Paul Van Dyk FAN TV

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Presents PAUL VAN DYK Grammy nominated artist and globally acclaimed DJ and Producer Paul van Dyk continues to dominate the electronic music charts and appears at the pinnacle of every Top DJ list across the globe. His fifth original album In Between was released August 2007 and features collaborations with David Byrne and Jessica Sutta. PvD is renowned as one of the hardest working artists, with sold-out tours that cross each continent, headline spots at every major festival, and a hugely successful recording career. With over 3 million albums sold worldwide, van Dyk travels around the world over 16 times each year to sold out performances internationally. 2007 alone has brought us PvD remixes of Depeche Mode’s “Martyr”, Britney Spears’ „Gimmy more“ and Justin Timberlake’s “What Goes Around… Comes Around”. Born in Eisenhuettenstadt, East Germany, Paul van Dyk grew up in communist East Berlin. Because his community did not have a true club culture, Paul van Dyk listened to the radio where he discovered his passion for music that extended beyond Techno music – he wanted to create a different, more unique sound. In the early 1990’s Paul van Dyk was spinning regularly at various clubs in Berlin before releasing his first album 45 RPM in 1994. But it wasn’t until the release of his second album Seven Ways which catapulted him into the Top 100, followed by the release of his hit single “For An Angel,” which began to earn him praise across the globe. By the time Paul van Dyk released Out There & Back in 2000, it became clear that the Berlin-based musician had far more to offer than his signature club sets and remixes that had already defined him as one of the most influential DJs and producers of all time. His first compilation mix CD Politics of Dancing was released in 2001, followed by Global in 2003 – a DVD which illustrates his own experiences traveling the world. Enjoy 99 more music channels @ fantv.bgton.com.

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CONTACT INFO OPENING ACT for PAUL VAN DYK “Evolution Tour” [email protected] SOMETHING WICKED Houston, TX Houston, TX EDM Music Festival
Je Chen, better known as Kid Stylez, is a DJ / Producer from Houston, Texas. Over a span of a 20-year career, this veteran DJ has rocked sold out venues across the nation, performed on nationally syndicated radio mixshows, and NOTABLE PERFORMANCES held numerous residencies at highly regarded venues. Now making his own remixes and tracks, this DJ has recently found a whole new love for music and performing. OFFICIAL DJ for CLUB NOMADIC - SUPERBOWL LI “2017 EA Sports Bowl” As an open format DJ, this party rocker is well-known for surprising crowds with "left turns,” as well as performing on-the-ﬂy edits and live blends in his high-energy sets. He draws on his extensive music knowledge to perform OPENING ACT for DASH BERLIN crowd-pleasing sets that break genre barriers. Je is a master at reading crowds, and any given night you might hear “Nightculture & Disco Donnie Presents” deep house, progressive, trap, breakbeat, electro, dubstep, hip hop, reggae, rock, or pop, all perfectly fused together. OPENING ACT for PAUL OAKENFOLD “Jagermeister Ultimate Summer of Music Tour” Je has performed alongside many of today’s most recognizable music talent, with particular emphasis on the EDM (Electronic Dance Music) scene. He has been chosen as a supporting act for multiple Armin Van Buuren tours, as OPENING ACT for FAR EAST MOVEMENT well as many other EDM artist tours. He has also performed at the nation’s premier Halloween EDM festival, “Stereo Live & Kollaboration Houston Presents” Something Wicked, for multiple years. Je was also selected from DJs across the country to play the world's largest OPENING ACT for ARMIN VAN BUUREN 24 Hour EDM mixshow, The New Year's Eve Tailgate Party.
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Lxdx Warrants Live Markets Insider
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A Chat with the DJ - Apostille
[email protected] A Chat with the DJ - Apostille MB.. You Have very kindly agreed to do a mix for the podcast but I feel its always good for listeners to get to know you a little with a 5 step Q & A.. So we know that you play the deep, melodic and progressive style but when did you start to DJ and what made you take the step from punter to player ?? (as in the DJ kind) Apostille: My first ever visit to a nightclub was to see Paul Oakenfold at The Warehouse in April 1996. I was 16. My mum gave me and three mates a lift to the club and we were listening to Radio 1 in the car. Pete Tong played his essential new tune – it was Born Slippy. We get in and guess what, four hours later Oakey drops Born Slippy at prime time to a rammed club. Blew my mind. That was the moment I wanted to do be a DJ. My parents bought me some sketchy belt drive turntables for Christmas in 1996. By the end of 1997 I was playing small venues locally. That year I saw Sasha and Digweed touring Northern Exposure. I knew I liked that melodic genre, but when Paul Van Dyk came to town with his acid infused progressive trance I was all in on that sound. He drifted away from that sound actually and went more mainstream trance. I have never forgiven him! MB.. If you can share one musical memory with us, as a DJ or punter, which has lodged itself in the memory bank, what is it?? Apostille: For starters I have definitely had more fun as a punter than a DJ.
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The MFS Trip Into the History of Trance!
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Sensation White Booklet
07/05/14 Dressed in White Together We Unite Become apart of the global dance phenomemon and join us for a night filled with peace, love, and dance music. Prepare to have your senses amazed with an experience unlike anything else. ID&T along with Product (Red) presents Sensation at the Staples Center. Dressed in all white, thousands of partygoers will not only have fun, but will do good by having fun. A portion of Sensation’s ticket and merchandise sales will go to benefit Product (Red), to help combat HIV/AIDS throughout Africa. Dress in White for (Red). Dance for Life. Kaskade The Carl Cox Tiesto DJs Armin van Buuren Paul van Dyk Benny Benassi 01 01 02 02 Kaskade Carl Cox Already one of America’s biggest house A legend in his own right, Carl Cox DJs, Kaskade’s career isn’t letting continues to be one the world’s up anytime soon. His melodic and leading techno DJs with a career that soothing beats accompanied by light spands nearly three decades. From and airy vocals create his signature headlining several major dance events sound, and it’s no wonder that he has ranging from Mayday, Sensation, become one of the most well-liked Ultra, and Tomorrowworld, Carl and succesful DJs in the U.S. In 2012 continues to bring the best in techno. he had a succesful residency at the Marquee nigh club in Las Vegas, and in 2013 returned to the city for another succesful run at the XS nightclub. Genre: House Genre: Techno 03 04 Tiesto Armin van Buuren A trance legend who now dabbles in Ranked as the #1 DJ in the world five several genres of dance music, Tiesto times in DJ Mag, Armin continues to remains a revered figure in the global bring uplifting and melodic trance tunes dance scene.
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Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music.
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Kennedy Van Der Laan 28 March, 2017
Case 2:19-cv-04280-SVW-SS Document 11-2 Filed 06/24/19 Page 111 of 241 Page ID #:687 Answer to the Notice of Arbitration Paul van Dyk GmbH and Matthias Paul v. ALDA Events B.V. Kennedy Van der Laan 28 March, 2017 ANSWER TO THE NOTICE OF ARBITRATION Paul van Dyk GmbH and Matthias Paul v. ALDA Events B.V. March 28, 2017 1. INTRODUCTION 1.1. By Notice of Arbitration from March 7, 2017, Paul van Dyk GmbH and Matthias Paul p/k/a Paul van Dyk (individually referred to as “Claimant 1” and “Claimant 2”, respectively and jointly as “Claimants”), have notified the ICDR of their demand that a dispute between Claimants and ALDA Events B.V. (“Respondent”) is to be referred to arbitration. 1.2. In this Answer, Respondent shall briefly reply to such demand by raising several preliminary defenses against the validity of the arbitration agreement, the parties to this arbitration and the scope of the claims brought by Claimants. 1.3. After first addressing the particulars of the parties and Respondent’s representatives in chapter 2, Respondent shall put forward its preliminary defenses related to the lack of an arbitration agreement (chapter 3), the lack of standing of Claimant 2 (chapter 4) and the scope of the claims brought by Claimants in this Arbitration (chapter 5). Respondent will conclude this Answer with a few particulars and observations concerning the arbitrator (chapter 6) and other relevant matters (chapter 7). 1.4. Respondent submits one Exhibit with this Answer, numbered Exhibit R-1.
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Wings of Desire Were Made with the Kind Permission of Wim Wenders
Institut for Informations og Medievidenskab Aarhus Universitet p.o.v. A Danish Journal of Film Studies Editor: Richard Raskin Number 8 December 1999 Department of Information and Media Studies University of Aarhus 2 p.o.v. number 8 December 1999 Udgiver: Institut for Informations- og Medievidenskab, Aarhus Universitet Niels Juelsgade 84 DK-8200 Aarhus N Oplag: 750 eksemplarer Trykkested: Trykkeriet i Hovedbygningen (Annette Hoffbeck) Aarhus Universitet ISSN-nr.: 1396-1160 Omslag & lay-out Richard Raskin Articles and interviews © the authors. Frame-grabs from Wings of Desire were made with the kind permission of Wim Wenders. The publication of p.o.v. is made possible by a grant from the Aarhus University Research Foundation. All correspondence should be addressed to: Richard Raskin Institut for Informations- og Medievidenskab Niels Juelsgade 84 8200 Aarhus N e-mail: [email protected] fax: (45) 89 42 1952 telefon: (45) 89 42 1973 This, as well as all previous issues of p.o.v. can be found on the Internet at: http://www.imv.aau.dk/publikationer/pov/POV.html This journal is included in the Film Literature Index. STATEMENT OF PURPOSE The principal purpose of p.o.v. is to provide a framework for collaborative publication for those of us who study and teach film at the Department of Information and Media Science at Aarhus University. We will also invite contributions from colleagues at other departments and at other universities. Our emphasis is on collaborative projects, enabling us to combine our efforts, each bringing his or her own point of view to bear on a given film or genre or theoretical problem.
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The Express Welcomes Aboard New Comic
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Formal Devices of Trance and House Music: Breakdowns
FORMAL DEVICES OF TRANCE AND HOUSE MUSIC: BREAKDOWNS, BUILDUPS AND ANTHEMS Devin Iler, B.M. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS December 2011 APPROVED: David B. Schwarz, Major Professor Thomas Sovik, Minor Professor Ana Alonso-Minutti, Committee Member Lynn Eustis, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Iler, Devin. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. Master of Music (Music Theory), December 2011, 121 pp., 53 examples, reference list, 41 titles. Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music. Copyright 2011 by Devin Iler ii TABLE OF CONTENTS Page LIST OF EXAMPLES……………………………………………………………………iv CHAPTER 1—INTRODUCTION……………………………………………………......1 Definition of Terms/Theoretical Background…………………………………......1 A Brief Historical Context………………………………………………………...6 CHAPTER 2— TYPICAL BUILDUP FEATURES……………………………………...9 Snare Rolls and Bass Hits…………………………………………………………9 Bass + Snare + High Hat Leads and Rest Measures……………………………..24 CHAPTER 3— BUILDUPS WITHOUT TYPICAL FEATURES……………………...45 Synth Sweeps…………………………………………………………………….45
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1 Becoming a Radio DJ
TEAM LinG - Live, Informative, Non-cost and Genuine ! © 2004 by Thomson Course Technology PTR. All rights reserved. SVP, Thomson Course No part of this book may be reproduced or transmitted in any form Technology PTR: or by any means, electronic or mechanical, including photocopying, Andy Shafran recording, or by any information storage or retrieval system without written permission from Thomson Course Technology PTR, Publisher: except for the inclusion of brief quotations in a review. Stacy L. Hiquet The Premier Press and Thomson Course Technology PTR logo and Senior Marketing Manager: related trade dress are trademarks of Thomson Course Technology Sarah O’Donnell PTR and may not be used without written permission. Marketing Manager: All trademarks are the property of their respective owners. Heather Hurley Important: Thomson Course Technology PTR cannot provide Manager of Editorial Services: hardware or software support. Please contact the appropriate Heather Talbot manufacturer’s technical support line or Web site for assistance. Senior Editor/Acquisitions Editor: Thomson Course Technology PTR and the author have attempted Mark Garvey throughout this book to distinguish proprietary trademarks from descriptive terms by following the capitalization style used by the Associate Marketing Managers: manufacturer. Kristin Eisenzopf and Sarah Dubois Information contained in this book has been obtained by Thomson Course Technology PTR from sources believed to be reliable. Developmental/Project/ However, because of the possibility of human or mechanical error Copy Editor: by our sources, Thomson Course Technology PTR, or others, the Brian Proffitt Publisher does not guarantee the accuracy, adequacy, or Technical Reviewer: completeness of any information and is not responsible for any Chad Carrier errors or omissions or the results obtained from use of such information.
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