Henry Creedlow), Peter Stormare (Milo Styles), Leslie Hope (Rosemary Newley), Nina Garbiras (Janice Creedlow), Andrew Tarbet (James Larson), Tom Atkins (Detective McCleary), Jonathan Higgins (Rakowski), Jeff Monahan (Tom Burtram), Marie Cruz (Number 9), Beatriz Pizano (Katie Saldano), Tamsin Kelsey (Mariah Breed), and Kelly King (Gloria Kite). From the article Face To No Face by Michael Rowe, Fangoria , April, 2001: From one of an endless number of nondescript warehouses in an industrial district near Toronto's lakeshore, a cluster of location vans and trailers materializes out of the dirty downtown rain. It's the last day of shooting on George A. Romero's new thriller Bruiser , and the fickle weather has tossed the crew a bone in the form of a few hours of sunlight. Not that it matters to anyone—the location is deep inside the warehouse's airless recesses. The air inside is so thick and dark that it's a small mercy to surface into the fresher air outside. In a film that embraces metaphor, the secrecy and intensity surrounding the story being shot inside couldn't have a better frame than today's location. -
The Inventory of the Louis Begley Collection #1473
The Inventory of the Louis Begley Collection #1473 Howard Gotlieb Archival Research Center Begley, Lquis 02/26/99 Preliminalp' Listing Box 1 I. Manuscripts A By LB 1. MISTLER'S EXIT (total: 13 drafts) l. l st dratt--underthe---altemate-title: "Mistler' s End." Computer script with holograph corrections and text inserts. 2. Jufy-P\ 1996-dr_:aft_nnd_er_altematetitle-7 '~"s-Out." Computer script witlr exterrsiv_e holo_gr,wh corrJ)ctions, 231 pg. 3 _ July <½111, ·19%-draft-. £omputer script-with holo_graph correcti-ons; 231 pg. th A_ .July M , -19% draft_ -Com:pnter_scri_pt with:.holc,graph .eorr-ections, 232 pg. 5. 2 drafts (one incomplete). Computer script with holograph _corr_ections, 229 pg. 6. M"l,Y 8, 1997 draft. Computer script, 228 pg. 'J. Au_gust 5-.,J 927. Colllputer script with Jielograph corre_ctions, 229 pg. /8. Nov._23_, J~J draft. Computer script with holograph correction~ and author's notes on text, 229 pg. _9. Nov.-24, 1997 dr_aft. Com_putecscript with.George Anderson'f corrections, 235 pg. LO. Setting cgpy. Cofi!Putecscript with setter's corrections, .- 2J5 pg. 11. Page-proofmastei pt_pas-sonMarch 18-, t998. Com_pttter script with holograph corrections, 205 pg. 12.. Page:_pmnf_rnster l1"1-pass-on April 21, 1998. Computer script with holggn1,ph corr~.et-ions, 206 pg. Box2 2. WAR1]ME-LIE_S (total: 12 drafts) _ -8:. 1 sttkaft. -Crun-ptttef :Seript., :2'01 pg. b. _2m1 draft:Computer~with holograph correctionsand author's notes; 194 pg. c. 4 drafts. Computer script with holograph corrections and author's notes, 220- 240 pg. d. Set1ing copy. -
Franz Kafka's
Kafka and the Universal Interdisciplinary German Cultural Studies Edited by Irene Kacandes Volume 21 Kafka and the Universal Edited by Arthur Cools and Vivian Liska An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-045532-8 e-ISBN (PDF) 978-3-11-045811-4 e-ISBN (EPUB) 978-3-11-045743-8 ISSN 1861-8030 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Franz Kafka, 1917. © akg-images / Archiv K. Wagenbach Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Arthur Cools and Vivian Liska Kafka and the Universal: Introduction 1 Section 1: The Ambiguity of the Singular Stanley Corngold The Singular Accident in a Universe of Risk: An Approach to Kafka and the Paradox of the Universal 13 Brendan Moran Philosophy and Ambiguity in Benjamin’s Kafka 43 Søren Rosendal The Logic of the “Swamp World”: Hegel with Kafka on the Contradiction of Freedom 66 Arnaud Villani The Necessary Revision of the Concept of the Universal: Kafka’s “Singularity” 90 Section 2: Before the Law Eli Schonfeld Am-ha’aretz: The Law of the Singular. -
The Museum Issue 15 West 16Th Street the Latest: New York, NY 10011 Ari Folman’S Waltz with Bashir a Travelogue from Jewish Moscow
Association for Jewish Studies SPRING 2010 Center for Jewish History The Museum Issue 15 West 16th Street The Latest: New York, NY 10011 Ari Folman’s Waltz with Bashir A travelogue from Jewish Moscow The Questionnaire: Scholars write in about books they love to teach Perspectives THE MAGAZINE OF THE ASSOCIATION FOR JEWISH STUDIES Table of Contents From the Editors 3 From the President 4 The Museum Issue Creating the Museum of the History of Polish Jews 5 Barbara Kirshenblatt-Gimblett The Palmach Museum in Tel Aviv: History between Fact and Fiction 9 Avner Ben-Amos Jewish Museums on the American Ethnic Museum Landscape 12 David Shneer Listening for Jews in the History of the Blues 14 Ari Y. Kelman Memory Going Global: The Jewish Museum and Holocaust Centre in Cape Town 20 Albert Lichtblau Revisiting and Remembering: Family Photographs and Holocaust Commemoration, Towers, Halls, and Cases 24 Laura Levitt The Illinois Holocaust Museum & Education Center 26 Brett Kaplan Teaching Jewish Studies with Museums 30 Jeffrey Shandler Curating Jews: Reflections on the Practice of Heritage 32 Erica Lehrer The Latest Waltz with Bashir 36 Todd Hasak-Lowy Jewish Moscow—A Guidebook 38 Olga Gershenson The Questionnaire What are three books you love to teach to undergraduates? 44 Remembering Our Colleagues Yosef Hayim Yerushalmi (1932-2009) 49 John Efron AJS Perspectives: The Magazine of the President Please direct correspondence to: Association for Jewish Studies Marsha Rozenblit Association for Jewish Studies University of Maryland Center for Jewish History Editors 15 West 16th Street Matti Bunzl Vice President/Publications New York, NY 10011 University of Illinois at Urbana-Champaign Jeffrey Shandler Rachel Havrelock Rutgers University Voice: (917) 606-8249 University of Illinois at Chicago Fax: (917) 606-8222 Vice President/Program E-Mail: [email protected] Derek Penslar Web Site: www.ajsnet.org Editorial Board Allan Arkush University of Toronto Binghamton University AJS Perspectives is published bi-annually Vice President/Membership by the Association for Jewish Studies. -
"Aryan Papers" : the Polish Connection
Artur Piskorz "Aryan Papers" : The Polish Connection Media – Kultura – Komunikacja Społeczna 12/2, 73-79 2016 Aryan Papers: The Polish Connection 73 Artur Piskorz Wydział Filologiczny Uniwersytet Pedagogiczny w Krakowie Aryan Papers: The Polish Connection Słowa kluczowe: Stanley Kubrick, Aryjskie papiery, adaptacja, Polska, Lista Schindlera Key words: Stanley Kubrick, Aryan Papers, adaptation, Poland, Schindler’s List “I was born a few months after the burning of the Reichstag in T., a town of about forty thousand in a part of Poland that before the Great War had belonged to the Austro-Hungarian Empire.” This is the opening sentence of Louis Begley’s novel Wartime Lies – the book Stanley Kubrick wanted to turn into a movie.1 To what extent Kubrick’s biography influenced his work? His Jewish heritage, for instance, does not visibly translate itself into any aspect of the narrative or imagery in his films. Christiane Kubrick answers: “Like most Jewish families, Stanley’s family came from all over that part of the continent [Europe]. His mother came from Kiev, his father from Romania. But there were also relatives from Poland.”2 To be more precise – Kubrick’s grandfather, Elias, was born in Probużna, then a small rural town. Today it is a poverty-stricken village of barely two thousand inhabitants in the Ternopil District of Western Ukraine that was part of the historical region of Galicia. Is T., “a town of about forty thousand” from Begley’s book Ternopil? Is this Kubrick sending a sentimental post card to his forefathers? Is this the main source of the appeal? “He always wanted to make a film about or around the Holocaust, with- out ever succeeding” continues Christiane Kubrick. -
Read the Performance Program Here!
IRISH REPERTORY THEATRE A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN Irish Repertory Theatre Presents In association with Bonnie Timmermann THE CORDELIA DREAM BY MARINA CARR DIRECTED BY JOE O'BYRNE STARRING STEPHEN BRENNAN AND DANIELLE RYAN cinematography & editor set design costume design sound design & original music NICK ROBERT JESSICA DAVID RYAN BALLAGH CASHIN DOWNES production manager stage manager press representatives general manager LEO AIDAN MATT ROSS LISA MCKENNA DOHENY PUBLIC RELATIONS FANE TIME & PLACE The Present - Dublin, Ireland Running Time: 90 minutes, no intermission SPECIAL THANKS Anthony Fox, Eva Walsh, Rhona Gouldson, Archie Chen, and a very special thanks to the Howard Gilman Foundation for their support of our digital initiatives. The Cordelia Dream was first presented by the Royal Shakespeare Company at Wilton’s Music Hall on December 11, 2008. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST STEPHEN BRENNAN the Paycock (Guthrie Theatre, (Man) Stephen was a Minneapolis), Sorin in The Seagull member of the Abbey (Dublin Festival), John Bosco in The Theatre company from Chastitute (Gaiety, Dublin), The Captain 1975, playing a wide in Woyzeck in Winter (Galway Festival/ variety of roles including Barbican) and Hornby in A Kind of Joe Dowling's production Alaska (Pinter Festival, Lincoln Centre).