2017 Annual Report
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List of Marginable OTC Stocks
List of Marginable OTC Stocks @ENTERTAINMENT, INC. ABACAN RESOURCE CORPORATION ACE CASH EXPRESS, INC. $.01 par common No par common $.01 par common 1ST BANCORP (Indiana) ABACUS DIRECT CORPORATION ACE*COMM CORPORATION $1.00 par common $.001 par common $.01 par common 1ST BERGEN BANCORP ABAXIS, INC. ACETO CORPORATION No par common No par common $.01 par common 1ST SOURCE CORPORATION ABC BANCORP (Georgia) ACMAT CORPORATION $1.00 par common $1.00 par common Class A, no par common Fixed rate cumulative trust preferred securities of 1st Source Capital ABC DISPENSING TECHNOLOGIES, INC. ACORN PRODUCTS, INC. Floating rate cumulative trust preferred $.01 par common $.001 par common securities of 1st Source ABC RAIL PRODUCTS CORPORATION ACRES GAMING INCORPORATED 3-D GEOPHYSICAL, INC. $.01 par common $.01 par common $.01 par common ABER RESOURCES LTD. ACRODYNE COMMUNICATIONS, INC. 3-D SYSTEMS CORPORATION No par common $.01 par common $.001 par common ABIGAIL ADAMS NATIONAL BANCORP, INC. †ACSYS, INC. 3COM CORPORATION $.01 par common No par common No par common ABINGTON BANCORP, INC. (Massachusetts) ACT MANUFACTURING, INC. 3D LABS INC. LIMITED $.10 par common $.01 par common $.01 par common ABIOMED, INC. ACT NETWORKS, INC. 3DFX INTERACTIVE, INC. $.01 par common $.01 par common No par common ABLE TELCOM HOLDING CORPORATION ACT TELECONFERENCING, INC. 3DO COMPANY, THE $.001 par common No par common $.01 par common ABR INFORMATION SERVICES INC. ACTEL CORPORATION 3DX TECHNOLOGIES, INC. $.01 par common $.001 par common $.01 par common ABRAMS INDUSTRIES, INC. ACTION PERFORMANCE COMPANIES, INC. 4 KIDS ENTERTAINMENT, INC. $1.00 par common $.01 par common $.01 par common 4FRONT TECHNOLOGIES, INC. -
Project 1 Part 2 Sample Paper
Global Market of Dream Company: A24 As A24 continued to grow, it eventually became apparent that the small independent o.-., -t.,.. o..t1 company would have to build its status in the filmdistribution market internationall1 Around 1+,uc t 2016, A24 had some profound success when their films Room and Ex Machina gained Oscar nominations (Busch). Because of this, A24 hired investment banker Sasha Lloyd to oversee A24's international base and be the main force behind international release and distribution (Busch). As of this last year, A24 has well established itself in the global market for film distribution One of A24's most notable releases from2019, Midsommar, was distributed in the ) � 'j014 I\� ,tW. �C-('l•"'4 1' tN,t.. 1 ( UK, Australia, New Zealand, Germany, Austria, Switzerland, Spain, South Korea, Greece, C,O�t'- "-·' E..l,M,,ttf ( I,\k,. throughout the Middle East, Thailand, and Indonesia (Kay)) Of this countries, a notable one to b-�� . - ·) investigate is Germany. Germany has a population of 80,159,662 people, with 87% of citizens speaking German ("The World Factbook: Germany"). Germany has the fifth largest economy in the world, with a $3.701 trillion GDP, and there is 89.6% of the population utilizing the internet ("Germany"). To see how A24 is accepted in Germany, the best example is to view the film 1 Jvfidsommar's run in the country. /vlidsommarwas released in Germany on September 26 '\ 2019. I\O-t �1,1,td_ Th. lr-"""M� The filmwas l��-ttle*.S), with German subtitles being utilized to bridge the language barrier gap. -
Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences. -
April 2021 New Titles List University of Dubuque
April 2021 New Titles List University of Dubuque Local Item Call Local Item Permanent Number Author Name Title Publisher NamePublication Date Edition Language Name Material Format Material Subformat Shelving Location N/A Neonatology today. Neonatology Today,2006 N/A English JOURNALS/MAGAZIN EJOURNALS/EMAGA ES ZINES Parkman, Francis, A half century of Little, Brown, and Co.,1899 Frontenac English BOOKS PRINTBOOK conflict / edition. Schur, Michael,Scanlon, The Good Place. Universal 2019 N/A English VIDEOS DVDS Claire,Miller, Beth Television,Shout! Factory, McCarthy,Holland, Dean,Bell, Kristen,Danson, Ted,Harper, William Jackson,Jamil, Jameela,Carden, D'Arcy,Jacinto, Manny,; Shout! Factory (Firm),Universal Television (Firm), AM151 .T54 2019 Garcia, Tristan,Normand, Theater, garden, ÉCAL/University of Art 2019 N/A English BOOKSPRINTBOOK New Book Collection: Vincent,; École cantonale bestiary :a and Design Lausanne 1st Floor d'art de Lausanne,Haute materialist history of ;Sternberg Press, école spécialisée de exhibitions / Suisse occidentale. BF789.C7 P3713 Pastoureau, Michel,; Green :the history of Princeton University 2014 N/A English BOOKSPRINTBOOK New Book Collection: 2014 Gladding, Jody, a color / Press, 1st Floor BJ1521 .H76 2020 Miller, Christian B.,West, Integrity, honesty, Oxford University Press,2020 N/A English BOOKSPRINTBOOK New Book Collection: Ryan, and truth seeking / 1st Floor BR65.A9 W47 Wessel, Susan, On compassion, Bloomsbury Academic,2020 N/A English BOOKSPRINTBOOK New Book Collection: 2020 healing, suffering, 1st Floor and the purpose of the emotional life / BS195 .R48 2019 Wansbrough, Henry, The Revised New Image,2019 First U.S. edition. English BOOKSPRINTBOOK New Book Collection: Jerusalem Bible 1st Floor :study edition / BS2553 .R83 Ruden, Sarah, The Gospels / Modern Library,2021 First edition. -
Resume-08-12-2021
Mike Milo Resume updated 08-12-2021 • OBJECTIVE: • To create stories, characters and animation that move the soul and make people laugh. CREDITS: • DIRECTOR- Warner Bros. Animation-HARLEY QUINN (current) • WRITER and PUNCH-UP on unannounced Netflix/ Universal- WOODY WOODPECKER movie • Supervising DIRECTOR- Age of Learning/Animasia- YOUNG THINKER’S LABORATORY • Story Artist- Apple TV- THE SNOOPY SHOW • Story Artist- Warner Bros. Animation SCOOBY DOO HALLOWEEN • DIRECTOR- Bento Box/ Apple TV- WOLFBOY AND THE EVERYTHING TREE • Freelance Animation DIRECTOR for Cartoon Network/HBO Max’s TIG ‘n’ SEEK • SHOWRUNNER/DIRECTOR- Universal’s WOODY WOODPECKER • DIRECTOR-Warner Bros. Animation- SCOOBY DOO AND GUESS WHO • Freelance Animation DIRECTOR for Warner Bros. Animation LOONEY TUNES 1000-ongoing • Freelance Animation DIRECTOR for Cartoon Network's CRAIG OF THE CREEK • Story Artist- CURIOUS GEORGE- Universal/DreamWorks • Creator, Writer, Director, Designer, Story Artist- GENIE HUNTERS- Cartoon Network • Freelance Animation DIRECTOR for Cartoon Network's UNCLE GRAMPA • Freelance Animation DIRECTOR for Cartoon Network's Justice League Action • Freelance Animation DIRECTOR for Netflix’s STRETCH ARMSTRONG • Storyboard Supervisor/Director/Teacher/Technology consultant: storyboards, writing, animation, design, storyboard direction and timing- RENEGADE ANIMATION • Freelance Storyboards and writing- THE TOM AND JERRY SHOW- Renegade Animation Freelance Animation DIRECTOR for Cartoon Network's BEN 10 • Freelance Flash cartoons for PEOPLE MAGAZINE and ESSENCE MAGAZINE • Flash storyboards, Direction, animation and design- Education.com on BRAINZY • Freelance Exposure Sheets for Marvel Entertainment- AVENGERS ASSEMBLE • Flash storyboards for Amazon pilot: HARDBOILED EGGHEADS • •Character Design and Development- Blackspot Media NYC- IZMOCreator, Writer, Director, Designer, Story Artist- Nickelodeon development BORIS OF THE FOREST with BUTCH HARTMAN • •Story Artist at Nickelodeon Animation Studios- FAIRLY ODD PARENTS • •Freelance Character Design at Animae Studios- LA FAMILIA P. -
FAITHFUL UNDER FIRE: a BIBLE STUDY and DEVOTIONAL for the FILM Introduction
FAITHFUL UNDER FIRE: A BIBLE STUDY AND DEVOTIONAL FOR THE FILM Introduction Hacksaw Ridge, a new film released by Lions Gate Entertainment, Inc., tells the story of Private First Class Desmond Doss, an Army medic who received the nation’s highest award for valor, the Medal of Honor. The MOH decoration is awarded only for conspicuous and personal acts of valor that are unequivocally deemed to be “above and beyond the call of duty.” Desmond Doss was the first conscientious objector to receive that award — and one of only three ever to do so in our Nation’s history. Doss, a Seventh-day Adventist Christian, had a personal, deeply held, biblically formed conviction not to kill — or even to carry a weapon. Nevertheless, he voluntarily enlisted in the Army in 1942 as a combat medic so as to fulfill his calling to serve both his country and his fellow soldiers by saving lives rather than taking them. But a significant part of Desmond’s story is the staunch resistance he faced in the U.S. Army — from both his superiors and fellow soldiers alike, who deemed his non-combatant stance to be a guise for cowardice. The manner in which Doss tenaciously holds-onto his Scripturally based beliefs and ultimately proves himself under the most excruciating and even barbaric combat conditions not only makes for gripping drama. It also confronts everyone who similarly holds biblical convictions in a pluralistic or secular “marketplace” with a challenging roadmap for living faithfully in this world as citizens of our Nation while reserving our highest allegiance to the Kingdom of God. -
Cue the Music: Music in Movies Kelsey M
Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2017 yS mposium Apr 12th, 3:00 PM - 3:30 PM Cue the Music: Music in Movies Kelsey M. DePree Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Composition Commons, Film and Media Studies Commons, and the Other Music Commons DePree, Kelsey M., "Cue the Music: Music in Movies" (2017). The Research and Scholarship Symposium. 5. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2017/podium_presentations/5 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. The Music We Watch Kelsey De Pree Music History II April 5, 2017 Music is universal. It is present from the beginning of history appearing in all cultures, nations, economic classes, and styles. Music in America is heard on radios, in cars, on phones, and in stores. Television commercials feature jingles so viewers can remember the products; radio ads sing phone numbers so that listeners can recall them. In schools, students sing songs to learn subjects like math, history, and English, and also to learn about general knowledge like the days of the week, months of the year, and presidents of the United States. With the amount of music that is available, it is not surprising that music has also made its way into movie theatres and has become one of the primary agents for conveying emotion and plot during a cinematic production. -
Glenn-Garland-Editor-Credits.Pdf
GLENN GARLAND, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. WELCOME TO THE BLUMHOUSE: BLACK BOX Emmanuel Osei-Kuffour Amazon / Blumhouse Productions EP: Jay Ellis, Jason Blum, Aaron Bergman PARADISE CITY*** (series) Ash Avildsen Sumerian Films EP: Lorenzo Antonucci PREACHER (season 3) Various AMC / Sony Pictures Television EP: Sam Catlin, Seth Rogen, Evan Goldberg ALTERED CARBON** (series) Various Netflix / Skydance EP: Laeta Kalogridis, James Middleton, Steve Blackman STAN AGAINST EVIL (series) Various IFC / Radical Media EP: Dana Gould, Frank Scherma, Tom Lassally BANSHEE (series) Ole Christian Madsen HBO / Cinemax Magnus Martens EP: Alan Ball THE VAMPIRE DIARIES (series) Various CW / Warner Bros. Television EP: Julie Plec, Kevin Williamson Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. BROKE Carlyle Eubank Wild West Entertainment Prod: Wyatt Russell, Alex Hertzberg, Peter Billingsley THE TURNING Floria Sigismondi Amblin Partners 3 FROM HELL Rob Zombie Lionsgate FAMILY Laura Steinel Sony Pictures / Annapurna Pictures Official Selection: SXSW Film Festival Prod: Kit Giordano, Sue Naegle, Jeremy Garelick SILENCIO Lorena Villarreal 5100 Films / Prod: Beau Genot 31 Rob Zombie Lionsgate / Saban Films Official Selection: Sundance Film Festival Prod: Mike Elliot, Andy Gould THE QUIET ONES John Pogue Lionsgate / Exclusive Media LORDS OF SALEM Rob Zombie Blumhouse / Anchor Bay Entertainment LOVE & HONOR Danny Mooney IFC Films / Red 56 HALLOWEEN 2 Rob Zombie Dimension Films BUNRAKU* Guy Moshe Snoot Entertainment Official -
Cinema 3 Cinema 3 Yestv Gold Yestv Silver Yestv Bronze Rp
Cinema 3 Cinema 3 Yestv Gold Yestv Silver Yestv Bronze Rp. 100,000.00 Rp. 100,000.00 Rp. 275,000.00 Rp. 199,000.00 Rp. 125,000.00 HBO 1 HBO 1 HBO 1 HBO Signature 1 HBO Signature 1 HBO Signature 1 Cinemax 1 Cinemax 1 Cinemax 1 Star Movies 1 Star Movies 1 Star Movies 1 Star Movies 1 Star Movies 1 MGM 1 MGM 1 MGM 1 MGM 1 HBO Hits HBO Hits HBO Family HBO Family Max Max Hallmark 1 Hallmark 1 Hallmark 1 Hallmark 1 Formosa TV Formosa TV Formosa TV Sports Sports Rp. 55,000.00 Rp. 55,000.00 Eurosport Eurosport ESPN 1 ESPN 1 ESPN 1 ESPN 1 ESPN 1 Star Sports 1 Star Sports 1 Star Sports 1 Star Sports 1 Star Sports 1 Tensports Tensports Mini Galaxy Entertainment Venus Rp. 22,000.00 Rp. 149,000.00 Animax 1 Animax 1 Animax 1 Animax 1 Asian Food Channel 1 Asian Food Channel 1 Asian Food Channel 1 Asian Food Channel 1 Universal Universal Ginx Ginx Mini Galaxy News Rp. 12,000.00 BBC World 1 BBC World 1 BBC World 1 BBC World 1 CNBC 1 CNBC 1 CNBC 1 CNBC 1 Mini Galaxy Kids Rp. 8,000.00 Boomerang Boomerang Playhouse Disney 1 Playhouse Disney 1 TelkomVision2 TelkomVision2 TelkomVision2 Galaxy Rp. 179,000.00 Celestial Movies 1 Celestial Movies 1 Celestial Movies 1 Baby TV Baby TV Cbeebies CBeebies Disney Channel 1 Disney Channel 1 Disney Channel 1 Disney Channel 1 Disney Channel 1 Nickelodeon 1 Nickelodeon 1 Nickelodeon 1 Cartoon Network 1 Cartoon Network 1 Cartoon Network 1 Cartoon Network Cartoon Network 1 Specatoon Specatoon Specatoon History History Biography National Geographic Channel 1 National Geographic Channel 1 National Geographic Channel 1 National -
Celestial Tiger Entertainment
Case Study “ Hong Kong is the hub of Asian entertainment with a highly skilled, multilingual and entrepreneurial workforce, great infrastructure, transportation and communications. We are proud to call Hong Kong home.” Todd Miller, Chief Executive Officer Celestial Tiger Entertainment Hong Kong: the Hub of Asian Entertainment Diversified media company dedicated to Asian entertainment is proud to call Hong Kong home Celestial Tiger Entertainment (CTE), a leading independent potential for these Asian-targeted content to attract viewers in media company, operates a bouquet of pan-Asian entertainment the rest of the region. Over the past few years, CTE launched channels throughout the region. Celestial Movies and three new channels to cater for different audience segments in Celestial Classic Movies are the two flagship channels that Asia. They are cHK, the Chinese entertainment channel offering are programmed heavily with Hong Kong/Chinese films, the latest Hong Kong and other Asian blockbuster movies, while KIX and Thrill focus on action programmes and horror alongside highly-anticipated Chinese dramas and series; Miao movies respectively from the East and West. In recent years, Mi, a Mandarin edutainment channel created for preschool the company has expanded by launching three new channels kids across Asia; and CM Pinoy, a Chinese movie channel that including cHK, Miao Mi and CM Pinoy. is programmed, dubbed and promoted specifically to Filipino Headquartered in Hong Kong, CTE currently has 70 full-time viewers. In the long run, the company aims to be the leading staff covering all business and functional lines including general regional Asian entertainment company. management, finance, human resources and administration, Miller first visited Hong Kong in 1989. -
Portsmouth, NH October 14.15.16.17 2010 the Tenth Annual
The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 nhfilmfestival.com october 14.15.16.17 2010 1 We have everything. That’s what makes us Rule. We love gear. Film or video, production or post. We get to play with all the latest technology and figure how to best put it to work for our incredibly creative customers. We sell, rent, install, integrate and architect all kinds of equipment and solutions. And guess what? We get to do it every day. Sweet! www.rule.com | 1.800.rule.com 2 The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 WELCOME TO the 2010 neW hamPshiRe film FESTIVAL! You can call it our 10th anniversary or you can call it our 10th Jodi Foster. Our roster of anticipated short films, which include birthday; either way, a great celebration is in order! It is an Academy Award nominees and a new narrative film by James exceptional year for the New Hampshire Film Festival and we Franco, is also making waves. are proud and excited to have y ou here with us! To mark the festival’s special occasion, you may notice our Beginning with the festival’s strong and heartfelt kickoff during highlight on comedy, both on screen, live on stage, and through the week of September 11, 2001, we have been delighted and entertaining panel discussions. We are certain you’ll also take honored to present a full decade of film appreciation to New note of our new preferred restaurant program, emphasizing Hampshire and to the world. -
Donahue V. Artisan Entertainment 2002 U.S
Donahue v. Artisan Entertainment 2002 U.S. Dist. LEXIS 5930 United States District Court for the Southern District of New York April 5, 2002 HEATHER DONAHUE, MICHAEL C. WILLIAMS, JOSHUA G. LEONARD, Plaintiffs, against ARTISAN ENTERTAINMENT, INC., ARTISAN PICTURES INC, Defendants. 00 Civ. 8326 (JGK). 2002 U.S. Dist. LEXIS 5930. April 3, 2002, Decided. April 5, 2002, Filed. Counsel: For plaintiffs: Philip R. Hoffman, Pryor, Cashman, Sherman & Flynn, New York, New York. For defendants: Andrew J. Frack-man, O’Melveny & Myers, New York, New York. Before John G. Koeltl, United States District Judge. JOHN G. KOELTL, District Judge. Plaintiffs Heather Donahue, Michael C. Williams, and Joshua G. Leonard bring this action against defendants Artisan Entertainment, Inc., and Artisan Pictures Inc. (collectively, “Artisan”) for breach of contract and violations of New York Civil Rights Law § 51, § 43(a) of the Lanham Act, 15 U.S.C. § 1125(a), and New York common law regarding unfair competition. The plaintiffs, who played the three central characters in the film “The Blair Witch Project” (“Blair Witch 1”), complain that their names and likenesses from that film, or other images of them, have been used without their approval in a sequel called “Blair Witch 2: Book of Shadows” (“Blair Witch 2”), as well as in promotions for that sequel and in other unauthorized ways. The defendants claim that each of the plaintiffs authorized these uses in their original acting contracts. The defendants now move for summary judgment on all claims. I The standard for granting summary judgment is well established. Summary judgment may not be granted unless “the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any, show that there is no genuine issue as to any material fact and that the moving party is entitled to a judgment as a matter of law.”~ II There is no dispute as to the following facts except where specifically noted.