How I Won My Battle with Domestic Violence, but Continue to Fight the War Krista R

Total Page:16

File Type:pdf, Size:1020Kb

How I Won My Battle with Domestic Violence, but Continue to Fight the War Krista R Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2005 Woman at War: How I Won My Battle with Domestic Violence, But Continue to Fight the War Krista R. Holcomb Follow this and additional works at: http://mds.marshall.edu/etd Part of the Literature in English, North America Commons, and the Women's Studies Commons Recommended Citation Holcomb, Krista R., "Woman at War: How I Won My Battle with Domestic Violence, But Continue to Fight the War" (2005). Theses, Dissertations and Capstones. Paper 646. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Woman at War: How I Won My Battle with Domestic Violence, But Continue to Fight the War Thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in English by Krista R. Holcomb Dr. Katharine Rodier, Ph.D., Committee Chairperson Dr. Sherri Smith, Ph.D. Dr. Janet Badia, Ph.D. Marshall University August 2005 ABSTRACT WOMAN AT WAR: HOW I WON MY BATTLE WITH DOMESTIC VIOLENCE, BUT CONTINUE TO FIGHT THE WAR By Krista R. Holcomb Woman at War: How I Won My Battle Against Domestic Violence But Continue to Fight the War, is a depiction of my experience in an abusive relationship. The project presents the initial experiences that draw the victim to her future abuser, the forming of a bond between the couple, the feelings of fear and desperation that overwhelm and often paralyze the victim in the midst of abuse, and the final escape and eventual advocacy for other victims. While most of the project is presented as personal narrative, letters, journal entries, and lists appear in order to show the mindset of the victim at the time, and analytical pieces are interwoven which discuss other works and their significance to this project. This project is an attempt to both dispel stereotypes about victims of domestic violence (abused women are weak, poor, uneducated, and always bounce from abuser to abuser), and also to answer questions commonly asked by society: How did you get mixed up with a guy like that? Why did you stay so long? Why did you go back? ii Acknowledgements: I want to thank many people for their contributions to my fight for freedom, both in body and in voice. I would first like to thank Dr. Katharine Rodier, Dr. Sherri Smith, and Dr. Janet Badia for the time they spent working with me on this project. Thanks to the wonderful people at Park Junior High School and Dinwiddie Elementary for encouraging me and helping me to believe that I did deserve better and could survive on my own, and that to return home was not a disgrace. I wish to thank my mother, father, and brother for their help as I struggled to get back on my feet and learn what it was like to be independent. To both of my grandmothers for inspiring me in your various ways to get the most out of my life and refuse to settle for apathy. A heartfelt thank you to all of my students for showing me youthful excitement, and thus helping to keep my youthful spirit alive. To Marilyn Smith and the Resolve Family Abuse Program, I thank you for my sanity. Without your counseling and support group, I would not be as healthy and recovered as I am today. Brandon, if it weren’t for your patience, love, and unconditional support, the last two years of studying and writing would have been unbearable. Thank you, Love. A very special thanks and word of encouragement to all of you who I know are still out there living in your own private hell, for inspiring me to tell my story so that you might have hope. You can do it! iii Introduction Pain Silences Reason, Gives Voice to Insanity “Listen to your inner voice” (215). This is the simple advice Dianne Schwartz offers the battered woman. Good advice to any common reader, but to the battered woman it may be as abstract as “listen to the pink elephant.” As a victim of torture, the battered woman often has no inner voice. Elaine Scarry argues that “World, self, and voice are lost, or nearly lost, through the intense pain of torture” (35), which would indicate that the “inner voice” is destroyed as well. This representation of intense pain as language-destroying makes the plight of the battered woman that much more difficult, and more hopeless with each blow she endures. In writing about her first experience with physical abuse, Schwartz writes that “I saw myself lying on the concrete from an outsider’s viewpoint…I tried to think clearly, which was nearly impossible, given what I had just experienced” (9). This seems to support Scarry’s idea that the body and voice become separated, and the prisoner loses power. Scarry also ponders the fact that others cannot experience one’s pain, including the torturer. So, as the torturer experiences no pain, but still has the presence of self and voice that the tortured does not, the power of the torturer is “dramatized” (46). This illusion of power makes it difficult for the battered woman, out of touch with reality, to escape the pain that increases the level of her captivity. The overwhelming nature and power of pain is evident in Schwartz’s chapter “Misdirected Ego.” Even after she left her torturer, she expresses that “My pain was not finished” (81). She mentions pain again at least three times in the next two pages, emphasizing that even after the physical pain has ceased, it has a power to linger and iv remain in one’s world. In these pages, she tries to communicate to her torturer the physical pain he has caused, but as Scarry warns us, he is incapable of feeling the pain of the tortured. Scarry also discusses the “interrogation” that goes along with torture, during which the torturer requires the tortured to make “confessions” of guilt. These confessions appear in the form of “lies” in Schwartz’s book, lies that the battered woman is told and forced to confess to so often that she comes to believe them: “I’m nothing without him,” “I can’t make it on my own,” “I deserve to be beaten,” “No other man will be attracted to me” (162-4). In her discussion of this ritual, Scarry relates the feelings of the tortured as that of submitting one’s entire self to the torturer, and her thoughts as being “all is almost gone now, there is almost nothing left now, even this voice, the sounds I am making, no longer form my words but the words of another” ( 35). In depicting the thoughts of one who is tortured, Scarry has beautifully captured those of the battered woman. Is it any wonder that this woman has lost the power to speak out for herself? Is it any wonder that her friends and family have also turned against her, as she sounds so much like her abuser whom they despise? Listen to your inner voice. She does. But the voice says, “I deserve to be beaten…” v Table of Contents Abstract ii Acknowledgments iii Introduction iv Table of Contents vi Chapter One: It Is Always Darkest Before the Dawn 1 Chapter Two: Broken Heart vs. Broken Body 5 Chapter Three: The Charmer and the Charmed 8 Chapter Four: Letting Go of Dreams 10 Chapter Five: Making Amends 13 Chapter Six: New Beginnings 16 Chapter Seven: Women in Authority 21 Chapter Eight: Accumulating Property 25 Chapter Nine: Remembering 34 Chapter Ten: Stockholm Syndrome 41 Chapter Eleven: Keep Your Mouth Shut 52 Chapter Twelve: Lists 55 Chapter Thirteen: Journaling 57 Chapter Fourteen: Getting Stronger 61 Chapter Fifteen: Foolish Games 62 Chapter Sixteen: The Police 81 Chapter Seventeen: Doors Close, Doors Open 86 Chapter Eighteen: Always Have a Safe Plan of Escape 90 Chapter Nineteen: How Could I Have Gone Back After All of That? 103 Chapter Twenty: Why Did I Finally Leave For Good? 114 Chapter Twenty-One: After the Violence is Over, the Fight Continues 125 Chapter Twenty-Two: The System 126 Chapter Twenty-Three: Contempt and Judgment 144 Chapter Twenty-Four: Taking on the Cause 151 Bibliography 159 vi Chapter One: It Is Always Darkest Before the Dawn Standing on the porch, hands on hips, I scanned the back yard disgustedly, taking in each vehicle stranded in the mud. In November my husband and I had moved into a home that we were planning to buy to use not only as our home, but also as the new site for Jim’s business: a wrecker service. I’m sure our neighbors loved us. Jim decided in January to close his already dying business, but not before it had brought us into the depths of debt and emotional despair. Every day was a struggle for me as I answered the calls of bill collectors, tax agents, unhappy customers, and sundry other distasteful things that go along with closing a business in the red. Jim, of course, didn’t want to deal with it and felt it was my duty to answer the phone and free him of the pain of being reminded of his failure. When he decided to close the business, there was no way we could go through with the purchase of the home. It was just one of those crazy dreams he had that I went along with hoping for the best, for I knew to oppose him was to be accused of bringing him down.
Recommended publications
  • Age of Iron in the Heart of the Cou1ttry Waiting for the Ba.Rbcm'ans Life & Times of Michael K Foe J.M
    By th.e same author • • Dusklands Age of Iron In the Heart of the Cou1ttry Waiting for the Ba.rbcm'ans Life & Times of Michael K Foe J.M. COETZ,EE Seeker & Warburg London By th.e same author • • Dusklands Age of Iron In the Heart of the Cou1ttry Waiting for the Ba.rbcm'ans Life & Times of Michael K Foe J.M. COETZ,EE Seeker & Warburg London First published in Great Britain in 1990 For by Martin Seeker & Warburg Limited Michelin House, 81 .Fulham Road, London SWJ 6RB V.H.M..C. (1904-1985) z.c. (1912-1988) Copyright© 1990].. M. Coetzee N.G.C. (1966-1989) A CIP catalogue r'ecord for this book is availabl'e from the British Library ISBN 0 43,6 20012 0 Photoset by Rowland Phototypesetting Limited Bury St Edmunds, Suffolk Printed in Great Britain by Richard Clay Limited, Bungay,, Suffolk First published in Great Britain in 1990 For by Martin Seeker & Warburg Limited Michelin House, 81 .Fulham Road, London SWJ 6RB V.H.M..C. (1904-1985) z.c. (1912-1988) Copyright© 1990].. M. Coetzee N.G.C. (1966-1989) A CIP catalogue r'ecord for this book is availabl'e from the British Library ISBN 0 43,6 20012 0 Photoset by Rowland Phototypesetting Limited Bury St Edmunds, Suffolk Printed in Great Britain by Richard Clay Limited, Bungay,, Suffolk T-here is an alley down the side of the garage, you may remember it, you and your friends would sometimes play ther,e. Now it is a dead place, waste, without use, where windblown leaves pi'fe up and rot.
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • The High Note’ and Black Life in Exclusive Interview
    Supervisors Vote to Appoint First Inspector General for Skilled Nursing Homes Amid Social Justice Is Bigger than COVID-19 Deaths (See page A-7) Basketball (See page B-2) VOL. LXXXVI NO. 22, $1.00 +CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself.” THURSDAY, MAY 28, 2020 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 Hip-Hop legend talks new movie ‘The High Note’ and Black life in exclusive interview COURTESY PHOTO COURTESY PHOTO COURTESY PHOTO Legendary Rapper Ice Cube Bishop Charles Blake Apostle Beverly Bam Crawford BY BETTI HALSELL and highlight what is un- and legendary rapper, Ice BY CORA JACKSON-FOSSETT are not rushing to resume in mid-March by govern- Contributing Writer der-reported in mainstream Cube to discuss the impor- Staff Writer religious services on Sun- ment officials, the Centers media. Standing behind the tance of Black media for the day, May 31. for Disease Control and Black Press USA is the Voice of The Black Com- collective, and to highlight Although the Califor- An informal poll of lo- Prevention (CDC), and the harmonious sound of media munity; President and CEO Ice Cube’s creative projects, nia Department of Pub- cal pastors by the L.A. National Institute of Aller- publication in America for of the National Newspa- such as the Big 3 Basketball lic Health announced the Sentinel revealed that gy and Infectious Diseases the Black community; pub- per Publishers Association League and a recent feature statewide reopening of ministries would continue (NIAID).
    [Show full text]
  • Exhibit D Declarations of 12 Current Recent Detainees
    Case 1:20-cv-02791-ELR-CCB Document 19-5 Filed 07/27/20 Page 1 of 113 EXHIBIT D Declarations of 12 Current or Recent Detainees Case 1:20-cv-02791-ELR-CCB Document 19-5 Filed 07/27/20 Page 2 of 113 INDEX OF DETAINEE DECLARATIONS Exhibit No. Declaration of Rhonda Jones ................................................................................ D-1 Declaration of Randolph Mitchell ........................................................................ D-2 Declaration of Barry Watkins ............................................................................... D-3 Declaration of Michael Singleton ......................................................................... D-4 Declaration of M.B. .............................................................................................. D-5 Declaration of C.C. ............................................................................................... D-6 Declaration of J.H. ................................................................................................ D-7 Declaration of F.S. ................................................................................................ D-8 Declaration of A.W. .............................................................................................. D-9 Declaration of W.L.M. ........................................................................................ D-10 Declaration of D.H. ............................................................................................. D-11 Declaration of R.L. .............................................................................................
    [Show full text]
  • United States District Court Northern District of Texas Dallas Division
    Case 3:20-cv-01279-B Document 1-2 Filed 05/15/20 Page 1 of 106 PageID 38 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF TEXAS DALLAS DIVISION KANAT UMARBAEV, JANE DOE, LEE ) ALEJANDRO ESPINOZA URBINA, ) ALFREDO HECHAVARRIA FONTEBOA, ) KIRK GOLDING, BEHZAD JALILI, JUAN ) Case No. FRANCISCO PORTILLO HERNANDEZ, ) EDGAR HARO OSUNA, OSITA NWOLISA, ) ENMANUEL FIGUEROA RAMOS, and ) PATRICIA ESTEBAN RAMON, ) ) Petitioners, ) ) v. ) ) MARC J. MOORE, Dallas Field Office Director, ) Immigration and Customs Enforcement, ) Department of Homeland Security; JIMMY ) JOHNSON, Warden, Prairieland Detention ) Center; MATTHEW T. ALBENCE, Deputy ) Director of Immigratoin and Customs ) Enforcement, Department of Homeland Security; ) and CHAD WOLF, Acting Secretary of ) Department of Homeland Security, in their ) official capacities, ) ) Respondents. ) ) APPENDIX TO PETITION FOR WRIT OF HABEAS CORPUS AND COMPLAINT FOR DECLARATORY AND INJUNCTIVE RELIEF AND MOTION FOR TEMPORARY RESTRAINING ORDER Case 3:20-cv-01279-B Document 1-2 Filed 05/15/20 Page 2 of 106 PageID 39 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF TEXAS DALLAS DIVISION KANAT UMARBAEV, et al., ) ) Petitioners, ) ) v. ) ) MARC J. MOORE, et al., ) ) Respondents. ) Declaration of Robert B. Greifinger, MD I, Robert B. Greifinger, declare as follows: 1. I am a physician who has worked in health care for prisoners and detainees for more than 30 years. I have managed the medical care for inmates in the custody of New York City (Rikers Island) and the New York State prison system. I have authored more than 80 scholarly publications, many of which are about public health and communicable disease. I am the editor of Public Health Behind Bars: from Prisons to Communities, a book published by Springer (a second edition is due to be published in early 2021); and co- author of a scholarly paper on outbreak control in correctional facilities, a copy of which is available at https://journals.sagepub.com/doi/abs/10.1177/1078345810367593.1 2.
    [Show full text]
  • Download the File “Tackforalltmariebytdr.Pdf”
    Käraste Micke med barn, Tillsammans med er sörjer vi en underbar persons hädangång, och medan ni har förlorat en hustru och en mamma har miljoner av beundrare världen över förlorat en vän och en inspirationskälla. Många av dessa kände att de hade velat prata med er, dela sina historier om Marie med er, om vad hon betydde för dem, och hur mycket hon har förändrat deras liv. Det ni håller i era händer är en samling av över 6200 berättelser, funderingar och minnen från människor ni förmodligen inte kän- ner personligen, men som Marie har gjort ett enormt intryck på. Ni kommer att hitta både sorgliga och glada inlägg förstås, men huvuddelen av dem visar faktiskt hur enormt mycket bättre världen har blivit med hjälp av er, och vår, Marie. Hon kommer att leva kvar i så många människors hjärtan, och hon kommer aldrig att glömmas. Tack för allt Marie, The Daily Roxette å tusentals beundrares vägnar. A A. Sarper Erokay from Ankara/ Türkiye: How beautiful your heart was, how beautiful your songs were. It is beyond the words to describe my sorrow, yet it was pleasant to share life on world with you in the same time frame. Many of Roxette songs inspired me through life, so many memories both sad and pleasant. May angels brighten your way through joining the universe, rest in peace. Roxette music will echo forever wihtin the hearts, world and in eternity. And you’ll be remembered! A.Frank from Germany: Liebe Marie, dein Tod hat mich zu tiefst traurig gemacht. Ich werde deine Musik immer wieder hören.
    [Show full text]
  • DJ Uthyrning
    DJ Uthyrning Låt namn Artist / grupp Not in love 10 cc Get Ready for this 1992 2 Unlimited Tribal Dance 2 Unlimited Tribal Dance 2 Unlimited No Limit 2 Unlimited Who's zoomin who A.franklin Dancing Queen ABBA Medley ABBA Gimme a man after midnight ABBA The winner takes it all ABBA Does your mother know ABBA Waterloo ABBA Back in Black Ac / Dc Highway to hell Ac / Dc Who made who Ac / Dc Killer Adamski Classic Adrian Gurvitz Dream on Aerosmith Never let it go Afro-dite La dolce vita (club) After Dark La dolce vita After Dark Take on me A-ha This is the world we live in Alcazar Knock on wood Ami Stewart Black velvet A-Myles Freak of nature Anastacia Ole Ole Andreas Estecha Just like a bommerang Andres Take it easy Andy Taylor Mitt sommarlov Anita Lindbom Sånt e livet Anita Lindbom Ring my bell Anita ward Opa Opa Antique Follow me Antique Barbie Girl Aqua Rosen Arne Quick Hot hot hot Arrow Briget eyes Art garfunkel Eloise Arvingarna Solid Ashford & simpson Oha hela natten Attake Stomp B.Johnson One more reggae B.Lovelady B.Rosenström Härligt men farligt B.Skift E-post [email protected] Web www.djuthyrning.se DJ Uthyrning Hook on a feeling B.Skift Fångad i en dröm B.Skift Michelangelo B.Skift Michelangelo B.Skift Det blit alltid värre framåt. B.Skift Hungry heart B.Springsteen Cover me B.Springsteen The river B.Springsteen Woman in love B.Streisand yes sir i can boogie Baccarda Youre A women Bad boys blue Tarzan boy Baltimora Bannankontakt Banana Band Venus Bananrama Copa Cabana Barry Manilow It.s only love Barry White Let the music play Barry White I'm gonna love you just a little Barry White Just the way you are Barry White Rok da house Beatmaster Havens is a place on earth Belinda carlisle Take my breath away Berlin Små små ord av kärlek Berth idoffs Små små ord Berth idoffs Best of burden Bette midler Hot in the city Billy idol To be a lover Billy idol tell her about it Billy joel Loverboy Billy Ocean Are you ready Billy Ocean When the going Billy Ocean The stroke Billy squier The stroke Billy squier I'm gonna get you Bizzare inc.
    [Show full text]
  • Airplay Station Reports
    Airplay Station Reports Lerma: Mengo- Paler D'Arnour RTBF RADIO 2/Hainaut B THE VOICE/Copenhagen VIR/Vejle 5 B List A List Haddaway. Rock My Heart EHR Gerardina Trooete- Non e Un Film EHR EHR AD Deep Forest Sweet Lullaby AD Cranberries Linger Irene Grandi Fuori Lour° Pousini Steel Amori BEI:RR/Brume!, A Philippe houniaw Musk Dir Lars Kicer Prog Dir Peter Larsen - Head Of Musk Flavor- No Monk- What Ivan Granani- Moledene EHR A List Loredana Bate- Amici Non Ne Flo Kristian PetersenMusic & Prog Co-ord A List RADIO 1/Helsinki G Pete- Don't Worship Me M -People Renaissonce Marioh Carey- Without You Serge lonckers Prog Dir AD Doop- Drop A List AD Gnags- RollerI Cairo EHR Primal Scream Rocks' Madonna- Remember A List Dr. Alm.- Look Who's Michele Zanillo- Cinque Giomi AD After 7- Gonna Lore You Right JA -People Renaissance Joke Gnaw= Prog Dir Negrito Bonanza AD Freda/Goldman/Jones- kale Apres Morioh Carey- Without You Richard Marx- Now AndFOIWIN Brand New Heavies, Dream On Michael Bolton- Soul Of Juho KakkuriHead Of Musk SKY RADIO/Bussum P NKOTB Never Let You Go Ton Amos Cornflake Girl Luca Carboni- ForkIlina Dr. Alban Look Who Nice little...- Point Of A List ACE B List: October Propel- Bury My B List Juliet Roberts- Again I Want You List AD Arni loom- Nolemiin Peter Teekomp - Prog Dir AD Alain Chomfort- Morn Ritmo Tribale- Sogno AD CelineNOVThe Power.. CZECH REPUBLIC AD Chris Rea- Johnny Needs A Bo's Orkester. Det Gar B List Spin Dcators- Hoke You Ever Corona- The Rhythm Of Bee Gees- Kiss Of Life RADIO 89.1 /Helsingor 5 Fraildce Frida.
    [Show full text]
  • One Soul at a Time the Tradition of Rock-And-Roll in Small Communities of New Jersey
    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Scienze del Linguaggio Tesi di Laurea One Soul at a Time The tradition of rock-and-roll in small communities of New Jersey. Relatrice Ch.ma Prof.ssa Daniela Ciani Forza Correlatore Ch.mo Prof. Marco Fazzini Laureanda Luna Checchini Matricola 962348 Anno Accademico 2012 / 2013 Index Introduction.................................................................................................................1 Chapter 1: Creating, spreading and breaking traditions........................................3 1.Meanings of 'tradition'..................................................................................... 3 American Tradition(s)................................................................................3 New Jersey's Folklore................................................................................ 5 Changing traditions....................................................................................7 2.Spreading traditions....................................................................................... 10 Tradition and globalization...................................................................... 11 3.Tradition and music........................................................................................15 Tradition, innovation, rebellion and globalization in music....................17 Chapter 2: The Jersey Shore artists........................................................................22 1.Southside Johnny...........................................................................................
    [Show full text]
  • Invisible Final Draft
    INVISIBLE BY SHELLEY SMITH !1 CHARACTERS JOSH: White, male; comes from an affluent, suburban family; intelligent; loves playing football and doing musical theatre; resourceful and resilient; ambitious; caring. SARAH: White, female, bipolar, terrified of storms and the dark, manipulative, resourceful, talks fast when she’s experiencing mania. ANTHONY: Black, male, entrepreneur, loves spoken word and music. MADISON: Black, female, good student, smart, articulate, creative, loves writing and literature. CARLOS: Latino, male, gay, Catholic, loves cooking, music and drawing. NOTE: The actors will play their main characters along with the following supporting characters: STUDENT ONE LIBRARIAN SERVER STUDENT TWO VOLUNTEER FATHER DAD MOTHER FRIEND BOYS OTHER WOMAN BOYFRIEND JEFA MOM ONE MOM TWO PIMP PERPETRATOR YOUTH ONE YOUTH TWO MR. JOHNSON !2 NOTE: Transformations move quickly from one situation into another as well as one charac- ter to another. Unless otherwise noted, the character is talking to the audience. This should be presented in storytelling style, with the actors portraying the story visually. Music and sound effects should be used to enhance the storytelling. The youth should have the appearance of youth typical for their age, so as not to stand out in a crowd. To be “unseen” and unnoticed. Hallway full of kids in an affluent, suburban high school. Josh enters out of a “door" labeled "locker room," looking around to make sure nobody sees him. His hair is a bit wet, his sleeves pulled up, and bruises on his arms. He has a very full backpack. He appears harried and tired. STUDENT ONE Enters, coming up behind Josh and joins him.
    [Show full text]
  • “It's Like a Mountain”: the Lived Experience of Homeless College
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2016 “It’s Like a Mountain”: The Lived Experience of Homeless College Students Valerie Karen Ambrose University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Adult and Continuing Education and Teaching Commons, Community College Leadership Commons, and the Higher Education Commons Recommended Citation Ambrose, Valerie Karen, "“It’s Like a Mountain”: The Lived Experience of Homeless College Students. " PhD diss., University of Tennessee, 2016. https://trace.tennessee.edu/utk_graddiss/3887 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Valerie Karen Ambrose entitled "“It’s Like a Mountain”: The Lived Experience of Homeless College Students." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Educational Psychology and Research. Mary F. Ziegler, Major Professor We have read this dissertation and recommend its
    [Show full text]
  • Dissertation Submission 8.11 FINAL Emoore
    An Exploration of Social Relationships over the Life Course among African American Women Aging with HIV. By Elizabeth Deanne Moore Program in Nursing Duke University Date:_______________________ Approved: ___________________________ Janice Humphreys, Supervisor ___________________________ Michael Cary ___________________________ Sharron Docherty ___________________________ Christina Meade Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Nursing in the Graduate School of Duke University 2017 ABSTRACT An Exploration of Social Relationships over the Life Course among African American Women Aging with HIV. By Elizabeth Moore Program in Nursing Duke University Date:_______________________ Approved: ___________________________ Janice Humphreys, Supervisor ___________________________ Michael Cary ___________________________ Sharron Docherty ___________________________ Christina Meade An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in Nursing in the Graduate School of Duke University 2017 Copyright by Elizabeth Moore 2017 Abstract Introduction: In the fourth decade of the HIV epidemic, African American women continue to be disproportionately affected by HIV across all age ranges in the U.S. African American women make up only 13% of the female population in the U.S. yet account for 64% of HIV infections among women (Aitcheson et al., 2014). African American women face multiple challenges that intersect to influence how they effectively age into older adulthood and manage their health. Due to the increased challenges experienced by older African American women across the life course, it is imperative to identify factors that may mitigate the challenges of aging with the disease. Scant research exists focusing specifically on older African American women with HIV and thus our understanding of their experiences is still quite limited.
    [Show full text]